Top 1200 Creative Vision Quotes & Sayings - Page 18

Creative power has to filter through our beliefs, attitudes, emotions, and habits. The more negative and constricted our beliefs and patterns are, the more they block the creative energy. Most people hope that by ignoring negativity, it will go away, but the reverse is actually true. Through recognizing, acknowledging, and experiencing it, the blocked energy can be released. You are then free to replace it with positive beliefs and attitudes.

Code wants to be simple... I had to give up the idea that I had the perfect vision of the system to which the system had to conform. Instead, I had to accept that I was only the vehicle for the system expressing its own desire for simplicity. My vision could shape initial direction, and my attention to the desires of the code could affect how quickly and how well the system found its desired shape, but the system is riding me much more than I am riding the system.

In great deeds, something abides. On great fields, something stays. Forms change and pass; bodies disappear; but spirits linger, to consecrate ground for the vision-place of souls… generations that know us not and that we know not of, heart-drawn to see where and by whom great things were suffered and done for them, shall come to this deathless field, to ponder and dream; and lo! the shadow of a mighty presence shall wrap them in its bosom, and the power of the vision pass into their souls.

To choose order over disorder, or disorder over order, is to accept a trip composed of both the creative and the destructive. But to choose the creative over the destructive is an all-creative trip composed of both order and disorder

People in the media and press often say they've never been good at math. It might be that people that consider themselves creative didn't consider themselves good at math or didn't find math interesting at those early stages. And those creative people are disproportionately represented in those influential roles.

One of my central philosophies is to be creatively driven so I have to be extraordinarily creative in the way I get things done and I have to be really flexible. Striving for the best creativity can be a really moving target if you're trying to budget anything because if you come up with a better idea for something and it's going to make the movie stronger then you have to do it. And that's what I do. The difficulty is that you have to use more judgement as a producer then you might in other places. I have to make unbelievably great creative decisions.

I see BLK DNM more as a creative project than a traditional fashion brand. The world doesn’t really need more Fashion Houses. I want to create something different – to be able to collaborate with great creative minds and thereby stretch the brand in different directions. I also believe that a brand should offer deeper content in this era. After all, the only reason to do all of this is to create energy and to inspire people.

The really creative person is not interested in dominating anybody. He is so utterly rejoicing in life - he wants to create, he wants to participate with God. Creativity is prayer. And whenever you create something, in those moments you are with God, you walk with God, you live in God. The more creative you are the more divine you are. To me, creativity is religion. Art is just the entrance to the temple of religion.

When you are not separate from the creative process, time ceases to exist. You might start to feel tired and suddenly realize that much time has passed. It isn't necessarily a happy time - and may be very difficult to start if it is a job or an obligation. But if' you start with all the concrete needs and proceed in a thorough way - the creative process will take over and you will forget whether it is work or play. Working in the here and now is one of the most uncontaminated ways to work.

After the motorcycle trips I take for one or two weeks, I have trouble getting back into a car, because I feel claustrophobic with all of that metal around me, and I can't see anything. I feel seriously dangerous in a car after riding on a bike, because your field of vision is so closed in. And then I think about all these little bourgeois people driving around in their cars - it's actually hideous. It cramps you on the head, it cramps you on the side, it puts you in a box on wheels... It's a terrible experience. Motorcycles are about opening the field of vision.

The essential in artistic creativity is victory over the burden of necessity. In art, man lives outside himself, outside his burdens, the burdens of life. Every creative artistic act is a partial transfiguration of life. In the artistic concept man breaks out through the heaviness of the world. In the creative-artistic attitude towards this world we catch a glimpse of another world.

I think there's a great storytelling tradition in the restaurant business that tends to attract people with an oral tradition of bulls - ting and bollocking. Creative people, people for whom the 9-to-5 world is not attractive or impossible. It seems that way. There are a lot of stories in the business, and a lot of characters - and it seems to attract its share of artists and writers and people who hope to do something creative in their lives.

Have a vision. Be demanding.

Vision isn't a template in PowerPoint.

