Top 654 Cop Quotes & Sayings - Page 7

I'm a cop, and cops talk. They called me the day he did it, but did you ever hear me say anything about it? I played ball, because that's how I am. I'm true.

Playing a cop goes a long way. I have a lot of friends who are working as actors, and as soon as I started playing military characters or cops, and not the actual criminal that we're chasing on this show, they all said, 'You actually can have a career now.'

Star Trek wouldn't die. There were a whole lot of young people who were touched by the thought process of science fiction. If you watched a cop show, there wasn't anything that was going to stimulate your mind.

Let's face it. My dad was a mechanic, and my mom was a cop: my college options in seventh grade didn't look that great. And the chance I got to go to college and experience college life is something that's pretty precious to me.

When I first started the show, I was known as the 'cop nerd.' I was in the 9th Precinct in the East Village every day. I'd be at work wearing a fake bulletproof vest with foam in it, then I'd leave and put on a real one to ride around with these guys.

'Colors' is pretty good. It takes you inside the cop car bit. I like reality myself. I like reality-based kind of movies.

You can accomplish amazing things with this if you have a passion and you work hard - I just think it’s a cop out to say 'I wasn’t born with this, so it’s OK if I fail'. You can make up the difference with hard work and devotion.

To me, when I watch movies, it's always fun to watch the bad cop or the bad guy.

I would do 'Superbad,' and the next offers you would get would all be crazy cop characters or crazy security guards or something.

You know that look a cop gives you when he's so confused that he doesn't even know how to respond? If you don't know that look, it means you haven't had enough fun in your life.

Wambaugh's naturalistic portrait of the cop world turned 'Centurions' and 'The Blue Knight' (1972) into bestsellers, but his next two books made him relevant to a larger audience and to the next generation of crime writers.

Anybody see 'Cop Land'? I went to go see it, but I got stoned in the parking lot. And then on the way in, I read the marquee, and I got paranoid and went home.

Pride' is my first film with a happy ending. Before, I naively thought they were a cop-out, but now I've come to believe that happy endings and wish fulfilment are an incredibly important part of our cultural life.

This place is just too frickin precious," the cop said, eyeing a guy dressed in a hot pink leisure suit with makeup to match. "Give me rednecks and home-grown beer any day of the week over this X-culture bullshit.

For horror movies, it's great because I know exactly what I am doing and what should be done. But for a cop drama, I can't calm my face down, and so it's really nice to be able to be in this genre where nothing is too much, and no one yells at me for having big eyes.

Cops, more than firefighters, EMTs or other public safety employees, almost always get the first glance of the human condition at the worst, most lethal moments; nobody calls a cop with good news.

Whenever I've had to make a major decision as a doctor, cop or for a company I've worked for, I ask myself: What is the value proposition here? Will my decision bring added value to the population I have the privilege to serve?

I was familiar with that and 'Rio Bravo.' 'Rio Bravo' was what John Carpenter did, that brilliant move of taking a western and turning it into an urban flick. And from there you got, you know, all the cop genre movies of the time.

I'm a very intermediate sax player, but now that Rob Lowe is on my show, I had to cop to him. Like, 'Dude your ridiculous fake sax playing [in St. Elmo's Fire] inspired me to pick up a horn.'

I was a cop in the Las Vegas Police Department in 1957. I was very young when I joined. But then I became a federal narcotics agent after that, in Vegas, and that propelled me into my future to fight the drug traffickers.

A lot of young policemen have told me that they saw 'Singam' and joined the police force because of that. Some tell me they saw the training process and want to be a cop like that.

The other night I came home late, and tried to unlock my house with my car keys. I started the house up. So, I drove it around for a while. I was speeding, and a cop pulled me over. He asked where I lived. I said, "Right here, officer."

When I was a kid there was a show called 'Holmes & Yo-Yo' about a robot cop. I LOVED that show and I think it only lasted like three episodes.

Frankly speaking, ever since my debut, I have been offered cop roles. However, I never felt confident about pulling them off, probably due to my short physique or the absence of the required traits in me.

Sometimes when working on TV, especially when doing procedural cop work, you can refer to your notes. Your notes, of course, do contain, naturally, all the information you need.

There's a long history of all kinds of cop films... But all these films are really about the same thing: the good guys triumphing over the bad guys.

I don't know if I am cut out to playing a bad character or not - I really should give it a shot. I would like to play the voice of a baddie, but that's really just a cop-out!

I remember one night in Memphis, I'd come out of a blackout, and I didn't know where I was. I'm feeling through the darkness - I was asleep in the middle of a freeway. I went up to this car in the darkness, and it was a cop car.

I hope we get pulled over, he says. I'd like to see how the cop responds to a black man wearing a Confederate T-shirt over a black dress.

I never went through a period were I wanted to be a doctor, a cop or even a rock star. All I wanted to do was play short stop for the Yankees from the time I was about 5. Then I turned 15 and realized how silly that was and just gave up on it.

