Top 1200 Colors Of The Rainbow Quotes & Sayings - Page 3
Explore popular Colors Of The Rainbow quotes.
Last updated on December 24, 2024.
The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it.
But what I attach great importance to is observation of the movement of colors. It is only in this way that I have found the laws of complementary contrast and the simultaneity of those colors that nourish the rhythm of my vision. There I find the representative essence — which does not arise from a system or an a priori theory.
Simultaneous contrast is not just a curious optical phenomenon – it is the very heart of painting. Repeated experiments with adjacent colors will show that any ground subtracts its own hue from the colors which it carries and therefore influences.
Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things.
As a songwriter, you're allowed to write anything, and as a person, I am all colors in the rainbow. I've been through everything, you know, so I can write a positive song like 'Better Get to Livin'' because that's my attitude. But that doesn't mean I'm happy all the time. You can't be a deep and serious songwriter without feelings. You kinda have to live with your feelings out on your sleeve and get hurt more than most people. The fear I might get hurt means I might not be able to write another song.
My god, life is beautiful! Look at the colors! if you are blind, look at the colors of your mind.
If I tell you purple look good on you, and you ain't never wore purple, your favorite colors are red and green, and you're like, No man, these my colors. You won't know purple is your color until you try it on.
I love a red lip - red is one of my favorite colors, and I really don't wear many other lipstick colors than red.
The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
When you want to make the main color pure and bright, don't just keep adding bright colors on it. Just make the colors around the spot darker and dull. It will give the scene dramatical effects.I think the life is the same.
When you a darker brunette and have pale skin like I do, it can wash you out a bit, so learning to contour is really helpful. I think you can be a bit more bold with eye makeup to define your eyes, and the same with lip colors - you can go for dark wine colors, which I love.
'Luchadores, mil mascaras'... a thousand masks. I see a lot of those in Jets colors. And then the Hispanic fans of other teams, they'll wear them in their colors. And they're like, 'You're our guy, Sanchez, but I'm a Steelers fan.'
You're wonderful. So full of life and excitement. The priests and servants of the palace, they wear colors, but there's no color inside of them. They just go about their duties, eyes down, solemn. You've got color on the inside, so much of it that it bursts out and colors everything around you.
I invent by analogy. I thought, 'It's commonplace that you can mix colors, smear them together to get new emerging colors. Likewise, you can mix radio waves to get new frequencies.' So, I wondered, 'Why can't you mix sound to get new sounds?'
Fashion is more than just how many colors and patterns you can put on at once. Being a great dresser is not necessarily about the colors you put on. It's about putting things together in the right way and then trying different things.
She feels like kicking out all the windows
And setting fire to this life
She could change everything about her using colors bold and bright
But all the colors mix together - to grey
Grandeur of effect is produced by two different ways which seem entirely opposed to each other. One is by reducing the colors to little more than chiaroscuro... and the other, by making the colors very distinct and forcible... but still, the presiding principle of both those manners is simplicity.
If I feel really ugly or unhappy, sometimes I'll choose bright colors so they'll make me feel good. Yellows, pinks, light blues and orange. I just want to feel good all the time if I can. And colors and hairstyles and all that kind of helps out.
Blushes are the rainbow of modesty.
Who told you that one paints with colors? One makes use of colors, but one paints with emotions.
I definitely feel like it took me a while to learn the baseline things you have to do if you want people to hear you. That's why I've had the same haircut for the entire time that I've been on television and that's why I wear literally the same jacket every day. I keep all the clothes I wear on TV in my office on a little hanging rack. My girlfriend calls it all the colors of the German rainbow. Grays, blacks, a slightly greenish gray for the days that I'm feeling particularly festive. I'm not trying to accomplish anything in the way I look other than to be boring enough for people to hear me.
I'm here to help you notice the rainbow.
When it comes to our precious poor children of all colors, maybe disproportionally in percentage black and white and red, but all colors, yellow as well as white, we need to push toward integrated schools.
Bet you don't know why the sun sets red. You see, light is made up of lots of colors. And out of all those colors, red is the one that travels the farthest.
I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.
The starting point of a picture for any painter is a matter of colors and form...I believe that the poetry of art - if that is what one may call it - is a matter of animating these forms and colors.
It's not till sex has died out between a man and a woman that they can really love. And now I mean affection. Now I mean to be fond of (as one is fond of oneself) -to hope, to be disappointed, to live inside the other heart. When I look back on the pain of sex, the love like a wild fox so ready to bite, the antagonism that sits like a twin beside love, and contrast it with affection, so deeply unrepeatable, of two people who have lived a life together (and of whom one must die) it's the affection I find richer. It's that I would have again. Not all those doubtful rainbow colors.
I can almost see the music. It comes in the form of colors - colors jump out at me, and that translates into notes. They come fully formed: the orchestration parts, not just the melodies. Even though they're not always the right ones to use, the initial idea comes like that.
There is a wonderful place
where flowers grow in colors
beyond the words of poets...
trees sing with the
songs of butterflies.
And mythical tigresses look
at you with fiery golden eyes...
open your heart
and feel the colors of magic
blooming inside you.
