Top 228 Comparisons Quotes & Sayings - Page 3

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Last updated on April 18, 2025.
Such movies are always a danger...falling in love is something most adults have actually experienced...The theme is universal and encourages...unhealthy comparisons...why can't our lives be like that? It's a box left unopened, and its avoidance explains the continued popularity of vampire epics and martial-arts extravaganzas.
YouTube clips get millions, billions of hits. Reality TV programs have their own channels. How can movies attempt to compete with these kinds of numbers? And do we even need to? Are we scaring ourselves by unnecessary comparisons, by not comparing apples with apples?
We remove ourselves from the experience itself to a surrogate of the experience, which is whatever measure you take from the brain, be it the electroencephalogram or magnet encephalography or say functional magnetic resonance. So it's pretty tough to make those comparisons.
As you live your values, your sense of identity, integrity, control, and inner-directedness will infuse you with both exhilaration and peace. You will define yourself from within, rather than by people's opinions or by comparisons to others.
I draw a lot of comparisons with Cam Newton and E.J. Manuel. But for the mental part, I like to view myself as Peyton Manning, Tom Brady, Drew Brees, and those guys. Because they're so ahead of everyone else when it comes to that part of the game.
I try not to pay attention to talk of comparisons. I only want to focus on myself. It is good to hear that people are talking like that, but the truth is I am not at Cruyff's level of talent, and I never will be, so it is not something I think about.
I feel really blessed when people start comparing me with Sachin, but I keep myself focused on my performance and not on such comparisons. I literally worship him, so I don't see too much in this comparison. No cricketer has been able to score one hundred centuries like Sachin.
I've done a few remakes now, as you know. And my philosophy is, you see the original film once, and that's it. You have to do whatever you can to shut it out, because you don't want your performance to be tainted. You don't want to fall into the trap of comparisons, basically.
When I heard that 'Roots' was being remade, my first response was, 'Seriously?' I was a bit skeptical. Then I had an audition in early 2015. I didn't know how to feel about it. I was a little scared of the responsibility of telling the story again with the weight of the first one behind me - I was scared of comparisons.
No one as yet has approached the management of New York in a proper spirit; that is to say, regarding it as the shiftless outcome of squalid barbarism and reckless extravagance. No one is likely to do so, because reflections on the long narrow pig-trough are construed as malevolent attacks against the spirit and majesty of the American people, and lead to angry comparisons.
There is a sense of responsibility when you play a real-life character because there are people who will see your work, make comparisons, and judge you. They have all the rights to do that because they know the real person. They might have seen that person also.
It scares me how hard it is to remember life before you. I can't even make the comparisons anymore, because my memories of that time have all the depth of a photograph. It seems foolish to play games of better and worse. It's simply a matter of is and is no longer.
I set out to tell my story, which is based on my family. Dr. Cosby told his story in 'The Cosby Show.' The comparisons stop there in terms of my creation of the show. We just both happen to have black fathers at the center of it.
A statue of Apollo in a museum does not seem naked, but attach a tie to its neck and it will strike us as indecent ... The text is one of the components of an artistic work, albeit an extremely important component ... But the artistic effect as a whole arises from comparisons of the text with a complex set of ontological and ideological esthetic ideas.
Dave Rocha is a mature and eminently musical improviser. His sumptuous tone and cafefully chosen notes embody real musical thought. His performance of 'Dear Old Stockholm' at Chez Hanny evoked favorable comparisons to Miles Davis' classic recording.
It is an honour that people are comparing me to Iniesta because of everything that he has achieved. But, and I have said this before, I do not like these kinds of comparisons. Andres is Andres, and I am Isco. I am a different person and player.
You're not going to be perfect, you're not going to stop berating yourself, you're not going to stop the comparisons, you're not going to stop the judgment, but you can become evermore mindful of it, and that has to be good enough.
Even when it comes to things like wars over oil, which may seem like a whole different ball game, there are still comparisons one can draw: chimps fight for their territory; they fight for the resources within that territory, so it does relate in a way.
