Top 1200 Contemporary Quotes & Sayings - Page 19

I think the twenty-first-century modality is exhibitionism. Exhibitionism is our contemporary strategy for maintaining our boundaries, which is to be boundary-less - to put everything out there before somebody comes and violates or penetrates something that we're keeping sacred.

I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.

Joanna Priestley’s amazing body of animated films have deservedly earned their place in the pantheon of contemporary international animators. Inventively visioned, superbly crafted, and rich with insight into the physical and spiritual dilemmas that confront us all, each new work provides an unexpected pleasure.

Traditional arguments for the existence of God and contemporary attempts to use fine-tuning and cosmology to back up the case for his existence always strike me as kinds of games, since hardly anyone believes on the basis of these arguments at all.

When seen in retrospect, fashions seem to express their era. Although it is more difficult to draw conclusions from contemporary clothes, the same principles which hold for the clothes of the past must hold for clothes of the present and the future.

The artists could be dead, but some of them are not so distant from us, and make us feel as if they are alive with us. Such artists are worth calling "contemporary artists".

By the age of nine, I had a thorough knowledge of contemporary Polish literature as well as of foreign literature in Polish translation, and I began to write poems in honour of a lady of thirty years. Naturally, she knew nothing about them.

It's no longer terribly sexy to own shares in certain companies; it used to be that being a shareholder in a corporation would connect you with it. The result is that people really want to invest in valuable things, and contemporary art has become a very stable material value with great growth potential.

Each time I undertake to reread Virginia Woolf, I am somewhat baffled by the signature breathlessness and relentlessly "poetic" tone, the shimmering impressionism, so very different from the vivid, precise, magisterial (and often very funny) prose of her contemporary James Joyce.

And one thing the void certainly can teach us is how to wait, how to become truly patient, and how to let go of superfluous intellectual baggage - all of which is a good lesson for hyper-agitated multi-tasking goal-focussed contemporary human beings.

By the age of nine I had a thorough knowledge of contemporary Polish literature as well as of foreign literature in Polish translation, and I began to write poems in honour of a lady of thirty years. Naturally, she knew nothing about them.

I know I'm as comfortable doing period as I am contemporary. I suppose we grow up with it in a sense, in the theater. We get to put on costumes and play a lot of period dramas or plays so we're exposed to it a little bit more I think because of our theatrical background.

I am delighted if people find that kind of sustenance in novels, but perhaps it's because they don't read the Scripture that they are comparing it to, which would perhaps provide deeper sustenance than many contemporary novels.

The idea of the paranoid style as a force in politics would have little contemporary relevance or historical value if it were applied only to men with profoundly disturbed minds. It is the use of paranoid modes of expression by more or less normal people that makes the phenomenon significant.

The great jazz radio stations have a duty to continue evolving their format just as audiences ask the musicians to evolve. How do you do that with a form of music that has 100 years of recorded history? How do you also keep it contemporary so you don't isolate your listeners? These are major questions.

We are concerned with the relationship between art and life. Contemporary art is only intelligible in terms of its relationship to our life.

I can't think offhand of any American poets who have Mandelstam's urgency, but it's a different country and a different time, and I don't think it would make much sense to say that this is something that's "missing" from contemporary American poetry.

All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art... skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks.

If Tehran insists on combining the Persian imperial tradition with contemporary Islamic fervor, then a collision with America and, indeed, with its negotiating partners of the Six is unavoidable. Iran simply cannot be permitted to fulfill a dream of imperial rule in a region of such importance to the rest of the world.

Somebody who only reads newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else.

Contemporary nations such as Sweden, Norway, and Finland, where women are half of the national legislatures, have more caring policies, less violence, and more environmentally sustainable policies. These are connections we must pay attention to if we are to build a better future for us all.

Passonate, irreverent, utterly relevant, Billy Lynn's Long Halftime Walk offers an unforgettable portrait of a reluctant hero. Ben Fountain writes like a man inspired and his razor sharp exploration of our contemporary ironies will break your heart.

