The image of how power shows itself to the public is important... CNN was an inspiration to do the project in color because power confirms itself through television... I thought it would be interesting to copy the same language. large color pictures are framed in heavy wooden frames with golden plates and hung slightly higher than normal. So viewers get a sore neck watching these events, this is also the case when looking at paintings of saints in cathedrals.
Color tends to corrupt photography and absolute color corrupts it absolutely. Consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies' playsuit. These are four simple words which must be whispered: color photography is vulgar.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
All students need to know about color is the basic color wheel and complimentary colors. There are many books on color theory; do not waste your time and money.
There aren't very many women of color in positions of power, period. Much less on television.
Another reason for switching to color is world television. In a few years, it will all be in color, and you can't compete against that with black-and-white films.
The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.
The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty.
Color is a powerful physical, biological, and psychological force. When less color and less intense color is present, trace amounts and subtle differences become highly significant and are strongly felt.
This can be one of cheerfulness or gloom because color which is so inexpensive, is what does the trick. Not color alone but color plus imaginative lighting and cleverly grouping of the furniture. You say you have an old lobby that nothing much can be done with? Oh yes it can!
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
Flowers and flames. And color. Color as color, not as volume or light - only as color.
For her everything was red, orange, gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color." - Ernest Hemingway.
My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he felt that color came out of tension between light and dark. I think that is very appropriate when you think about the kind of color that I shoot.
We all see color. We do. And anyone who says he doesn't see color is confused or isn't telling the truth. Except... and I know how this sounds, but I can't remember any point in my life where I saw other people and thought of their color.
One of my dreams was to change the way women of color were seen on television.
You'll understand, I'm sure that I'm chasing the merest sliver of color. It's my own fault. I want to grasp the intangible. It's terrible how the light runs out. Color, any color, lasts a second, sometimes 3 or 4 minutes at most.
I like to wear a lot of one-tone color outfits - same color trousers, same color shirt.
When I was getting started, I was so busy just fighting my way through, and I was under contract at Warner Brothers. I did 40 hours of color television with the late Robert Taylor as a young cop.
The true color of life is the color of the body, the color of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest color of the unpublished blood.
It seems obvious that colors vary according to lights, because when any color is placed in the shade, it appears to be different from the same color which is located in light. Shade makes color dark, whereas light makes color bright where it strikes.
We love television because television brings us a world in which television does not exist.
The fact is, that of all God's gifts to the sight of man, color, is the holiest, the most divine, the most solemn. We speak rashly of gay color and sad color, for color cannot at once be good and gay. All good color is in some degree pensive, the loveliest is melancholy, and the purest and most thoughtful minds are those which love color the most.
Television is much more of a producer's writer's medium, so a lot of the time, when you're directing a television show, they have a color palette on set or a visual style and dynamic that's already been predetermined, and you just kind of have to follow the rules.
Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.
Everything is about color. If you look at magazines and advertising and television, the thing you remember is the color.
One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week.
The sky above the port was the color of television, tuned to a dead station.
When I use color, people say, "Oh he's Indian, that's why he's using color!" Perhaps this is true, Indians aren't scared of color, and perhaps that's what makes me different. But also, I personally love color, regardless of where I come from.
My songwriting process is based on a formula: Color, tone, words. When I hear production, I initially identify the color that resonates with me. From there, I am able to translate the color into tone or emotion, which may depend on a number of things.
Color television! Bah, I won't believe it until I see it in black and white.
When you watch television, you never see people watching television. We love television because it brings us a world in which television does not exist.
I love color. When I paint, I use a lot of color. I love art that has a vibrancy of color and compositions. I adore the Impressionists, and I'm influenced strongly by them as a self-taught artist.
Hue does not refer to how light, dark, or intense, but only what kind of color: what hue. It takes all three aspects to make a color, therefore 'red' is not a color, but only one aspect, the hue, of some partially defined color.
As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
Color contributes to beauty, but it is not beauty. Color should have a minor part in the consideration of beauty, because it is not color but the structure that constitutes its essence.
I don't wear a lot of color. In fact, I don't actually like color on myself. I love color but it's very challenging, it's very powerful, it can overpower you. I think if my eyes were closed and someone put a red jacket on me, I would be able to feel that it was red. I don't feel great in color.
We can translate word and letter into color - [Arthur] Rimbaud stated that in his color vowels, words quote "words" can be read in silent color.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
Color in color is felt at any and every place of the pictorial organization; in its immediacy - its particularity. Color must be felt throughout.
Teach people to play new chess, right away. Why do you offer them a black and white television set, when there is a set in color?
As somebody who has been an executive producer on a television series, I can tell you that increasing director diversity is as simple as hiring more women and more people of color.
Munch writes poetry with color. He has taught himself to see the full potential of color in art His use of color is above all lyrical. He feels color and he reveals his feelings through colors; he does not see them in isolation. He does not just see yellow, red and blue and violet; he sees sorrow and screaming and melancholy and decay.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
I think it's a great time to be a person of color and with talent. And actually, to be a woman as well. Our show is one of the most diverse television shows on television right now.
Dark green is my favorite color. It's the color of nature and the color of money and the color of moss!
Pink is the color of strength, a color of conviction, a color of decision making.
My favorite name for a color is "puce." It's kind of a dried blood color. It's a hideous color. But I love the word. It's so euphonic. But my favorite colors are lavender, purple, periwinkle blue, and white.
I grew up in South Africa without a television; there was no television, and the year after I left, television arrived in South Africa, so I have never really acquired a taste for watching television.
My philosophy, like color television, is all there in black and white.
But when I fell in love with black, it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all.... You can be quiet and it contains the whole thing.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
The shiny red color of the soles has no function other than to identify to the public that they are mine. I selected the color because it is engaging, flirtatious, memorable, and the color of passion.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.
Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'
Color is life, for a world without color seems dead. As a flame produces light, light produces color. As intonation lends color to the spoken word, color lends spiritually realized sound to a form.
When you want full color perception, you must give up preferring some colors and hating others, for you can only hate one aspect of a color, not a whole color, it seems, hate being blind, like 'love.
Red has been praised for its nobility of the color of life. But the true color of life is not red. Red is the color of violence, or of life broken open, edited, and published. Or if red is indeed the color of life, it is so only on condition that it is not seen. Once fully visible, red is the color of life violated, and in the act of betrayal and of waste.
So really what I am trying to do is create and understand form. But then too, color enters into it because a lot of things are color changes without a value change, which wouldn't show up if you were just using a non-color medium.
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