People in low-lying countries like Bangladesh with almost 140 million people who are managing to feed themselves, whose carbon emissions can't really be calculated (they are a rounding error in the UN's attempts to do national comparisons), and yet, most of whose people are at risk from increased flooding due to rising sea levels.
It's difficult for me to write in English as it's not my first language, but French is even worse because of my father's influence and because the comparisons that I - not even other people - would make.
Yes, I've heard of the 'Mad Men' comparisons, but I like to think 'The Hour' has its own distinctive voice. Although it is set in 1956, I have tried to give it a contemporary edge, and its themes of love, passion, romance, fury, professional jealousy, and personal failure are universal, I think.
Some 'Terminator' fans are outraged that I'm playing Sarah Connor. They think I'm not muscly enough. To be honest, I'm a little tired of the comparisons to Linda Hamilton. I know she will always be the original Sarah Connor, but when people see what I bring to the role, they will look at her with new eyes.
There are a lot of problems involved in comparative history. You never know if you're getting the comparisons weighted rightly, you're bound to dominate one literature better than another. But I do see it as one of the ways forward for the future. I think it is a very important approach.
While I understand the Howard Stern comparisons to help contextualize my craft for other people, and while I relate to the moral stance he took against a bigger corporate machine, that's probably where our similarities stop.
Partial examination will result in partial views of truth, which are necessarily imperfect; only careful comparisons will show the complete mind of God. — © Arthur Tappan Pierson
Partial examination will result in partial views of truth, which are necessarily imperfect; only careful comparisons will show the complete mind of God.
Im a huge fan of The Odd Couple, yes, and any comparisons to Tony Randall and or Jack Lemmon are completely welcome. I kind of try to channel those guys, and then add my own neuroses, too.
The wise man does not permit himself to set up even in his own mind any comparisons of his friends. His friendship is capable of going to extremes with many people, evoked as it is by many qualities.
All comparisons between America's current place in the world and anything legitimately called an empire in the past reveal ignorance and confusion about any reasonable meaning of the concept empire, especially the comparison with the Roman Empire.
When you're looking around for metaphor or simile, I do think it's often helpful to keep inside the world of the book, to gather your comparisons from the stuff particular to that world - be they king salmon and aviation fuel, or pot roasts and spatulas.
To make a proper moral appraisal of the prevalence of severe poverty today, we should focus not on comparisons with times past, when the global average income was much lower, but on a comparison with what would be possible in our time, given the current global average income and level of technological and administrative development.
English is so hierarchical. In Cree, we don't have animate-inanimate comparisons between things. Animals have souls that are equal to ours. Rocks have souls, trees have souls. Trees are 'who,' not 'what.
I've only ever been mistaken for myself. People draw a lot of comparisons to all of the round-faced, mustached men of entertainment that make me cringe and sick to my stomach about how the world really sees me and they're right.
It's funny. People often compare me to other humor essayists. They're usually quite nice comparisons; I will accept those gladly. But I am always sort of appalled at the idea of being lumped with other, more chick-y female writers. And the truth is probably that neither comparison is accurate.
When you get into comparisons in any way of, 'we want it to be like this' or 'we don't want it to be like this,' it takes away from the authenticity of what you're trying to say and what you're trying to make.
Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.
A lot of people say I got my own sound. I ain't never really got no comparisons. When people hear my music, they be like, 'He got his own lil sound.' — © Roddy Ricch
A lot of people say I got my own sound. I ain't never really got no comparisons. When people hear my music, they be like, 'He got his own lil sound.'
I've dealt every day of my life with my dad's career, the comparisons to him, with people wanting me to live up to him. I just put that stuff out of my head, I don't even hear it after awhile - I just turn my ears off.
There are one hundred and ninety-three living species of monkeys and apes. One hundred and ninety-two of them are covered with hair. The exception is a naked ape self-named Homo sapiens. The zoologist now has to start making comparisons. Where else is nudity at a premium.
I don't make comparisons between any movies. I compare characters. All my actions, performances, all my films, they are driven by the characteristic. If I'm playing a cop, then I give him a particular style - I may not know that style, but as an actor I have to be responsible to do your homework and do your research and training and stuff like that.
