Top 1200 Common Folk Quotes & Sayings - Page 20

I lived in London in 1965 and 1972. I love it there and I'm always very creative in that vibe. Would love to live for awhile in Scotland/Ireland and Britain. Great appreciation there for the folk scene and song crafting.

I was listening to a lot of bebop. And to Miles Davis. Everyone thinks I was just in the folk world in 1966, but in 1963 and 1964, I was absorbing enormous amounts of music, from baroque to jazz to blues to Indian music.

Robby had a flamenco and folk music background. I was so enamored with watching Robby's fingers crawl across the flamenco guitar strings like a crab.

When I really started liking music was when I could play some of it myself, and after a couple of years of playing folk music, I kinda rediscovered those hits that were on the radio all the time when I was a kid.

One must shed the bad taste of wanting to agree with many. "Good" is no longer good when one's neighbor mouths it. And how should there be a "common good"! The term contradicts itself: whatever can be common always has little value. In the end it must be as it is and always has been: great things remain for the great, abysses for the profound, nuances and shudders for the refined, and, in brief, all that is rare for the rare.

Witches is being sold as an account of the Belvoir scandals, but in truth, Tracy Borman has written a thorough and beautifully researched social history of the early 1600s, taking in everything from folk medicine to James I's sex life.

Such as are in immediate fear of a losing their estates, of banishment, or of slavery, live in perpetual anguish, and lose all appetite and repose; whereas such as are actually poor, slaves, or exiles, ofttimes live as merrily as other folk.

What I consider to be the barometer for what is a rock artist and what is not, is somebody who has a certain element of blues, even a hint of soul or blues music, derivative of African-American blues, folk, spiritual, or gospel.

Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music, and there's no pomp and circumstance to the performance. There's no, like, 'I'll be the rock star, you be the adulating fan.'

The moral, then, is that familiar categories of behavior - marriage customs, food taboos, folk superstitions, and so on - certainly do vary across cultures and have to be learned, but the deeper mechanisms of mental computation that generate them may be universal and innate.

I dont like Jews. Or colored folk. Or natives, now that you mention it...I bet you like Catholics. Cant stand them either. Nor women, Fabians, Socialists, homosexuals, Asians, or British.

Folk tales are my favourite form of story telling. They not only just adjust the reader according to the world it is introducing the reader to, but also enchant the reader with its mysterious and magical characters.

Let us become thoroughly sensible of the weakness, blindness, and narrow limits of human reason: Let us duly consider its uncertainty and endless contrarieties, even in subjects of common life and practice.... When these topics are displayed in their full light, as they are by some philosophers and almost all divines; who can retain such confidence in this frail faculty of reason as to pay any regard to its determinations in points so sublime, so abstruse, so remote from common life and experience?

Our society is illuminated by the spiritual insights of the Hebrew prophets. America and Israel have a common love of human freedom, and they have a common faith in a democratic way of life. ... Most, if not all of you, have very deep ties with the land and with the people of Israel, as I do; for my Christian faith sprang from yours. The Bible stories are woven into my childhood memories as the gallant struggle of modem Jews to be free of persecution is also woven into our souls.

I was looking for some vintage furniture, and I came across this booth where they sold old pictures. This guy didn't just have things in a box; he had really curated his collection. Each image was like this little folk masterpiece.

Race, for me, should be social and cultural, rather than the colour of your skin. Anton Ferdinand would have more in common with John Terry than he does with some West African from Nigeria. John Terry will have more in common with Anton Ferdinand than a Slav from Eastern Europe who happens to be white.

Taren Ferry folk had a reputation for slyness and trickery. If you shook hands with a Taren Ferry man, people said, you counted your fingers afterwards.

I was addicted to rhythm 'n' blues pretty much directly into folk music. I had my little 45s of mostly black artists. That was as close as I got. I've never listened to heavy rock or stuff that jangles my nerves, because I'm already jangled.

