Top 1200 Creative Person Quotes & Sayings - Page 20

What you feel about another person, what you think or say about another person, what you do to another person – you do to you. Give judgment and criticism and you give it to yourself. Give love and appreciation to another person or anything, and you give it to yourself.

Bless that which you want. If you see a person with a beautiful home, bless that person and bless that home. If you see a person with a beautiful car, bless that person and bless that car. If you see a person with a loving family, bless that person and bless that family. If you see a person with a beautiful body, bless that person and bless their body.

When I say ' thug' I mean not a criminal, someone who beats you over the head, I mean the underdog. You could have two people- one person has everything he needs to succeed and one person has nothing. If the person who has nothing succeeds, he's a thug. Cuz he overcame all the obstacles.

When I make a song, I actually literally talk to one person on purpose... I don't focus on, are people in Chicago gonna like this? Are people in Atlanta gonna like this? I think of one person who's a Too Short authority, who thinks I can't do any wrong, because I've customized all these songs for this one person.

When I wrote the story ["The Cartographers"], I'd just gone through a breakup with a woman I'd loved dearly. Without this other person in my life, the memories we'd shared often felt like phantoms. Who was this person I once loved? Did she still really exist? The answer, on a metaphysical level, was that this person didn't still exist. She'd gone on to become a different person, an individual with new hopes and dreams which no longer involved me.

With respect to love we speak continually about perfection and the perfect person. With respect to love Christianity also speaks continually about perfection and the perfect person. Alas, but we men talk about finding the perfect person in order to love him. Christianity speaks about being the perfect person who limitlessly loves the person he sees.

When you make music you do it for the right reason: love. Love is the desire of well being, desire to heal the wounded, the person in pain, the person who has problems - to touch the person who needs love. The love inside you manifests through sound, vibration and embraces everyone in the room.

I'm a shy, nervous person, and I don't like teaching with "terms." I didn't teach them, like, "This is first person, this is second person, this is foreshadowing," or whatever, so no one probably felt like they were learning anything. But I feel like teaching in that way reduces the concept to a term.

But an apology too — you think you’re giving something, but you’re not. You’re really asking for something. You’re asking for forgiveness, you’re asking for the other injured person to make it okay for you. Apologies were harder work for the person getting one than the person giving one.

If you will have a person enslaved, the first thing you must do is convince yourself that the person is subhuman. The second thing you have to do is convince your allies so you'll have some help, and the third and probably unkindest cut of all is to convince that person that he or she is subhuman and deserves it.

I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid. I think you see that nowadays, in this postmodern context, there's much more use of different mediums in contemporary art. For me, if you're a creative person, you can choose to make a painting, you can choose to make a film.

The dictionary describes a selfish person as one who is 'concerned excessively or exclusively with oneself: seeking pleasure or well-being without regard for others.' May we add, a selfish person is often one who refers to 'I,' 'me,' and 'mine' rather than to 'we,' 'ours,' 'yours,' or 'theirs.' This person is anxious to be in the limelight, to be on center stage in life's little dramas. He or she may be a poor listener, or a conversation monopolizer. Selfishness is the great unknown sin. No selfish person ever thought himself to be selfish.

A good person is the bad person's teacher. A bad person is the good person's task.

I am a sensitive person and am emotional, but will never show it. I am a giver as I feel for people, but I don't give to everybody. But if I connect with the person and genuinely feel for the person, then I will.

I don't know that Brandy [Burre] would ever categorize herself as being trapped, but I felt like I saw her being trapped. When she's cleaning the room and she puts the labels on the toys, that was something that my wife, who's also friends with Brandy, was very adamant that we try to capture. My wife said that showed to her Brandy's creative outlet because she can't be creative in the ways that she used to be or that she maybe wants to be in the future.

In any creative endeavor, you do have to sort of take your shots. Nobody is going to beg you to go into the creative arts. So, if you want to pursue a career in something like acting or writing, the motor and the drive have to come from you. And that does take courage because, A, a lot of people want to do it, and B, it's hard. So, you have to have the guts to put yourself out there and go for it in spite of the world saying, "You know, it would be so much easier, if you didn't pursue this." So, it does take guts.

The foundation of the house of civil rights is in the voices of all the great civil rights leaders and the soul of every person who heard them. It's in the hands of every person who folded a leaflet for change, and it's in the courage of every person who changed.

I think it's important to remember that an artist could be at the center of healing our problems because, every day, that's what we do. Every day, our job is to make something that wasn't there before. We're kind of built to go into situations that need a kind of fresh thought to solve them so I'm happy about that and I would encourage anyone with any problem in the world that needs to be solved to consider having any person in the creative arts be at the core of its solution. I think that's one of our unused or untapped values.

