The most important thing as a comic and a writer is to have a strong point of view. I have one and can recognise it in others which is why I can write for other people and different characters that I perform.
I'm never quite sure what I'm looking for in a comic book! It just jumps off the page somehow and hits you square between the eyeballs and you know that's the artist for the story.
Comedy relieves you. A lot of times, we think we're the only people bothered by certain things. Then you hear a comic say, 'Don't you hate it when...' And it's, 'Oh, my God! Of course!'
Zach Galifianakis is a comic force of nature! He is terrific. He digs down here and delivers a beautifully nuanced performance that gets under your skin. Just like the movie.
It's a real honor and dream come true for me to be part of something as awesome as NBC's 'Community,' working with such comic legends as John Goodman and Chevy Chase.
I'm excited to play any character that is based in reality. And I'd be even more excited if I can add a comic element to my role.
One of the nice things about the Internet is you can do a comic that's just for Ph.D. students, or for truck drivers, and you get to reach all of them without having to satisfy the other 99%.
In Chekhov, everything blends into its opposite, just fractionally, and this is sort of unsettling. And that's why you end up 100 years later asking, 'Is that moment tragic or comic?'
I didn't like people rewriting my dialogue. I didn't like the fact that we'd start a comic with the Joker, and by the time we inked it, he would have turned into the Scarecrow.
I think Spider-Man [film], the first one particularly, really figured out the formula of, "Oh, tell the story that they told in the comic. It was compelling. That's why it's iconic."
As far as I know, no kid ever bought a children's book himself with his own money, but they'll buy comic books. So we better make them good.
We're comic book fans; we're huge NASCAR fans.
If I won the lottery tomorrow - which would be a real trick, since I haven't entered - and was independently wealthy for the rest of my life, I'd write comic books, because it's what I like doing.
When I was a comic in the 1980s, I was on the road somewhere every day, and I'd get back to the hotel, and it was Carson and Letterman, and I looked forward to that all day.
I'm one of those people that will walk into a bar, and if I wasn't a comic - because some people know who I am - I would just blend in.
I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
I did not know much about 'Black Lightning' beforehand, but I always wanted to play a superhero. After getting the part, I went back and read the comic books.
Growing up in Orangeburg, I didn't know that I lived in the 'corridor of shame.' I was the son of a single mom who learned to read from comic books. My grandparents helped raise me.
You can channel a lot within a comic framework, and I think 'The Guard' had a lot going on outside of the comedy, which is satisfying.
I don't see myself as a stand-up comic doing cynical, mean-spirited or disrespectful stuff. I'm very aware that I don't like to disrespect people too much.
Comedy is the most difficult. Comic timing is something which you either have it in you, or you don't. You have to have a good sense of humour to be able to understand it. A split second can make you lose the punch.
DC is the foundation of what we all know about comic books and heroes. They've had great storytellers, great illustrates, as a part of that tradition.
Laughs, just laughs. It's the only motivation of a comic.
I've never really been a genre fan. I never grew up reading comic books, or was a horror buff.
As psychotic as it gets outside, the comic can be more psychotic.
I'm a big comic book nerd so every time I'm in costume and see everyone in costume I'm just like "This is sick."
I started writing when I was 9 years old. I was like this weird kid who would just stay in my room, typing little funny magazines and drawing comic strips.
I'm totally open to it being a movie or a television series or whatever, but truthfully, if no one wants to do it right, I'm also happy for 'Ex Machina' to only ever exist as a comic book.
Whenever a young comic asks me for advice I only have two things to say. One is to try and do what you think is genuinely funny and the other is just do loads of gigs.
I was the youngest kid on my street, the youngest comic in the clubs. I always felt like I was playing catch-up. I was very angry.
I always had one goal, and that was to be a real funny stand-up comic, and that's pretty much what I'm doing. And everything else is kind of like gravy - TV, movies.
When I was very young, even before I went to what you call elementary school, I used to read and watch Japanese comic books and anime all the time. These were the seeds of my future.
Neither my mom nor my dad ever bought me any comic books. Certainly not for Christmas. I suspect that doing so would have violated the Parents' Code.
For a long time I wanted to be a comic strip artist but when I started doing them in my teens they were getting really elaborate with tons of poses and a lot of information.
Graphic novels are all about fantasies. Superman and Batman started it. It's like a reaction to environment around you. You desire to do things in comic books or films what you can't do in real life.
In fact, I was too dumb to save any of the old comic books or the old artwork. I used to give them away.
A young comic, if he's any good, can easily get on 'Carson' or 'Griffin' or 'Dinah Shore,' because they want to say the same thing, that they discovered the new talent.
Woody Allen's 'The Complete Prose' - It's just the best selection of comic writing by one author. You know it's good comedy when you get quite demoralised about yourself.
In his prime, the young comic walked onto a stage with the confidence of a man who owned it, and by the time he walked off, he did.
My absolute favorite part of Comic-Con is seeing, like, a 'Mass Effect' guy hanging out with a 'Sailor Moon,' and they're just having a great time.
I'm doing research for a large comic book on the Beat Generation guys - Allen Ginsberg and Jack Kerouac and those guys.
The world is not entirely comic and it's not entirely dramatic. You have a laugh and then someone finds a lump and you deal with that. Because that is what life is like.
I like the superhero comic books, and I like to see what the actors do creatively with the characters and how they bring these superheroes to life in the movies.
The more you put out there, the more you have to resolve. 'Air' is the most literary comic I've written so far, and that poses problems.
No matter how heinous someone's behaviour, if you make them a comic character, you can't expect people to hate them.
Hey, I think comic actors are the best actors.
Rashida Jones is simply glorious. Andy Samberg shines in a grounded performance that digs deep, sharply funny and touching, a breath of fresh comic air!
Hrithik is the go-to guy for queries related to diet. He is great with expressions and is funny in real life. I wonder why someone hasn't cast him in a comic role yet.
The surprising thing was, it's actually easier working on animation than working on a comic strip, because Garfield is animated in my head.
I can say that even in the midst of my most cynical comic stripping: Opus shone through with a bit of heart, anchoring the ugly proceedings with a comforting pull of emotion.
I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium.
All great humorists are sad... I cannot help seeing beyond the tinsel of humour, and recognising the pitiful basis of jest - the world is indeed comic, but the joke is on mankind.
A stand-up comedian faces the audiences and gets their immediate feedback. I hide behind the comic strip, and unless people write to me, I don't know what they think.
It may be true that the only reason the comic book industry now exists is for this purpose, to create characters for movies, board games and other types of merchandise.
I like the idea of making big budget films with a heart. I like graphic novels more than comic books.
Now, as a comic, if you're vaguely amusing you can go straight into TV, then you play the O2 and then everyone's sick of you.
I've learned to look like I'm listening to long confusing plots of cartoons and comic books when I'm actually sound asleep or making grocery shopping lists in my head.
A comic strip has a rhythm and a pattern, and you got to get in and out quick. So you set up a joke, tell the joke, and done.
'The Blue Dragon' uses very filmic language and involves a lot of technology. It is more cinematic than theatrical and was inspired by comic strips and graphic novels.
If the show is going really well and the comedian is still annoyed with the audience, chances are he's a Boston comic. That's the beauty of Boston comics.
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