Once people start making comparisons to a player of the past, they want you to be that player. I try to go out there and create my own image, my own style, my own type of game. Right now I can't even think of one guy I've been compared to.
What I learned from comparisons and jealousies is that they point to where you haven't filled your cup or owned your gifts. They point to where you are not yet 100% you. We know that when you are fully engaged in doing what you're doing and your heart and creative spirit are involved, you couldn't care less what anybody else is doing.
I've been teaching myself the fundamentals and being around some good players, but also been learning to play team games, playing 3-on-3s, playing 1-on-1s, playing 5-on-5s, playing 21. There are guys bigger than me on the court, but I've had numerous comparisons to Ty Lawson.
I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
People should know that I am Dybala, and I want to continue to be so. I understand the comparisons and expectations on me from the Argentines, but I don't want to be the new Messi or the Messi of the future.
When I look at myself as a younger actor, I see what a tight ass I was. I had a pretty big shadow because of my father and the comparisons. I was self-conscious about that. Now I realize there was nothing to be worried about.
Because of recent improvements in the accuracy of theoretical predictions based on large scale ab initio quantum mechanical calculations, meaningful comparisons between theoretical and experimental findings have become possible.
Everywhere you look for comparisons of life under anarchy and life under government, life under government is less violent.
We were in the same band, but we're two completely different people. People have asked me to make comparisons with our albums, and I can't, because there's no comparison. Her album's okay. I don't think she's the best singer on Earth, but she's okay.
It wasn't openly talked about very much, in the sense that people said they wanted to beat GB at this or that, but there would however be sidelong comparisons frequently in press commentary. And it was also pretty quickly obvious that no other countries were developing the kind of technological depth of industry as were the US and the UK.
You're always going to get comparisons. Everybody comes out and says, 'He's the next so and so,' or, 'He reminds me of so and so.' I have so many influences and stuff in my brain, who knows what's going to pop in and come out.
While I talked about comparisons between Cap and Cable, there's also a parallel with Tony Stark. Iron Man thinks of himself as a 'futurist,' Cable is from the future. Both have been at war with their own bodies. We look for characters with touch points to Cable. Their legacy means an enormous amount to him.
I think it's possible to a certain extent to make those comparisons. The problem is the detail with which the comparison can be made. Of course, the first place to make such a comparison would be to ask for a testimony from different people and have people report on what they experience.
I liked Pat Cash, and I loved Mats Wilander. I went to the Australian Open with my parents, and I used to watch Wilander being cheered on by the Swedish fans, and with his game style being like mine, I drew comparisons with him.
There are no parallels to the life of the concentration camps. All seeming parallels create confusion and distract attention from what is essential. Forced labor in prisons and penal colonies, banishment, slavery, all seem for a moment to offer helpful comparisons, but on closer examination lead nowhere.
I get a lot of comparisons to Daniel Bryan, and trust me, I am flattered by all of them because we mentioned New Orleans and WrestleMania; I watched it at home and watched Daniel Bryan in the main event of WrestleMania achieve his dreams.
I am completely fascinated by the differences and comparisons between real life and fairy tales because we're raised as little girls to think that we're a princess and that Prince Charming is going to sweep us off our feet.
'Psycho' is probably the best known example of a horror film whose exclusive sound was strings, and since then, it's been hard to avoid that. The minute you have strings as your primary voice, the comparisons are always made.
It was tough to write. We had the shadow of "Lost" hanging around and I just kept saying, "Guys, we need to take a really wide birth around 'Lost.' We're going to get lots of comparisons anyway, but we need to prove, within a couple episodes, that it's not 'Lost.'"
The most heterogeneous ideas are yoked by violence together; nature and art are ransacked for illustrations, comparisons, and allusions; their learning instructs, and their subtlety surprises; but the reader commonly thinks his improvement dearly bought and, though he sometimes admires, is seldom pleased.
Is it possible your pragmatical worship should not know that the comparisons made between wit and wit, courage and courage, beauty and beauty, birth and birth, are always odious and ill taken?.
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