Top 493 Colours Quotes & Sayings - Page 7

Explore popular Colours quotes.
Last updated on December 18, 2024.
Until the late 1970s there'd either be only black or white in the paintings or if there were colours it would be a small amount, not a large area, and with the color separated from other colors by black or white (which is formula for Damien Hirst's successful dot paintings, incidentally).
To me, it remains incomprehensible that a people who can design the Porsche 911 and sleek, white ice trains, who created the Bauhaus and speak at least three languages at birth, want to own twee Christmas figurines painted in gaudy colours, dress up in Bavarian lederhosen, and eat Haribo gummy bears.
I like extremely effeminate dogs like terriers or schnauzers. I make an exception for giant schnauzers and big poodles. Basically, I like dogs which can be dyed day-glo colours.
I transmit astral plane harmonies through my brushes into the physical plane. These otherworld colours are reflected in the alphabet of nature, a grammar in which the symbols are plants, animals, birds, fishes, earth and sky. I am merely a channel for the spirit to utilize, and it is needed by a spirit starved society.
Colour-blindness always extends to the complementary colours. Those who are red blind are also green blind; those who are blind to blue have no consciousness of yellow. This law holds good for all mental phenomena; it is a fundamental condition of consciousness.
I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.
Do not the Rays which differ in Refrangibility differ also in Flexibity; and are they not by their different Inflexions separated from one another, so as after separation to make the Colours in the three Fringes above described? And after what manner are they inflected to make those Fringes?
The Liberal Party has finally shown its true colours. I'm talking about the real Liberal Party: the tax-hiking, rule-breaking, perk-loving, deficit-spending, debt-mounting, virtue-signalling Liberals Canadians have come to know and despise.
Through her, in microcosm, the wide earth sobbed. The starglobe sank in her; the colours faded. The death-dew rose and the wild birds in her breast climbed to her throat and gathered songless, hovering, all tumult, wing to wing, so ardent for those climes where all things end.
Love doesn't happen in an instant. It creeps up on you and then it turns your life upside-down. It colours your waking moments and fills your dreams. You begin to walk on air and see life in brilliant new shades. But it also brings with it a sweet agony, a delicious torture.
A child lies like a grey pebble on the shore until a certain teacher picks him up and dips him in water, and suddenly you see all the colours and patterns in the dull stone, and it’s marvelous for the stone and marvelous for the teacher.
The simplest forms in the universe are the sphere and the circle. I represent them by disks and then I vary them... spheres of different sizes, densities, colours and volumes, floating in space, traversing clouds, sprays of water, currents of air, viscosities and odours - of the greatest variety and disparity.
By this time, like one who had set out on his way by night, and travelled through a region of smooth or idle dreams, our history now arrives on the confines, where daylight and truth meet us with a clear dawn, representing to our view, though at a far distance, true colours and shapes.
Know your colours. It's all about your complexion and your tones. I now only use brown, taupe and copper, as they suit my blue eyes. When you're younger no one really teaches you - you just slap on the bronzer and you're not really thinking about what's going to complement your features.
The sweet quality is set opposite to the bitter, and is a gracious, amiable, blessed and pleasant quality, a refreshing of the life, an allaying of the fierceness. It maketh all pleasant and friendly in every creature; it maketh the vegetables of the earth fragrant and of good taste, affording fair, yellow, white and ruddy colours.
When I first got into the major label system, they were like, 'Hey, you're great - now write with a million people so we can get songs.' That was something I hadn't done before, and the songwriters I was working with had worked on some massive numbers - like 'True Colours.' One of the guys wrote 'Livin On A Prayer.'
Music is still the one thing that ties people together. People can come together from all different religions, walks of life, colours, creeds and enjoy the same song. That's still the most incredible thing to me about performing live.
Like many musicians, I can hear the weight in the sound. Sound is matter. We speak of the colour of an instrument, of transparency... We can demand more sombre or lighter colours, deeper playing and singing, heavier or lighter sound. And manipulating those means is like creating a painting.
People would always ask me how I came up with my music and what it felt like to make music, and I would always see colours, and then I found out that that was synaesthesia. It helps me understand songs and what I like.
I've spent so much of my life examining the smallest details. In some ways, it's where I feel most at home. For me, it's super-important to understand all of the different nuances of light and shade. But if you can't paint in primary colours, no one's going to listen to your songs, because they need to feel like something.
