Top 1200 Contemporary World Quotes & Sayings - Page 3

Even though I've been an avid consumer of contemporary music since my early teens, the world of rock music has always been at something of a distance - I listen to it, read about it, I talk about it, but I've had little or no contact with its denizens.

Nursing may be the oldest art, but in the contemporary world, it is also one of the most invisible. One of the most invisible arts, sciences, and certainly one of the most invisible parts of our health care system.

Our world has changed for better or for worse. It is for us to find truth and beauty for today, constantly re-applying the truth of God's word to our own time and our contemporary situation.

I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.

Most pointedly, nature-based people manifest the very qualities that contemporary psychotherapy, the recovery movement, and spiritual practices continually aim for: a visible sense of inner peace, unselfconscious humility, an urge to communal cooperation, and heartfelt appreciation for the world around them.

The anti-globalization movement is one of the biggest globalized events of the contemporary world, people coming from everywhere, ?Australia, Indonesia, Britain, India, Poland, Germany, South Africa?to demonstrate in Seattle or Quebec. What could be more global than that?

Life consists in learning to live on one's own, spontaneous, freewheeling: to do this one must recognize what is one's own-be familiar and at home with oneself. This means basically learning who one is, and learning what one has to offer to the contemporary world, and then learning how to make that offering valid.

I admire American literature, both contemporary and classic - 'Moby-Dick' is just about the best book in the world - and I admire British literature for its insistence on dealing with social class. It may have been an influence.

[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling.

In the contemporary world, we think of politeness as surface behavior, like frosting - it's sweet and attractive and finishes off the cake. But 19th century nobility and the enlightened thinkers and stoics before them viewed manners in a very different way. To them, manners are an outward expression of an inward struggle.

Ultimately our claim to know the one God only gains credence in the contemporary world as he demonstrates the divine presence through the way we live- through our lives as we connect our Christian belief with true Christian living.

In a world in which stylistic innovation is no longer possible, all that is left is to imitate dead styles... Contemporary or postmodernist art... will involve the necessary failure of art and the aesthetic, the failure of the new, the imprisonment in the past.

Can we hush the fears that so easily and frequently beset us in our contemporary world? The answer to this question is an unequivocal yes. Three basic principles are central to receiving this blessing in our lives: (1) look to Christ, (2) build upon the foundation of Christ, and (3) press forward with faith in Christ.

Chicago's downtown seems to me to constitute, all in all, the best-looking twentieth-century city, the city where contemporary technique has best been matched by artistry, intelligence, and comparatively moderated greed. No doubt about it, if style were the one gauge, Chicago would be among the greatest of all the cities of the world.

There is not a single contemporary historical mention of Jesus, not by Romans or by Jews, not by believers or by unbelievers, during his entire lifetime. This does not disprove his existence, but it certainly casts great doubt on the historicity of a man who was supposedly widely known to have made a great impact on the world. Someone should have noticed.

In our contemporary society, one so over-inundated with imagery, it is easy to overlook the power of a single frame to change the way we look at the world, or rally disparate hearts to a single cause. Yet, ours is a society shaped by this very phenomenon.

So however much time has passed since Legacy came out would also have transpired in the real world. So it will still be contemporary. So let's say if the Tron sequel comes out later, then four or five years have passed since the last movie.

The joyful news that He is risen does not change the contemporary world. Still before us lie work, discipline, sacrifice. But the fact of Easter gives us the spiritual power to do the work, accept the discipline, and make the sacrifice.

There is another temptation which we must especially guard against: the simplistic reductionism which sees only good or evil; or, if you will, the righteous and sinners. The contemporary world, with its open wounds which affect so many of our brothers and sisters, demands that we confront every form of polarization which would divide it into these two camps.

The major impediment to experiencing the sacred depths of ordinary moments is the speed and distraction of contemporary life that moves to the imperatives of the global economic order.In addition, we increasingly live in a virtual world in which our reality is filtered through media and information technology.

Growing up in the '70s and '80s when my dad had an art gallery, one of the things that frustrated me was the world seemed so tiny, and to appreciate contemporary art, you needed a history of art, a formal education. I was more interested in the people, and that's why I went into the movie business in the first place.

