Top 1200 Composing Music Quotes & Sayings - Page 13

I love pop music, but I also love noise music, IDM - anything really, I get something out of most kinds of music. I just need to enjoy the process.

I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.

Music has given me peace. I can remember occasions when music instantly tranquillized my mind, when I was greatly agitated over something. Music has helped me to overcome anger.

To me, dance music is a lot of space - to listen to other things than melodies. I think club music and dance music really require a different way of listening.

If you're true to yourself, it doesn't matter where you record your music or where you say you're from. I am an artist from Texas, proud to be from Texas, but I play my own kind of music, my brand of country music.

I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.

I definitely see myself as an international musician. When I play, I respect the source of the music, whether it's Cuban, Brazilian or Israeli. I try to bring that to all of the music I play. Music has no borders and no flags.

I was always into pop music, Destiny's Child, songs with catchy music. Even when I was writing when I was younger, it wasn't all about expressing myself; it was just about making fun music.

In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.

Music, great music, distends the spirit, arouses profound emotions and almost naturally invites us to raise our minds and hearts to God in all situations of human existence, the joyful and the sad. Music can become prayer.

My musical style was developed basically by listening to music. The music I like helped to mold my style. I used to listen to the majority of down south music when I was a shorty coming up.

I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.

I think that the best music and the music that people relate to the most is the honest music that people feel themselves in it.

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

Music is one whole force. And I think the Proms have always represented very clearly that music is a universal language, one that everyone can speak. I've just followed my goosebumps in every direction and have found a recipe for what my music feels and sounds like.

Super casual music listeners. That's most of the people in the world. And you have to understand, that's why Top 40 radio exists. It's not there for people who seek out music and who love music.

As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music.

Teenagers are passionate and they want music that speaks within their hearts. It's a big deal for students to listen to Christian music and talk about it at school. Music is a very exciting element of your life when you're love. I think it's huge.

I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.

An ear for music is very different from a taste for music. I have no ear whatever; I could not sing an air to save my life; but I have the intensest delight in music, and can detect good from bad.

A lot of people may not know how competitive it is to play classical music, because when you think about it, the music that you're playing is music that's been here for years. And all you're trying to do is improve upon it when you play.

We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.

Dance has always just been an extension of music for me. It's about putting my music into motion. It's just another dimension that I tap into with my music that not many artists do anymore.

I used to practice piano for hours, and now, with a synthesizer, you can input the music and the machine perfects the song. That's why we have so many people in the music business who should be plumbers. They don't really understand music because they haven't been trained.

I'm not conditioned to be an entertainer. An entertainer pleases others while an artist only has to please himself. The problem with that is artists are misunderstood by all. I'm not interested in the clarinet but in music. we speak our emotions into music. An artist should write for himself and not for an audience. If the audience likes it, great. If not, they can keep away. My situation is the same. Let them concentrate on my music and not on me. I like the music. I love it and live it, in fact. But for me, the business part of music just plain stinks.

A dissection of music perception and creation that starts slowly and inexorably builds to a grand finish. I loved reading that listening to music coordinates more disparate parts of the brain than almost anything else--and playing music uses even more! Despite illuminating a lot of what goes on this book doesn't "spoil" enjoyment- it only deepens the beautiful mystery that is music.

Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.

There are so many things to be considered in making music. The whole question of life itself... I know that I want to produce beautiful music, music that does things to people that they need.

All music is based on country music. And that's why so many different kinds of people relate to it. There are more country music fans in New Jersey than there are down South.

There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.

Even if I don't think in visuals about the music while I'm doing it, after the music is finished, it could be great to incorporate that in the live show or doing my own music videos.

When I became thoroughly acquainted with the Greek and Roman authors, I thought it incumbent upon me to do something towards the honor of the place of my nativity, and to vindicate the rhetoric of this ancient forum of our Metropolis from the aspersions of the illiterate by composing A Treatise of the Alercation of the Ancients; wherein I have demonstrated that the purity, sincerity, and simplicity of their diction is nowhere so well preserved as amongst my neighbourhood.

The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.

At the evident risk of seeming ridiculous, I want to begin by saying that I have tried for much of my life to write as if I was composing my sentences to be read posthumously. I hope this isn't too melodramatic or self-centred a way of saying that I attempt to write as if I did not care what reviewers said, what peers thought, or what prevailing opinions may be.

When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.

I have moved around a lot, and I've lived in all of these different environments - that has affected the kinds of music and the range of music and influences I've had in my life. All of those influences - more subconsciously - play into the music I make.

Elemental Music is never just music. It's bound up with movement, dance and speech, and so it is a form of music in which one must participate, in which one is involved not as a listener bust as a co-performer.

Doors music is not a simple kind of music. It's like the Bauhaus. It's clean and pure. Morrison's lyrics are psychologically deep. So for people to understand Doors music is certainly a testament to their intellects.

As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.

I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.

I'm a real guy. I'm not money-laundering. I make money off music, and music is my source of income. It feels good. I'm not selling T-shirts, I'm not doing none of that other crap. Straight music.

When I'm feeling stressed out and overwhelmed, sometimes I'll read a book. But most of the time, I will either listen to music or play music. I'm basically always playing music, even if I'm not stressed!

I started when I was really young. I was playing classical music when I was 4 and when I turned 11 I started to write pop music. I guess you could say it was my intellectual evolution and my love of music began to change.

I'm overly excited to finally announce this amazing global partnership deal back home with EMI Music. I know I have mentioned doing music in the past but for legal reasons I was not in a position to release any new music.

The MTC is known for singing music by great master composers, hymns, American music, Broadway numbers, popular songs, and inspirational music. If the audience doesn't like one genre, they need only wait for the next number.

Before I play matches I'm always switching myself on. That's why I have that walk-on music - Two Steps From Hell - they produce really good motivational gladiator-style music. As soon as that music comes on I'm switched on and I'm ready for a brawl!

We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.

My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me.

To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.

I think all kinds of music are being made. No one hears them. There's so much emphasis on a certain kind of music. It's difficult to find music nowadays. You have to make the effort to find it.

Composing is to think. It is to have your mind trying to find what is the best sound that the movie is going for: the best melody, the best texture, the best structure and dramaturgic arc for the film. Then you discuss that with the director. He's the leader. He's the one showing you the path to follow to find the soul of the film.

The native music of North America, the original-roots music of this country, is also the underworld music of this country.

I had no idea that I was ever getting into music. I did not prepare for a music career, and here I've found, out of pure luck, that I did have, not only a talent and an ear, but a passion for music. And I have it to this day.

Composer” is a word which here means “a person who sits in a room, muttering and humming and figuring out what notes the orchestra is going to play.” This is called composing. But last night, the Composer was not muttering. He was not humming. He was not moving, or even breathing. This is called decomposing.

My mother got me into music when I was a little kid. She used to play music, blast it, when she was cleaning the house, while I was crawling around. I just love loud music.

Even though, theoretically, being a composer and being a songwriter are the same thing, in my brain, they are completely different. When I am in my composing mode, I go into my studio and turn that part of my brain on like a faucet. And when I finish, I turn it off. But with songwriting, that process is much more elusive.

I'm very conscious that I want the dance audience to respond and respect what I'm doing, so I'm always very true to the music and I honour the music in the way I see it - I don't mess around with the music.

I think the [music] industry really suffered from music being available online because it made young people feel, "why should you pay for music, if it's so readily available for free?"

Yeah, I always listen to both classic and newer folk-influenced music. Singer-songwriter, alternative music. I also listen to more experimental dance music.

That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.