Top 157 Collins Quotes & Sayings - Page 3

Some people insist they've never met a gay person. But Three Degrees of Jason Collins dictates that no NBA player can claim that anymore. Pro basketball is a family. And pretty much every family I know has a brother, sister or cousin who's gay. In the brotherhood of the NBA, I just happen to be the one who's out.

I adore Wilkie Collins,” Tessa cried. “Oh—Armadale! And The Woman in White … Are you laughing at me?” “Not at you,” said Will, grinning, “more because of you. I’ve never seen anyone get so excited over books before. You’d think they were diamonds.” “Well, they are, aren’t they? Isn’t there anything you love like that? And don’t say ‘spats’ or ‘lawn tennis’ or something silly.” “Good Lord,” he said with mock horror, “it’s like she knows me already.

One side thinks the president'??s request for war-making powers is too brazen and even reckless. The other side thinks it is too spineless and probably ineffectual. 'It does not seem to have resonated with anyone,' said Senator Susan Collins, Republican of Maine and a member of the Intelligence Committee. 'I haven't found any colleague who'??s been enthusiastic about it.'

I haven't had the recognition I deserve. You can go back to anybody's career - Ricky Hatton, Joe Calzaghe, David Haye, Amir Khan, Chris Eubank, Nigel Benn, Steve Collins, Naseem Hamed. My record is better than all of theirs. I've won against more unbeaten fighters than any of them, had more exciting fights.

In the far corner, a tenor began to sing, Zsadist's crystal-clear voice sailing up toward the warrior paintings on the ceiling far, far above them all. At first John didn't know what the song was...although if he'd been asked what his name was, he would have said Santa Claus, or Luther Vandross, or Teddy Roosevelt. Maybe even Joan Collins.

Whatever people want to say, we go out there every night, and we give tribute to the songs that my brother wrote, to Ronnie and Allen Collins and Steve Gaines and Leon Wilkeson and everybody. We pay tribute every night to those people who have gone on.

Sophie," he said, and when she gave him a stern look, he took a hasty swig of the posset. “Miss Collins. I have not yet had a chance to properly apologize to you, so let me take it now. Please forgive me for the trick I played on you with the scones. I did not mean to show you disrespect. I hope you do not imagine I think any less of you for your position in the household, for you are one of the finest and bravest ladies I have ever had the pleasure of knowing.

Red House Painters were doing cover songs before our first record deal. I remember live shows where we did an AC/DC song; I think we did 'Send In The Clowns' by Judy Collins. We did 'The Star Spangled Banner,' which came out on our third record.

In my opinion humanity is being prayed upon, I mean as a species. Not only by old satanic families like the Rothschilds and Rockefellers, Collins, Dupont, Warner, Russell, the world's monarchies, the Vatican. But also prayed upon by these family's employees, by governments, by the military, by banking institutions, by academia. So who does that leave? That's all the people who aren't wealthy, aren't connected, aren't educated, who are easy to manipulate, are easy to persecute and who don't believe any of the issues which you cover on Red Ice. And that's a problem. And that breaks my heart.

An unhappy alternative is before you, Elizabeth. From this day you must be a stranger to one of your parents. Your mother will never see you again if you do not marry Mr. Collins, and I will never see you again if you do.

God bless him, I mean a lot of times you get non-actors on a set and they get really self-conscious, especially when doing something crazy like singing along with Phil Collins. They get sort of reserved and self-conscious. Mike [Tyson] completely trusted Todd [Phillips] and totally put everything into it.

If we're going to come together and make real progress to improve the lives of people here in Maine and across the country, then we need new leadership. Because after 24 years in Washington, Sen. Collins has become part of that broken system, putting special interests and her political party first. And Mainers know it and feel it.

