Top 184 Continuum Quotes & Sayings - Page 4

History is a continuum, it's not these separate moments. That's how we look at it. In the 1700s in Virginia before there were police officers - there were these groups of men who would wander the countryside - and if they saw a black man or a black woman they would presume that that black man or woman was a slave. If you didn't have the kind of pass that you were supposed to have, then you could be whipped, you could be enslaved, you could be taken into custody - even if you were free. And as I'm reading this I find myself thinking, "How is this any different from stop-and-frisk?"

Dwarfs were not a naturally religious species, but in a world where pit props could crack without warning and pockets of fire damp could suddenly explode they'd seen the need for gods as the sort of supernatural equivalent of a hard hat. Besides, when you hit your thumb with an eight-pound hammer it's nice to be able to blaspheme. It takes a very special and strong-minded kind of atheist to jump up and down with their hand clasped under their other armpit and shout, "Oh, random-fluctuations-in-the-space-time-continuum!" or "Aaargh, primitive-and-outmoded-concept on a crutch!

There is a balance, a kind of standoff between the time continuum and the human entity, our frail bundle of soma and psyche. We eventually succumb to time, it's true, but time depends on us. We carry it in our muscles and genes, pass it on to the next set of time-factoring creatures, our brown-eyed daughters and jug-eared sons, or how would the world keep going. Never mind the time theorists, the cesium devices that measure the life and death of the smallest silvery trillionth of a second.... We were the only crucial clocks, our minds and bodies, way stations for the distribution of time.

When I showed ‘Black and the Red III’ in Malmö, Sweden, it was a continuum - a band - all around the galleryseeing this huge space in the gallery in Malmö, I just took a deep breath and I put the paper around in a single band. Then I continued along, printing on the wall like a trompe l’oeil to reiterate the images in the work printed on paper that I had push-pinned to the wall. I literally took the rhythm and the images from ‘Black and the Red III’ and continued that on the wall.