Top 1200 Comic Relief Quotes & Sayings - Page 4

Then is when I decided to take it to Archie to see if they could do it as a comic book. I showed it to Richard Goldwater, and he showed it to his father, and a day or two later I got the OK to do it as a comic book.

The comic-book industry today is not what it was back then, unfortunately. Kids are no longer interested in reading comic books; they've got television and the electronic games that they can bury themselves in like ostriches. They don't have to pay attention to what's going on in the world around them.

The lessons of history, confirmed by the evidence immediately before me, show conclusively that continued dependence upon relief induces a spiritual disintegration fundamentally destructive to the national fiber. To dole out relief in this way is to administer a narcotic, a subtle destroyer of the human spirit. It is inimical to the dictates of a sound policy. It is in violation of the traditions of America.

I got beat up by the comic-book kids when I was younger! They were cooler than me. Talk about levels of geekdom, I was a couple rungs below the kids who read comic books. Yeah. Not so cool, man.

Years have passed since I have set foot in a comedy club. If the comic is doing badly it's painful, and if the comic is doing brilliantly, it's extremely painful.

I grew up really into comic books, and I actually thought I was going to be a comic-book artist. That was my ambition before I realized I couldn't keep characters looking the same from panel to panel.

As far as geek culture, I didn't grow up in the comic con geek culture lane, then I started doing Comic Cons seeing the impact of it. The character, Rufio living on.

What great comedians, great comic writers, great comic actors do is that they just read the headlines with the right eyebrow position and it's funny.

Comic-strip artists do not make good husbands, and God knows they do not make good comic strips.

My theater nerd world and my comic friend world are colliding... That's the thing that I was nerdy about, was theatre. I wasn't as much into the comic book stuff. So it's fun to see there are people that are into that that are also theatre nerds like me.

I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house.

A comic's like anybody else - he does what he does to support himself and feed his family. But if a comic says the wrong thing, there's a chance the audience will want to take you down.

I was a serious comic collector and fanboy as a kid. I wanted very badly to draw comic books for a lot of my childhood and early adolescence. So when you have an unfulfilled dream like that, when years later you find yourself in a position to make a graphic novel - hell yeah, I'm going to do that.

Co-writing the 'True Blood' comic is a dream come true both as a performer on the show and as longtime comic fan. It's a real privilege to build on the rapidly growing 'True Blood' mythology.

Congress did a good thing back in 1995 in passing the Deep Water Royalty Relief Act. That act did a simple thing. It provided automatic royalty relief for new leases for 5 years in the deep waters of the Gulf of Mexico.

Whatever sense of professional competence we feel in adult life is less the sum of accomplishment than the absence of impossibility: it's really our relief at no longer having to do things we were never good at doing in the first place - relief at never again having to dissect a frog or memorize the periodic table.

Human life is basically a comedy. Even its tragedies often seem comic to the spectator, and not infrequently they actually have comic touches to the victim. Happiness probably consists largely in the capacity to detect and relish them. A man who can laugh, if only at himself, is never really miserable.

I understand the people-watching, but I've never done it where people have to race to three different shows, from here to there. I mean, the biggest zoo I ever faced was Comic Con, and Comic Con takes place in one big hangar.

A great comic-book cover occurs when it gets a potential reader to pick the book up and start thumbing through it. That's a comic cover's job: Attract someone's attention, and persuade them to try the issue out.

As you identify less and less with the “me”, you will be more at ease with everybody and with everything. Do you know why? Because you are no longer afraid of being hurt or not liked. You no longer desire to impress anyone. Can you imagine the relief when you don't have to impress anybody anymore? Oh, what a relief. Happiness at last!

If a man wants to set up as an innkeeper and he does not succeed, it is not comic. If, on the contrary, a girl asks to be allowed to set up as a prostitute and she fails, as sometimes happens, it is comic.

I think a lot of the time, comic art is dismissed as... not art, and comic writing is dismissed as not literature.

Comedy, I'm still in awe of. I think you need a comic genius somewhere in the mix. It's got to be the actor or someone. But the 'comic genius' actors are the darkest people on the planet - and that kind of scares me!

Hellboy was entirely the comic I wish someone much more talented than I was doing, because I would have been a huge fan of that comic. But nobody was doing it, so it fell to me to do it.

Relieved because what I dreaded most in the whole world was going to happen and I wouldn’t have to live with it anymore—the fear. There is the relief of finally not being alone and the relief of being alone when no one can take anything away from you. Here she was, my beautiful fear. Shiny as crystal lace frost.

My own personal geek culture years were when I was much younger. I collected comic books up until a certain age. I wanted to be a comic book artist when I was younger.

As I flew back from New Zealand to bury my mother, it occurred to me that no matter how harrowing her loss was and how keenly it will always be felt, there was, nevertheless, a sense of relief that my father, sisters and I could say a final goodbye after the longest goodbye and relief that my mum had finally been released.

It wasn't until I went to my first comic convention while I was in high school that I got to see actual comic book artists and original artwork in real life, up close. That was when I first realized that this is what I wanted to do for a living.

I think of myself as a theatre comic instead of club comic because I tend to talk for a bit before I start being funny. I don't really do the one-liners and five second bits or whatever. But it's good to work stuff out sometimes.