To quote the exceptional teacher Marva Collins, "I will is more important than IQ." It is wonderful to have a terrific mind, but it's been my experience that having outstanding intelligence is a very small part of the total package that leads to success and happiness. Discipline, hard work, perseverance, and generosity of spirit are, in the final analysis, far more important

When the album 'Duke' came out, by Genesis, Phil Collins beat Dad in a drummers poll. My dad got me to learn 'Turn It On Again' by Genesis. I'd play it, and he'd go, 'Do it again,' until I got it right. I'd play it until I nailed it, and then he went, 'I don't see what the big deal is. My 12-year-old son could play that song.'

Susan Lucci was the biggest star in the daytime galaxy, and she served it up hot and fresh and chic five days a week. Before there was Joan Collins's Alexis Morrell Carrington Colby Dexter Rowan on 'Dynasty,' there was Erica Kane Martin Brent Cudahy Chandler Montgomery Montgomery Chandler Marick Marick Montgomery on 'All My Children.'

In terms of the stars, the only ones I cast were Billy Connolly and Pauline Collins. I was in Los Angeles working and a lot of this took place on the telephone. I'd met Maggie [Smith] once and I'd come back-stage, which I'm usually loathe to do because as an actor you don't want people coming back because you want to get home [laughs].

Armstrong, sitting in the commander's seat, spacesuit on, helmet on, plugged into electrical and environmental umbilical's, is a man who is not only a machine himself in the links of these networks, but is also a man sitting in (what Collins is later to call) a 'mini-cathedral.' a man somewhat more than a pilot, somewhat more than a superpilot, is in fact a veritable high priest of the forces of society and scientific history concentrated in that mini cathedral, a general of the church of the forces of technology.

When I started out playing guitar and singing, I was about twelve, going on thirteen. The role models for me back then were the folk singers. They all had these high, really nice voices and ranges, like Judy Collins and Joan Baez, and then later, of course, Joni Mitchell and Linda Ronstadt. I decided early on that I was going to learn how to write songs really, really well, because I didn't want to have to compete as a singer. I didn't feel that it was my strong point.

We both [with Suzanne Collins ] felt strongly that you wouldn't want to age up the characters, no matter the age of the actors playing the roles. They should be playing the age that they are in the [Hunger Games] books. It would let people off the hook, if you said, "Well, instead of 12 to 18, why don't you make them 18 to 25 or 16 to 21?" If you don't stay true to the horror of the fact that they are 12 to 18, you're not doing justice to the book.

I loved music. Music was a big thing and so I started collecting records. I had a large collection of jazz records and that was something else I used to listen to. At night, there was a - what the heck was his name? There was a famous - Jazzbo Collins, I used to listen to at night, and some other guys.

Suzanna Collins was very supportive, but we very much wanted her blessing on casting. In production, she visited us once, but she really was not involved in the production process. She's seen the Hunger Games movie twice, in the post-production process, once as an early cut and then once when it was finished.

Suzanne had a room on a waterfront street in the port of Montreal. Everything happened just as it was put down. She was the wife of a man I knew. Her hospitality was immaculate. Some months later I sang it for Judy Collins over the telephone. The publishing rights were lost in New York City, but it is probably appropriate that I don't own this song. Just the other day I heard some people singing it on a ship in the Caspian Sea.

I was accepted to Colorado State University in Fort Collins, which is a terrific Aggie school, and they had a great forestry program. But when I saw the syllabus and realized what I was going to actually have to be studying, there was a lot of science! If you want a degree in forestry, it's basically a science degree. And I just thought, "No, no, no, wait a second. Never mind!"

Jessica Biel is a really interesting case. She actually called us after the table read and said, "You guys should go meaner." She pitched us, and said, "Look, I know there are a lot of things to make fun of me about. I don't want people to think you're pulling punches. Please, dive in." We asked, "Could we tell a joke about your friend and mentor Stephen Collins?" And she said, "Well maybe not so much in that area. As long as the jokes were about me, I'm game for everything."

You know what I hate about rock? I hate tie-dyed tee shirts. I wouldn't wear a tie-dyed tee shirt unless it was dyed with the urine of Phil Collins and the blood of Jerry Garcia.

