Top 1200 Con Artist Quotes & Sayings - Page 16

I welcome newcomers to cons, or 'con-virgins' as I like to call them, by saying 'Welcome to the 'Supernatural' Circus,' and I mean it. We take pride as a cast to deliver a show that not only entertains the fans but ourselves, Creation Entertainment, and everyone involved on both sides.

When you have a chance to be an artist with an audience in your lifetime, you have to say thanks to your audience. That's a great thing. That's the best thing that can happen to an artist.

The artist as businessman is uglier than the businessman as artist.

Music and comedy are so linked. The rhythm of comedy is con­nected to the rhythm of music. They’re both about creating tension and knowing when to let it go. I’m always surprised when somebody funny is not musical.

I don't want to hear at all what the artist thinks about his art. And I'm not writing for the artist. I'm writing for the reader, and I want to tell the reader what I think.

I feel like you can't really be truthful as an artist and empathize with the human experience, unless you know your truth and you're not living a lie. So I'm learning through it, and it's making me a better person, and it's making me a better artist, I think.

From infancy, I had been accustomed to hear pro and con discussions of slavery and the American Civil War. Although the British government finally decided not to recognise the Confederacy, public opinion in England was sharply divided on the questions both of slavery and of secession.

No artist is normal. Who happen to be normal cannot be an artist.

My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.

For the people who are offended about the fact that we have a bunch of criminals and criminal enablers and buffoons and scheisters and con men and frauds and real estate frauds running our country and our government, they like to hear that they're not the only ones that feel that way.

There are pros and cons of experience. A con is that you can't look at the business with a fresh pair of eyes and as objectively as if you were a new CEO. Fire yourself on a Friday night and come in on Monday morning as if a search firm put you there as a turn-around leader. Can you be objective and make the bold change?

Is it my role as an artist to say something, to express, to be expressive? I think it's my role as an artist to bring to expression, it's not my role to be expressive.

Hollywood is largely about scammers and con men. It was my main livelihood for about 25 years, and the scams were beautiful and ugly, cheap and expensive, but, wow, were there a lot of scammers.

I think you have to accept that an artist also has a relationship with his or her art and his or her fans: you are in an open relationship whether you like it or not. Give the artist room to go into the place they create (literally or metaphorically) . And love them when they can't remember where they put their keys.

Art is frightening. Art isn't pretty. Art isn't painting. Art isn't something you hang on the wall. Art is what we do when we're truly alive. An artist is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artist takes it (all of it, the work, the process, the feedback from those we seek to connect with) personally.

I am not a dancehall artist, and I am not a reggae artist.

Any work of art represents a series of conscious choices on the part of the artist - what color to paint, what note to play, what word to use - in that artist's attempt to share what is in his or her soul. The audience is free to accept or reject those choices; it is emphatically not free to substitute its own.

Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows; in a mass medium, the artist decays profitably.

Back in the early days like for the Temptations, Supremes and Four Tops, artist development was alive in record companies. Every artist had a moment to develop the record visually. When the web took over and camera phones, it stripped the artists of the power to figure it out. So there's a need to bridge that gap and that's my job.

I'm not an artist: I'm a businesswoman. Well, maybe an artist/businesswoman.

A good lawyer is part con man, part priest -- promising riches, threatening hell. My ethical rules are simple. I won't lie to the court or let a client do it. But I've never been in this position. How far would I go for a woman who mattered? Is there anything I wouldn't do to win?

GDP has been a con perpetrated upon the poor of the world: a measure of economic activity and not of actual wealth. What it masks is the way in which we transform their natural capital into our consumption through international rules that regard the ecosystem services upon which they rely as mere externalities.

I don't think it's an artist's responsibility to be political all the time. I think your first responsibility as an artist is to make music that people will listen to and enjoy. However, I think that when you are able to say something that is moving and put it in a great song, then that is even better.

I think historically there have always been new ways to find an artist. From seeing somebody in a club traditionally to running across them on YouTube, it's always shifting. But the age-old thing holds true: Is the artist unique? Are they talented? And can they communicate? Can they actually reach an audience and hold their attention?

Obviously, something like ballet, you have music, you dance with the music and it's a very direct connection. With visual art, when there's no music that accompanies the art, such as great masterworks in a museum, you wind up interpreting what the artist is doing, how the artist made that work and what they're conveying.

Although I still have a long way to go, I would like to become the pride of Asia. When another Asian artist enters the U.S. market, I would like him to think, 'There was an artist called Rain who succeeded in the U.S. market.' This is my dream.

We live in a bubble sometimes, and you can get out of touch with your fans. You go to the studio, you come home. But coming to Comic-Con is a real opportunity to connect with the people that made your show happen and are responsible for its continued success. It's really humbling.

The artist belongs to his work, not the work to the artist.

Once you're a Motown artist, you're always a Motown artist

I do eat what I want. I love meat - I'm Cuban: I grew up eating meat, platanos, and arroz con pollo. I don't believe in starving yourself, but sometimes I do cleanses and diets to prepare for a role. I choose a lot of greens, proteins, and fats, and I like to be really active.

