Top 1200 Creative Music Quotes & Sayings - Page 3

Explore popular Creative Music quotes.
Last updated on November 29, 2024.
People who just listen to music and are not a part of the creative community should realize that there is a lot of interaction between artists who have different styles.
But revision is a creative act, not merely an analytical imposition of rules of style on a more creative first draft. That's a myth - that the first draft is more creative and everything after that is ruining creativity.
The highest prize we can receive for creative work is the joy of being creative. Creative effort spent for any other reason than the joy of being in that light filled space, love, god, whatever we want to call it, is lacking in integrity. . .
When people get to see me interact with the creative giants, they see the perspective and the respect. A lot of times, people don't have that respect, from a music perspective, with the music people.
I think back on it now and even though Gwen and I were living through a tough time with the breakup, as creative partners, that took precedence in our lives. Even though we were going through this really emotional stuff, which obviously ended out coming out in the music, we managed to stay really close and be creative partners through all of that.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
If we don't give the authors of music, film, literature, and journalism a way to control the distribution of their goods, the quality of all of these creative efforts will decline.
I enjoy creating all types of music and I take inspiration from everything around me. Its not about trends or what’s fashionably popular, its about creative expression, quality, emotion and artistic integrity. I love and listen to all styles of music and try to blend the influences together into my songs. Including elements of funk, soul, dub, disco, ‘80s sounds and rock
Happiness is such a good state, it doesn't need to be creative. You're not creative from happiness, you're just happy. You're creative when you're miserable and depressed. You find the key to transform things. Happiness does not need to transform.
Freedom is only to be found where there is burden to be shouldered. In creative achievements this burden always represents an imperative and a need that weighs heavily upon man’s mood, so that he comes to be in a mood of melancholy. All creative action resides in a mood of melancholy, whether we are clearly aware of the fact or not, whether we speak at length about it or not. All creative action resides in a mood of melancholy, but this is not to say that everyone in a melancholy mood is creative.
I think people are 'just creative,' and this can be expressed in a number of ways. Bob Dylan and David Bowie create both music and art. — © Ronnie Wood
I think people are 'just creative,' and this can be expressed in a number of ways. Bob Dylan and David Bowie create both music and art.
I do music mainly just for myself in the beginning, and of course it's great when I get a reaction, but I'm more interested in hearing something unusual to my ears, and that's what I'm also looking for in other people's music. It's not interesting to look for a sound that is made to make everyone on the planet move - I wanna have both, I want something danceable but very creative and unusual.
I like to collaborate on my music. The creative process is fun, and you get a lot of ideas from having discussions about it. Ultimately, the final decision is mine.
Art - be it painting, sculpture, music - they are all creations, they are creative acts. I consider a film, with everything that is involved in it, an art.
But I really love music, and having a creative outlet is really the best thing you can do for yourself.
I work really hard to keep my life in music focused on what needs to be done and to allow myself the freedom to be creative.
First and foremost, I make music to satisfy my creative urges, but at the same time, I know my fans are waiting, so they're the ones that push me to keep going.
I always liked making the 'vibe music' more 'cause I feel like you can get more creative on it. Memphis is for sure like the grimey. In my hype music, the Memphis comes out of me - but when I try to vibe, I feel the Caribbean culture come out.
The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness.
Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.
I someday hope to find the time and coin to invest more of my creative energy towards the visual media side of releasing music. — © Sturgill Simpson
I someday hope to find the time and coin to invest more of my creative energy towards the visual media side of releasing music.
If you're applying for a creative position, don't be afraid to get a little creative on your resume.
I guess, I ended up finding music to pour my curiosity into. It was my creative outlet and therapy at the same time.
I just try to be more creative and come with something new because I actually care about the music.
To me, it's all about opening all the doors and getting people to be not only prolific, but creative and having control of their music.
The joy is actually in the music. It's the music that supports you and tells you what to do. It tells you how to fill the music. You don't have to be shy about feeling the music when you're singing. If you believe in music-the power of music-the music will support you and take you to another dimension.
That era in the late '80s through the '90s was really when the music was so new, fresh, energetic, but still creative. It hadn't quite gotten corporatized yet.
I'm pursuing a degree in mental health counseling. It'll be a long journey, and I still want to do music and other creative projects.