So, most of it was done over the phone. But one of the first things I did as a director, because it's one of the first things you should do, even though most don't, is to ask good actors who they think is right for the part. They know better than anybody. But without missing a beat Maggie said Pauline Collins. I didn't know Pauline because I hadn't seen Shirley Valentine, but then I saw this thing that she did with Woody Allen [You Will Meet A Tall Dark Stranger], in which she was wonderful as a psychic, and I said to her on the phone: "The dialogue seemed improvised."

I changed my major to English and I went off to Fort Collins. And within the first couple of weeks, I noticed that they were having auditions for a production in their theater department. They were going to stage Jean Anouilh's Becket, which was a film I loved, with Peter O'Toole and Richard Burton. So I went down and auditioned, and I got the role. I got the Peter O'Toole part. So here I was, a 19-year-old playing King Henry.

Your mother will never see you again if you do not marry Mr. Collins, and I will never see you again if you do; for I shall not have my best warrior resigned to the service of a man who is fatter than Buddha and duller than the edge of a learning sword.

Preserve the core, and let the rest flux. In their wonderful bestseller Built to Last, authors James Collins and Jerry Porras make a convincing argument that long-lived companies are able to thrive 50 years or more by retaining a very small heart of unchanging values, and then stimulating progress in everything else. At times "everything" includes changing the business the company operates in, migrating, say, from mining to insurance. Outside the core of values, nothing should be exempt from flux. Nothing.

People ask me all the time if I'm from a family of writers. The literal short answer is no, but my father and his brothers and sisters and his mother are all people who would sit around with a Tom Collins and tell stories that seemed to get better and better each time they told them.

I felt that there were so many things that could go wrong, in adapting The Hunger Games , and I had this fierce desire to protect this book that she had written. At that time, I read the second book, in manuscript form, and so I saw where she was going with the series. I was able to convince Suzanne [Collins] to trust me with the books.

Suzanne [Collins] was very involved in the development of the script. She wrote the first draft. She was very involved with Billy Ray, when he wrote his draft.

Asleep by the Smiths Vapour Trail by Ride Scarborough Fair by Simon & Garfunkel A Whiter Shade of Pale by Procol Harum Dear Prudence by the Beatles Gypsy by Suzanne Vega Nights in White Satin by the Moody Blues Daydream by Smashing Pumpkins Dusk by Genesis (before Phil Collins was even in the band!) MLK by U2 Blackbird by the Beatles Landslide by Fleetwood Mac Asleep by the Smiths (again!) -Charlie's mixtape

He begged to know to which of his fair cousins the excellency of its cookery was owing. Briefly forgetting her manners, Mary grabbed her fork and leapt from her chair onto the table. Lydia, who was seated nearest her, grabbed her ankle before she could dive at Mr. Collins and, presumably, stab him about the head and neck for such an insult.

Only in America, Rabbi Golden, do these peasants, our mothers, get their hair dyed platinum at the age of sixty, and walk up and down Collins Avenue in Florida in pedalpushers and mink stoles - and with opinions on every subject under the sun. It isn't their fault they were given a gift like speech - look, if cows could talk, they would say things just as idiotic.

Back in the day in my teens I was listening to Joe Pass and Wes Montgomery a lot; before that I was listening to what I would call now the more 'simple' jazz players (but still very valid), like Barney Kessell or Johnny Smith; I learnt a lot of voicings from Johnny Smith records. Now, I listen to the old blues players; that's what you'd hear in my house if there was music on. It would be Albert Collins or Albert King.

I think that's the mother and father of all cop-outs. It's an honest scientific quest to discover where this apparent improbability comes from. Now [Francis] Collins says, "Well, God did it. And God needs no explanation because God is outside all this." Well, what an incredible evasion of the responsibility to explain. Scientists don't do that. Scientists say, "We're working on it. We're struggling to understand."