Top 1200 Commercial Music Quotes & Sayings - Page 19

Explore popular Commercial Music quotes.
Last updated on October 1, 2024.
When you're talking about your own music every day, listening to bands, going to festivals, you can kind of lose sight of your initial connection with music. Instrumental music - especially jazz - helps me refocus.
I always think about fashion when it comes to making music and music videos... what the colours will look like, what the material will be, how will it work with the sound of the music.
What's wrong with the 'Laffy Taffys' and the Soulja Boys? We need fun records. We gotta have dance music. We gotta have club music. We gotta have kids' music. — © Pimp C
What's wrong with the 'Laffy Taffys' and the Soulja Boys? We need fun records. We gotta have dance music. We gotta have club music. We gotta have kids' music.
Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music. It's like making a stew. You put all these various ingredients in it. You season it with this. You put that in it. You put the other in it. You mix it all up and it comes out something neat, something that you created.
We are Korean, so obviously they call our music K-pop. But we never thought of our music as K-pop. Our music is just our music.
The BBC, during its 24 hours on the air, plays a very wide range of stuff. And it's not commercial.
When you face obstacles or go through different phases, I always relied on my music. I depend on my music, my teammates. So at the end of the day, having incredible music, for me, would keep me in the space I want to be as an artist.
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Rome is a city where in every corner you have a reminder of the sacred world. That's why I have sacred music, minimalist sacred music, which is also music I like, because at the end of the day, that's what I want to do.
The music video, Lil Nas X, he asked me to be in the 'Panini' music video. It was crazy. I was just listening to the song and I was like, okay, this is going to be my first music video but it was really fun.
Honestly, if you talk to a lot of artists that have either made it or have done something in music, chances are they'll tell you their family was in music too. Or one of their parents was in music. Or they had a fat record collection or something. Yeah, I owe everything to that.
I love old-time music, I love country music and I love the American music that we have to offer the world. And any part of that is fine with me, as long as it's pure.
I was always into the music. Music, in general, saved my life. But the fame part... I would look up, see what was going on around me, the reporters and photographers and all, and then I would just go back to making my music.
After the shooting of John Lennon and the early death of so many great stars and the utter naked venal mercantile marketing of pop music and rock music, I don't think anyone really believes that music is anything more than another commodity.
I'm a music storyteller and collaborator. I hear character, location, and story as music. For me a score is there to both heighten the story and to actually tell the story with the unique emotional and narrative powers of music.
I didn't like any British music before The Beatles. For me, it was all about black American music. But then I became a successful pop singer, even though the kind of music I liked was more elitist, which is what I'm trying to get back to.
I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.
I love music, and can dance on the desi beats. Punjabi music is my favourite. I listen to artists like Honey Singh. I love his music. I also love watching Bollywood films. — © Vijender Singh
I love music, and can dance on the desi beats. Punjabi music is my favourite. I listen to artists like Honey Singh. I love his music. I also love watching Bollywood films.
Back in my day, I would probe by hand. Now you can get commercial software that does the job for you.
I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.
Poems have a different music from ordinary language, and every poem has a different kind of music of necessity, and that's, in a way, the hardest thing about writing poetry is waiting for that music, and sometimes you never know if it's going to come.
Veer Zaara' changed people's outlook towards me. It was my first so-called commercial film.
Some people draw a line between music videos and short films, looking down on music videos as a format, but there's so much potential in music videos.
In Kannada cinema, the introduction song for the hero is normally, as we call it, a massy commercial number.
In the 1960s, people like Bob Dylan, his music and words were a threat to the society and mainstream of the time. It shook people alive, and directly and indirectly things changed. But, as I see it, the change is never through the music alone. It's also the circumstances around the music that will cause/create the effect. And sometimes it's just strictly accidental that a piece of music becomes a form of protest.
It's appealing to me to get to be in a commercial film without feeling like I sold out.
There's a certain fast-food approach to the whole music thing that's changed the role it plays for us all. You are doing it while you are doing other things. Not that that is new - people have had music on in the background as long as there has been music.
... the hardest studio music to play is Tom & Jerry - cartoons. The music makes absolutely no sense, as music. You can't get into hearing it. There's nothing to hear-'bleep!, blop! scratch!' and it comes fast; everything's first take. That'll change the way you look at life.
As far as using electronics in my music, I have to do that as honestly as possible. Also, I have a broad range of listeners from a classical music base, as well as people, like me, who listen to a lot of different music. So I'm mindful of letting my sitar playing remain at the center of what I do.
All military and most commercial aircraft use our designs that process power from jet engines.
