Top 1200 Contemporary Life Quotes & Sayings - Page 17

The problem of meaning today is the problem of how the diverse and superficially self-contradictory experiences of men can be put into a consistent picture that will provide contemporary man with a convincing basis from which to live and to act.

The main advantage of being a reviewer is that you read a lot. A lot of books get sent to you, and you have an amazing vantage point from which to observe what's going on in contemporary fiction - not only genre stuff, the whole spectrum.

Female Chauvinist Pigs is smart, alarming, and extremely funny. With nuance and humor, Levy has written both a convincing expos of sex and desire in contemporary America and an important cultural history. I'm giving a copy to my mother. And my sons.

Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture.

I actually prefer female voices to listen to, mostly, but among the male singers whose voices I like are Jeff Buckley, Art Garfunkel, that sort of voice. Contemporary crooners rather than rockers.

I stopped appearing as Dracula in 1972 because in my opinion the presentation of the character had deteriorated to such an extent, particularly bringing him into the contemporary day and age, that it really no longer had any meaning.

The emancipation of the scholars and scientists from philosophy is according to [Nietzsche] only a part of the democratic movement, i.e. of the emancipation of the low from subordination to the high. ... The plebeian character of the contemporary scholar or scientist is due to the fact that he has no reverence for himself.

The great events of history are often due to secular changes in the growth of population and other fundamental economic causes, which, escaping by their gradual character the notice of contemporary observers, are attributed to the follies of statesmen or the fanaticism of atheists .

I always thought 'chick lit' meant third-person contemporary funny novels, dealing with issues of the day. I mean, it's not the ideal term; when I'm asked to describe what I do, I say I write romantic comedies, cause that's what I feel they are. But I'm quite pragmatic.

I was surprised how relevant the Moses story was to contemporary American debates - from our ongoing debate about values, to our role as champions of freedom, to our place as a country that welcome immigrants.

You always try to do your own thing. One of the things I wanted to do was to write a book that combines some of the best traits of contemporary fantasy with some of the traits of the historical novel.

Well, I'm not sure, but of one thing I am certain: History judges one differently than contemporary observers, and so I think that as time passes, I hope that not me personally so much, but our administration will be seen for some of the things that we accomplished.

The engine of ancient society was religion but the engine of contemporary society, as I see it, is advertising.

For me it's very important to turn Kiev into one of the main centers of contemporary art in the world. There is New York. There's London. And there will be Kiev. Everyone will come and say, 'Wow!

The anti-globalization movement is one of the biggest globalized events of the contemporary world, people coming from everywhere, ?Australia, Indonesia, Britain, India, Poland, Germany, South Africa?to demonstrate in Seattle or Quebec. What could be more global than that?

The grand delusion of contemporary liberals is that they have both the right and the ability to move their fellow creatures around like blocks of wood - and that the end results will be no different than if people had voluntarily chosen the same action

I've met writers who wanted to be writers from the age of six, but I certainly had no feelings like that. It was only in the Philippines when I was about 15 that I started reading books by very contemporary writers of the Beatnik generation.

For me, personally, the most interesting music comes from the popular sector - from film and pop music - since contemporary classical music got stuck and went into directions where it lost a lot of the public by over-intellectualizing.

The main differences between contemporary English and American literature is that the baleful pseudo-professionalism imparted by all those crap M.F.A. writing programs has yet to settle like a miasma of standardization on the English literary scene. But it's beginning to happen.

Collecting contemporary art I started with some of the younger artists. Although, having a son who's an artist, I was hesitant-I think he was a little anxious when I bought another young man's work. But it might have encouraged him in the long run.

One of the most highly developed skills in contemporary Western civilization is dissection: the split -up of problems into their smallest possible components. We are good at it. So good, we often forget to put the pieces back together again.

In my music career, I never was interested in working and writing and creating songs based on what kind of rewards I could receive in return - a hit song, per se, is what most contemporary artists have to deal with when they deal with a label.

Those who are truly contemporary are those who neither perfectly coincide with their time nor adapt to its demands... Contemporariness, then, is that relationship with time that adheres to it through a disconnection.

The traditional churches are having to transition into new methodologies and new ways of reaching people and they are starting to understand that and looking for ways they can increase their relevance to the contemporary society.

It is not that I don't like contemporary country music because I do. I love it. I have recorded a lot and have had great success recording records that have not been very traditional country records.

Suddenly the intermedia shows are all over town..Theirs remains the most dramatic expression of the contemporary generation. The place where its needs and desperations are most dramatically split open. At the Plastic Inevitable it is All Here and Now and the Future.

I have written millions of words about contemporary England - in journalism. Why don't I take it as the background for a novel? I may do one day. But the simple answer is that it does not excite the novelistic part of my brain; it does not fire it up.

The unprecedented success of Keynesianism is due to the fact that it provides an apparent justification for the 'deficit spending' policies of contemporary governments. It is the pseudo-philosophy of those who can think of nothing else than to dissipate the capital accumulated by previous generations.

Like Russia's gangsterism and Bush's cronyism, contemporary Iraq is a creation of the fifty-year crusade to privatize the world. Rather than being disowned by its creators, it deserves to be seen as the purest incarnation yet of the ideology that gave it birth.