Um, well my main profession is acting and music is what I love doing. It's kind of nice like that in a way because it means I'm under no real pressure with the music. I have got complete creative control and I can make whatever I want. So, that takes a lot of the pressures off because there's no financial pressure. And it's something I've always loved doing.
I'm a creative person, and I'm gonna be creative, so whoever's upset because of that, that's too bad.
I think in music and a lot of creative fields, people's egos get in the way of their ability of seeing the big picture.
In my first label Shrapnel Records I wasn't expected to do anything except the creative music that I wanted to do. I was my own boss, which is great.
I think people at most record labels really like music, but it's hard because everything is so subjective, and everyone's so creative in their own right.
[YSL creative director] Hedi [Slimane] is a music-obsessed guy. I might've originally met him through Sky.
Relevance, for me, is about being creative and doing things that you believe in, whether that's music or acting or painting a picture, or whatever that is.
Well, my type is obviously creative. Creative, with burning eyes and a pretty mouth.
I've just been learning how to direct my own videos, choreography, doing costumes... every creative opportunity there is with my music I've taken.
There is people who make stuff with words. There is people who make stuff with programs. And I really believe that that whole creative culture, people didn't realize how creative programming is. And anybody who's done it of course knows that not only is it creative, but it's incredibly absorbing.
Showrunning is when you're the constant creative voice in the show. For a year-and-a-half, you are working on the scripts, you're fine-tuning them, you're the final say on the edit, the music and the cast.
What keeps me motivated to create new music is the joy of songwriting. The joy of being creative. The joy of writing a poem or essay. Writing anything. I just love writing, whether it is music or words. I just didn't need to share it for the last 18 years. When you share it, it brings on other things, which is good.
Don't make music to make money, because that's not why you should be doing it. Have fun, be creative, and embrace the past.
For you to make your creative work creative, you must seek creativity from the creator.
I think all kids are creative, so I wouldn't say my kids are geniuses. But they immediately respond to music. And they've got great rhythm!
Nashville has a great creative atmosphere. It's a small, close-knit music community that you can't find anywhere else.
I think the '70s was a much healthier period for music because people were more innovative and creative.
When you do music, your friends are writers, actors, painters. It's all under the same roof. So anything creative is interesting to me. — © Alison Mosshart
When you do music, your friends are writers, actors, painters. It's all under the same roof. So anything creative is interesting to me.
I’m not very creative” doesn’t work. There’s no such thing as creative people and non-creative people. There are only people who use their creativity and people who don’t. Unused creativity doesn’t just disappear. It lives within us until it’s expressed, neglected to death, or suffocated by resentment and fear.
You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.
We want to generate the electricity of peace through music, and it’s a thrill to know that the super-creative, enthusiastic musicians of our world are with us to achieve this goal.
I had a fascination with the back side of the business, and the creative process always fascinated me. Vince gave me an opportunity in '98 to sit in the production meetings. He would talk creative with me, and we had this creative rapport.
Many creative people are finding that creativity doesn't grow in abundance, it grows from scarcity - the more Lego bricks you have doesn't mean you're going to be more creative; you can be very creative with very few Lego bricks.
When I buy lots of records, I stop making music - it's detrimental to the creative side. When I'm DJing a lot, it's just basically partying every day.
I think people are just creative, and this can be expressed in a number of ways. Bob Dylan and David Bowie create both music and art.
I love church buildings, particularly cathedrals, and I like living in spaces that remind me of music or evoke that creative energy.
If someone listens to our music, and it makes them creative, that makes me happier than anything.
I'm creative in my own life. I'm creative when I step out the door. I'm creative when I pick up a glass. Do you know what I mean? I'm one of those dreadful people who probably should have been born at the end of the 19th century and been in cafe society. That would have suited me fine.
I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.
I never felt like I had to sound like my dad. I wanted my music to be creative expression with no expectations. — © John Carter Cash
I never felt like I had to sound like my dad. I wanted my music to be creative expression with no expectations.
For basically three years, I was doing 'Catfish' and 'We Are Your Friends' at the same time - it was like straddling two very long-term creative marriages. And when you're in a long-term creative commitment, you tend to daydream and fantasize about smaller creative flings that you want to have.
My motivation comes from a love of being creative. I'm in love with music and colour and laughter and dancing and all things that are beautiful.
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