Companies that pretend to care about music and really care about other things - whether it be hardware, whether it be advertising - and now they look at music as a loss leader. And we know music isn't a loss leader; music is an important part of our lives.
Nothing is more futile than theorizing about music. No doubt there are laws, mathematically strict laws, but these laws are not music; they are only its conditions? The essence of music is revelation.
It's easy to get next to music theory, especially between your peers and music classes and so forth. You just pay attention. I had a good ear, so I realized that printed music was just about reminding you what to play.
I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.
What is very interesting when talking about electronic music is that - I would say that rock and roll is called the ethnic music born in America that invaded the world. Electronic music is certainly kind of ethnic music born in countries like Germany and France that has invaded the world.
With music, one's whole future life is brightened. This is such a treasure in life that it helps us over many troubles and difficulties. Music is nourishment, a comforting elixir. Music multiplies all that is beautiful and of value in life.
We're just nerds that play music. Because we get played on the radio and have a Vitaminwater ad with Aaron Paul dancing on a treadmill, people are going to say we sold out. I don't write music for that. I write music for me.
The work of Liszt I most admire is the music he wrote toward the end of his life. This is often music of tremendous inventiveness. The music seems to be seeking something. It tends to be restless, unpredictable, often very sad.
If I make a movie that has a whole bunch of music in it, I get to listen to the music all day long, and I don't have to say, 'Well, I gotta go back to work and I gotta stop listening to the music.' I get to listen to music and go to work.
I'm a born music lover and want to sing for all music composers as well but due to some false impression many makers feel that I prefer to make my own music and sing, though I'm equally comfortable in both.
I have very eclectic taste in music. I like everything from Nirvana, which is featured in the film, to world music, to orchestral and jazz. For me, the nineties were about Oasis, because I was travelling around Britain when that band exploded onto the music scene.
I'm indeed excited to be termed as a hero who can command commercial respect in two languages at the same time. — © Vijay Antony
I'm indeed excited to be termed as a hero who can command commercial respect in two languages at the same time.
Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.
I almost wish we would've filmed a whole fake tampon commercial around ["I'm With Her"].
When I was 6, I saw a commercial that Jessica Simpson was in and that was the first time I felt my little heart flutter.
My salvation lies in time spent alone with an X-Acto knife and commercial-grade adhesive.
I mean, I do consider that my music is pop because Ive been influenced by pop music my whole life; I grew up in the States and 80s pop music was my biggest influence.
Some guys that know me from when I was a kid say "My son, oh he's just like your father." It's just a natural part of our lives. But, within the music industry and within the industry of the critiques of music, where it becomes "Ziggy's music is not as good as Bob's music," I don't understand. But I don't really pay much attention to that because I'm just expressing myself.
Obviously, I love country music, so I wanna be able to live in the country music genre and then play to country music fans.
I was kind of, I would say, even obsessed with music. I wanted to start learning piano when I was six years old, and after that, my parents were very supportive and they took me to several kinds of music lessons. So music filled all my childhood.
Most conservatives know better than to promote the state funding of art. The result of such funding is the mess that modern art has become. Atonal music is to music what subsidized art is to art. ...The fact that cacophony has reigned almost supreme since 1900 is a testimony to Mises' original observation. Atonal music is to music what socialism is to economics: planned chaos.
Music is endless and even though I've heard a whole bunch of music from so many different places and fallen in love countless times with all kinds of different music.There's still something about it,I guess it's called Freedom.
Bob Marley is a huge influence. I love reggae music, but I also love the purpose of the songs he writes and the style of the music - it takes your worries away and makes you feel good, and I think that's what music is about.
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.
With recording, everything changed. The prospect of music being detachable from time and place meant that one could start to think of music as a part of one's furniture. It's an idea that many composers have felt reluctant about because it seemed to them to diminish the importance of music.
I've done this commercial with Arnold Palmer. He doesn't play that much anymore, but it'd be fun to have him in the cart. — © Kevin Nealon
I've done this commercial with Arnold Palmer. He doesn't play that much anymore, but it'd be fun to have him in the cart.
But back then the thing that saved me was the music, and it's certainly the music that saves me now. The music, my family and my friends and everybody around me.
Music is a science, it heals depression, it awakens, most people don't know, they just take music for an entertainment, something to dance to, and enjoy yourself and you go to bed and forget it tomorrow, music must never be forgotten, it's like a fountain that keeps on flowing
I always felt that the music sells by itself. The music has always been the successful aspect on my career, and that means that, to me, I can always still stay very focused on music.
I always did music, but music is an easier thing for me. Making videos and doing comedy things was more of a challenge, so I was more interested in that. Music is a little bit more automatic.
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