Top 1200 Comic Book Guy Quotes & Sayings - Page 19

I like vocabulary and I actually read a book called 'Word Freak,' which is about a guy who basically went into competitive Scrabble for a year. But having a big vocabulary and being good at Scrabble are not the same thing.

I do a lot of work in travel and tourism, and I think this story is in the book. This woman is in a hammock, and she's got the beach below her and the sky above her, and the ocean beyond her. She's relaxing. She's got a drink in her hand and a book. Every woman sees this picture and says, I want to be in that hammock. Every guy sees the picture and says, I want to be in that hammock with that woman. It works for everybody.

Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.

A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time; having a miserable time, even better.

My goal is to create a book where the entire book-text, pictures, shape of book-work together to create the theme. The placement of images and text on the page is crucial for me.

I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.

I have a new show now called 'The Bridge,' where I play a guy who's a real-life guy. My character's based on the life of a guy named Craig Bromell who was a cop for 12 years and then became head of the police association, so basically the president of the union for 85,000 cops.

A book lying idle on a shelf is wasted ammunition. Like money, books must be kept in constant circulation... A book is not only a friend, it makes friends for you. When you have possessed a book with mind and spirit, you are enriched. But when you pass it on you are enriched threefold.

An author writes a book, and that's the book at that point. And if the author writes the book again, then somehow something has gone wrong, if you see what I mean.

I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.

I was that kid with the glasses and the hungry expression who haunted every library book sale and used bookstore in town: the one who always has a book in one hand and is reaching for the next book with the other. There's one in every town.

It's hard sometimes, especially with a book like 'Scorch Trials,' to truly adapt to the way the book is because so many of the scenes that take place in the book are really graphed and painted for the imagination. Trying to bring that to life is a really big task.

I was extraordinarily lucky. I wrote a book because I wanted to see if I could write a mystery. Someone nagged me into sending it to a contest, which it won, after which I was offered a two-book contract, thus requiring the writing of a second book.

I got a couple of different contacts from publishing companies saying they'd be interested in a book about my work: not a kiss-and-tell book, which I specifically put in the contract. Just a book about my work and what I did.

It's much more difficult to make an unbound book than a bound book, because the factories aren't set up to make an unbound book.

The first book is the book you have to write to get back at your parents; the book you always had in you. Once you get that out of your way, you can start writing books.

The book, called the Bible, is filled with passages equally horrible, unjust and atrocious. This is the book to be read in schools in order to make our children loving, kind and gentle! This is the book they wish to be recognized in our Constitution as the source of all authority and justice!

The only way to write a book, I’m fond of telling people, is to actually write a book. That’s how you write a book.

I think the novel is essentially a comic form (tragedy is for the theatre), not meaning by that full of jokes, but that it is about the absurd detail of human life, the way in which one cannot fully understand what is happening. Life is muddle and jumble and ends inconclusively, and when this is presented with great comic art the sorrows of human life can be truthfully conveyed; one is moved by the spectacle, and feels that something truthful has been told in a magic way.

It's not about you, it's about the next person. The single best use of a business book is to help someone else. Sharing what you read, handing the book to a person who needs it... pushing those around you to get in sync and to take action-that's the main reason it's a book, not a video or a seminar. A book is a souvenir and a container and a motivator and an easily leveraged tool. Hoarding books makes them worth less, not more.

People think writing is a very distinguished, cerebral thing, where all you do is write. It doesn't work that way. People have to see online promotions, see piles of your book in stores, and you have to make sure the guy recommends it!

Whenever you have two characters in a book, whether it's a novel or nonfiction, you run the risk that the reader is going to like one more than the other. They're going to read one chapter and say, 'I can't wait to get back to the other guy.'

I read 'Game Change.' If you want to relive the campaign, that book is unbelievable. It's great. It's the book of that campaign. It brought all the memories back of everything with Clinton and Obama, and Sarah Palin and McCain, and choosing her, and John Edwards. It was an interesting book.

I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.

The biggest invention of modern time is the book. The book is a digital medium; book text is written in a different form and replicable. What it really does is it allows us to replicate cultural information, scientific technology, and information out of the human brain.

I was the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work. The job requires you to be a mean, tough person. And I was fed up with it. I promised myself that if I ever got away from it, it wasn't going to be that way any more.

I don't need every book to have female creators, I don't care if there are books that appeal mostly to guy readers. I don't care if some books have cheesecake. I am fine with all of that. It's the not allowing anything else that makes me furious.

Slobberknocker: My Life in Wrestling' is really not a wrestling book. It's a book about life, and there's a great love story in this book. There are great life lessons in this book about not allowing others to define you.

I wrote my first full book when I was fourteen, and that was 'Obernewtyn.' It was also the first book I had published. It was accepted by the first publisher I sent it to, and it was short listed for Children's Book of the Year in the older readers category in Australia.

Whenever you have two characters in a book, whether it's a novel or nonfiction, you run the risk that the reader is going to like one more than the other. They're going to read one chapter and say, 'I can't wait to get back to the other guy.

The first book was out and for the first time we were on a book tour. Being the son of an immigrant, I'd never dreamt of being on book tours. Suddenly the attention was huge.

To be a true comic, you have to have a signature move. You ever watch wrestling? And your favorite wrestler has the one move that he always does to finish his opponent off, right? Like when he climbs on the rope, and he always jumps off the top rope and finishes off his opponent - that's what a comic has.