I can't stand those people, speakers in a room, they say this all the time, "If I can just help one person in this room, I've done my job." You have an audience of 500 people and your standard of success is one person? That's terrible. If you help one person in the room, you're an abject failure. You have to change something.

I think there's a character one has if you're a chief executive officer. Movies would suggest you're a bad person - if you're wealthy, if you've done well, oh, you must be bad. And frankly, winning the lottery doesn't change who you are; you're the same person inside. And I'm the same person I was as an 18-year-old who fell in love with Ann.

It is easier with the right person. A good test of a relationship is how well you both deal with challenges. If one person is more invested, it shows. If you're with the wrong person, it feels like too much work. But if you're unhappy more than you're happy, it's not the right relationship for you.

Even if we profess to be non-judgmental, there's an inherent judgmentality and hierarchy in which the spiritual person, the conscious person, the mindful person, is more developed than the typical truck driver or waitress or heroin addict. This is a red flag, another problem built into the concept of spirituality. The truth is that every person you meet is in some way more developed than you are, and that the multiple modes of development that a human being can pursue require the whole of humanity to pursue. We're in this together. Enlightenment is a collective effort.

What you are as a single person, you will be as a married person, only to a greater degree. Any negative character trait will be intensified in a marriage relationship, because you will feel free to let your guard down -- that person has committed himself to you and you no longer have to worry about scaring him off.

Because I think whenever you sit down with another human being who would absolutely disagree with you on every issue, you learn about them as a person and you relate, in human terms, and it's much more difficult for either side to dismiss out of hand, like that person's a freak, that person's a Nazi.

Most people never really sat down and got to know a homeless person, but every homeless person is just a real person that was created by God and it is the same kind of different as us; they just have a different story.

You write a book, it's out for however many years, and with the passing of time, you're not the same person. I'm not the same person I was when I wrote those books; I'm not even the same person I was when I started writing 'Beg.' I had many shifts spiritually, and one of them was in the use of language.

An enterprising person is one who comes across a pile of scrap metal and sees the making of a wonderful sculpture. An enterprising person is one who drives through an old decrepit part of town and sees a new housing development. An enterprising person is one who sees opportunity in all areas of life.

In the end, there is no ideal condition for creativity. What works for one person is useless for another. The only criterion is this: Make it easy on yourself. Find a working environment where the prospect of wrestling with your muse doesn't scare you, doesn't shut you down. It should make you want to be there, and once you find it, stick with it. To get the creative habit, you need a working environment that's habit-forming. All preferred working states, no matter how eccentric, have one thing in common: When you enter into them, they compel you to get started.

You see a person when you look in the mirror that no one sees but you. Other people see a person when they look at you, but you're not that person, either.

Whenever anyone accuses some person of being 'unfeeling,' he means that that person is just. He means that that person has no causeless emotions and will not grant him a feeling which he does not deserve. He means that 'to feel' is to go against reason, against moral values, against reality.

Nationality is the creative power of human culture, culture is the creative power of nationality.

When dealing with a difficult person, all that matters from a spiritual standpoint is how you react and treat the person. It's not about getting the other person to change or agree with you. Your spiritual growth is all about the way that YOU deal with the relationship, the person, and the situation. Even if the situation would justify you acting harshly, resist this temptation. Ask for heaven to purify and uplift your thoughts and feelings so that everything you do and say is aligned with Divine Love. This is the path and purpose of the lightworker. This is why you are here.

I think some people need the assurance of people around them and ideas worked out in advance. I think it keeps me an edge that to be creative on the spot. You have to think of things to do when you meet people. You limit your choices from the beginning. So I don't bring a lot of lenses, cameras, all these elements that can help the picture to a shooting. You confine yourself to, say, one room and you just make it work. You become very creative in that little space. You have left a lot of other options out of the game.

The isolated individual is not a real person. A real person is one who lives in and for others. And the more personal relationships we form with others, the more we truly realize ourselves as persons. It has even been said that there can be no true person unless there are two, entering into communication with one another.

I am a dog person and not a cat person, definitely a dog person.

We are our memories," Dodge said. "That's all we are. That's what makes us the person we are. The sum of all our memories from the day we were born. If you took a person and replaced his set of memories with another set, he'd be a different person. He'd think, act, and feel things differently.

Real person. real name. I won't divulge too much, but it's not a fake name. And it's not a fake person. I guess that's the best answer I can say: It's not a fake name and it's not a fake person. But it's not her real name and it's not a real person either.

When we come into contact with the other person, our thoughts and actions should express our mind of compassion, even if that person says and does things that are not easy to accept. We practice in this way until we see clearly that our love is not contingent upon the other person being lovable.

I mean thats a big part of our existence here on earth, the personal relationship we have with the person that we love, with the person that we make love to, with the person that we share our lives with. We expect a lot of things back from our loved one, and the lesson is to accept and not expect.

