Top 1200 Comic Book Guy Quotes & Sayings - Page 17

'Orthodoxy' is the seminal book of ideas in my life. That book I've read more than any other book. It's the spinal column that leads up to my brain and informs the way I think. Flannery O'Connor is my favorite American writer.

Wrestling fans are the best, because they are so loyal. You can play on emotion. The good guy gets knocked down, and the bad guy takes advantage. And the good guy comes back from the very bottom to make that explosive comeback and overcome.

I always say the next book is my favorite, because without a "next" book, you don't really have a career as a book author.

I am glad there are things in the Bible I do not understand. If I could take that book up and read it as I would any other book, I might think I could write a book like that.

What I remember from [the first meeting with Samuel L. Jackson] was that he was a friendly, animated kind of guy. His screen image is a hard boiled intimidating kind of character. That's what I remembered thinking, 'Boy, this guy seems like a normal guy.'

(Talks about a school production) 'There was one solo; but it was a guy. It was this character called 'Freddy Fast Talk' and it was the bad guy. I didn't care, I was like I will dress up like a guy, I want to sing that song. And so I remembered we drew on eyebrows, and I had like a moustache,and we put all my hair up in this hat. So I dressed like a guy and sang the solo.

When a writer declares that his first book is his best, that is bad. I progress successively from book to book.

Me, I'm an encyclopedia. I'm not a very smart guy, but I'm an encyclopedia. You can ask me about anything you want. Probably I have the book; probably I have a first edition.

I'm not a nice guy on the field, and I've never really respected a guy who's been a 'nice guy' on the field. I want opposition to be hard, to play to win the game for their team.

Dana White's awesome. He's an emotional guy, but I feel like he's a good guy. He's an emotional guy. He's like Donald Trump. He says whatever the hell he wants.

There's nothing sacred about the book you've written. The Bible says there's safety in a multitude of counselors. The movie is the movie, and the book is the book. They're different critters, and each must stand on their own merits.

For a lot of readers these days, a book is something you have to agree or disagree with. But you can't agree with a novel. For my generation, it was assumed that a book is a dramatic thing, that the eye of the book is not telling you what to think.

'Axe Cop' is an animated show that just started on Fox that is based off the comic book series. And here's the hook: it's written by a 5-year-old. This 5-year-old has a brother who's, like, 28 and is in the business, and the little brother kept coming up with all these awesome stories for this character he dreamed up called Axe Cop.

I like myself still kind of being... because DJs used to be the background guy - the guy who was just doing the music - I see myself more as that guy than being on the stage.

It's much nicer to be known as Mr. Nice Guy than Mr. Nasty Guy. But you've got to have lines - and when you hit the line, that's the end of the story, nice guy or not.

You need a good editor because every writer thinks he can write a War and Peace, but by the time he gets it on paper, it's not War and Peace anymore; it's comic-book stuff. Your manuscript is both good and original. But the part that is good is not original, and the part that is original is not good.

The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock.

My books have been part of my life forever. They have been good soldiers, boon companions. Every book has survived numerous purges over the years; each book has repeatedly been called onto the carpet and asked to explain itself. I own no book that has not fought the good fight, taken on all comers, and earned the right to remain. If a book is there, it is there for a reason.

And that's the thing about our show: what are they going to do put on the poster? I don't know. It's always easier when you have someone like Cedric the Entertainer where you can go, "You know this guy. You love this guy. Watch his sketch show." And then people tune in and go, "I though I knew that guy. I don't love that guy in a sketch show."

When I was a young comic in New York and I wasn't getting any work, I was wandering around the Lower East Side with my notebook. I would stop at the guitar place on St. Mark's and talk to that dude for a while, then I'd go to the bookstore and talk to that dude for a little while. I had a guy over at the record store, and I'd talk to him for a while. It kept me connected to life.

Any book is a Good Book, and wherever they keep the Good Book safe is also the House a the Lord.

