Top 1200 Cowboy Movie Quotes & Sayings - Page 12

My grandpa was a cowboy. He roped cattle out in Texas and Arizona. Growing up, I'd see him maybe once a year and he'd always get me on a horse at some point. But each time I'd have to learn again.

You know, and it really doesn't have a lot to do with the movie. That's the trick to doing a good musical is that, if you take that music number out, there's less to the movie there. You would miss it.

Sometimes I feel as if we are all trapped in a movie. We know our lines, where to walk, how to act, only there is no camera. Yet, we can't break out of the movie. And it's a bad one.

'The Avengers' was a great movie. I love that movie.

I had a moment where I wrote a movie script, and it was my first movie job, and I was very excited to do it, and my only goal was really not to get fired off of it.

Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.

I think you can tell a lot by someone's footwear - cowboy boots would put me off, as would a man in Ugg boots or Crocs.

I do believe very much in movie as a one-man-show. I think that where I've watched movie go wrong, it's usually because the dread committee has been interfering with it.

You can skim those stage directions and go right to the dialogue. You can almost read the movie in the same amount of time it will take you to see the movie.

You get that horse to really operate as if he’s your legs and you can take that anywhere you want. You can dress up in any kind of clothes you like. You can be a jumper, dressage rider, trail rider, cowboy, anything.

A good horror movie should have peaks and valleys, a good horror movie should move you emotionally; a good horror movie should be exciting to watch and energizing in a weird kind of way.

You're able to do things in novels: introduce subplots, other characters, thematic layers and so on, in a way that you simply can't in a movie. A movie really has to choose its battles.

Clean energy is hippy power. But its also cowboy power, it's rancher power, it's Appalachian power.

The western will always be here. And it just depends on how good you make one. And one movie doesn't kill it. And one movie doesn't preserve it. It's storytelling. It's a very American thing. I'll continue to do it.

Yeah, I definitely wanted to do a kids' movie because I have a kid. I want to do things that my daughter can see soon - when she is old enough to know what a movie is.

It is that rare film [Moonlight] that comes along once in a while that catches the zeitgeist. This movie is that. I certainly have my fingers crossed that it is. Everyone needs to see this movie.

When I first started buying shoes with my own money, I would always get them from eBay. I used to hack my mum's account, and suddenly these white cowboy leather boots would arrive.

The only negative thing is that I got into acting thinking, "One day I'll be a cowboy, the next day I'll be an astronaut. Maybe I'll be a fireman." It seems that I'm destined to play smart people in suits. I'd rather have that than no niche.

I'm sure I can make a movie that doesn't feel like a seventies movie! But the truth is, that's my favorite era in American filmmaking. To me, those were the great years.

I've done radio interviews about this movie [42]. I feel I'm a part of this movie, since I knew Jackie Robinson. I was at his first game.

When I was a kid, my step dad started this business and would go out and get lost cows and stuff. He was part-time truck driver, farmer and cowboy. He taught me how to ride from an early age.

You don't put your personal viewpoints in a good movie. A movie should only be concerned with characters, not some big moral, although it's always underneath.

I don't think there is a movie that I've been on that I wasn't sure I could direct it better. But certainly also, as a director of photography, I have to serve the movie in whatever way I can as a filmmaker.

You can change a person's life in an instant; put him in a movie, and you start thinking differently, you want to be in another movie. It's like an addiction almost.

I would still encourage somebody, if they wanted to make a movie, to just go take a movie camera. That's clearly been shown to work.

Make movies you love because it's miserable. Every movie I've worked on at one point or another is exhausting, and you feel like you're making a bad movie.

The military offered the opportunity to see the world, and meet other people and learn new customs. Plus, the Army taught soldiers discipline. The life I experienced in the service was an education I could never have obtained as a cowboy.

The first movie I ever saw was a horror movie. It was Bambi. When that little deer gets caught in a forest fire, I was terrified, but I was also exhilarated.

