Top 222 Conductor Quotes & Sayings - Page 4

I would often take this bus and go to a nearby village where I had hordes of animal friends. I was hardly around four or five years old then. The conductor was so used to seeing me hop on to the bus and get down at the same place, that he never asked any questions. The strangest part is, he never asked for a ticket either!

Years ago, I heard an interview with violinist Yehudi Menuhin. The interviewer said, "Do you still practice?" And he said, "I practice every day." He said, "If I skip a day, I can hear it. If I skip two days, the conductor can hear it. And if I skip three days, the audience can hear it." Oh, yes, you have to keep that muscle firm.

Boulez's only concern is with power. He lost the leadership of the avant-guard more than ten years ago to Stockhausen. Now others have moved in. With the need for power, where was he to go? So he chose to be a conductor. He is a wonderful musician, a wonderful intelligence. It's a pity there is no humanity there. Does he have sex? I think not. When men have no sex, they go after power in this big, obsessive way.

I knew that I'd lived in New York too long when, a few years ago, I was on a subway going downtown, and it stopped at 14th Street. At the station, the doors opened, and the conductor announced that there was a bomb on board and we should evacuate immediately. Nobody moved. We just looked at each other, 'Do you see a bomb?' 'I don't see a bomb.' 'There's no bomb.' 'I've only got two stops - let's go for it.

[Words] cling to the very core of our memories and lie there in silence until a new desire reawakens them and recharges them with loving energy. That is one of the qualities of love that moves me most, their capacity for transmitting love. Like water, words are a wonderful conductor of energy. And the most powerful, transforming energy is the energy of love.

Really, Watson, you excel yourself," said Holmes, pushing back his chair and lighting a cigarette. "I am bound to say that in all the accounts which you have been so good as to give of my own small achievements you have habitually underrated your own abilities. It may be that you are not yourself luminous, but you are a conductor of light. Some people without possessing genius have a remarkable power of stimulating it. I confess, my dear fellow, that I am very much in your debt.

As the bus slowed down at the crowded bus stop, the Pakistani bus conductor leaned from the platform and called out, "Six only!" The bus stopped. He counted on six passengers, rang the bell, and then, as the bus moved off, called to those left behind: "So sorry, plenty of room in my heart - but the bus is full." He left behind a row of smiling faces. It's not what you do, it's the way that you do it.

If a train doesn’t stop at your station, it’s simply because it’s not your train. Don’t try to flag down the conductor and convince them to stop there, even if their own map says that they should just keep going. You may not realize it, but there’s another train trying to come toward you, unable to get into your station because a train that doesn’t even belong there is being delayed there by your intensity.

Flower god, god of the spring, beautiful, bountiful, Cold-dyed shield in the sky, lover of versicles, Here I wander in April Cold, grey-headed; and still to my Heart, Spring comes with a bound, Spring the deliverer, Spring, song-leader in woods, chorally resonant; Spring, flower-planter in meadows, Child-conductor in willowy Fields deep dotted with bloom, daisies and crocuses: Here that child from his heart drinks of eternity: O child, happy are children!

I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter. The conductor would just rip into me, and it lasted for years.

I always maintain that playing in an orchestra intelligently is the best school for democracy. If you play a solo, the conductor and everybody in the orchestra follows you. Then, a few bars later, the main voice goes to another instrument, another group, and then you have to go back into the collective [sound]. The art of playing in an orchestra is being able to express yourself to the maximum but always in relation to something else that is going on.

Doubt not, O poet, but persist. Say 'It is in me, and shall out.' Stand there, balked and dumb, stuttering and stammering, hissed and hooted, stand and strive, until at last rage draw out of thee that dream-power which every night shows thee is thine own; a power transcending all limit and privacy, and by virtue of which a man is the conductor of the whole river of electricity.

People sometimes ask me if I would not give anything to be white, I answer, in the words of the song, most emphatically, 'No.' How do I know what I might be if I were a white man? I might be a sand-hog, burrowing away and losing my health for $8 a day. I might be a street-car conductor at $12 or $15 a week. There is many a white man less fortunate and less well equipped than I am. In fact, I have never been able to discover that there was anything disgraceful in being a colored man. But I have often found it inconvenient - in America.

Have you seen a symphony orchestra? There is a person at the back carrying a triangle. Now and again the conductor will point to him or her and that person will play "ting." That might seem so insignificant, but in the conception of the composer something irreplaceable would be lost to the total beauty of the symphony if that "ting" did not happen.

I worked for Union Pacific. I started out as a conductor at an intermodal switching facility outside of Salt Lake City. We'd pull in trains from all over the country, break them apart, consolidate the freight, and build other trains. It was great until I screwed up and took a management position. Then it became no fun very quickly.

The singers all loathe the sight of one another, the chorus despises the singers, they both hate the orchestra, and everyone fears the conductor; the staff on one prompt side won't talk to the staff on the opposite prompt side, the dancers are all crazed from hunger in any case.

The very first time I was on a car in Atlanta, I saw the conductor - all conductors are white - ask a Negro woman to get up and take a seat farther back in order to make a place for a white man. I have also seen white men requested to leave the Negro section of the car.

There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.

It is not a lack of spiritual experience that leads to failure, but a lack of working to keep our eyes focused and on the right goal. At least once a week examine yourself before God to see if your life is measuring up to the standard He has for you. Paul was like a musician who gives no thought to audience approval, if he can only catch a look of approval from his Conductor.

By the end of Pop's life I wanted to give something back and when I came on board as his musical director he needed me. I wasn't the greatest conductor of the orchestra, but I was hired to conduct Frank Sinatra. He was slowing down, his memory wasn't what it had been. But his audience never stopped loving him. He had teleprompters.