... a nation to be strong, must be united; to be united, must be equal in condition; to be equal in condition, must be similar inhabits and feeling; to be similar in habits and feeling, must be raised in national institutions as the children of a common family, and citizens of a common country.

John Martin was a great, complex folk singer, and later on, his music became more and more melancholic as he went through a separation with his wife.

I went to school in Gainesville because it was a huge punk and folk town. So I went to class twice a week, and then I went to shows and wrote. I did a lot of music writing before I actually started playing music.

Politics, as I never tire of saying, is for social and emotional misfits, handicapped folk, those with a grudge. The purpose of politics is to help them overcome these feelings of inferiority and compensate for their personal inadequacies in the pursuit of power.

Science and art may invent splendid modes of illuminating the apartments of the opulent; but these are all poor and worthless compared with the common light which the sun sends into all our windows, which he pours freely, impartially over hill and valley, which kindles daily the eastern and western sky; and so the common lights of reason, and conscience, and love, are of more worth and dignity than the rare endowments which give celebrity to a few.

I like people, and I like to be around people. They are fascinating. I like to behave like a common man. I am a common man.

Let us not be blind to our differences-but let us also direct attention to our common interests and to the means by which those differences can be resolved. And if we cannot end our differences, at least we can help make the world safe for diversity. For, in the final analysis, our most common link is that we all inhabit this small planet. We all breathe the same air. We all cherish our children's future. And we are all mortal.

It is apparent at first glance that in The Double there is more creative talent and depth of thought than in Poor Folk. But meanwhile the consensus of St. Petersburg readers is that this novel is intolerably long-winded and therefore terribly boring.

When I moved to New York, the reputation just followed me, and I am regularly invited to play in home games, by writers in particular, though finance folk also invite me on occasion.

I feel just as passionately about experimental electronic music as I do about folk music.

My works are Chinese literature, which is part of world literature. They show the life of Chinese people as well as the country's unique culture and folk customs.

But even if we take matrimony at its lowest, even if we regard it as no more than a sort of friendship recognized by the police, there must be degrees in the freedom and sympathy realized, and some principle to guide simple folk in their selection.

Passionate attachment to another nation produces a variety of evils... the illusion of common interests where no real common interests exist; adopting the enmities of the other; and participation in the quarrels and wars of the other without any justification. Still another evil is that such a passionate attachment gives to ambitious, corrupted, or deluded citizens the facility to betray or sacrifice the interests of their own country.

We've always had to bring some form of ID to vote. It's just that states have created new forms of ID that young folk and seniors and students and people of color, it makes it challenging to get.

There's always something in most world folk musics that always seems connected; whether it's a bagpipe or a tambura, there's always some sort of drone instrument, and there's always percussion.

The theatre has always been voraciously omnivorous. Dramatists have always raided every medium to find grist to their mill: myths, folk tales, newspapers, novels, films, works of art of all kinds.

When the Soviet Union collapsed, the television businesses found it was easier to hire 16- or 18-year-olds and teach them everything from the beginning rather than re-teach the old-school folk.

The Band is probably the ultimate example of people taking all kinds of music, from gospel to blues to mountain music to folk music to on and on and on and on and putting them all in this big pot and mixing up a new gumbo.

Mostly folk music is people with fruity voices trying to keep alive something old and dead. It's all a bit boring, like ballet: a minority thing kept going by a minority group.

Conspiracies, since they cannot be engaged in without the fellowship of others, are for that reason most perilous; for as most men are either fools or knaves, we run excessive risk in making such folk our companions.

It's interesting to marry American musical traditions with the subtlety of English-style storytelling and folk singer-songwriters like Martin Carthy and Bert Jansch - they're two heritages that are distinct but also cross over on so many levels.

His rage passes description - the sort of rage that is only seen when rich folk that have more than they can enjoy suddenly lose something that they have long had but have never before used or wanted.