I think the media can definitely show more diversity - different sizes of women, different colours of women, just more diversity in general. — © Alessia Cara
I think the media can definitely show more diversity - different sizes of women, different colours of women, just more diversity in general.
Along with my teammates, we have a lot more great things to achieve, and we will continue to help PSG grow as a big club internationally. The support of all those that love this club will help us go beyond our own limits and defend our colours with passion and determination.
But it will be found... that one universal law prevails in all these phenomena. Where two portions of the same light arrive in the eye by different routes, either exactly or very nearly in the same direction, the appearance or disappearance of various colours is determined by the greater or less difference in the lengths of the paths.
My dad had these great Benny Goodman albums that I was obsessed with, and Louis Prima's another guy I loved, and Peter Niro the jazz pianist. I loved international music: Irish music, Mexican music. I love the different colours that they all have.
Looking through the camera lens reduces noise; as humans we see a million shapes, colours and textures. What the lens does, what art does in general, is get rid of all the noise. It hones in and isolates the qualities of a scene.
I would stand transfixed before the windows of the confectioners' shops, fascinated by the luminous sparkle of candied fruits, the cloudy lustre of jellies, the kaleidoscope inflorescence of acidulated fruit drops - red, green, orange, violet: I coveted the colours themselves as much as the pleasure they promised me.
The beauty of the air, from the air... You haven't seen Australia unless you see it from the air. The coastline, the colours of the inland. The claypans, the forests. It's just all so beautiful. You'd never see that from the road. People climb mountains to see these things. You see that every time you take off.
When Earth's last picture is painted and the tubes are twisted and dried, When the oldest colours have faded, and the youngest critic has died, We shall rest, and, faith, we shall need it lie down for an aeon or two, Till the Master of All Good Workmen shall put us to work anew!
Can anything be more grotesque and barbarous than our 'florists' bouquets,' a series of concentric rings of flowers of divers colours, bordered by maidenhair and a piece of stiff lace paper, in which stems, leaves, and even petals are brutally crushed, and the grace and individuality of each flower systematically destroyed?
The use of neuroscientific data to help resolve phenomenological questions is proving a common theme in much contemporary thinking about the mind. How rich are the contents of visual perception? Does vision only tell us about shapes and colours, or does it also represent higher categories like lemon or umbrella?
When we talk of architecture, people usually think of something static; this is wrong. What we are thinking of is an architecture similar to the dynamic and musical architecture achieved by the Futurist musician Pratella. Architecture is found in the movement of colours, of smoke from a chimney and in metallic structures, when they are expressed in states of mind which are violent and chaotic.
Last comes the class of persons, of nervous organization and enfeebled vigour, whose sensual appetite craves highly seasoned dishes, men of a hectic, over-stimulated constitution. Their eyes almost invariably hanker after that most irritating and morbid of colours, with its artificial splendours and feverish acrid gleams,-orange.
I try to give 110 per cent to these fans, as they give me so much love and I want to repay them. I throw myself into the challenge for them, as I want to take the Napoli colours to the top, so it fills my heart when they cheer for me.
Thinking... is no more and no less an organ of perception than the eye or ear. Just as the eye perceives colours and the ear sounds, so thinking perceives ideas — © Rudolf Steiner
Thinking... is no more and no less an organ of perception than the eye or ear. Just as the eye perceives colours and the ear sounds, so thinking perceives ideas
The plate at each point only sends back to the eye the simple colour imprinted. The other colours are destroyed by interference. The eye thus perceives at each point the constituent colour of the image.
...the problem of space remained, she thought, taking up her brush again. It glared at her. The whole mass of the picture was poised upon that weight. Beautiful and bright it should be on the surface, feathery and evanescent, one colour melting into another like the colours on a butterfly's wing; but beneath the fabric must be clamped together with bolts of iron.
For the day, keep it simple, basic, minimalistic, natural. Stick to peaches and pinks. For night, you can add colour to your eyes, make them smoky, and also use shimmer and bronzer. Night make up also calls for louder lip colours.
It's important to me to defend the Canadian colours. And I don't just do it in tennis. I might now follow hockey as much as the average Canadian, but I support several Canadian teams. I'm a big fan of the Toronto Raptors. On top of that, I love my country, simple as that. It's a magnificent country; the people are really welcoming.