I'm not looking to be an artist to make money. I'm looking to be an artist.

I'm still an artist who's searching, trying to evolve, an artist who - nine times out of ten - is dissatisfied with her work, and beats herself, and goes out there and tries again and again, and falls on her face and looks for new challenges.

Well, this week's peeve might be... when art writers talk about an artist's 'efforts,' meaning their work. It always sounds patronizing to me, like 'I'll give you an E for effort.' How about the artist's 'effortlessnesses' instead? It's certainly something, or at least the appearance of something, that I aspire to myself.

Nonsense, it was all nonsense: this whole damned outfit, with its committees, its conferences, its eternal talk, talk, talk, was a great con trick; it was a mechanism to earn a few hundred men and women incredible sums of money.

The artist has a duty to be calm. He has no right to show his emotion, his involvement, to go pouring it all out at the audience. Any excitement over a subject must be sublimated into an Olympian calm of form. That is the only way in which an artist can tell of the things that excite him.

When I'm up on stage, I'm thinking more about my fans and about myself as a singer and an artist. When I'm at home being a daddy, the last thing I'm thinking about is being an artist. It is two things that I never really put together.

Breughel is an example of an artist - I mean, this is true about artists and painters in general, but he is a specific example of an artist whose work contains more than you think it does at first glance. Whose work rewards, sustains attention and looking.

George V. Higgins's 'The Friends of Eddie Coyle' (1970) added an extra literary layer to the con novel; James Crumley's 'The Last Good Kiss' (1978) influenced countless writers and will be remembered forever for its opening line, quoted often in obituaries of the author.

A painter will paint a cobbler, carpenter, or any other artist, though he knows nothing of their arts; and, if he is a good artist, he may deceive children or simple persons, when he shows them his picture of a carpenter from a distance, and they will fancy that they are looking at a real carpenter.

John Major put the 'er' back into Conservative, David Cameron's put the Con into Conservative - and Norman Lamont put the VAT into Conservative!

The future of the United States and the most important election in a generation, and he [Donald Trump] is trying to con people into giving them their vote, just like he conned these people into giving them their money.

I love L.A. - don't get me wrong. But I miss everything about New York. I don't eat cheese, but I miss the smell of pizza in the city. I'm a really big fan of Latino food. I want to go back home and have some good arroz con pollo.

Every artist - even if they do Superman, they do Batman, and things like that - they are speaking about his life. Every person, every artist makes his life an artwork.

The music began, and it was one of those life-changing moments. I saw an artist, Janis Joplin. She was exhilarating. She was vibrating. And she was like no other artist that I had ever seen before... It struck me that hard. Maybe the word is epiphany, when you get that special sensation.

Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.

I think functioning as a business manager can be a hindrance to having a real dialogue with the artist. I do think that artists need good lawyers and accountants, because they're dealing with serious money. But an artist who stands behind a manager? That's a little different. I think that can be a bad buffer.

As far as geek culture, I didn't grow up in the comic con geek culture lane, then I started doing Comic Cons seeing the impact of it. The character, Rufio living on.

The war between the artist and writer and government or orthodoxy is one of the tragedies of humankind. One chief enemy is stupidity and failure to understand anything about the creative mind. For a bureaucratic politician to presume to tell any artist or writer how to get his mind functioning is the ultimate in asininity.

A tax cut to compensate for a tax increase is not a cut - it's a con.

... an artist is a person first. He is an individual. If there is no person, there is no artist.

The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children.

John Major put the 'er' back into Conservative, David Cameron's put the 'Con' into Conservative - and Norman Lamont put the 'vat' into Conservative!

My mother used to say that when I told her that I wanted to be an artist, her famous line was, 'The only artists I've ever heard of are dead.' It just wasn't in her experience... I don't think she had a sense that one could be an artist, because there wasn't anyone in my family who had done that.

If I stop being on good behaviour for a moment, my dark little secret is that I don't actually believe many people in the art world have much feeling for art and simply cannot tell a good artist from a weak one, until the artist has enjoyed the validation of others - a received pronunciation.

Even Michelangelo on his deathbed thought he'd done nothing to ennoble art. He wanted to destroy his work-the Pieta! And this from the greatest artist who ever lived. Of course I am not comparing my work to Michelangelo's. But this eternal dissatisfaction of the artist is what I was talking about.

I think the true artist - musician, dancer, writer, actor - a true artist is able to sort of articulate pain and tragedy, in a way that sort of expresses what the listener or the beholder may have been feeling but was less able to communicate.

Once you're a Motown artist, you're always a Motown artist.

Painting expresses the depth and insight, the spiritual quality of the artist. If art is about life, then, while the depth to which the artist has drunk from the well of life may not guarantee success, it must surely improve the quality of his/her work.

The romantic artist expects people to ask, 'What has he got to say?' The classical artist expects them to ask, 'How does he say it?

An artist is an artist only because of his exquisite sense of beauty, a sense which shows him intoxicating pleasures, but which at the same time implies and contains an equally exquisite sense of all deformities and all disproportion.