My political tradition is on the left, but I think that more modern leftists, they sometimes get stuck with this vision of large government and social benefits and everything and that's against what is my position, because I think that the ultimate vision of Marx, Engels, and those people was to eliminate government entities and to give as much power to the people. And in modern standing that means direct democracy, that means all the power to the communities, it means gradually eliminating all government oppression on the society. And 100 years ago, leftists' major allies were labor unions.

Both the revolutionary and the creative individual are perpetual juveniles. The revolutionary does not grow up because he cannot grow, while the creative individual cannot grow up because he keeps growing.

With vision we flourish.

I have had my vision.

Vision sometimes comes in a memory.

...one of hallmarks of a creative person is the ability to tolerate ambiguity, dissonance, inconsistency, things out of place. But one of the rules of a well-run corporation is that surprise is to be minimized. Yet if this rule were applied to the creative process, nothing worth reading would get written, nothing worth seeing would get painted, nothing worth living with and using would ever get designed.

I want you to go back to Tucson and bring me the bottle of tequila I keep in my liquor cabinet. And don't scare Tim." Volusian remained motionless in that way of his. "My mistress grows increasingly creative in her ways to torment me." "I thought you'd appreciate it." "Only in so much as it inspires me to equally creative means to rip you apart when I am able to break free of these bonds and finally destroy you." "You see? There's a silver lining to everything. Now hurry up.

We shared the same vision.

There is rarely a creative man who does not have to pay a high price for the divine spark of his greatest gifts... the human element is frequently bled for the benefit of the creative element and to such an extent that it even brings out the bad qualities, as for instance, ruthless, naive egoism (so-called "auto-eroticism"), vanity, all kinds of vices-and all this in order to bring to the human I at least some life-strength, since otherwise it would perish of sheer inanition.

Wow, I wish I could have done something like that.” That’s the thing, with other filmmakers, if I like them I just feel admiration. And yes, I usually say, “I wish I could have been part of that creative process,” because the films I admire like that are so specific that I know the creative process is also so specific, it’s nothing you could just imitate.

Every great creative idea, formulated as a philosophy, has a social setting - in time, in a geographical location, in a political economy, in a matrix of interests and knowledge. It is not a free-swinging phenomenon like a balloon without moorings. It is not produced in a vacuum and, being creative, it does not work in a vacuum. Nurtured on things experienced and things known, it reaches out toward the unknown like a flower on a stalk growing out of the soil.

In a president, character is everything. A president doesn't have to be brilliant... He doesn't have to be clever; you can hire clever... You can hire pragmatic, and you can buy and bring in policy wonks. But you cant buy courage and decency, you cant rent a strong moral sense. A president must bring those things with him. He needs to have, in that much maligned word, but a good one nonetheless, a vision of the future he wishes to create.. But a vision is worth little if a president doesn't have the character - the courage and heart - to see it through.

I'll say about Fueled By Ramen is, I don't know what anyone else's experience has been, but we signed to them as Fun. We already had a fanbase, we already had music out there so when they signed us they were signing our vision. I always think it's so weird when people think that Fueled By Raman are trying to change us or mould us into something else, as we weren't a bunch of kids playing in a garage who joined a label and then collectively worked on a vision, like, they signed us with the intention of letting us be Fun.

When ambition enters, creativity disappears - because an ambitious man cannot be creative, because an ambitious man cannot love any activity for its own sake. While he is painting he is looking ahead; he is thinking, 'When am I going to get a Nobel Prize?' When he is writing a novel, he is looking ahead. He is always in the future - and a creative person is always in the present.

When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.

If you don't have a vision, nothing happens.

Creativity builds upon the public domain. The battle that we're fighting now is about whether the public domain will continue to be fed by creative works after their copyright expires. That has been our tradition but that tradition has been perverted in the last generation. We're trying to use the Constitution to reestablish what has always been taken for granted--that the public domain would grow each year with new creative work.

I do seem to work in a lot of different mediums, which means it keeps things fresh and sparks interest in me. Fame and fortune is fairly irrelevant to me. It's nice because it gives creative freedom. But just wanting to be famous is ridiculous because it's so vacuous. So, I get offered lots of different things and if they spark my interest, I'll try and do them because they form part of a wider creative circle.

