Top 632 Costume Quotes & Sayings - Page 10

I used to go trick-or-treating all the time. When I was young we had the plastic mask with the rubber band that would cut your face, and you couldn't breathe and it was really sweaty! I had the Incredible Hulk and Spider-Man. I used to love the Incredible Hulk, and then one year I had the great idea to be Mr. T, and that was an awesome costume too.

My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.

... I tried to end our little duel. I called out pacifying words; I entreated; I finally surrendered. Still Clyde came, my pirate costume so great a success that it had apparently convinced him that we were back in the golden days of romantic old New Orleans when gentlemen decided matters of hot dog honor at twenty paces

Little brats yellin 'Trick or Treat' all through my screen door, When y'all should be at home sleep, Instead of at my front porch 15 deep. The jack o' lantern came in handy... I can turn my porch light out like I ain't got no candy. But ain't that somethin? You buy a Halloween costume and a pumpkin, Almost gave your children a heart attack. It's a tradition, but who the hell started that?

I knew I wanted to make a movie that looked decadent and expensive. I knew we would have to make every penny stretch and put as much of the budget onscreen as possible. So it starts with your heads of departments - your production designer, costume, hair and makeup designers. Picking the right people who were as committed as I was to telling the story as I was.

I think I'm better at live shows than I used to be because I'm way more comfortable with the uncomfortable pauses between songs. Now, rather than trying to talk or do a costume change, I'll use those moments for myself. I listen to what other people are playing, or just rest, or dance, even though I don't know how to.

It is amazing to me how deeply into the popular culture the creature has become. There are zombie walks in every major city. I live in Toronto, and last year 3,000 people came out dressed as zombies.... I do not get it. Maybe it's an easy costume: Splash some ketchup on and rip up your jeans -- although most people already have torn jeans -- and you're done.

There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.

It's a real testament to the amount of skill and talent involved, across the board, whether it's the production design, the construction, the costume design, the other actors, the way it's shot, the directors we had on it, or obviously John's writing. When things do go well, it sometimes seems easy, in a weird way, but it's actually down to a lot of cogs working in a big machine. But, I'm certainly happy to be going back. I'm excited to carry on.

I think 'Heroes of Cosplay' will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.

Shopping is a lot of fun, but I hate trying on clothes because I think I've done too many costume fittings and trials. I hate trying on clothes. Shoes I love. I mean, I love shoes. Anywhere, any place, any time, you take me to a shoe store.

The worst job I ever had was working as a Lady Liberty sign-twirler for a tax services place, where I'd just dance and have fun. The way I talk about it makes it sounds like a fun job - but then I got a staph infection from the costume. So that was probably the worst part about it.

It feels like a lot of times when I'm watching people perform, they're just going through the motions and checking boxes. Costume - good, hair - good, make-up - good, death drop - good; it's like they're just going through a checklist of what makes a 'good performance' but it's not entertaining, it's very disposable.

Nothing will turn you into more of a 'Star Wars' fan than being on a 'Star Wars' set. When you see how lovingly that world is rendered by the set designers, costume designers, props department, art department, they genuinely build an actual world. That is not an exaggeration. They build a world.

What keeps this industry alive is creators doing their own work. Once you change a costume or origin enough times, it's a dead body - you're just electrocuting it and keeping it sort of shambling on. There is a lot more creator-owned stuff now, and some of it I look at and go, 'Oh, that's his pitch for a TV show. That's his pitch for a movie. That's him saying oh, this kind of thing sells.' I didn't do that.

Helena Bonham-Carter and I sat down to talk about [Cinderella movie] and she said, 'I really want to do it but only one thing I insist on and that's wings.' She had to have wings and [costume designer] Sandy Powell didn't want wings to begin with but had to be talked around, but that was fun.

I've never done a lead role in a film this big [like Doctor Strange], in a franchise this big. One of the reasons was, I wanted to know what the toy box was like. And it's just insane, the amount of facility that everyone gets, but the amount of artistry and craft that's brought to every aspect of filmmaking. I mean, you go to your first costume fitting and it's one of thirty. It's a myriad, but it's for a reason. There are so many incredible costumes in this.

I think "Heroes of Cosplay" will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.

We were a family that made our Halloween costumes. Or, more accurately, my mother made them. She took no suggestions or advice. Halloween costumes were her territory. She was the brain behind my brothers winning girl costume, stuffing her own bra with newspapers for him to wear under a cashmere sweater and smearing red lipstick on his lips.

we are dealing with a return to what might be a far more normal relationship between the West and Russia. Russia is what it is that we see. It's not dressed up in its birthday costume. It is what it is. It regards its national interests as important enough to fight for. And the difference on the whole Ukraine situation is that the Russians are prepared to fight for their position on Ukraine, and the West is not.

She said, “I’m going to have you fired.” I had two people say that to me today, “I’m going to have you fired.” Go ahead, be my guest. I’m wearing a green velvet costume; it doesn’t get any worse than this. Who do these people think they are? I’m going to have you fired!” and I wanted to lean over and say, “I’m going to have you killed.

