Top 1200 Color And Life Quotes & Sayings - Page 3

Full color experience is peculiarly satisfying even though it is exhausting and leaves you feeling two-thirds color blind when you're not making the effort.

It is only after years of preparation that the young artist should touch color - not color used descriptively, that is, but as a means of personal expression.

Festive cocktails mean color, lots of color.

Color is the fruit of life.

The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.

If you win, if you make money. If you do quality work, then other people of color, whatever color that is, can get in the door.

It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color.

If singing was a color, it would've been the color of that chocolate.

A life best lived is a life by design. Not by accident, and not by just walking through the day careening from wall to wall and managing to survive. That's okay. But if you can start giving your life dimensions and design and color and objectives and purpose, the results can be staggering.

Photography has always been associated with death. Reality is colorful, yet early photography always took the color out of reality and made it black-and-white. Color is life; black-and-white is death. There was a ghost hidden in the invention of photography.

I'm asking you not to be color blind, but to be color brave.

We cannot afford to be color-blind, we have to be color-brave.

I've always felt that color is intrinsically personal. It evokes a tremendous amount of emotion. If there's a color you respond to, that's something you can incorporate into your home. No one can tell you it's wrong.

I am willing to compete on my merits and on my character - not with the color of my skin. We talk about being a color-blind society, but I don't think the political process could actually handle that.

The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.

It's time we become comfortable with the uncomfortable conversations about race...Instead of being color blind, we need to be color brave.

When poems stop talking about the moon and begin to mention poverty, trade unions, color, color lines and colonies, somebody tells the police.

In Lords of Rainbow I start out by taking away color from the world, and in the process show color's vital place in our lives. At least I hope that by the end of the book it's a portion of what the reader comes away with - a sense of how much color perception enriches our lives and how its lack can make our sensory experience incomplete.

Life is in color, but black and white is more realistic.

There is an instinct for realism, a powerful drive to reproduce oneself. The fascination of photorealistic paintings lies partly in their apparent replication of life, but these are not merely replications. These paintings are often out of life scale, varying from over life-size to under life-size, from brilliant, heightened color to pale, undertone hues.

Color provokes a psychic vibration. Color hides a power still unknown but real, which acts on every part of the human body.

How obvious it is that color has its various connotations-hue, value, and intensity - and without the basic understanding of these three determining factors, we are somewhat limited in the proper use of color in rooms.

In my photography, color and composition are inseparable. I see in color.

Our ordinary language has no means for describing a particular shade of color. Thus it is incapable of producing a picture of this color.

There are so many brilliant, trained actors of color in America. If you just think about it, every year in the spring Julliard and NYU and Yale and hundreds of schools across the country graduate classes of trained actors, and in those classes are actors of color. So to say that there aren't enough actors of color is factually inaccurate.

The standard progressive approach of the moment is to mix color-conscious moral invective with color-blind public policy.

Capitalism knows only one color: that color is green; all else is necessarily subservient to it, hence, race, gender and ethnicity cannot be considered within it.

The script is the coloring book that you’re given, and your job is to figure out how to color it in. And also when and where to color outside the lines.

One who knows how to appreciate color relationships, the influence of one color with another, their contrasts and dissonances, is promised an infinite variety of images.

In all the relations of life and death, we are met by the color line.

The script is the coloring book that you're given, and your job is to figure out how to color it in. And also when and where to color outside the lines.

I think a perfect-color scarf really brings out your whole skin tone, lip color, and everything else.

One should absorb the color of life.

I could never before say that I loved color or that I understood color. But Oscar de la Renta opened up a side of my brain.

Another reason for switching to color is world television. In a few years, it will all be in color, and you can't compete against that with black-and-white films.

Alcohol was the background color in the fabric of Reggie's life.

There are people who don't respond to color. That's what painting is. It's color.

Black History is enjoying the life of our ancestors who paved the way for every African-American. No matter what color you are, the history of Blacks affected everyone; that's why we should cherish and respect Black history. Black history changed America and is continuing to change and shape our country. Black history is about everyone coming together to better themselves and America. Black history is being comfortable in your own skin no matter what color you are. Black history makes me proud of where I came from and where I am going in life.

Each color lives by its mysterious life.

With all its variety and liveliness, color acts in the work of art as blood does as it circulates through our bodies. Color is what keeps the painting alive and moving.

I am curious about color as one would be visiting a new country, because I have never concentrated so closely on color expression. Up to now I have waited at the gates of the temple.

A person's life is dyed with the color of his imagination.

The way it works for me is my sight and sound senses are combined. Every sound I associate with a color and every color I associate with a sound... The way I see things is constant streamers across the room, bouncing off from every touch and every sound. Over the years, I've learned what color palates I love most.

There is still so much acceptance, representation and visibility needed for trans women of color and gender non-conforming people of color.

Eyeliner is a go-to for me, and gold has always been a color that I really like. It's reminiscent of a lion; it's a strong color.

I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.

Three years after my first trip to Haiti, I realized there was another emotional note that had to be reckoned with: the intense, vibrant color of these worlds. Searing light and intense color seemed somehow embedded in the cultures that I had begun working in, so utterly different from the gray-brown reticence of my New England background. Since then, I have worked predominantly in color.

What color is in a picture, enthusiasm is in life.

Color in a picture is like enthusiasm in life.

In a way, the blank canvas... represents the infinity of trying to use color to express emotions - to assign a linguistic function to color.

My life is mine and I form it. Tell yourself this often. Create your own life now, using your beliefs as an artist uses color.

Under the color-blind ideology of the new racism, Blackness must be SEEN as evidence for the alleged color blindness that seemingly characterizes contemporary economic opportunity.

What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.

He who wishes to become a master of color must see, feel, and experience each individual color in its endless combinations with all other colors.

For me, each nuance of a color is in some way an individual, a being who is not only from the same race as the base color, but who definitely possesses a distinct character and personal soul.

I general don't color my stuff - I'm pretty horrible with color. Usually, I'll get one of my cartoonist friends to help me out.

The specter of color is apparent even when it goes unmentioned, and it is all too often the unseen force that influences public policy as well as private relationships. There is nothing more remarkable than the ingenuity that the various demarcations of the color line reflect. If only the same creative energy could be used to eradicate the color line; then its days would indeed be numbered.

It's not enough just to elect people of color and women of color and progressives. We need to make sure that they have a work plan and that they are - continue to align with the communities that helped get them to where they're at.

In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art.

For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.