Women can learn a lot about a guy because women, for the most part, want a guy to care about their feelings, to be a guy that is responsible. Women want to attract you, but they want you to know more how they feel. When a guy has a great relationship with a dog, it really says a lot about him.

When I get an email from someone who says, 'Your book was the first book I ever read,' or, 'Your book is what made me love reading,' it's just such an honor.

We all face difficulties of our own, and how comforting it is to immerse yourself in a book - my book, any book, any romance. It's entertainment, it's escape, and it can even be an inspiration!

I thought, well I can do that. I couldn't be bothered writing a book review, because I'd have to read the book, I haven't got time to read a whole book for a fifty dollar write-up.

Life is like a book son. And every book has an end. No matter how much you like that book you will get to the last page and it will end. No book is complete without its end. And once you get there, only when you read the last words, will you see how good the book is.

I was a Marvel kid, and I would have to say that Spiderman is my all-time favorite character. As I got older, my tastes developed a little bit more, and I would follow certain writers; like, I really got into Grant Morrison. From the time I was 5, I was into comic books. From the time I learned how to read, it was all about comic books.

It wasn't until I was 23 and got married to a guy who was really bookish that I got completely hooked on reading and writing again. He had so many paperbacks, I didn't have to buy a book for four and a half years.

I'm a book guy first, and my education came from two encyclopedias. One was an encyclopedia of health, so I became morbidly obsessed with anatomy, and I thought I had trichinosis, an aneurism, jaundice! And then an encyclopedia of art.

You can show a guy sort of peeking over the wall, you can see a guy tunneling underneath, you can see a guy going through the front door. All of those, in cyber terms, are vulnerabilities, because it's not that you have to look for one hole of a specific type. It's the whole paradigm.

Slaying dragons, melting witches, and banishing demons is all fun and games until someone loses a sidekick—then it’s personal. The bad guy isn’t just the “bad guy” anymore, he’s the BAD GUY!

One of the best places for a shy person to meet people is in a coffee shop. If you are a reader, bring a book and read it there - that gives a guy something to ask you about. Same goes for sketching, writing, or any hobby you can take with you.

Comics are not illustration, any more than fiction is copywriting. Illustration is essentially the application of artistic technique or style to suit a commercial or ancillary purpose; not that cartooning can't be this (see any restaurant giveaway comic book or superhero media property as an example), but comics written and produced by a cartoonist sitting alone by him- or herself are not illustrations. They don't illustrate anything at all, they literally tell a story.

Freud wrote a book on the essence of humor, but he didn't know what he was talking about. Max Eastman wrote a book, The Enjoyment of Laughter, that was a much better book, but nobody bothered to read it.

You got one guy going boom, one guy going whack, and one guy not getting in the endzone.

I was never confident about finishing a book, but friends encouraged me. When I finished my first book, it was accepted by a publisher right away and became an instant bestseller. One male critic called it the most shocking book he ever read.

If you try to control it too much, the book is dead. You have to let it fall apart quite early on and let it start doing its own thing. And that takes nerve, not to panic that the book you were going to write is not the book you will have at the end of the day.

The fact that we're at a point today where anybody, anywhere can put a comic book together and get it in front of the entire planet without spending a dime on printing and distribution - that's the good thing, and I think that's what's going to save [the comics industry]. These young people who have nothing to do with the industry we're in, just going out there and doing their own work and putting it out there, letting people respond to it.

It's not Comic Con any more. It's this huge marketplace for the motion picture and television industry. And the toy manufacturer's and the game people. One of the problems with International Comic Con is that tickets go on sale for the next year's event and the place is full of thousands and thousands of kids who have scraped together every dime to get admittance because they want to get all the freebies.

I go through airports and people see the white hair and they said, 'Hey, the horse guy! Aren't you the horse guy?' Or I get, 'Has anybody told you that you look just like Bob Baffert?' I say, 'He must be a good-looking guy.'

