Top 1200 Constantly Thinking Quotes & Sayings - Page 19

I don't think it's healthy to have 68-year-old men, 70-year-old men thinking regularly about a traumatic experience that happened to them and thinking that they cannot talk about it with anybody, and no one wants to listen.

I am a big fan of Neil DeGrasse Tyson. He's the voice of science and scientific thinking in the United States and the world. He's the most visible proponent of scientific thinking, and he's very unflinching about it. He knows that it's correct and vouches for it in a very intelligent and very firm way, which I really appreciate.

There's no black and white, left and right to me anymore; there's only up and down and down is very close to the ground. And I'm trying to go up without thinking about anything trivial such as politics. They have got nothing to do with it. I'm thinking about the general people and when they get hurt.

Learning without thinking is useless, but thinking without learning is very dangerous!

I like major theology. I like Karl Barth, and I like John Calvin, and I like Martin Luther. The scale of thinking and the power of integration that they're capable of from thinking in that scale is something that's really unique to theology.

Earlier today Martha Stewart issued a statement saying 'I am innocent and will fight to clear my name.' Yeah, Martha then said 'I look forward to the day when people stop thinking I am guilty and get back to thinking I am cold and arrogant.'

[Stephanie Plum]Jeez. No True Love" [Grandma Mazur] There's always been true love, but in my day, you either talked yourself into thinking you had it, or you talked yourself into thinking you didn't need it.

You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.

Identity is something that you are constantly earning.

I'm a survivor in a business that constantly rejects you.

I like Dr. Daniel Amen's 18/40/60 Rule: When you're 18, you worry about what everybody is thinking of you; when you're 40, you don't give a darn what anybody thinks of you; when you're 60, you realize nobody's been thinking about you at all.

At the end of the day, we need to stop thinking about what we can make of ourselves and start thinking more about who God is, what he has done and is doing in Christ for us and for our neighbors, and how he can use us and our fellow brothers and sisters to be instruments of his gift-giving.

Couture is emotion. Couture is freedom. Couture is not thinking about pricing and not thinking about craziness. You can do whatever you want to do in couture.

I have to constantly keep pushing myself.

When I write something, I constantly rewrite.

I'll smoke pot every now and then. I cannot see a movie on pot. The number of movies I've seen thinking, This is probably the best I have ever seen, and then I'll see it again sober and think, What was I thinking?

There is a huge value placed in our world on doing what everyone else is doing and thinking as everyone else is thinking.

We have to constantly ask ourselves: "Who am I?"

I'm constantly making exhibitions in my head.

I read some books, and I thought, 'This is better than sliced bread!' and a month later, I couldn't remember thinking about it. And I've read others that were kind of a slog, and I've put them down and come back six months later thinking, 'Wow, this is great.' So, you know, things change all the time.

Now me,” said Mr. Vandemar. “What number am I thinking of?” “I beg your pardon?” “What number am I thinking of?” repeated Mr. Vandemar. “It’s between one and a lot,” he added, helpfully.

Being praised constantly weakens you.

The world's all full of thoughts about wars and space, and tragedies to the world. That's what writers are thinking about because that's what the world is thinking about.

I loved wrestling, and I wanted to go out and entertain people and all that stuff, so I get trained, and when they decided, 'Hey, you're ready for a match, and you've got to start thinking about a character,' I was thinking this guy and this guy, and they go, 'No, no, no - you're a Muslim. You've got to be a bad guy.'

Your doubts are not the product of accurate thinking, but habitual thinking. Years ago you excepted flawed conclusions as correct, begin to live your life as if those warped ideas about your potential were true, and ceased the bold experiment in living that brought you many breakthrough behaviors as a child.

Anyone taking heroin is thinking about taking heroin more than they're thinking about anything else. That's the general rule about most drugs.

In doing everything, from coming up with the ideas and putting them on paper till doing the final edits, you are always thinking the next three steps, you're always thinking what next, what next, what next?

We realize we can't go around saying and doing what we're actually thinking and feeling. If we all did that, life would be a lunatic asylum. Indeed, that's how you know you're talking to a lunatic. Lunatics are those poor souls who have lost their inner communication and so they allow themselves to say and do exactly what they are thinking and feeling and that's why they're mad.

