Top 1200 Comic Book Guy Quotes & Sayings - Page 20

The creation is a very internal process, and publishing the book is a very external process. It is nice to see the book out in the world and people having the same reaction as when I created it. The point of all art is the emotional transference, and when that happens, the book has succeeded.

I wasn't sure what I wanted to do with my life. I always wanted to pursue either music or comics, so when the opportunity came from comics publisher Fantagraphics for my brothers Jaime and Mario and I to make a comic book together, we jumped at the chance: "Let's just do it and see what happens." Really, we weren't sure where we were going to go with it. We thought our work was good enough to be out there, but we didn't know that the response was going to be pretty good, pretty quick.

My ambition was to stop waiting tables. That was how I measured success: finally, I was able to stop waiting tables, and I was able to pay the rent, and that was by being a stand-up comic. Not a very good stand-up comic, but good enough to make a living.

So I be written in the Book of Love. I do not care about that Book Above. Erase my name, or write it as you will. So I be written in the Book of Love.

Part of battle has been getting Hollywood to recognize that comic books and superheroes are not synonymous. That's been a huge breakthrough, just in recent years really, and as a result of that recent breakthrough, we've had movies like 300, Road to Perdition, and A History of Violence, that very few people realize were based on comic books and graphic novels. It's very important to make that differentiation.

It's easy to dismiss Cheeseburger. You look at him as a guy who is 5'8, 125 pounds, very inexperienced. I know not to judge a book by it's cover, and if a kid with those dimensions is willing to get in the ring with me and Kazarian, you know his heart is the size of Cleveland.

I was waiting for the right guy to come along, but maybe I didn't actually want one, or was not available emotionally. I was really nervous about including him in the book [Superficial: More Adventures from the Andy Cohen Diaries], but this relationship has developed over a year and a half, and so it would've been dishonest not to.

Where is the book in which the teacher can read about what teaching is? The children themselves are this book. We should not learn to teach out of any book other than the one lying open before us and consisting of the children themselves.

It is our hope that when people read "March" - Book One, Book Two, and Book Three - that they will understand that another generation of people, especially young people, were deeply inspired by the work of Rosa Parks, Martin Luther King Jr. and many others.

I read a book every night. I really am that nerd, so when I get to go to the Smithsonian and get to go in the back rooms and play with stuff, things like that, for a guy like me, that's amazing.

People can take your name and write a book about you and they make money off of it. How is the public supposed to know you're not authorizing that book? As soon as you make a big stink about it it only makes the book sell more.

I like a lot of talk in a book and I don't like to have nobody tell me what the guy that's talking looks like. I want to figure out what he looks like from the way he talks.

I loved wrestling, and I wanted to go out and entertain people and all that stuff, so I get trained, and when they decided, 'Hey, you're ready for a match, and you've got to start thinking about a character,' I was thinking this guy and this guy, and they go, 'No, no, no - you're a Muslim. You've got to be a bad guy.'

One book at a time... though I'm usually doing the research for others while I'm writing, but that sort of research is fairly desultory and I like to stick to the book being written - and writing a book concentrates the mind so the research is more productive.

New Rule: If an Evangelical tries to use Halloween to pimp Jesus to kids, they get to egg his house. On Halloween, the president of the American Family Association urged his flock to hand out a Christian-based comic book instead of candy. Excuse me, Halloween isn't a time to push your beliefs. You don't see me handing out pot to kids...Okay, well not the little kids.

The first book I could call mine, my first book, was a picture book, 'The Magic Monkey' - it was adapted from an old Chinese legend by a thirteen-year-old prodigy named Plato Chan with the help of his sister.

It's somewhat of a contradiction, .. I guess the quieter the voice, the more necessary it is to push it. It's not going to leap out at you and scream. I also can't control how a book is marketed. To say the book marketing is aggressive, fine, I'm happy with that. Push the book. That doesn't mean that my personality or writing style changes.

If you're a top 10 guy you should pay a top 10 guy or even a top 5 guy what he deserves, whether it's a lightweight or a heavyweight.

I can walk into a bookshop and point out a number of books that I find very unattractive in what they say. But it doesn't occur to me to burn the bookshop down. If you don't like a book, read another book. If you start reading a book and you decide you don't like it, nobody is telling you to finish it.

It's that kind of choice of a woman - to go with the nice guy or the nasty guy. And I think that all women get to make that choice and they always go for the suave, nasty guy. It's a fact of life.