Now I do not myself share that superstitious reverence for the beliefs of common sense which many contemporary philosophers profess. But I think that we must start from them, and that we ought to depart from them only when we find good reason to do so.

Animism is worth considering (a) because it exists, (b) because it addresses contemporary issues and debates, and (c) because it clarifies, in various ways, the argument that the project of modernity is ill-conceived and dangerously performed.

While 'The Endless Summer' poster was designed at the Art Center College of Design in the contemporary style of its time, the image grew out of my relationship with Rick Griffin and our deep relationship to surf images.

The richness of our contemporary visual world must be seen as a danger. It is an overwhelming and oppressive world. A world that manifests itself fundamentally through the image is only a few steps from totalitarian manipulation.

Some of our strongest critics, especially inside the church, said we had turned our backs on traditional gospel music and were just contemporary R&B artists exploiting Christian lyrics for the money. But that's not true.

Jax Cassidy is a brilliant new voice in contemporary fiction. Full of heat, seduction, and romance, her winning characters are sure to capture your heart and find a place on your keeper shelf.

In Portugal, my sculpture 'She Changes' refers to the town's fishing history, to the era of seafaring trade and discovery. The contemporary site is industrial, surrounded by red and white striped smokestacks, which is mirrored in the pattern of the sculpture.

At what price do we get our news? The role of economics in defining the nature of contemporary journalism has never been better explained. A valuable, important book for those of us who watch, read, or listen to the news.

The self-image of many contemporary sportswriters seems to depend on maintaining that were it not for sports, athletes would be pumping gas, if they were not sticking up the gas station.

'Once Upon a Time', 'Mirror Mirror' - those shows and films focus on women and their conflict with one another. What the heck is going on in contemporary fairy tales? Women are not dominating the world; they are not evil.

My brother had written 'Ocean Eyes,' and we recorded it, basing all of the production around contemporary and lyrical dance. I think of most songs that way - if you can't dance to a song, it's not a song.

For me it's very important to turn Kiev into one of the main centers of contemporary art in the world. There is New York. There's London. And there will be Kiev. Everyone will come and say, 'Wow!'

Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read.

The only thing I wanted to accomplish was to finally get recognized by the music industry. If you know the awards, answer me this question: Do you see an award for soul music? No. They have R&B, funk, hip-hop and all sorts of contemporary things.

I start with theory rather than people. I don't like novels which have no theoretical or philosophical underpinning. I hate the contemporary novel where people just sit and talk to each other about their relationships.

My training in music has been very eclectic - as first a flute player from classical chamber music to jazz, Greek, Brazilian and African music to contemporary concert music.

Those who are truly contemporary are those who neither perfectly coincide with their time nor adapt to its demands...Contemporariness, then, is that relationship with time that adheres to it through a disconnection.

The thing is, we live in a contemporary world, and being able to make yourself the best person you can possible be can be difficult. But as long as you're trying to figure it out, and you're really looking in the right direction, everything's going to be all right.

Perhaps the most pernicious strain of contemporary criticism says one thing before it says anything else, says it to whatever historical event or cultural happenstance is supposedly at issue: 'You can't fool me.'

One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.

I object to the hegemony of form in contemporary architecture. We have very advanced technological tools, but ultimately, we create buildings exactly like we used to before: We send the drawings to an engineer and let him struggle with figuring out how to build it.

Underground electronic music is art - fundamentally it's based on contemporary art, culture, dance, and real music. If you look at EDM, how many of those cultural standpoints are the same?

I think there are one or two things similar in Elizabethan English and contemporary Hebrew. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.

Contemporary art for me is a real driver; it propels us into the future. And at the same time, it's what connects us to the past, from a perspective of artistic evolution in which the succession of eras and styles gives meaning to creation.

With contemporary poetry having approximately as many fans outside the immediate field as there are devotees of undergoing knee surgery, any sentient, breathing reader who's genuinely interested in poetry... not scared of it... seems a godsend.

There are a lot of great things about food, but it's something that's an eternal struggle in our contemporary society, where and how food is made, where it's coming from, how much to consume. There are so many layers to it.

So, for a book set in 2006, Open City evades certain markers, while it embraces certain others. Julius doesn't use a smartphone, and he doesn't discuss contemporary US politics in any fine detail.

Given the knee-jerk patriotism of recent war movies, it's discouraging to see 'Windtalkers' evade pertinent facts that could have recast the doubled-edged issues of racism and loyalty and made them relevant to contemporary times.

We must not fail to recognise that television can be a hugely positive influence in children's lives, one of the greatest educators in contemporary society and an increasing influence on all the children followed in 'Child of Our Time.'

I have always believed that there should be no subject about which one cannot make jokes, religion included. Clearly, one is always constricted by contemporary mores and trends because, after all, what one seeks above all is an appreciative audience.

I have a passion for modern and contemporary art. I spend a lot of time in museums; I particularly like the Guggenheim, MoMA in New York or LACMA and the Getty Museum in Los Angeles, for example. I cannot wait for the Louis Vuitton Foundation to open.