My favorite color is rainbow.
The fact that the colors in the flower have evolved in order to attract insects to pollinate it is interesting; that means insects can see the colors. That adds a question: does this aesthetic sense we have also exist in lower forms of life?
Let's take back the rainbow for God. Let the homosexual community find a different religious symbol to commandeer... What I want is for the Christian community to wake up, wipe the sleep from their eyes, and realize that they are in a spiritual battle that isn't going away and has no demilitarized zones. The rainbow is a symbol, but it's meaning points to the very character of God. So Christians, use this God-given symbol for His glory. Using it won't make you a homosexual.
When I write music, these colors pop out of me. It's hard to describe, but basically when I write music, I paint, and I add colors, and I add notes.
We created this journey [in the Begin], sonically, that people can really wrap their heads around and live with and get to know us a little bit more. The dark colors, the light colors, our up-tempos, and our down-dreamy stuff.
To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.
We live in a rainbow of chaos.
Keats mourned that the rainbow, which as a boy had been for him a magic thing, had lost its glory because the physicists had found it resulted merely from the refraction of the sunlight by the raindrops. Yet knowledge of its causation could not spoil the rainbow for me. I am sure that it is not given to man to be omniscient. There will always be something left to know, something to excite the imagination of the poet and those attuned to the great world in which they live (p. 64)
I am always in the hope to express the love of two lovers by a marriage of two complementary colors - colors which marry each other... complement each other as a man and a woman do.
Personal evolution has nothing to do with art, it's never. Art is a sine curve: dark and light change permanently, in cumulative radicalism. Art decides what to do. The choice of colors is made by the colors themselves. The evolution of art is the evolution of the future itself.
Colors are primordial ideas, children of the aboriginal colorless light and its counterpart, colorless darkness Light, that first phenomenon of the world, reveals to us the spirit and the living soul of the world through colors.
Nothing grows among its pinnacles; there is no shade except under great toadstools of sandstone whose bases have been eaten to the shape of wine glasses by the wind. Everything is flaking, cracking, disintegrating, wearing away in the long, inperceptible weather of time. The ash of ancient volcanic outbursts still sterilizes its soil, and its colors in that waste are the colors that flame in the lonely sunsets on dead planets.
There is a rainbow at the end of the storm.
After a hurricane, comes a rainbow.
For dinner, I have at least four or five different vegetables of all colors: purple, orange, green and red. I eat as many colors as possible, including carrots, broccolini, asparagus, cauliflower, kale and more.
From MARS Volume 3 by Fuyumi Soryo: Kira: “Why do you go through all that just to race? I guess asking that is the same thing as asking why I draw….probably because I’m alive….that’s all there is to it. I sense colors in you. They’re strong and beautiful….and sad. I wondered what your colors were for a long time. They’re the colors of the sunset…the blazing shades of a sunset that burn just before the darkness sets in. You said it was nothing, but there’s no one as alive as you.
Most women don't think to wear bold lip colors, which is just all the more reason to dig out those lipliners and lip colors and put them on.
I love the Fashion Fair Concealer Wheel. That's my little secret. It comes with three colors in it. What I like about it is that you could almost cover your whole face in it if you want because you can mix the colors to create the perfect shade that works with your skin.
Too many bright colors make for congestion. Too many bright colors need, above all, contrast in value, to eliminate vibration.
Remember always that there not so very much difference between various people as we seem to imagine. Maps and atlases show us countries in different colors. Undoubtedly people do differ from one another, but they resemble each other also a great deal, and it is well to keep this in mind and not misled by colors on the map or by national boundaries.
Maybe you just have those impromptu conversations, or where all of the sudden you're standing on the corner waiting to cross the street and you notice three people looking up and you look up with them. And you all smile at each other because you're seeing a little piece of a rainbow between two buildings, and that little rainbow and you all just shared a New York moment, and that's awesome, and then you keep on in your way.
Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information. Typography should not vary widely in an interface.
HELPED are those who love all the colors of all the human beings, as they love all the colors of the animals and plants; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
And I asked my mother about it; I said, 'Is there something wrong?' She said, 'God... God makes people. You understand that, don't you?' And I said, 'Yeah!' She said, 'Who makes a rainbow?" I said, 'God.' She said, 'I never presumed to tell anyone who could make a rainbow what color to make children.'
I don't like mixed colors that much, like plum color or deep, deep colors that are hard to define.
I use dull colors in my drawings because I started out using a root beer base because it seemed like an interesting idea and when it turned out that it worked quite well as an ink I started using other colors that would compliment it.
Being a brown girl, I like to wear colors that are similar to my skin tone, so I wear a lot of dark colors - never anything that's too bright.
I am very partial to Lucknow Chikankari work. My colors that I love to work with are ivory based colors, to make it more festive I throw in Mukesh embroidery which brings the color alive.
People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spot blues. Murky darkness. In my line of work, I make it a point to notice them.
The light is there, and colors surround us. However, if there were no light nor colors in our own eye, we wouldn't perceive such things outside of us.
I organize the opposition between colors, lines and curves. I set curves against straight lines, patches of color against plastic forms, pure colors against subtly nuanced shades of gray.
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