The secret of evangelism is Guy's golden touch - whatever is gold, Guy touches. That’s very different than saying whatever Guy touches turns gold.

Saddam Hussein was a bad guy. Right? He was a bad guy, really bad guy. But you know what he did well? He killed terrorists. He did that so good. They didn't read him the rights. They didn't talk. They were terrorists. It was over.

There are some indications of how the character should behave based on the script, and then as actor makes it his or her own. I got to know one of the writers, Chris Terrio, and we were able to discuss things at length and figure out who this person is to create a real psychology behind what is, perhaps, in a comic book, a less than totally modern psychology. I can only say I've been asked to play an interesting role. A complicated, challenging person.

I feel a lot of guilt about the freedom that being an artist provides. I ask myself, 'Why am I not the guy emptying the trash, why am I the guy who is watching the guy empty the trash?'

Maybe Bellator would not be a great fit for this guy but would be for this guy. Maybe the UFC is a better call for this guy, but then Bellator is better for that guy. I don't think you can make a blanket statement and say that this organization is great for everybody compared to this organization. Take it case by case.

I mean, there's always somebody in somebody's administration who jumps out early, sells a book, and goes after the guy who hired him. I don't know if that's good. It may be good business; it's not good politics.

It bothers me when I hear these reporters and jocks get on TV and say: 'Oh, no guy can come out in a team sport. These guys would go crazy.' First of all, quit telling me what I think. I'd rather have a gay guy who can play than a straight guy who can't play.

I really believe that the movie will never be as good as the book, both because the book goes on longer - a movie is basically an abridgment of a book - and because books are internal. But they are incredibly powerful. The visual format is, you know, amazing.

Here is a guy who's supposed to be the Genghis Khan of the church, the pro-choice people hate him, and I don't know about his labor background so I figured there must be more to him, and there is. I wrote a book about [John Cardinal O'Connor].

When I read 'Another Country' when I was in my early 20s, you know, as soon as I put the book down, my first thought was, 'I will never be able to write a book like this.' And my second thought was, 'I really want to try writing a book like this for the 21st century.'

The first book I could call mine, my first book, was a picture book, The Magic Monkey - it was adapted from an old Chinese legend by a thirteen-year-old prodigy named Plato Chan with the help of his sister.

There's a guy in the audience with a distinctive laugh. I hope that guy is miked. The only problem with having a distinctive laugh is I know exactly when that guy isn't laughing. "Oh, distinctive laugh doesn't think that joke was funny!"

I began thinking there should be an American phrase book, 'cause I've got an Italian phrase book, and an Arabic one... now a British one. I think it'd be pretty good to have an American phrase book.

Film is something that reaches so many people. How many people are going to go into a gallery? And understand what they're seeing? I think about the guy walking down the street, the guy who drove me here - this guy has the opportunity to go the cinema.

Once in a very long time you come across a book that is far, far more than the ink, the glue and the paper, a book that seeps into your blood. With such a book the impact isn't necessarily obvious at first...but the more you read it and re-read it, and live with it, and travel with it, the more it speaks to you, and the more you realize that you cannot live without that book. It's then that the wisdom hidden inside, the seed, is passed on.

What's your favorite book?' is a question that is usually only asked by children and banking identity-verification services--and favorite isn't, anyway, the right word to describe the relationship a reader has with a particularly cherished book. Most serious readers can point to one book that has a place in their life like the one that 'Middlemarch' has in mine.

If someone's going to publish a book about addiction, it has to say something new and different. It has to be something we haven't read before. A lot of these books are published because the writing is wonderful. The Frey book has superb writing, and that can be enough to sell a book.

You have to remember that Shadow and Bone' was the first book I sold. And it was, in fact, the first book I ever finished writing, despite many attempts before that to finish a novel. And when I was writing it, I didn't know if anybody was going to buy one book, let alone all three.

I got to playing villains-I don't know how. I think it's like anything else, in the movies in particular that if you establish yourself as something and you're lucky enough to keep getting hired. You know, there are guys who play the guy who gets the girl, guys who are the best friend of that guy, there's the funny guy, the villain.

Some guys smoke. Some guys drink. Some guys chase women. I'm a big barbecue-sauce guy. ... I'm like that guy on the Odd Couple, and it's not the neat guy. I go into my room and find pieces of pizza under the laundry.

The book the Ziff folks sent me as an example of their art was 'Late Night VRML 2.0 with Java,' 700 pages + CD-ROM, published February 1997. I was personally acquainted with more movie stars than people who might conceivably have wanted to buy this book or any book like it.