Leonard de Vinci, for example, is a great artist, but he is living in the past. However, I don't feel John Cage and Matsuzawa Yutaka as artists who live in the past. Their ideas are still alive in our world because they express the very important concerns of our age. That is why I could trust them as "contemporary artists".

I like to think there is something deep in our own world of reality that will create a dynamic balance between technology and human existence, the relationship between which has a decisive effect on contemporary cultural forms and social structure.

'Once Upon a Time', 'Mirror Mirror' - those shows and films focus on women and their conflict with one another. What the heck is going on in contemporary fairy tales? Women are not dominating the world; they are not evil.

Our goal at Home Theater Films is to inspire and entertain our audience. We want to make great movies that everyone can enjoy and elevate them with contemporary, relatable characters that naturally demonstrate their faith in real world situations.

The thing is, we live in a contemporary world, and being able to make yourself the best person you can possible be can be difficult. But as long as you're trying to figure it out, and you're really looking in the right direction, everything's going to be all right.

Brings [O'Brian's] achievement to a new height....Such is O'Brian's power to possess the imagination that I found I was living in his world as much as my own, wanting to know what happens next. That is the real test. Any contemporary novelist should recognize in Patrick O'Brian a Master of the Art.

I think there's something about a character facing the huge problems and challenges of the contemporary world and meeting them with - head on with courage, allowing for darkness and mistake, but ultimately always moral. That's incredibly, incredibly inspiring, and that's honestly what I think.

Our world, so we see and hear on all sides, is drowning in materialism, commercialism, consumerism. But the problem is not really there. What we ordinarily speak of as materialism is a result, not a cause. The root of materialism is a poverty of ideas about the inner and the outer world. Less and less does our contemporary culture have, or even seek, commerce with great ideas, and it is that lack that is weakening the human spirit. This is the essence of materialism. Materialism is a disease of the mind starved for ideas.

For Christmas 1999, my husband surprised me with a trip to Disney World. Along with our boys, we were standing on the roof of the Contemporary Hotel at midnight on New Year's Eve 2000 watching fireworks explode over every amusement park in Orlando. It was a magical way to celebrate the millennial, and a never-to-be-forgotten Christmas present.

Theology is a serious quest for the true knowledge of God, undertaken in response to His self-revelation, illumined by Christian tradition, manifesting a rational inner coherence, issuing in ethical conduct, resonating with the contemporary world and concerned for the greater glory of God.

If Tehran insists on combining the Persian imperial tradition with contemporary Islamic fervor, then a collision with America and, indeed, with its negotiating partners of the Six is unavoidable. Iran simply cannot be permitted to fulfill a dream of imperial rule in a region of such importance to the rest of the world.

'Extraordinary' is an original fairy tale, a contemporary story. But like a traditional fairy tale, it heads quickly into frightening, bloody territory. I am afraid for my book, as it goes out alone into the world, just as I was frightened for Phoebe as I wrote and rewrote her story.

I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'

In roughly the last century, important experiments have been launched by such charismatic educators as Maria Montessori, Rudolf Steiner, Shinichi Suzuki, John Dewey, and A. S. Neil. These approaches have enjoyed considerable success[...] Yet they have had relatively little impact on the mainstream of education throughout the contemporary world.

The issue is Kinkade's ideology, and particularly his nostalgia; his paintings endlessly trumpet a nonexistent past when times were simpler and morality more pure. There's nothing wrong with this, but it stands at odds with a contemporary art world that looks to the future for inspiration. We value complexity and innovation, and distrust saccharine pictures of the past.

Nothing is more dangerous than to live out the will of God in today's contemporary world. It changes your whole monetary lifestyle...Let me put it quite simply: If Jesus had $40,000 and knew about the kids who are suffering and dying in Haiti, what kind of car would he buy?

We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play.

The Death of the contemporary forms of social order ought to gladden rather than trouble the soul. Yet what is frightening is that the departing world leaves behind it not an heir, but a pregnant widow. Between the death of the one and the birth of the other, much water will flow by, a long night of chaos and desolation will pass.

There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.

One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage.

There are two primary ways of studying Zen. Either an individual will enter into a Zen monastery and study with a Zen master there, or they will study with a Zen master who lives in the contemporary world.

We stink more of the world than we stink of sack cloth and ashes. A lot of contemporary churches today would feel more at home in a movie house rather than in a house of prayer, more afraid of holy living than of sinning, know more about money than magnifying Christ in our bodies. It is so compromised that holiness and living a sin-free life is heresy to the modern church. The modern church is, quite simply, just the world with a Christian T-shirt on!