I had a tough childhood, yes. I was born in rural Bangladesh to parents who had had no education beyond high school. We moved to the UK where I grew up in poverty, in some of the worst conditions in a developed economy, before moving to the projects - heaven - and I went to unremarkable schools before going to university. My father was a bus conductor first and then a waiter, and my mother a seamstress.

Today's parents have little authority over those others with whom they share the task of raising their children. On the contrary,most parents deal with those others from a position of inferiority or helplessness. Teacher, doctors, social workers, or television producers possess more status than most parents.... As a result, the parent today isa maestro trying to conduct an orchestra of players who have never met and who play from a multitude of different scores, each in a notation the conductor cannot read.

Never wanted to do anything else than acting ever in my life. But I'm 20, and there's so many possibilities. It would be insane for me to say, "Yeah this is definitely it, I'm never doing anything else." I'm 20 years old. I don't know what I'm doing. I don't know anything about life. So I don't know. I may be a train conductor in 10 years. I have no idea. And that's the joy of this all.

When I am with composers, I say I am a conductor. When I am with conductors, I say I am a composer.

Along the way [Mozart] got married; fathered seven children (two of whom survived into adulthood); performed as a pianist; violinist; and conductor; maintained a successful teaching studio; wrote thousands of letters; traveled widely; attended the theater religiously; played cards, billiards, and bocce; and rode horseback for exercise. Not bad for someone portrayed as a giggling idiot in the movies.

When you are waiting for a train, don't keep perpetually looking to see if it is coming. The time of its arrival is the business of the conductor, not yours. It will not come any sooner for all your nervous glances and your impatient pacing, and you will save strength if you will keep quiet. After we discover that the people who sit still on a long railroad journey reach that journey's end at precisely the same time as those who "fuss" continually, we have a valuable piece of information which we should not fail to put to practical use.

The steam-engine in its manifold applications, the crime-decreasing gas-lamp, the lightning conductor, the electric telegraph, the law of storms and rules for the mariner's guidance in them, the power of rendering surgical operations painless, the measures for preserving public health, and for preventing or mitigating epidemics,-such are among the more important practical results of pure scientific research, with which mankind have been blessed and States enriched.

I'm like a conductor. I come up with ideas, and I get all these people to make great music together. I have a team of really talented assistant designers. I have architects in my office. People I trained from the beginning in menswear, womenswear, and home. I have a great team who know what I want and feel and translate that into beautiful results.

Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.

I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.

The phosphorous smell which is developed when electricity (to speak the profane language) is passing from the points of a conductor into air, or when lightning happens to fall upon some terrestrial object, or when water is electrolysed, has been engaging my attention the last couple of years, and induced me to make many attempts at clearing up that mysterious phenomenon. Though baffled for a long time, at last, I think, I have succeeded so far as to have got the clue which will lead to the discovery of the true cause of the smell in question.

If I take that person and play them as a record I'm becoming not only a conductor and composer of collage, but at the same time I'm looking at a whole layer of what goes into copyright law, who owns those memories, who owns the way that that sound gets remixed and transformed and above all how much fun it is to actually just mess with other people's stuff.

In the high school classroom you are a drill sergent, a rabbi, a shoulder to cry on, a disciplinarian, a singer, a low-level scholar, a clerk, a referee, a clown, a counselor, a dress-code enforcer, a conductor, an apologist, a philosopher, a collaborator, a tap dancer, a politician, a therapist, a fool, a traffic cop, a priest, a mother-father-brother-sister-uncle-aunt, a bookeeper, a critic, a psychologist, the last straw.

I was at La Fenice opera house back in 1991 with friends, and we started talking about a conductor whom none of us liked. Somehow there was an escalation, and we started talking about how to kill him, where to kill him. This struck me as a good idea for a book.

At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.

A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.

Starting with a meagre amount of Rs 300 as a conductor, when I became an actor and started seeing huge moneys like Rs 3 or 4 lakhs, I thought I was 'an exclusive creation' by God, and he had made me like this. Later, I got the wisdom and realised that my time was good and things worked out! And I was also a normal human being like others.

Conductor, when you receive a fare, Punch in the presence of the passenjare. A blue trip slip for an eight-cent fare, A buff trip slip for a six-cent fare, A pink trip slip for a three-cent fare, Punch in the presence of the passenjare! Punch, brothers! punch with care! Punch in the presence of the passenjare!

I was afraid to board a streetcar because of the conductor; I was afraid to enter the Kabuki Theater for fear of the usherettes standing along the sides of the red-carpeted staircase at the main entrance; I was afraid to go into a restaurant because I was intimidated by the waiters furtively hovering behind me waiting for my plate to be emptied.

If you're not filled back up quickly, you might collapse like a birthday balloon". I guess that's why acting is so addictive. For the director, that addiction will come from the love and trust he gets from the "orchestra", him being the conductor. That's why many directors fall in love with their leading lady/man: having someone say "how do you want me to be" is incredible.

The great myth is the manager as orchestra conductor. It's this idea of standing on a pedestal and you wave your baton and accounting comes in, and you wave it somewhere else and marketing chimes in with accounting, and they all sound very glorious. But management is more like orchestra conducting during rehearsals, when everything is going wrong.

Pile the bodies high at Austerlitz and Waterloo. Shovel them under and let me work- I am the grass; I cover all. And pile them high at Gettysburg. And pile them high at Ypres and Verdun. Shovel them under and let me work. Two years, ten years,and passengers ask the conductor- What place is this? Where are we now? I am the grass. Let me work.