Top 1200 Creative Spark Quotes & Sayings - Page 17

Explore popular Creative Spark quotes.
Last updated on April 20, 2025.
Wow, I wish I could have done something like that.” That’s the thing, with other filmmakers, if I like them I just feel admiration. And yes, I usually say, “I wish I could have been part of that creative process,” because the films I admire like that are so specific that I know the creative process is also so specific, it’s nothing you could just imitate.
My parents were the ones who gave me the independence, who gave me the spark to do anything that you set your mind to, as all parents should do for their kids.
There's an old saying - you'll never hit a target you can't see. Defining a Creative Challenge is an important step in focusing your creativity toward a specific problem or opportunity. A Creative Challenge can be something big such as a revolutionary new product or a cure for disease. However, it can also be much smaller such as a new package design or an efficiency gain in a manufacturing process. It starts with clearly defining the challenge and desired outcome.
The last faint spark In the self-murdered heart, the wounds of the sad uncomprehending dark, The wounds of the baited bear,-- The blind and weeping bear whom the keepers beat On his helpless flesh . . . the tears of the hunted hare.
Nothing will be beyond our reach when we make the flames of creating positive deeds flare up across the country with the virtues of the young vanguard as the initial spark and bring into full play the mounting vigour of the millions of young people.
All human love is a faint type of God's; An echoing note from a harmonious whole; A feeble spark from an undying flame; A single drop from an unfathomed sea: But God's is infinite; it fills the earth And heaven, and the broad, trackless realms of space.
Being wrong doesn't mean being creative - but if you aren't afraid of being wrong, you can't be creative. — © Ken Robinson
Being wrong doesn't mean being creative - but if you aren't afraid of being wrong, you can't be creative.
If it's not bourbon or sweatpants, it's going in the garbage.... No, don't get creative. Now is not a creative time. Now is a bourbon and sweatpants time.
Remember this? You gave it to me for ensuring your trigger finger got reattached to your hand. You said it would remind me of that spark of decency inside me. I'm trying to do something decent now, Captain.
If we were to have a presidential election in Europe it would be an event that would spark a huge interest in people from Lisbon to Helsinki, just like national elections. And it would create a completely different political setting in Europe.
Every great creative idea, formulated as a philosophy, has a social setting - in time, in a geographical location, in a political economy, in a matrix of interests and knowledge. It is not a free-swinging phenomenon like a balloon without moorings. It is not produced in a vacuum and, being creative, it does not work in a vacuum. Nurtured on things experienced and things known, it reaches out toward the unknown like a flower on a stalk growing out of the soil.
If we have come up with a creative decision and somebody comes up with another idea, you do have to get into the depths of it and ask: "Is it a better idea? Or is it a different idea?" That can be hard. But that's the type of conversation the director and I will have, or as part of our creative groups. So with that in mind, it's hard to keep a budget in line. It's like in life, if you've ever built anything for the first time you're usually better at it the second time.
I think there's a great storytelling tradition in the restaurant business that tends to attract people with an oral tradition of bulls - ting and bollocking. Creative people, people for whom the 9-to-5 world is not attractive or impossible. It seems that way. There are a lot of stories in the business, and a lot of characters - and it seems to attract its share of artists and writers and people who hope to do something creative in their lives.
Both the revolutionary and the creative individual are perpetual juveniles. The revolutionary does not grow up because he cannot grow, while the creative individual cannot grow up because he keeps growing.
...one of hallmarks of a creative person is the ability to tolerate ambiguity, dissonance, inconsistency, things out of place. But one of the rules of a well-run corporation is that surprise is to be minimized. Yet if this rule were applied to the creative process, nothing worth reading would get written, nothing worth seeing would get painted, nothing worth living with and using would ever get designed.
Any institution faces two basic choices if they hope to spark new ideas. One is to leverage the brains trust within their organization by creating a special event dedicated to new thinking. The other is to look outside themselves to stimulate solutions.
The really creative person is not interested in dominating anybody. He is so utterly rejoicing in life - he wants to create, he wants to participate with God. Creativity is prayer. And whenever you create something, in those moments you are with God, you walk with God, you live in God. The more creative you are the more divine you are. To me, creativity is religion. Art is just the entrance to the temple of religion.