Those who flashin' don't blast, they still buffoons, Just blowin out hot air, they should fill balloons. I'm like them shorties that could kill for goons, They started hustlin' in April to cop wheels in June.

The truth is, my father stopped bothering me after Stigmata, because I got to play a priest. That fulfilled his dream. The cop thing was a little overdone to him because my brother was already a police officer.

It was a department where you had honesty and integrity stamped right on you when you came into the Los Angeles Police Department. If you violated that, or if you were a dishonest cop, you were terrible. We got rid of you as quickly as possible.

In 'Stree,' I play a character who believes that he knows everything. And I play a cop in 'Drive.' It is a different kind of a role. It is not a uniform-wearing character. The film is interesting, since it is a thriller.

My wife drives the wrong way on a one way street. The cop pulled her over and asked, "Where are you going?" My wife said, "I must be late, everyone is all coming back!"

If you go into a bar or restaurant with a cop, the first thing he does is he'll stand in the entrance, and he'll look at every single face in that room because he doesn't want to spend an hour having a drink or lunch and didn't spot some villain they've been looking for, for two years.

It doesn't matter if a character is a lawyer, a cop or a geography teacher. If there's a story in there, where the character has a passion and a fire in his belly and story to tell, then it's enough for an actor to get excited about.

'Maaligai,' where I play a dual role of a cop and a princess, initially was to be made as a Kannada movie. My producers from Mumbai and director Dil Sathya felt that it should be made as a bilingual in Tamil also, as I have a good market in K'town.

First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations.

To play a cop's wife - there's so much in that world, the wives or partners of anyone who is a first responder - it's not an easy job. It's not an easy way to live, to say goodbye to someone in the morning and not know what's going to happen throughout the day.

I never thought about being a cop. I'm kind of sensitive. I don't know if I could handle that job. It's hard to go home every day and be able to still live your own life because some of the stuff you see really affects you.

I was such a huge Bruce Willis fan because of all the Die Hards and Arnold Schwarzenegger was like 'the guy.' Kindergarten Cop was filmed in my home state and I was like, "He's awesome! Now he gets his hair cut next to me, it's fantastic. "

I remember being at the premiere of 'Beverly Hills Cop II' and the tremendous reaction from the crowd outside, then going to a party at a hotel afterwards where the speakers were blasting 'Shakedown,' a song from the movie. That felt like a show biz moment to me.

Cro Cop is one of the best in the world and such a great guy. It was awesome to train with him. There's nothing better than working with him, and it was a great experience.

I've learned a lot with every character, everything from being a cop, to a lawyer to a tattoo artist. And underneath that stuff, I've been really able to find myself through the characters. It's served as a cheap form of emotional therapy.

In cop shows, the police don't get to rag on each other and rag on their commander and rag on the person they just pulled over. That was all 'Reno' was, and I think that's all cops do 90 percent of their day.

I might be doing the most challenging roles, like the cop role in Mynaa,' but it is these dance numbers that get written and spoken about. But I have no qualms doing them as I'm enjoying all the work I'm doing equally.

It always bothers me to see people writing RIP when a person dies. It just feels so insincere and like a cop out. To me, RIP is the microwave dinner of posthumous honours.

In France they spend six months training policemen, then they give them a gun and put them on the streets, and I don't know that that's enough. The film's not against the police - although I think that if someone wants to be a cop there's got to be a problem.

People are used to watching cop shows in which the cops are very straight down the line and they solve the crimes, but I think people actually have a much more sophisticated and varied view of the police.

I like strong women. I think a lot of women relate to strong characters, and a cop is still a strong character.

'Pride' is my first film with a happy ending. Before, I naively thought they were a cop-out, but now I've come to believe that happy endings and wish fulfilment are an incredibly important part of our cultural life.

I wanted to be an undercover cop, blending in with the public, looking like a black militant or a long-haired hippie yet having a gun on my hip, a badge in my wallet, and able to enforce the law. To me, that was the neatest thing in the world. It was also challenging.

The Violence Against Women Act is so important. It provides money to train the cop on the beat, to train the judges that this is a new day, that we won't tolerate this violence and to know how to deal with it.

With 'Rampart,' I read it and I'm like, 'That's the best role I've ever been offered. Phenomenal.' But, I was daunted, you know? Like the concept of trying to be a cop. It's just bizarre, man. Bizarre to even think about.

G.I. humor is similar to cop humor.

I'm very proud of being Italian-American, but people don't realize that the mafia is just this aberration. The real community is built on the working man, the guy who's the cop, the fireman, the truck driver, the bus driver.

Not every cop is bad, not every white person is bad or racist.

Given that I often wear shorts with a T-shirt, baseball cap, and backpack most days, a crew-neck shirt gives me the appearance of an undercover cop on the way to a sting operation at a summer camp.

What (the Arizona immigration law) is likely to mean effectively is that if in the course of a traffic stop, a cop asks you for a driver's license, and you don't have one, and he asks you for other identification, and you have none, and he calls ICE and they have no record of you as a legal immigrant, you're in trouble. This is near-fascism?