It's great finding a comic book character that doesn't care about following traditional comic book rules by breaking the fourth wall and being explicit about everything. This gives Deadpool the arrogance which you just have to love.

For me, Iris West was traditionally white in the comic books. So, you know, comic book fans are very opinionated, very vocal. So it was very scary stepping into that role when I started the show.

I wasn't a comic book geek as a kid. I read some, but it was just like, 'Oh, I have this comic book here.' It wasn't like I was collecting them.

When I was a kid, I wanted to be serious, like Daniel Day-Lewis. No one really dreams of being a comic actor, do they? Now I realise how stupid that is - and it's because comic acting isn't taken seriously enough. It's a discipline. You know instantly - either you're funny and getting the laughs, or you're not.

Comic book fans have loved Wolverine, and all the 'X-Men' characters, for more than the action. I think that's what set it apart from many of the other comic books. In the case of Wolverine, when he appeared, he was a revolution really. He was the first anti-hero.

Nothing is harder to create than brilliant comic ballets, except maybe brilliant full-evening comic ballets.

I grew up reading comics - mostly Marvel - Doctor Strange was my favourite comic book and has remained my favourite as an adult. It's the only comic book movie property I've ever gone after. I felt uniquely suited to it.

I want to be known as a funny comic not just a funny Latino comic. I want to be able to go everywhere and anywhere.

For the past thirty years or so, much American poetry has been marked by an earnestness that rejects the comic. This has nothing to do with seriousness. The comic can be very serious. The trouble with the earnest is that it seeks to be commended. It seeks to be praised for its intention more than for what it is saying.

The more one suffers, the more, I believe, has one a sense for the comic. It is only by the deepest suffering that one acquires true authority in the use of the comic, an authority which by one word transforms as by magic the reasonable creature one calls man into a caricature.

As a comic book fan, I've seen all the comic book movies.

Alan Moore does have a sheen of class. He's a smart guy, and I'm sure there was a metaphoric level, I'm not denying that, but let's face it. the main reason he was doing a super-hero comic was because he was working for a super-hero comic book company.

I don't mean to diminish the job, it's a good job and a real pressure job. But I don't think a relief pitcher should ever be the most valuable player of a league. We only play in maybe half of the games. Being a relief pitcher means part-time employment. We're bench players, and bench players shouldn't be M.V.P.

In comic books, every character exists in this comic book world, and the wrestlers were the same thing. They were responsible for creating that world and putting it out there - having the confidence to go forward and do that and behave in a certain way.

The comic convention itself tends to come second to the giant announcements in Hall H and the movies and the TV. So I think it's always good to remind people that there is a wonderful comic convention going on.

When I was a child I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I have ever dreamed has come true a thousand times.

In the 1950s we use to feel that television was taking away our comic readership; with today's exciting, powerfully visual movies I have to wonder about their effect on the kids' loyalty to the comic book medium all over again.

I'm a huge comic book collector. When I was a kid, I had both Marvel and DC. I was my own librarian. I made card files. I had origin stories of all the characters, and cross-referenced when they appeared in other comic books. I was full on.

From the age of four, I was a huge comic fan and still am. When Lost in Space came along it was like being in a huge comic so we jumped at the chance of being part of that project and it proved to be a good choice.

The dirty little secret about comics is that the wall to getting published is actually not that high. You can publish your own comic. You can have your comic printed by the same people that print Marvel and DC and Image's comics for, I think, it's about $2,000 for a print run. So you can Kickstart it and get your own comic made. It depends on what is considered success to you. So if you need to be published by the Big Two to feel that you've made it, well, you should start working very hard.

Hollywood wanted a certain type of comic - that Def Jam comedy style of comic that was very loud, very brash, very much from the ghetto, had that sensibility.

The more 'adequate' we make relief, the more people we are going to find willing to get on it and stay on it indefinitely. The more we try to make sure that everybody really in need of relief gets it, the more certain we can be that we are also giving it to people who neither need nor deserve it.

I didn't want to be known as a gay comic, but as a comic who happens to be gay.

There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are - at their best - an amazing blend of art literature and the theater of the mind.

I wasn't a comic book geek as a kid. I read some, but it was just like, "Oh, I have this comic book here." It wasn't like I was collecting them.

I grew up in the '70s, early '80s as a kid, and when we first immigrated to this country I went to a 7-Eleven and for the first time in my life I saw... back in the day they had this little spinning comic book rack, and there were comic books and I was basically drawn to them.

The Valkyries were an idea that my boss and I came up with when, at the comic shop one day, I mentioned how great it would be if there were a girl gang for women working in comic shops.

Making decisions was the painful part for me, the part I agonized over. But once the decision was made, I simply followed through—usually with relief that the choice was made. Sometimes the relief was tainted by despair, like my decision to come to Forks. But it was still better than wrestling with the alternatives.

At home, I have lot of pictures from 'The Walking Dead' and some stuff from comic books. At comic conventions, people will give me a lot of autographed stuff, so a lot of those are on my wall.

Comic-Con is always something that we- we love Comic-Con and we generally have a big presence there. So we usually have something to say there, and just as things come together.

I love the comics so much, and I grew up reading Marvel Comics. And Doctor Strange is my favorite comic book character - probably, I think honestly, the only comic book I would feel personally suited to work on.