For me it's very important to turn Kiev into one of the main centers of contemporary art in the world. There is New York. There's London. And there will be Kiev. Everyone will come and say, 'Wow!'

For me it's very important to turn Kiev into one of the main centers of contemporary art in the world. There is New York. There's London. And there will be Kiev. Everyone will come and say, 'Wow!

Contemporary Christian proclamation is faced with the question whether, when it demands faith from men and women, it expects them to acknowledge this mythical world picture from the past. If this is impossible, it has to face the question whether the New Testament proclamation has a truth that is independent of the mythical world picture, in which case it would be the task of theology to demythologize the Christian proclamation.

I cast people from right around me. I was at my alma mater. It's special to have most of the graduate students in it [and] one professor, because I feel like in terms of this school, I was one of the few students lucky enough to break into the art industry or the contemporary art world.

The subject of contemporary art should include a political dimension, the distrust contemporary art has towards the existing order. One manifestation of this distrust is the mechanical dichotomization between art's form and its political content; the other is the institutionalizing tendency of anti-institutionalization. We almost never resist ourselves - the part of ourselves that has been institutionalized. We have occupied the word "resistance" and have become its owner, while "resistance" has become our servant. Thus, we own "resistance" and occupy it as a position of power.

A brilliant inquiry into the contemporary Iranian predicament and what it means for the world. At a time when all too many of our leading thinkers are mired in the weeds of provincialism and narrow ideological wars, Postel has written a work of grace, intelligence, and towering integrity. Reading 'Legitimation Crisis' in Tehran is nothing less than a masterpiece of moral and political criticism.

With 'Bright Star' and with 'The Piano,' too, I felt a kind of sadness about it being in such a different era, because of my lack of experience with the era. And one of the ways I'd get over it is to remind myself that every film, even if it's contemporary, creates its own world.

My grandfather was originally from the south of China before he emigrated to Malaysia pre-World War II. And I wanted to learn more about the history of the country of my ancestors. I knew I wanted a narrative set in contemporary Beijing. I was really interested in the effect of the rapid social and economic change on ordinary citizens in China.

American Morons is the work of an original. Like Hitchcock or Ramsey Campbell, the style is precise, alert, and well-mannered, inviting us to enter Hirshberg's private world so that he may lock the door behind us. If there is anyone in contemporary fiction worth watching, it is Glen Hirshberg.

In the contemporary world where things fall apart, and the centre cannot hold, you have to imagine a community where there is no centre. Hank, at the end of this year I started thinking that a lot of life is about doing things that don’t suck with people who don’t suck.

For me, even when I was pregnant, I wondered, Should we even have children if we're bringing them into this horrible, scary world? But I did have a child, despite these fears - or because of them - and these fears are both contemporary and as old as time.

The pace of consumption, waste and environmental change has so stretched the planet's capacity that our contemporary lifestyle, unsustainable as it is, can only precipitate catastrophes, such as those which even now periodically occur in different areas of the world ... we need to reflect on our accountability before those who will have to endure the dire consequences.

Like Russia's gangsterism and Bush's cronyism, contemporary Iraq is a creation of the fifty-year crusade to privatize the world. Rather than being disowned by its creators, it deserves to be seen as the purest incarnation yet of the ideology that gave it birth.

The rush to books and universities is like the rush to the public house. People want to drown their realization of the difficulties of living properly in this grotesque contemporary world, they want to forget their own deplorable inefficiency as artists in life.

I'll wait to see what the film [The Lobster] is, but it's set in a contemporary world, in America, there are hospitals and diners, parks, things that we will recognize and experienced ourselves but yet there's this similar kind of uneasiness through all the interactions and all the things that take place. It was unnerving reading the script. I kind of felt nauseous after reading it.

I love fashion. What I love is the ability to express yourself, to be able to make a product and shoot an ad campaign that tosses you out into the world and lets you have a voice in contemporary culture, iconography. I felt a little bit neutered not having that voice.

As a nation we have the right to decide our own affairs, to mould our own future. This does not pose any danger to anybody. Our nation is fully aware of the responsibility for its own fate in the complicated situation of the contemporary world.