I did the Daily Show, and then I did Air America Radio, and I realized that I was lucky enough to have a job where I could get information to people. But those spaces weren't appropriate to then tell people what to do - they were corporate enterprises. My main job was to be funny, so I was trying to figure out, how can I combine all the things I love - comedy, feminism, calling out bullshit - into a creative space that other creative people would want to join in and help out?

It takes a number of different skill sets, I think, to try and be a good producer. You have to be very creative, but you also have to be incredibly financially minded. I jokingly say the job is kind of part cheerleader and part dictator. It is both of those things, because you have to make sure that people are doing what they need to be doing, but creatively you really need to be helping each person in every job across the crew. Cheering them on, keeping them inspired into doing their best work, and you have the director's vision in the forefront.

Genuine love is volitional rather than emotional. The person who truely loves does so because of a decision to love. This person has made a commitment to be loving whether or not the loving feeling is present. ...Conversely, it is not only possible but necessary for a loving person to avoid acting on feelings of love.

I consider myself a good person. And I think people perceive me to be, 'Oh, she's nice,' but being a good person, knowing your strengths and working towards those strengths, and encouraging those around you to do the same, that's a good person.

I found the emotion that as an athlete you block out, and it really helped me to understand myself as a person. I'm a really emotional person and it helped make me a better person.

With a living person you're always burdened with this idea of fair representation, treading this fine line between honoring the person, and yet you really look at the word "honor," it implies that you then have to address struggle and hardship and failure, and all these things that it means to be human, that you show the fullness of their life. If the person's living, they are able to interject.

Every time one person chooses a new way to respond to the challenges of life, each time an individual chooses a new option, that person then becomes a living bridge for all the others who choose to follow in that person's path.

A perfect date is probably something somewhere where you can kind of communicate and talk to the person. I don't like movies as first date. I don't think that's a good idea because you don't really get to talk to the person. I think taking a walk or just having one on one time with that person is the best.

It's almost like living a double life where I'm in a limbo space where Amanda Knox, a real person, exists, 'Foxy Knoxy,' an idea of a person, exists, and I'm constantly having to juggle how someone is interacting with me based upon that two-dimensional person of me that has been in the public's imagination for so long.

It's one thing to be dumb or ignorant or be in over your head. But if you can be the person who knows how much he does not know and be curious about the things you do not know, then that automatically lends itself to being a big-hearted, welcoming person who wants to know about every single person you meet.

So many people say, "I'm a good person!" Like, why are you a good person? To be a good person you have to actively be good.

The more I do this creative work teaching the "Personal Creativity in Business" course at Stanford the more I realize that business is about people in groups being creative in their own way. If business creativity does not allow individual development, then it isn't sustainable. But if business creativity means people bringing out their best and developing that, then amazing things can happen - not only for the business but also more importantly for the individual and the surrounding community.

I haven't made many wedding dresses. It's a dress very, very important for the girl; it's important to know the person, I believe, but at the same time it should be a shock to the person - the person should be shocked to be suddenly revealed. That's the work of a designer sometimes, to propose an ID of look.

The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize.

Anyone has outside influences. They are the results of the cosmic roll of the dice: this person is born Aragon the Ranger, this person is born a prisoner in North Korea, this person is born Carlos the Dwarf. Some of these things are out of our control, but that doesn't mean that they can't be changed. A character, just like a person in real life, is a summation of her actions and feelings. Our actions and emotions are not performed against nothing, they do not arise from dust, we are in constant friction, and/or flow with our surroundings.

I wanted to look in the mirror and be accountable to only one person. The only person is me, and that's the only thing that drives me. The only person I'm in competition with is myself.

It's not that I'm a very good person. It's that I think I should at least look at the ways in which I am not a good person, the ways in which I so readily become the person who would not notice that the wonderful clothing I'm wearing someone is probably dying for.

I'm a good person. In most ways. But I'm beginning to think that being a good person in most ways doesn't count for anything very much, if you're a bad person in one way.

Well, now that I have a baby, I'm that person who's looking for all the parks. I'm also the person who lost their coat because I was juggling so many items. So I'm that person: I lost my coat, I lost my scarf, and it's cold now.

The new midlife is where you realize that even your failures make you more beautiful and are turned spiritually into success if you became a better person because of them. You became a more humble person. You became a more merciful and compassionate person.

The usual marriage in traditional cultures was arranged for by the families. It wasn't a person-to-person decision at all. . . . In the Middle Ages, that was the kind of marriage that was sanctified by the Church. And so the troubadour idea of real person-to-person Amor was very dangerous. . . . It is in direct contradiction to the way of the Church. The word AMOR spelt backwards is ROMA, the Roman Catholic Church, which was justifying marriages that were simply political and social in their character. And so came this movement validating individual choice, what I call following your bliss.