Top 34 Compress Quotes & Sayings

Explore popular Compress quotes.
Last updated on December 18, 2024.
My business is stanching blood and feeding fainting men; my post the open field between the bullet and the hospital. I sometimes discuss the application of a compress or a wisp of hay under a broken limb, but not the bearing and merits of a political movement. I make gruel--not speeches; I write letters home for wounded soldiers, not political addresses.
I come from both sides of the spectrum: I grew up listening to hip-hop and R&B then learned how to make a track by tapping a bowl with a fork. I'm trying to compress all of my experiences all of the time.
Ultimately, the goal is to use acquisitions to compress time on product development and get people on the team, especially in senior roles, who can help build out areas of the company they have experience in.
Only a fool would try to compress a hundred centuries into a hundred pages of hazardous conclusions. We proceed. — © Ariel Durant
Only a fool would try to compress a hundred centuries into a hundred pages of hazardous conclusions. We proceed.
Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.
The contemporary tendency in our society is to base our distribution on scarcity, which has vanished, and to compress our abundance into the overfed mouths of the middle and upper classes until they gag with superfluity. If democracy is to have breadth of meaning, it is necessary to adjust this inequity. It is not only moral, but it is also intelligent. We are wasting and degrading human life by clinging to archaic thinking.
There are obviously two educations. One should teach us how to make a living and the other how to live. Surely these should never be confused in the mind of any man who has the slightest inlinkng of what culture is. For most of us it is essential that we should make a living... In the complications of modern life and with our increased accumulation of knowledge, it doubtless helps greatly to compress some years of experience into far fewer years by studying for a particular trade or profession in an institution.
A memoir is not an autobiography. It's a true story told as a novel, using techniques of novelization. The author is allowed to compress events, combine characters, change names, change the sequence of events, just as if he's writing a novel. But it's got to be true.
I think, television and comics, what's appealing to me as a writer about both of those mediums is that they allow you to sort of let the story unfold in its own time as opposed to trying to compress it into a two-hour discreet unit of narrative.
Life is too complex to compress into soundbites. Every situation is different.
Every time you do a true story - and I've done a few - you have to look in the mirror and say, 'That's close enough. I'm comfortable with this.' You're always going to compress time; you're going to change the order of things. But I don't think you want to tell a big lie. You want to think that you're embracing the truth.
Films have to find a way to compress many anecdotes into one, or many events into one. Otherwise there is no way to tell it in two and a half hours.
I'm used to adapting my novels for feature film - it can be challenging to cut and compress three or four hundred pages into two hours of dramatic action.
Was there ever a more horrible blasphemy than the statement that all the knowledge of God is confined to this or that book? How dare men call God infinite, and yet try to compress Him within the covers of a little book!
Most of life is grey, with a little tiny bit of black and white. We're always subject to what I call the compression industry, which is an attempt to compress a million shades of grey with a little bit of black and white to just a hundred, or to ten, or to one!
I do try to compress a lot of information into what I do. It's funny.
The argument that the literal story of Genesis can qualify as science collapses on three major grounds: the creationists' need to invoke miracles in order to compress the events of the earth's history into the biblical span of a few thousand years; their unwillingness to abandon claims clearly disproved, including the assertion that all fossils are products of Noah's flood; and their reliance upon distortion, misquote, half-quote, and citation out of context to characterize the ideas of their opponents.
That's one of the central challenges we face - how to stay true to events and compress the fundamentals.
My natural inclination is to think in scenes. So that's how I write, and the issue for me is usually: what to compress for speed.
You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed.
With 'Sin Nombre,' there are parts that I wish were longer. And with 'Jane Eyre' especially, there were parts that I had to compress that I thought it would have been really nice to spend more time with - to spend with the characters.
I take a whole life story and compress it into three minutes.
He who thinks much says but little in proportion to his thoughts. He selects that language which will convey his ideas in the most explicit and direct manner. He tries to compress as much thought as possible into a few words. On the contrary, the man who talks everlastingly and promiscuously, who seems to have an exhaustless magazine of sound, crowds so many words into his thoughts that he always obscures, and very frequently conceals them.
That there is a Spring, or Elastical power in the Air we live in. By which ?????? [elater] or Spring of the Air, that which I mean is this: That our Air either consists of, or at least abounds with, parts of such a nature, that in case they be bent or compress'd by the weight of the incumbent part of the Atmosphere, or by any other Body, they do endeavour, as much as in them lies, to free themselves from that pressure, by bearing against the contiguous Bodies that keep them bent.
The chess player who develops the ability to play two dozen boards at a time will benefit from learning to compress his or her analysis into less time.
That, which others compress - will widen up and open. That, which others weaken - will strengthen. That, which others destroy - will blossom. Whoever wished to take something from the other, will inevitably loose his own.
Do they [the publishers of Murphy] not understand that if the book is slightly obscure it is because it is a compression and thatto compress it further can only make it more obscure?
I also think pronunciation of a foreign tongue could be better taught than by demanding from the pupil those internal acrobatic feats that are generally impossible and always useless. This is the sort of instruction one receives : “Press your tonsils against the underside of your larynx. Then with the convex part of the septum curved upwards so as almost — but not quite — to touch the uvula, try with the tip of your tongue to reach your thyroid. Take a deep breath, and compress your glottis. Now without opening your lips say "Garoo".' And when you have done it they are not satisfied.
He can compress the most words into the smallest ideas of any man I ever met. — © Abraham Lincoln
He can compress the most words into the smallest ideas of any man I ever met.
There's a therapeutic aspect to all making, but the nature of working is to compress, condense, and shape stuff, not to just expunge it. It's not just an exorcism.
You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.
Time plays like an accordion in the way it can stretch out and compress itself in a thousand melodic ways. Months on end may pass blindingly in a quick series of chords, open-shut, together-apart; and then a single melancholy week may seem like a year's pining, one long unfolding note.
Sometimes you go into a film and you have no time to prepare and have to compress the details into a few days and then rely on the instinct and what happens when you're in a scene with other actors and that chemistry or not.
On the flat tax, the more you compress the tax rates, the more you untax where the income is really made, at the top of the pyramid.
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