(in response to the question: what do you think of e-books and Amazon’s Kindle?) Those aren’t books. You can’t hold a computer in your hand like you can a book. A computer does not smell. There are two perfumes to a book. If a book is new, it smells great. If a book is old, it smells even better. It smells like ancient Egypt. A book has got to smell. You have to hold it in your hands and pray to it. You put it in your pocket and you walk with it. And it stays with you forever. But the computer doesn’t do that for you. I’m sorry.

I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.

A person who publishes a book willfully appears before the populace with his pants down. If it is a good book nothing can hurt him. If it is a bad book nothing can help him.

As far as I'm concerned, this guy should never play football again. The answer you normally get after a tackle like that is 'he is not the type of guy who does that.' It's like a guy who kills one time in his life - it's enough. You have a dead person. This tackle is absolutely horrendous.

I think that my first book - I was trying to write the kind of book I would have loved as a kid. So it's sort of, like, a book inspired by my childhood reading and the passion that I felt about reading when I was a kid.

I would love it if, even for one day, you could walk through a neighborhood and see an Asian guy sitting on his stoop, then you look across the street and see a black guy and a white guy sitting on their porches, and a Mexican dude walking by.

I'm a girl, so I've experienced dismissal because I was a girl or because I write about girls: my book with a guy protagonist is treated as more literary and worthy than my other books with girl protagonists.

Boy, did he depress me! I don't mean he was a bad guy- he wasn't. But you don't have to be bad guy to depress somebody- you can be a good guy and do it.

When you sell a man a book you don't sell just twelve ounces of paper and ink and glue - you sell him a whole new life. Love and friendship and humour and ships at sea by night - there's all heaven and earth in a book, a real book.

The Princess Bride S. Morgenstern's Classic Tale of True Love and High Adventure You had to admire a guy who called his own new book a classic before it was published and anyone had a chance to read it.

Even when I read a book, if the book leaves me the possibility of finding certain solutions or working on my own toward a solution, I prefer that much more than if the book fills me with the answers, gives them to me directly.

Are there any good guys on 'Prison Break?' I suppose there might be. I can't honestly say whether I'm a good guy or a bad guy or I'm a good guy in wolf's clothing or sheep's clothing.

I'm from New York, I'm 53, I have my moments when I'm a nice guy, and more frequently I have my moments where I'm a middle-aged aggravated person. For years I was always the nice guy, so in life I had to pretend to be the nice guy.

While writing, I'm always so happy in the middle of a book or finishing a book and really hate starting them, so I often think, 'I wish I had a really big book to write to which I could devote seven years of my life.'

I'm strictly a one-project-at-a-time kind of guy. If I came up with a compelling idea for a different book while working on a project, I'd probably abandon the first project and go with the new idea.

My thumbprint is on every single thing that happens with Hellboy. It was the hardest thing I ever had to do professionally, letting someone else draw the main Hellboy comic. He's so much mine. But I still have no intention of ever handing over the writing of the main Hellboy comic to someone else. That character is my baby.

I'm a huge, huge comic book fan. I love the superhero movies so much. If I had to be one of the Avengers, I would go with Thor. I would have to. I just think I look the part too much, and I'm a fan of all of them, but Thor would be something that I think I could put on. I think I could make it happen.

I pivoted from a pro-Trump guy to more of a journalistic guy, and I'm going to keep making that pivot. So whenever people think of me as, like, a pro-Trump guy, I don't want people to think of me as a pro-Trump guy anymore.

It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.

I'm just being myself. I'm not a very complex guy; I'm not a very studious, crazy intellectual guy. I'm just a guy.

Well, the fella I got on there is hitting pretty good and I know he can make that throw, and if he don't make it that other fella I got coming has shown me a lot, and if he can't I have my guy and I know what he can do. On the other hand, the guy's not around now. And, well, this guy may be able to do it against left-handers if my guy ain't strong enough. I know one of my guys is gonna do it.

The trouble with calling a book a novel, well, it's not like I'm writing the same book all the time, but there is a continuity of my interests, so when I start writing a book, if I call it 'a novel,' it separates it from other books.

The thing about 'Bigfoot,' he's a big guy and he's agile for a big guy, but he's not that agile and he's not that athletic. In fact, being a big guy is probably his greatest asset.

In the case of 'Ocean at the End of the Lane,' it's a book about helplessness. It's a book about family, it's a book about being 7 in a world of people who are bigger than you, and more dangerous, and stepping into territory that you don't entirely understand.

I've won not just in MMA but also for the US and let me tell you, the US Greco Roman wrestler is never the guy that's the favorite, not overseas. I'm used to going into hostile countries and competing against the number one guy in their country instead of the number one guy in Chicago.

Sometime during your life—in fact, very soon—you may find yourself reading a book, and you may notice that a book’s first sentence can often tell you what sort of story your book contains.

I really like playing the bad guy. There are so many more objectives to play when you're mad or villainesque, or when there's some agenda that you have. That's drama, that's where the heart lives. I love playing the bad guy, but especially the bad guy who's still with the girl.

You go into the book store, there's the cut-out of Dr. Phil, and then the dreaded women's health section where every book, instead of the menopause book with the fanged Medusa head on the cover that might be more pertinent, you always see a flower and a poppy and a daisy and a stethoscope.