Top 432 Costumes Quotes & Sayings - Page 5

Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself.

...and there I suddenly found my articulate self in a dazzling land of smiling, jostling people wearing and not wearing all sorts of costumes and doing all sorts of clever things. And that's when I knew! What other life could there be but that of an actor?

I hate Halloween. I hate dressing up. I hate - I wear wigs, makeup, costumes every day. Halloween is like, my least favorite holiday.

I got these big coffee table books about Chinese opera from the local library, and I loved looking through them. I loved studying the intricate costumes and figuring out how to 'cartoonify' them.

I find L.A. very interesting, partly because I think something new is forming there, but not in a moment of good fellowship as you might think from all this "diversity" claptrap. It's not as if we'll all go down to the Civic Center in our ethnic costumes and dance around.

Halloween has always been fascinating to me from a very young age. I think any actor would be fascinated by Halloween because it's one of the only holidays that advocates dressing up in makeup and costumes and transforming oneself.

What does homophobia look like when it's stripped bare of fancy costumes like family values and tradition? It looks like that group of strange, angry people who protest at the funerals of U.S. soldiers who've died fighting for our country.

On a studio film, you don't have to worry about running out of film or messing up your costumes; you have five other sets of it. Studio films make you the most comfortable so you can just act.

The costumes are insane on 'Once Upon a Time.' It did influence my taking the job, the fact that not only would I be horseback riding and sword fighting and traipsing through the woods but I would be doing all those things in insane, medieval garb.

Without my husband's costumes I wouldn't have known how to accomplish what I saw in my own mind's eyes for choreography. And then seeing our choreography and knowing the background of it I am sure helped my husband a great deal with what he designed for us.

pools of blood are not recreational even lifeguards drown when the undertow breaks bread with the underbelly demons disguised as sharks have not put enough thought into their costumes a wiseman stays ashore when pointed fins read like italian subtitles the end is near (...) the beginning

To be the Grand Marshal of the most recognized Halloween parade in the world is so much fun. People plan for months and months to design their costumes, and it is amazing. It is a true competition and amazing to watch everyone.

The only Shakespeare I ever did was a production of 'A Midsummer Night's Dream' two years in a row in my garden in Rockland County on the Hudson River in the 1980s. I had all the actors from the Actors Studio come out, and we made our own costumes.

I'll tell you what, I had complete control on 'Unleashed.' I directed, produced, chose the musician, picked the costumes, and everything. I never had anyone saying, 'I don't like this and I don't like that.' The studio, Universal, were easy. It was this weird movie no one cared about.

Costumes say a lot about a character. When it came to 'Palo Alto,' it was important for me that the kids didn't look perfect. In most teen movies today, all of the clothes are expensive. I remember wearing a lot of dirty vintage clothes.

It sounds a cliche but when I'm on stage I'm at my most relaxed, I feel most like myself. When I have the music and the costumes and everyone else around me, that's when I feel most free.

The costume affects your posture, affects your walk, how you hold yourself, and how you breathe. The costumes make you deliver.

I would love to make a 1830's period piece, a house in the country, a classic atmospheric haunted house movie, visually it would be so beautiful, the costumes, the candles, the darkness, and the quiet, no radio, to TV, the clock ticking away.

They had a contest where they would - for some reason, someone in the past loved musical theater, and so if you wrote a musical, they would fully fund it and put it on the main stage with full costumes and a set and everything, and my roommate said we should totally do that.

There's so many things about Babymetal you cannot just grasp with the sound. The visual has to compliment the sound, the costumes have to compliment the sound.

It was something I was more interested in myself. When I went to see my sister dance at ballet, I was really into costumes and the arts, and my family was also supportive of whatever me and my sister wanted to do. I would say I pushed myself the most to be into design.

You go through at least the first two years of Star Trek and you find some amazing stuff. Everything that was going on Gene put into the series. He just put strange costumes on the actors and painted them funny colours and left the same situation in.

You put funny people in funny costumes and paint them green and we could talk about anything we wanted to, because that was the only thing that fascinated Gene about this particular genre.

I used to do Civil War re-enacting between the ages of 15 and 19. I was part of a unit that was considered very authentic. We would source the right wools, the right buttons for the costumes. We had the right look.

We talk about theatre museums filled with old costumes and things. What we also need is a theatre museum of the old routines on videotape. We are only the custodians of those techniques, and they should be preserved.

Somewhere in the back of my brain there exists this certainty: The body is no more than a costume, and can be changed at will. That the changing of bodies, like costumes, would make me into a different character, a character who might, finally, be alright.

I reckon I had 30 Spider-Man costumes over the years since I was a little baby. I had Spider-Man bed sheets.

Halloween was definitely the biggest holiday when I was a kid. We started making our Halloween costumes in August. Me and my mom. My mom was a single mom; it was just her and I.

When I get up in the morning, I go and I work with beautiful women and charming men and funny comedians and dramatic artists. And I'm presented with costumes and great music to choose from and sets. I travel a certain amount of places, so I've been living in a bubble. And I like it.

I love people who expect me to wear great, feathery costumes- and I do it. It's like an actor getting into his costume for his part. I don't really feel that part until I'm into whatever I'm going to wear.

A screenplay is really an instruction manual, and it can be interpreted in any number of ways. The casting, the choice of location, the costumes and make-up, the actors' reading of a line or emphasis of a word, the choice of lens and the pace of the cutting - these are all part of the translation.