I have discovered that many of the things I thought were priceless are as cheap as costume jewelry, and much of what I labeled worthless was, all the time, filled with the kind of beauty that directly nourishes my soul... Now I think that the vast majority of us "normal" people spend our lives trashing our treasures and treasuring our trash. We bustle around trying to create the impression that we are hip, imperturbable, omniscient, in perfect control, when in fact we are awkward and scared and bewildered.

You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.

When I'm directing, I really try not to be tied to anything. I don't even have the sides in my hands. I have other things - ideas that I want to make sure I don't forget or that I want to accomplish. The endeavor isn't about propping up the screenplay; but about the communal effort of exploration from a lot of different departments - the actors, the DP, the costume designer - all these people and myself.

Vitamins ruined my life. Not that there was much left to ruin, but still. I know that blaming vitamins for my horrible life sounds strange. After all, vitamins are supposed to keep people healthy. Also, they're inanimate objects. But thanks to them I was stuck in the Jackson Center Mall watching my father run around in a bee costume.

'Fan' is an understatement. I had the Spider-Man costume, I had bed sheets, toys, you name it. I've always had an argument with my best friend that Spider-Man was way better than Batman. I was a massive fan growing up.

In previous roles, I have thought of my body as 'Betty's body,' and I try not to eat too many dinner rolls - please don't fire me! I'll make crazy choices from the neck up, but from the neck down, it's just me trying to suck it in. And in 'GLOW,' my whole body was required to do a function and not just to look as good as possible in a costume.

I hate Technicolor. Everybody in a Technicolor movie seems to feel obliged to wear a lurid costume in each new scene and to stand around like a clotheshorse with a lot of very green trees or very yellow wheat or very blue ocean rolling away for miles and miles in every direction.

When the Strokes first started playing gigs, instead of getting into a costume for the shows, we talked about how we should dress every day, in real life, like we're playing onstage. I don't really care about clothes, but it's about wearing something that gives you social confidence. Or maybe helps you pick up chicks.

We were a family that made our Halloween costumes. Or, more accurately, my mother made them. She took no suggestions or advice. Halloween costumes were her territory. She was the brain behind my brother's winning girl costume, stuffing her own bra with newspapers for him to wear under a cashmere sweater and smearing red lipstick on his lips.

If you want to go on the floor, go in disguise because otherwise you won't be able to. I would just put on a full Darth Vader costume and walk through Comic-Con so I can actually check it out and enjoy it as opposed to being approached by everyone, which is lovely, but it gets very difficult to enjoy because there's so many people there.

Just as people can watch spellbound a circus artist tumbling through the air in a phosphorized costume, so they can listen to a preacher who uses the Word of God to draw attention to himself. But a sensational preacher stimulates the senses and leaves the spirit untouched. Instead of being the way to God, his 'being different' gets in the way.

For me, there's always an early-'70s sense. There's always a sprinkle of it - if I do it exactly like that, sometimes it becomes too costume-y or too thought out. But the influences are there, without a doubt, always, because to me, that was the part that I also felt was the most defining of my own personality and my own style, and I also think that it's timeless. You never look wrong.

Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.

47 Ronin is a very special movie for me. Not only a Samurai thing. Not only a Hollywood fantasy. It has a very special mixture between Japanese traditional culture and Western culture for the costume, set, story. Everything. I believe it will be a very special film that no one has ever seen.

Fresh from a costume fitting, where I had been posing in front of the mirror assuming what I thought was a strong position - arms folded, butch-looking...you know - I met with the woman in charge of Holloway police station. She gave me the most invaluable advice: never let them see you cry, and never cross your arms. When I asked why, she said 'because it is a defensive action and therefore weak.

Immortals is without doubt the best-looking awful movie you will ever see. Eiko Ishioka's costume designs alone deserve an Oscar nomination. "They weren't at all historically accurate," grumbled a woman in the elevator after the sneak preview, as if lots of documentation exists about the wardrobes of the gods. She added: "I guess that's what we deserve for using free tickets we got at a Blackhawks game.

It makes a huge difference in how you feel, the way your costume holds you. When you look at yourself in the mirror, it makes you feel a certain way. Actors like to talk a lot about working from the inside out, but there's a lot to be said also about working from the outside in. It can be extremely helpful.

I was at the beginning stages of my pregnancy, and it never really feels real anyway, until you actually start showing and you start to feel the baby kick. Fortunately I didn't have any morning sickness or anything like that. And I really didn't want to be distracted from the work at hand, so I didn't tell anybody. It was really just towards the end of shooting where I was about five months, where I needed to tell a costume designer[ of the True Detective].

I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.

It's hard to tell / if we close our eyes or if night / opens in us other starred eyes, / if it burrows into the wall of our dream / till some other door opens. / But the dream is only the flitting costume of one moment, / is spent in one beat / of the darkness, / and falls at our feet, cast off / as the day stirs and sails away with us.