Somebody pointed out to me that there's no horror film on my resume, which is true, but I also don't really go see those movies. Although when I was thinking about it, I was thinking "I would probably have a really nice beach house if I made a horror movie." They seem to be very popular. I just don't think it's my thing.

An organization needs to be constantly refreshed.

You keep your head down and you work and work, and all of a sudden you pick your head up and people are receiving it the same way we're sending it. They're thinking the same things that I'm thinking about the show.

When we were doing music, that's how we did-we just did it for the music. We weren't thinking about money, we weren't thinking about fame. Music was our passion.

I'm constantly bumping and banging into things.

I'm always thinking about my work, always thinking about where it's taking me.

Thinking always ahead, thinking always of trying to do more, brings a state of mind in which nothing is impossible. The moment one gets into the 'expert' state of mind a great number of things become impossible.

I'm constantly in fear of having a stroke.

Your brain, like your tongue, is a muscle. Practicing thinking by yourself really helps develop your brain, which you need throughout your day. I like to practice my thinking in a darkened room, alone.

History, when rightly written, is but a record of providence; and he who would read history rightly, must read it with his eyes constantly fixed on the hand of God. This statement of a nineteenth-century historian sums up the responsibility of the Christian teacher of history, for he who would teach history or any subject matter rightly, must teach it with his eyes constantly fixed on the hand of God.

Be infinitely flexible and constantly amazed.

Not only is true love rare and true rebellion rare, real love is itself a radical form of rebellion - engagement, thinking, and being - and therefore happens in the context of a larger project of justice, liberation, and critical thinking.

I am constantly the butt of jokes.

I'm naturally lean and I'm constantly walking.

My students are constantly amazing me.

The ability to get inside your character's head in a graphic novel is really fun and useful because one, you can really define the character's voice and two, it's a way easier way to convey what the character's thinking by actually laying out what he's thinking.

Anybody who sits down to write, and they think 'thriller,' maybe shouldn't be thinking that way. Maybe we should be thinking 'novel,' maybe 'thriller' way in the background, but that these are real people to whom things are happening. It just happens to be a hell of an exciting story.

What I don't like about teaching is hearing myself say the same thing. I mean, you just want to sort of shoot yourself after a while. But you don't have a million different ways of thinking about what you have been thinking about for many years. And then there's the truism that you're only as good as your students. If they're not into what's going on, it doesn't matter who you are.

Music is another way of thinking, or maybe thinking is another kind of music.

The past is a script we are constantly rewriting.

As an actor, you're constantly looking to be pushed.

We have to stop thinking about diversity and start thinking about inclusion. That's what you can take from August Wilson. That there are whole cultures out there living experiences exactly like yours, and their stories can be just as dynamic, sold in the foreign market, put as many butts in the seats as any Caucasian movie out there.

Music is constantly developing and changing.

When my son said, "I can't stop thinking about girls," I said, "That's not gonna stop. Congratulations. You're in the club. From now until the day you die, one way or another you'll be thinking about girls.

We live thinking we will never die, We die thinking we have never lived

Lateral thinking... is the process of using information to bring about creativity and insight restructuring. Lateral thinking can be learned, practised and used. It is possible to acquire skill in it just as it is possible to acquire skill in mathematics.

Constantly talking isn't necessarily communicating.

Fear is when we're thinking about the past or thinking about the future, two things that do not exist. If we stay in the moment, do our best in the moment, enjoy the moment, there is no fear.

The idea kind of started with me just thinking about what would be fun to see in animation, you know - what have I not seen? For some reason, I got thinking about the human body and realizing, well, I've seen, like, traveling through the bloodstream and into the, you know, stomach and things.

I am constantly sleep-deprived.

There's a way of thinking that comes with being an editor that is incredibly useful on the set. It's not just a vocabulary thing or a right-to-left thing or script supervisor stuff. It's a way of thinking about the film and the shots and the way they fit together, what you need and what you don't need, and what you can get away with if you have to.

Constantly take inventory of what's important to you.