I am making an Enlightenment Capsule for the audience to meditate inside - virtual reality in which people can experience ancient ideas from the East... But I'm not interested in using ancient things; rather I want to connect them with contemporary life through the technology we have now.

Theology is a serious quest for the true knowledge of God, undertaken in response to His self-revelation, illumined by Christian tradition, manifesting a rational inner coherence, issuing in ethical conduct, resonating with the contemporary world and concerned for the greater glory of God.

In my contemporary stories, I write about today's quilters, inventive techniques they use, and how technology has influenced their art. Novels set in the past let me have fun researching patterns that were popular and fabrics and tools available to quilters through history.

I'm interested in the way in which the past affects the present and I think that if we understand a good deal more about history, we automatically understand a great more about contemporary life.

The genocidal culture's image of woman as object and victim is paralleled by contemporary representations that continually show the Earth as a toy, machine, or violated object, as well as by the religious and scientific ideology that legitimates the possession, contamination, and destruction of Mother Earth.

I'm not sure I could write a straight urban fantasy any more than I could write a straight contemporary story. I would end up being intimidated by all the small details.

The essential gesture of the contemporary novel is to get people to turn the page, to entertain them, and I hate that. I want a novel where the gesture is towards existential investigation on every page. That, to me, is thrilling.

Animism is far from primitive, nor is it about pre-modernity because animism does not serve as a precursor to modernity. Rather animism is one of the many vitally present and contemporary other-than-modern ways of being human.

I was frustrated in the past, like, 'Wow, why do they have to throw me in the R&B urban adult contemporary lane?' 'Woman' was a no. 1 hit at Urban AC, so there's no disrespect to that lane. But did it get a fair shot at urban radio? No, I don't think so.

The formal stuff feels old and windy. Not to say you shouldn't know prosody. But it's a wonderful time for exploratory poetics. Contemporary poets are inventing all kinds of wild, complex shapes for poetry, as we see. It's a wonderful time, less ego-centered.

Bernard Hopkins' style is the way...everything he does is for a reason - little head feints, little hand movements, little shoulder rolls and gestures are all finer points of the sweet science. Before contemporary times everyone did that kind of stuff.

It's impossible to separate our contemporary practice of the death penalty from our history around race and slavery, and specifically, lynching. Where lynchings were happening 100 years ago is where executions are happening today. And that's a haunting and eerie thing.

In contemporary music, the challenge for me is to make the recorder sound as naturally expressive as, for example, the violin - without doing it too much and forcing the instrument. It is very easy to be overly expressive on the recorder, and finding the balance is quite difficult.

Our intention is to develop more subtlety in contemporary electronic sounds. We don't like nostalgic projects. We have disparate interests and many philosophical concerns. In the past 10 years, I have realized music in the classical tradition - I have composed for strings, brass, and electronic, and alp-horn!

Contemporary paganism gives me a subjective lens through which the world in which I live can be interpreted on an aesthetic and an ethical basis. I'm interested in narrative, myth, and story, in folklore and the way we connect to the turning of the seasons and the natural world.

If any art form can accommodate contemporary culture, it's the novel. It's so malleable - it can incorporate essays, poetry, film. Maybe the challenge for the novelist is to stretch his art and his language, to the point where it can finally describe what's happening around him.

An effective proclamation of the Gospel in contemporary Western society will need to confront directly the widespread spirit of agnosticism and relativism which has cast doubt on reason's ability to know the truth, which alone satisfies the human heart's restless quest for meaning.

We really must understand that the lust for affluence in contemporary society is psychotic. It is psychotic because it has completely lost touch with reality. We crave things we neither need nor enjoy. We buy things we do not want to impress people we do not like.