One kernel is felt in a hogshead; one drop of water helps to swell the ocean; a spark of fire helps to give light to the world. None are too small, too feeble, too poor to be of service. Think of this and act.
Musical 'fusion' projects have earned themselves a bad name, but that's mainly because they often involve pop artists conscripting orchestras to play unimaginative backdrops to their acts. What's really exciting is when you spark off a dialogue between very different musical forces.
I and Virat have played cricket when we were youngsters back in Delhi. We were about 12 then. He had that spark in him and we knew he would play for India one day. He was a very good player then too.
If Cargo is a catalyst to spark policy, that would be great. The more we're able to use it as an educational tool, the more it's a building block in youths' minds and peoples' minds to enact policy.
The genuinely significant creation, whether an idea, or a work of art, or a scientific discovery, is most likely to be seen at first as erroneous, bad, or foolish. Later it may be seen as obvious, something self-evident to all. Only still later does it receive its final evaluation as a creative contribution. It seems clear no contemporary mortal can satisfactorily evaluate a creative product at the time it is formed, and this statement is increasingly true the greater the novelty of the creation.
You don't think your way to creative work. You work your way to creative thinking.
What sets 'Miss Peregrine's Home for Peculiar Children' apart is Riggs's use of 'found' photographs as a spark of inspiration for the narrative. 'Found' describes art created from common objects that are not normally considered art.
Certein bodies... become luminous when heated. Their luminosity disappears after some time, but the capacity of becoming luminous afresh through heat is restored to them by the action of a spark, and also by the action of radium.
A great friendship was like a great work of art, he thought. It took time and attention, and a spark of something that was impossible to describe. It was a happy, lucky accident, finding some kindred part of yourself in a total stranger." pg. 287
You’ve got to be crazy! It’s too late to be sane, too late. You’ve got to go full tilt bozo... ‘Cause you’re only given a little spark of madness... and if you lose that, you’re nothing
All America loses when any person is denied or forced out of a job because of sexual orientation. Being gay, the last time I thought about it, seemed to have nothing to do with the ability to read a balance book, fix a broken bone, or change a spark plug.
Lady beware. Fan not the harmless glow Of admiration into ardent love, Lean not with red curled smiling lips above The flickering spark of sinless flame, and blow, Lest in the sudden waking of desire Thou, like the child, shalt perish in the fire.
From a personal perspective, I am disappointed that we have yet to really achieve a full understanding of the origins of life on Earth. What was the spark that, billions of years ago, kickstarted the process of evolution that has brought us life as we know it today? I hope that we will get some answers to that in my lifetime.
Obsessive devotion to creating can spark that which is called 'genius.' Smarter or more gifted? The 'madness' is the insatiable drive to discover, achieve and create. Monomania can develop into 'genius,' as the individual delves deeper into the process leaving normal parameters behind.
The impresario function is about intervening with the company's more administrative management structure. It is about trying to establish a sense of boundaries and budgets and milestones and so forth on a project that does not necessarily lend itself to milestones. It is about translating between the intimate interior environment of the creative work team and the company's need to make money. And finally, it is about positioning the fruits of the creative process in the marketplace and selling them.
I know what I'm capable of. I know when the game is on the line and we need a spark play, I'm going to make that play. But we've got to be smart about it. Can't be forcing a lot of things if I'm getting double-covered a lot.
One of my central philosophies is to be creatively driven so I have to be extraordinarily creative in the way I get things done and I have to be really flexible. Striving for the best creativity can be a really moving target if you're trying to budget anything because if you come up with a better idea for something and it's going to make the movie stronger then you have to do it. And that's what I do. The difficulty is that you have to use more judgement as a producer then you might in other places. I have to make unbelievably great creative decisions.
Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.
People in the media and press often say they've never been good at math. It might be that people that consider themselves creative didn't consider themselves good at math or didn't find math interesting at those early stages. And those creative people are disproportionately represented in those influential roles.
So if you are seeking something else in the name of creativity, then drop the idea of being creative. At least consciously, deliberately, do whatsoever you want to do. Never hide behind masks. If you really want to be creative, then there is no question of money, success, prestige, respectability. Then you enjoy your activity; then each act has an intrinsic value. You dance because you like dancing; you dance because you delight in it.
I've always liked the fact that anyone with a great idea, access to the Internet, and an unrelenting will can spark a world-beating company simply by standing up code on the Internet and/or leveraging the information and relationship network that is the web. That's how Facebook started, after all.