When it comes to partnership, some humans can make their lives alone - it's possible. But creatively, it's more like painting: you can't just use the same colours in every painting. It's just not an option. You can't take the same photograph every time and live with art forms with no differences.
Love seems to beautify and inspire all nature. It raises the earthly caterpillar into the ethereal butterfly, it paints the feathers in spring, it lights the glowworm's lamp, it wakens the song of birds, and inspires the poet's lay. Even inanimate Nature seems to feel the spell, and flowers glow with the richest colours.
If neuroscientific research shows that those mechanisms only contain comparative information about colour differences, and have 'thrown away' more fine-grained information about the absolute colours of single surfaces, then that would support my position, in a way that just introspecting our colour experiences can't.
I am much more understanding of people than I used to be when I was young - people were either villainous or wonderful. They were painted in very bright colours. The bad side of it - and there is a corollary to everything - is that when we get older, we fuss more. I used to despise people who fussed.
Cinema is about people, and we are a very emotional people. That is why you see those ups and those downs and those colours. That is what Indian cinema is about.
My parents both work in publishing, and I was a bright, academic kind of kid, and I read a lot of books, and when you read a lot, I guess the muscle that gets exercised is where you can hear the voices in your head. You can turn words into pictures and into sounds and into colours and smells.
I just think white light generation is just one of these remarkable things to see, and actually, you know, one colour of light goes in to just water or any clear anything and out comes all the colours of the rainbow when the pulses are short and intense enough.
I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air - trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.
The Olympic flag [] has a white background, with five interlaced rings in the centre: blue, yellow, black, green and red []. This design is symbolic; it represents the five continents of the world, united by Olympism, while the six colours are those that appear on all the national flags of the world at the present time.
How astonishingly does the chance of leaving the world improve a sense of its natural beauties upon us. Like poor Falstaff, although I do not 'babble,' I think of green fields; I muse with the greatest affection on every flower I have know from my infancy - their shapes and colours are as new to me as if I had just created them with superhuman fancy.
He made his colours, built his stretchers, plastered his canvas, painted his pictures, carpentered his frames, and painted them. 'Too bad I can't buy my own pictures,' he murmured aloud. 'Then I'd be completely self-sufficient.'
For a while Australians were desperately trying to be cosmopolitan. I think it is a pointless exercise. Australian novels are those rooted in Australia, with Australian landscapes and colours. My work has always had bits of Western Australia in it. It is always here. The world comes to us.
Such is the influence which the condition of our own thoughts, exercises, even over the appearance of external objects. Men who look on nature, and their fellow-men, and cry that all is dark and gloomy, are in the right; but the sombre colours are reflections from their own jaundiced eyes and hearts. The real hues are delicate, and need a clearer vision.
For our first album, we were our own dressers. We didn't have no stylists. We came up with all of the ideas when it came to dressing. At that time, Cross Colours and Jabos were really popular, so we were able to get stuff from them, but we always added accessories.
I have very little fashion sense, and to tell you the truth, I give it very little thought. I dress to be as comfortable as I possibly can. Most of my clothing is either black, grey, or dark blue, and I don't really wear a lot of colours. But I do like jackets. I have a little bit of an obsession with them.
I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.
I remember politicians in Northern Ireland were sometimes called 'verbal incendiarists,' as they didn't actually do anything but they said certain things. So when you hear certain politicians using nasty language, that colours our lives. It makes some other people think it's OK to racially abuse people.
I consider an human soul without education like marble in the quarry, which shows none of its inherent beauties till the skill of the polisher fetches out the colours, makes the surface shine, and discovers every ornamental cloud, spot and vein that runs through the body of it.
Public service does not necessarily mean service in the House of Commons, and public service is not synonymous with partisan political activity. It comes in a thousand colours, but the common denominator is: it's not about me - it's about we.
Religion is a wizard, a sibyl . . . She faces the wreck of worlds, and prophesies restoration. She faces a sky blood-red with sunset colours that deepen into darkness, and prophesies dawn. She faces death, and prophesies life.
What I've discovered and really confirmed to myself is that opera really likes loud colours, and you need something bold, something savage, unpredictable, passionate. You can't really run a two-hour opera round some muted murmuring.
Everything is expressed through relationship. Colour can exist only through other colours, dimension through other dimensions, position through other positions that oppose them. That is why I regard relationship as the principal thing.
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