The book I made it big with in the U.S. was my fourth book, 'Sanctum.' My novels sell really well both there and in Canada, so once a year I do a promotional tour, visiting a different city every two days, doing book readings and signings.

To a lot of people, I might just be the guy who went No. 1 in the draft. Or the guy who lost his job to Colin Kaepernick. Or the guy who helped turn a 2-14 Chiefs team into a back-to-back division champ... but then couldn't put them over the top.

I think this book, Matthew Desmond's "Evicted: Poverty and Profit in the American City.", if you have a friend who is a public official, hand him or her this book. It's that important. And this book raises some serious questions about what kind of country do we want to be.

When I was in fourth grade... this wonderful teacher said you didn't have to write a book report, you could just talk about the book, you could do a drawing of the book, you could write a play inspired by the book, and that's what I did. I got to be so famous. I had to go around to every school and perform it. It was just so natural and fun.

I've published one book before, and now I'm writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany, about fitness.

I spent many hours ensconced in the local library, reading - nay, devouring - book after book after book. Books were my soul's delight.

The Book of the Heart provides a fresh perspective on the influence of the book as artifact on our language and culture. Reading this book broadens our appreciation of the relationship between things and ideas.

There's a rhythm to the words combined with the pictures [in a comic]. Whenever I'm working on a comic strip I re-read it, probably hundreds of times through to pay attention to how all of those things work. Sometimes even changing the angle of a character's eyebrow can really, seriously alter the effect and overall interpretation of a scene. And the insertion of a pause or a cough or a sniff, and all these things that we do in conversation, can bring it to life in a strange way.

I feel like what's most important for painting - which has been hierarchically on the top for a really long time in terms of what is considered fine art, by comparison with something like a comic book or what's considered low art - is that painting should open up laterally to include other cultures and things that don't immediately resonate as a painting but are obviously of equal contribution to the genre.

I want the 'Book of Basketball' to do well if only so I can shop an absolutely ridiculous topic for my next book: like, a book about basketball cards, or an unauthorized biography of A. J. Daulerio.

The division needs a guy like me. It's a bunch of good guys, and I'm the only bad guy in the division. There always has to be a bad guy in every movie.

I don't think you can set up a computer to do a strike zone on a guy who's 6-foot-5 and then a guy who's 5-8. Where does it draw the line? One guy stands tall, and another squats down, and it changes the lines. Nah. I still love the umpires; they do a great job. I don't have a problem with any of that.

Every book is vulnerable, and every book is nerve-wracking, but I've never been both so excited and terrified to have a book coming into the world. It's an expressly loaded subject, one on which you can't win.

I like to think 'The God Delusion' is a humorous book. I think, actually, it's full of laughs. And people who describe it as a polarizing book or as an aggressive book, it's just that very often they haven't read it.

In college, I wrote newspaper articles and songs. Then, on my 21st birthday, I sold my first book. It was a nonfiction book about women pirates - 'Pirates in Petticoats.' After that, I was a book writer for good.

My mother was the one who totally got behind me as far as, do things and ask questions later. My father would say, "I don't care how dirty you are up there, just be funny." Because they knew me offstage. They knew I was a good guy. They knew my whole plan of becoming the most exciting comedian, visually, ever. A real rock-and-roll stand-up comic.

A good book ... leaves you wanting to reread the book. A great book compels you to reread your own soul.

I wanted people to see that I really am a real person. I'm not just some guy who was on a TV show, some guy engulfed in the Hollywood life. I'm just a normal guy when it comes down to it.

To be totally honest? I don't know if I'll keep doing more impressions. People told me I had a facility for it, and I was like, 'Okay, I'm the impression guy.' So you imagine the cast at 'SNL' is an A-Team, and you've got the explosives guy, and I'm the impression guy.

I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium. They're printing the comics so small that most strips are just talking heads, and if you look back at the glory days of comic strips, you can see that they were showcases for some of the best pop art ever to come out.