I always refer to the first 'Resident Evil' movie as 'the little movie that could' because, at the time, it was kind of unfashionable to do video game movies.

Reality' is a movie generated by our brains. Because we don't realize this, we are far too confident that the stuff appearing in the movie is actually 'out there' in the world when, in fact, it's not.

Prior to being in 'Carousel,' I had only seen the movie. So, when I read the script, I felt like it was a lot deeper than the movie portrayed it to be.

As for the best '80s action movie, I'm going to be predictable here and say 'Die Hard.' I watch that movie at least twice a year. Perfect script.

I don't like kitten heels. I just don't think they are an attractive shoe because they always look so stumpy. And I would never wear cowboy boots: a pointy toe and little heel is just not my thing.

My personal success would be that people understand what I was trying to do. It was the most palatable when I watchmen_7_mdid Dawn. With Watchmen, too, I feel the same way. The movie's ironic and satirical and it's funny and serious and that's kind of the same way I felt about Dawn. Like I really was making a movie that knows it's a zombie movie and enjoys that and wants the audience to say, yeah, that's okay.

Leave a movie audience inspired, and they will want to ingrain that movie into their lives with the toys, branded food products, soundtracks, and clothing they buy.

I'm trying to develop an approach to putting out a movie in wide release that makes some kind of economic sense for the filmmakers and the people that have a participation in the movie.

Not long ago, in an excruciatingly remote village in the Australian Outback, I was startled to see a bartender in a cowboy hat measuring out a classically proportioned French 75 - something he'd picked up on the Internet, he told me.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

I actually liked Rise of the Planet of the Apes. I remember just watching it and being pleasantly surprised with that movie. I didn't think it would be as good as it was, so I love that movie.

I don't care about going down in history as a great bull rider or bronc rider. I hope people will remember me as a great cowboy.

I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.

I have met a lot of top chefs around the world during my travels. Each one of them has said 'Ratatouille' is their favorite movie and the only movie that truly captures what they do.

I've done one movie. And it's not a movie I want to stand on as far as acting ability goes. I mean, I'm not going to win an Oscar anytime soon. I'm not Meryl Streep.

Adaptations are fun for me because they connect to the idea of filmmaking I had when I was a kid. I would see a movie and think: 'I'm gonna make that movie.'

I saw 'Boogie Nights' more times before the movie came out than any other movie I had ever seen.

It was a very comfortable and personal relationship [Cliff Martinez ].'The Neon Demon'is our third movie and the music has never been as important as for this movie.

The interesting thing about a movie is the movie.

Hillbilly Rock' was the song that opened the door and gave me a reason to get a bus and a band and cowboy clothes to go out there and figure it out in front of everybody. And the hits started coming.

Making a movie about one group of people isolates the larger majority. That's what I require of the projects that I'm involved with. I would not ever make a movie strictly for Latinos.

Sivaji' was a fantastic movie. It is one movie I am going to take back to my grave and like a greedy actor, I want more such movies in my career.

You can take a handful of dollars, a good story, and people with passion and make a movie that will stand up against any $70 million movie.

Note to all men: If you're going to make mention of something that a woman did, like wear cowboy boots, make sure you've got the right woman!

A movie that is unable to elicit emotion isn't a movie.

The average movie-goer in this country sees six films in a year. That's one every two months. What the studios are trying to do is make sure it's their movie.

My number one horror movie is the '60s British version of 'Ten Little Indians.' This movie scared me to death when I was a kid - I still dream about it.

I was 18 years old when I booked 'Youth in Revolt,' and it was my first movie, and I was starring in that movie - and even then, I didn't feel like I had made it.

If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction.

When I first saw a Fellini movie, I came out of the movie theatre and decided to become a lawyer! I thought to myself, it's impossible to make something so beautiful!

Through Tamil movie 'Kanchana' I wanted to convey the pain and struggles of transgenders and the movie received lot of appreciation from transgender's community and the public.

I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again.