The King saw them with no common satisfaction, expressing his desire in no particular to have yt Stellar fish engraven and printed. We wish very much, Sir, yt you could procure for us a particular description of yesd Fish, viz. whether it be common there; what is observable in it when alive; what colour it then hath; what kind of motion in the water; what use it maketh of all that curious workmanship, wch Nature hath adorn'd it with?

But even if we take matrimony at its lowest, even if we regard it as no more than a sort of friendship recognised by the police, there must be degrees in the freedom and sympathy realised, and some principle to guide simple folk in their selection.

Common sense … has the very curious property of being more correct retrospectively than prospectively. It seems to me that one of the principal criteria to be applied to successful science is that its results are almost always obvious retrospectively; unfortunately, they seldom are prospectively. Common sense provides a kind of ultimate validation after science has completed its work; it seldom anticipates what science is going to discover.

My hope is that the generous instincts of unity will not depart from us...[so that we] become the prey of the little folk who exist in every country and who frolic alongside the Juggernaut car of war to see what fun or notoriety they can extract from the proceedings.

Common sense without education, is better than education without common sense.

We are calling on countries that supply weapons to comply with certain restrictions: not to sell weapons to human rights abusers, not to sell them to governments or groups carrying out aggression against states, not to make weapons sales that could disrupt security or development in the receiving region. These are in many ways common sense principles, but sadly, there seems to be very little common sense in the international arms trade.

My first band was an Argentinian folk group when I was 10. When I was 12 I had my electric guitar, and by the time I was 13, the Beatles came into the scene, and that was over. So I have a mixture of all these traditions, and I think that's who I am, a mixture of everything.

The Swedish folk music - I can't hear any connection between my music and fiddle tunes, but I guess since I grew up with that, kind of, Swedish tone or harmony.

There's a roots nature to Appalachia - the origins of folk and bluegrass. I know guys there who are some of the best players I've ever heard but are playing on their porch tonight because they've never chased success. There's simplicity to how they live and what they care about.

I also like the whole idea of fairy tales and folk tales being a woman's domain, considered a lesser domain at the time they were told.

Things like crowns had a troublesome effect on clever folk; it was best to leave all the reigning to the kind of people whose eyebrows met in the middle when they tried to think. In a funny sort of way, they were much better at it.

The Obama administration has abused the executive power, enforcing Common Core on the states. It has used race to the top fans to effectively blackmail and force the states to adapt Common Core. But in one silver lining of Obama abusing executive power is that everything done with executive power can be undone with executive power and I intend to do that.

I've been getting interested in reimagining folk songs and writing songs that should have existed but didn't, particularly around the Civil War when black voices were muted and only allowed particular channels.

There have always been people making music. On their porches, playing folk songs. Playing piano in quiet salons. You don't have to listen to every MySpace page, so what's the difference? It's just noise that you filter out.

One thing that I love about country music, probably more so than any other culture - maybe the blues rivals it - there are so many American folk heroes. There's the Coal Miner's Daughter, the Man in Black, the Red-Headed Stranger, and on and on.

I grew up listening to popular music. My father was a Peruvian folk singer. He played the guitar at home. He sang songs with a waltzing rhythm, yet you can still hear the Spanish influences. I accompanied him to his performances.

Blues songs, like folk songs, are a continuous stream, and catching the continuities and thefts is part of what puts meaning and complexity into it - also part of the fun of it all.

I started out as a folk singer, and kinda got sidetracked playin' honky tonks and such, but I was always a working musician. I didn't want to be Townes Van Zandt or Guy Clark, but I wanted to play in front of their audiences, you know what I mean?

COMMUNICATION: If I had to pick a first rule of communication-the one practice above all others that opens the door to connecting with others-it would be to look for common ground. Too often people see communication as the process of transmitting massive amounts of information to other people. But that's the wrong picture. Communication is a journey. The more that people have in common, the better the chance that they can take that journey together.

I think that Richard Nixon will go down in history as a true folk hero, who struck a vital blow to the whole diseased concept of the revered image and gave the American virtue of irreverence and skepticism back to the people.