Relieved of moral pretense and stripped of folk costumes, the raw masculinity that all men know in their gut has to do with being good at being a man within a small, embattled gang of men struggling to survive.

I think of clothes a lot like costumes. I think of what I wear in real life as being my real life character's costume.

In my forthcoming movie 'Jerry,' I play a funny character, where there is scope for me to perform. I hope people would appreciate my performance. Hence forth I would concentrate on doing variety of roles, rather than appearing in skimpy costumes.

My parents read me fairy tales every night and I used to believe I was a fairytale princess, like every young girl. I had all the Disney dressing-up costumes and would play every character.

I'm a girl, and I celebrate being a girl, and it was really important to me to celebrate the beauty that I could create in a movie like the one I did, aesthetically, in terms of the costumes and the production design. I wanted something big and lush and beautiful and unashamedly feminine.

When someone says 'comic book movies', what they inevitably mean is a summer superhero blockbuster, with heavily-muscled and tightly-gluted men (plus the occasional token woman) in tight-fitting costumes punching the living daylights out of one another for two hours.

In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it.

When you're making a TV drama, the showrunner is God, and so however onerous and difficult and consuming that responsibility is, you're being treated with respect, so it changes your whole outlook to the production. You're being asked about costumes, set design, music, every aspect of the show.

From about eight years old I was always making things on the sewing machine. Friends would see me making dresses and costumes, and I'd use difficult fabrics such as Lycra and elastic. But you know, my dad was creative and my brother is inventive too.

I was really a spoiled brat when I was a kid skating. Meals are cooked for you, you are driven to the rink, they make costumes for you. Your parents sit around and watch admiringly while you skate. You don't have to think about anything but skating. You're just plain spoiled.

I started to really enjoy the fact that [princess] Margaret was an exhibitionist. Even on a day-to-day basis, Margaret's costumes were always so much more dramatic and bold than Elizabeth's were.

The great thing about making picture books is that you can make absolutely anything you want happen. It's a bit like making a film, but you don't need lots of money for actors and costumes - you just need pens, paper, and your imagination.

I look back at 1993 or 1994 when I made it to the National Championships, and I was on used skates and handmade or borrowed costumes. But my mom was there every step of the way for me: she was the one traveling with me all over the world at age 13.

Marvel has a very specific MCU in-house style with the costumes, and so I thought, 'Oh, it could be so fun to put this original Loki in an outfit that maybe Loki would have worn in a movie like 40 years ago.'

I've always preferred drag roles, because typically I get better costumes and I've always felt more connected with the female characters in my favorite shows than most of the male characters.

It's an addiction. I love clothes. I like to go down Melrose and look in all the windows and I go to different flea markets. I have lots of costumes. You never know when you're going to have to dress up like a milkmaid from the 1600s.

Coming from the theatre I have played some fabulous characters where I get to wear gowns and I get to be a princess or someone from the 1920s, or I get to wear showgirl costumes. I'm used to wearing a wardrobe that changes how I feel.

I know I'm as comfortable doing period as I am contemporary. I suppose we grow up with it in a sense, in the theater. We get to put on costumes and play a lot of period dramas or plays so we're exposed to it a little bit more I think because of our theatrical background.

When you wear the costumes in a period drama, you already feel like a different person - the clothes make you stand differently, change your posture, the way you walk. You really have to have stamina - you have two hours in hair and makeup, and then another hour to remove all that.

Each character represents a different color on the big palette of what this ultimate painting is going to look like, who your guy is, and just try to be as honest and simple and real as you can possibly be. The outer trappings are incidental - costumes, period, makeup - all of that is rather insignificant at the end of the day.

I don't do costumes, I don't do sh_t like that. I love Halloween as a concept, but do I actually go out and do things? No. Trick or treating? Pain in the ass. Hate answering the door all night long. I do love fall, which is bad because I live in Los Angeles.

When you're directing, you look around and you think, everything I see is my responsibility. From the catering being on time to whether the clouds are moving the way I need them to move to whether this actor is giving the performance I want to whether the costumes are what they should be.

The costumes, the light rigs and the effects are seamlessly joined. I'm kind of bummed that I don't get the experience that you get with just watching it cold. By the time we'd seen all the visuals put together, I'd sort of become used to that world. It's still pretty impressive.

There is a sense in which the Christian's life on earth is a dress rehearsal for heaven. Not in terms of costumes and theatrics, but in terms of worship and devotion to the One we will worship for all eternity - the Lamb who sits on the throne of heaven.

Now what else is the whole life of mortals, but a sort of comedy in which the various actors, disguised by various costumes and masks, walk on and play each ones part until the manager walks them off the stage?

They know they're going to look beautiful, and I don't think women should look like costumes. They shouldn't look like fashion victims.

John Schlesinger had one of his friends designing it and he had never done a film before. Ten days before it started, they didn't have any costumes. I was rung up and joined up.

Growing up, I was very conservative in my wardrobe, so when I first joined the Pussycat Dolls, the biggest challenge was wearing those cabaret costumes. I didn't feel comfortable showing my body so much, showing my legs and butt, chest and midriff.

In the mid-1980s, there wasn't a representation of gayness on television. Our glitter and our goofiness and our great costumes made in Vegas; the cheekiness and campiness of the show, it turns out little boys who were gay coveted our act.