If you come up with the original idea on your laptop, anything else is an embellishment of that idea. It's nice to have the option to mix inside a big studio, but at the end of the day, it comes from an original spark, which often happens while sitting on the couch.
Every so often, the hospitality industry gives us a champion - a bright spark that lights up a room and makes everyone feel that little bit extra special just by being around them. Simon Lay - aka. Charles Bronson from the East - was such a man.
Creativity builds upon the public domain. The battle that we're fighting now is about whether the public domain will continue to be fed by creative works after their copyright expires. That has been our tradition but that tradition has been perverted in the last generation. We're trying to use the Constitution to reestablish what has always been taken for granted--that the public domain would grow each year with new creative work.
Sometimes they rose up inside her, these moments of fierce happiness, kindling out of their own substance like a spark igniting a mound of grass. It was a joy to be alive, a strange and savage joy, and she stood there in the warmth and destruction of it knowing it could not last.
When therefore the first spark of a desire after God arises in thy soul, cherish it with all thy care, give all thy heart into it; it is nothing less than a touch of the divine loadstone, that is to draw thee out of the vanity of time, into the riches of eternity.
I think it's important for History to keep experimenting with their shows. The more documentary-driven, the returning series, are the bottom of the iceberg under the ocean that keeps it moving, and then it's important to take those swings and see if we can ignite a spark with new audiences.
Meaning and value depend on human mind space and the commitment of time and energy by very smart people to a creative enterprise. And the time, energy, and brain power of smart, creative people are not abundant. These are the things that are scare, and in some sense they become scarcer as the demand for these talents increases in proportion to the amount of abundant computing power available.
Love to Jesus is a sure title to the greatest possible happiness; for Jesus is omnipotent and has determined to make his friends happy, and surely will not forget a single one in whose heart is enkindled one spark of love.
No matter what you do, it can't be perfect. I told Jack White, 'If I'd 'a sung that song more'n twice, it might of sounded better.' He said, 'Well, it might not of. You might have took the spark out of it.' I don't know if he has a point or not. We'll find out.
Each time a new baby is born there is a possibility of reprieve. Each child is a new being, a potential prophet, a new spiritual prince, a new spark of light precipitated into the outer darkness.
If Christ had not gone to the cross and suffered in our stead, the just for the unjust, there would not have been a spark of hope for us. There would have been a mighty gulf between ourselves and God, which no man ever could have passed.
Some very dull and sad people have genius though the world may not count it as such; a genius for love, or for patience, or for prayer, maybe. We know the divine spark is here and there in the world: who shall say under what manifestations, or humble disguise!
Close your senses and the imagination comes alive. It's inside us all, dulled by endless television reruns and by a society that reins in fantasy as something not to be trusted, something to be purged. But it's in there, deep inside, a spark waiting to set a touch-paper alight.
I'd done all the things I thought a person had to do in order to be successful and fulfilled, like getting a great education and becoming a lawyer, and yet there was zero spark in my life. But there was no light-bulb moment. It was gradual. In the early 1990s, I decided to experiment and try some new ways of living.
Often it was the most unlikely people who found within themselves a spark of something greater. It was probably always there, but most people are never tested, and they go through their whole lives without ever knowing that when things are at their worst, they are at their best.
Once you've got an inspired spark, you've got to strive. You've gotta keep putting wood on it, so they say, to keep it burning. But then there's the alchemist side of it, that's the fire that's burning but it don't burn.
When ambition enters, creativity disappears - because an ambitious man cannot be creative, because an ambitious man cannot love any activity for its own sake. While he is painting he is looking ahead; he is thinking, 'When am I going to get a Nobel Prize?' When he is writing a novel, he is looking ahead. He is always in the future - and a creative person is always in the present.
In an improv group and a successful work team, the members play off one another, each person's contributions providing the spark for the next. Together, the improvisational team creates a novel emergent product, one that's more responsive to the changing environment.
The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.
When I choose a role, I look for that spark that tells me it's going to work. Is the role fresh? What does it have for the actor in me? Those are the only things any actor should be concerned about, really.
Of course, violence will not end with our combat mission. Extremists will continue to set off bombs, attack Iraqi civilians and try to spark sectarian strife. But ultimately, these terrorists will fail to achieve their goals.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
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