Most contemporary artists are behind the bubble in time. They're making videos that are so incredibly boring compared to a good movie. Or they're making work where I say, "You realize minimal art is 50 or 60 years old?" That's what I tell people to shock them. They just blanch.

In the creation of a garden, the architect invites the partnership of the Kingdom of Nature. In a beautiful garden the majesty of nature is ever present, but it is nature reduced to human proportions and thus transformed into the most efficient haven against the aggressiveness of contemporary life.

I may discuss contemporary cinema, how to shop at a mall without losing energy, how to use the power of mind to increase career and academic success, the Zen of sports, reincarnation, karma, sex, the experience of "suchness" or a new book by Stephen King.

The voice of Thich Nhat Hanh-friendly, patient, steadfast, confident, contemporary, and often witty-seems, to me, an intermediary big brother talking directly to me on every page saying, 'Look! It's right there in you,' the very wisdom that leads to compassion.

People try to pigeonhole comics by saying they're just for kids. So is The Odyssey. So is the Labors of Hercules, the story of Fa Mulan. The advantage of those stories over the contemporary ones is that they've had 2,000 years of editing. All the crap has been weeded out over time.

It annoys me when contemporary films and television shows create artificial tensions that could easily be resolved by a quick email or the use of a search engine. 'La La Land' was guilty of this several times, as well as a more generalised aesthetic nostalgia.

I have an unconscious burglar living in my mind: If I read something, it's mine. I can read Middle English stories, Geoffrey Chaucer or Sir Thomas Malory, but once I start moving in the direction of contemporary fantasy, my mind begins to take over.

The pseudoscience of astrology has no place in magick. Astrology has already died twice: once with the classical gods, and a second time after the Enlightenment. The complete failure of contemporary psychology to create anything other than a vocabulary of intellectual rubbish has encouraged astrology to resurface.

Seat thyself sultanically among the moons of Saturn, and take high abstracted man alone; and he seems a wonder, a grandeur, and a woe. But from that same point, take mankind in mass, and for the most part, they seem a mob of unnecessary duplicates, both contemporary and hereditary.

Most pointedly, nature-based people manifest the very qualities that contemporary psychotherapy, the recovery movement, and spiritual practices continually aim for: a visible sense of inner peace, unselfconscious humility, an urge to communal cooperation, and heartfelt appreciation for the world around them.

I'm certainly very influenced by what you would call 'contemporary headline horror,' stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news.

Nursing may be the oldest art, but in the contemporary world, it is also one of the most invisible. One of the most invisible arts, sciences, and certainly one of the most invisible parts of our health care system.

The more we study the early Church, the more we realize that it was a society of ministers. About the only similarity between the Church at Corinth and a contemporary congregation, either Roman Catholic or Protestant, is that both are marked, to a great degree, by the presence of sinners.

I love fashion. What I love is the ability to express yourself, to be able to make a product and shoot an ad campaign that tosses you out into the world and lets you have a voice in contemporary culture, iconography. I felt a little bit neutered not having that voice.

My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.

What is extraordinary about contemporary art is the energy - it has our energy. New energy. Pieces hundreds of years old are beautiful from an aesthetic point of view, but without our modern energy.

There is hardly an aspect of contemporary history more irritating and mystifying than the fact that of all the great unsolved political questions of our century, it should have been this seemingly small and unimportant Jewish problem that had the dubious honor of setting the whole infernal machine in motion.

I've not been an admirer of contemporary music since punk rock went off the boil in 1977, but once a year I'll listen to 'Spiral Scratch' by the Buzzcocks, or 'Hippy Hippy Shake' by the Swinging Blue Jeans. Otherwise, I can put up with Chopin or shakuhachi flute in the background.

When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.

Yes, I've heard of the 'Mad Men' comparisons, but I like to think 'The Hour' has its own distinctive voice. Although it is set in 1956, I have tried to give it a contemporary edge, and its themes of love, passion, romance, fury, professional jealousy, and personal failure are universal, I think.