And weren't, when you got right down to it, particularly evil. Human beings mostly aren't. They just get carried away by new ideas, like dressing up in jackboots and shooting people, or dressing up in white sheets and lynching people, or dressing up in tie-dye jeans and and playing guitar at people. Offer people a new creed with a costume and their hearts and minds will follow.

Every movie I work with the costume designer to see what feels like the character, not what Columbus would wear but what is right for the character. Outside of the armored truck standard issue security guard uniform, this guy is trying to make ends meet. He might have one pair of jeans, the same boot, maybe changes his shirt but he doesn't have a walk-in closet full of things, so I wanted something comfortable that felt like the character.

...just because I don't have on a silly black costume and carry a silly broom and wear a silly black hat, doesn't mean that I'm not a witch. I'm a witch all the time and not just on Halloween.

When you're wearing an animal costume and something bad happens, your facial expression doesn't change. The animal is deadpan the whole time. If you're skiing in a gorilla suit and you fall, you just see a gorilla who has no emotion. It's just a stoic gorilla, wildly falling down a hill, out of control.

I once did a role which I couldn't rehearse in my street clothes, I had to have the character's costume on before I could rehearse it. I just couldn't think as the character unless I looked like him, or I knew that I looked like him.

Sleep takes off the costume of circumstance, arms us with terrible freedom, so that every will rushes to deed. A skillful man reads his dreams for his self-knowledge; yet not the details, but the quality. What part does he play in them - a cheerful, manly part, or a poor, drivelling part? However monstrous and grotesque their apparitions, they have a substantial truth.

I hope people will never stop dressing up as Harry Potter. It feels less to me like something you wear because you think it's a great costume idea and more like something you wear because you really like wearing your Hogwarts robe, and you really only get the one chance per year.

[Ritual] dwells in an invisible reality and gives this reality a vocabulary, props, costume, gesture, scenery. Ritual makes things separate, sets them apart from ordinary affairs and thoughts. Rituals need not be solemn, but they are formalized, stylized, extraordinary, and artificial. In the name of ritual, we can do anything. We can do astonishing acts. In the end, ritual gives us assurance about the unification of things.

I think that when you put yourself, as actors have to do, in other people's shoes, when you have to put on the costume that someone else has worn in their life, it gets much, much harder to be prejudiced against them and even to be - to not try to look at the world in a sense of "I'm not going to judge somebody. I'm going to try to understand who they are and what they're about."

My folks made me a Jawa costume for the Halloween after 'Star Wars' opened in '77. In '78, when it was re-released, I was hired by the local cinema to be the Jawa: to dress up all summer long, and I could frighten people with my Jawa sounds and my Jawa outfit and watch 'Star Wars Episode IV' all summer long and get paid with movie passes.

One of my favorite memories as a kid was when the original 'Secret Wars' came out with the debut of the black costume for Spider-Man. I remember I couldn't wait to get home to read it, and I was like, 'Oh, my God, I've been waiting for this comic to come out. I hope, God forbid, nothing happens to me before I get home to read it.'

So you couldn't protect yourself? The absolute erodes; the boundary, the wall around the self erodes. If I was waiting I had been invaded by time. But do you think you're free? I think I recognize the patterns of my nature. Bud do you think you're free? I had nothing and I was still changed. Like a costume, my numbness was taken away. Then hunger was added.

I think one of the major differences between Wonder Woman and Jessica Jones is that Wonder Woman is iconic and much better known, so you get into a lot of ridiculous expectations, like what's her costume going to look like? Well, nobody knows who Jessica Jones is, except for fangirls and boys.

I met [Gilda Radner] on the first night of filming ... Hanky Panky that Sidney Poitier was directing. And it's funny, I was in costume and makeup - my tuxedo and makeup because I'd done a few shots before she arrived, and she told me later that she cried all the way in, in the car, because she knew that she was going to fall in love with me and want to get married.

The costume of women should be suited to her wants and necessities. It should conduce at once to her health, comfort, and usefulness; and, while it should not fail also to conduce to her personal adornment, it should make that end of secondary importance

You can't have a bad time at Disney World. It's not allowed. They have hidden electronic surveillance cameras everywhere, and if they catch you failing to laugh with childlike wonder, they lock you inside a costume representing a beloved Disney character such as Goofy and make you walk about in the Florida heat getting grabbed and leaped on by violently excited children until you have learned your lesson.

Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.

It is the artist's responsibility to be the oracle, to abstract where you are - that is our responsibility - we're not there to look glamorous. We're there to tune into the frequency of the Earth and the connective tissues of those things that we are responding to - language, colour, costume, literature, poetry, cuisine, perfume - these are the things that make up the desire to throw paint on a canvas, these are the things that create the excitement for building a new language!

I had read the criticisms of me and my movies and they were discerning. They said that Crawford needs a new deal, and they asked if I was doomed to explore forever the emotional misfortunes of the super-sexed modern young woman. And so, to break away from the pattern, I wanted to do "The Gorgeous Hussy". Selznick laughed at me. 'You can't do a costume picture. You're too modern.' But I begged and begged and begged, and so they let me do it. I was totally miscast.