In America, and no doubt elsewhere, we have such a tendency toward the segregation of cultural products. This is a black book, this is a gay book, this is an Asian book. It can be counterproductive both to the literary enterprise and to people's reading, because it can set up barriers. Readers may think, "Oh, I'm a straight man from Atlanta and I'm white, so I won't enjoy that book because it's by a gay black woman in Brooklyn." They're encouraged to think that, in a way, because of the categorization in the media.

The book of the moment often has immense vogue, while the book of the age, which comes in its company from the press, lies unnoticed; but the great book has its revenge. It lives to see its contemporary pushed up shelf by shelf until it finds its final resting-place in the garret or the auction room.

I started as an artist and I had a side job moving some heavy boxes for a publishing company. They had just gotten a Mac for their art department, the department that creates the book covers. I was kind of showing the art director a thing or two about how to use a Mac. And one day everyone went out to lunch and I jumped on the computer and designed a book jacket and slipped it in the pile to go to the review board in New York. They picked my jacket and when the art director got back to Boston, he wanted to know who designed it and I said, "Me." He was like, "The box guy?"

When you work in the White House you talk to the White House staff all day, so you're talking to the guy who handles the congressional liaison and the guy who's handling domestic politics and the guy who's handling the American economy and so forth.

I'd like to say that I'm a rock star, but I'm not - I'm honestly more of a relationship kind of guy. I'm a guy you could take home to meet your mum rather than a guy your mum wouldn't like.

If a guy married a woman and the guy was more famous, the world wouldn't deem it an inequal relationship. But if you have a guy marrying a woman who is more well-known, more, in quotes, "powerful," more wealthy, then there's a kind of reverse sexism that comes out, right?

I'm not a big comic fan and I'm not a big fan of comic movies.

He leaned forward and opened his door, politely standing aside to let me by before following me in. There are some advantages to dating a guy from another era, I thought. Though I am a big believer in gender equality, chivalry scores high in my book.

I think as soon as I figured out - and this must have been incredibly young - that comic books were made by humans, rather than being natural phenomenon likes trees or rocks, I just wanted to be one of the people who did that. So I was copying all kinds of cartoons that I was reading, comic books, and eventually learned how to draw cartoon books step-by-step and just, I don't know, I'm not an especially quick learner, but I sure was a dedicated one.

I'm a huge classics fan. I love Ernest Hemingway and J.D. Salinger. I'm that guy who rereads a book before I read newer stuff, which is probably not all that progressive, and it's not really going to make me a better reader. I'm like, 'Oh, my God, you should read To Kill a Mockingbird.

I have been a comic book fan nearly all my life. My fascination began as a refuge after my father left because it was within the stories told in comics that I could find heroes who fought for justice and where outcasts or misfits could find purpose and commonality. But over time I have come to love comics as a medium for its ability to tell stories with tremendous depth and emotion that in some ways go beyond what is possible solely with the written word.

It's in being read that a book becomes a book, and in each of a million different readings a book become one of a million different books . . .

It was nice doing my own Joy Division book to be able to put forward the fact that Ian was actually quite a nice guy and very hardworking, ambitious and loyal. But the thing was, he was battling such a dreadful illness in an era when they really didn't know how to treat it.

I'm a huge classics fan. I love Ernest Hemingway and J.D. Salinger. I'm that guy who rereads a book before I read newer stuff, which is probably not all that progressive, and it's not really going to make me a better reader. I'm like, 'Oh, my God, you should read To Kill a Mockingbird.'

I was always an album guy, not a greatest hits kind of guy, not so much a radio guy. I'm not saying one is better than the other but... It was like reading a novel but shorter than that. You go into a world for an hour and you absorb yourself into it rather than just passively listening and flipping through this and that.

I don't think you'll find one person that says I shoot from the hip. What they say is, 'This guy talks eyeball to eyeball. This guy talks shoulder to shoulder. If you ask this guy a question, you'll get an answer.'

In the ring, it's fun to be the bad guy, but 24 hours a day, when you have to talk to kids, and you see Make-A-Wish kids that love you, the bad guy stuff is not fun. I'd rather be a good guy 24 hours a day than a bad guy just for a few minutes in the ring.

For some Church members the Book of Mormon remains unread. Others use it occasionally as if it were merely a handy book of quotations. Still others accept and read it but do not really explore and ponder it. The book is to be feasted upon, not nibbled (see 2 Nephi 31:20).

I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.