Where there is no vision, there is no hope.

People ask me all the time what it's like to work with my mother. I feel completely blessed because, first of all, this has given us an opportunity to enrich our relationship in ways we never could have imagined. Our time together is purely creative. It's unfettered by politics or the news of the day or aches and pains or family dramas or anything else. This time together is sort of golden and protected as being just creative time, which is heavenly.

I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.

The engineering is secondary to the vision.

I think back on it now and even though Gwen and I were living through a tough time with the breakup, as creative partners, that took precedence in our lives. Even though we were going through this really emotional stuff, which obviously ended out coming out in the music, we managed to stay really close and be creative partners through all of that.

When there is no vision, there is no hope.

It is true that ADs do not get a chance to get a chance to create or produce, almost never, because it's whole separate thing. Most creative producers you have to come up on the development side, you work with agents, you work with writers, you're in the office and then the AD's are on the set. But it's a real shame because part of - no decision in producing can be made correctly unless you have all the creative information you need but you also have all the budget and scheduling information you need.

You don’t have to have vision to be a visionary

Only a vision - that is what one must have.

(Art is) the residue of vision.

You can have X's and O's, you can have talent, but if you don't have a vision, it won't work.

Being wrong doesn't mean being creative - but if you aren't afraid of being wrong, you can't be creative.

The effort of the economist is to "see," to picture the interplay of economic elements. The more clearly cut these elements appear in his vision, the better; the more elements he can grasp and hold in his mind at once, the better. The economic world is a misty region. The first explorers used unaided vision. Mathematics is the lantern by which what before was dimly visible now looms up in firm, bold outlines. The old phantasmagoria disappear. We see better. We also see further.

So if you are seeking something else in the name of creativity, then drop the idea of being creative. At least consciously, deliberately, do whatsoever you want to do. Never hide behind masks. If you really want to be creative, then there is no question of money, success, prestige, respectability. Then you enjoy your activity; then each act has an intrinsic value. You dance because you like dancing; you dance because you delight in it.

I love a vision board. I have one hanging over my desk right now. Because what you see, you become, and it reminds you when you start getting busy in the day, about your vision. I like words more than pictures. I have a card sitting on my desk right now that says, "I only give out that which I wish to receive in return." It's one of Louise Hay's cards. Words remind me more and it gives me something to hold onto when I'm frantic about something else.

"Comply" is not a vision.

Five per cent vision is better than no vision at all. Five per cent hearing is better than no hearing at all. Five per cent flight efficiency is better than no flight at all. It is thoroughly believable that every organ or apparatus that we actually see is the product of a smooth trajectory through animal space, a trajectory in which every intermediate stage assisted survival and reproduction.

People buy into the leader before they buy into the vision. Many people who approach the area of vision in leadership have it backwards. They believe that if the cause is good enough, people will automatically buy in and follow. But that's not how leadership works. People don't follow worthy causes; they follow worthy leaders with a cause they can believe in. They buy into the leader first.

Look at the great athletes, musician, artists, and writers. They all tap into a source. Some call that source God or soul or spirit or consciousness. The Seven Faces of Intention: creativity, kindness, love, beauty, expansion, abundance, and receptivity. And all seven are expressions of what I imagine that source to look like. The very fact that we exist is proof to me that the nature of that source is creative at its core. And there isn't a person reading this who does not have a gnawing sense inside that there's something they're here to do, something creative.

If you have a vision, do something with it.

Build pockets of stillness into your life. Meditate. Go for walks. Ride your bike going nowhere in particular. There is a creative purpose to daydreaming, even to boredom. The best ideas come to us when we stop actively trying to coax the muse into manifesting and let the fragments of experience float around our unconscious mind in order to click into new combinations. Without this essential stage of unconscious processing, the entire flow of the creative process is broken.

Vision, in my view, is the cause of the greatest benefit to us, inasmuch as none of the accounts now given concerning the Universe would ever have been given if men had not seen the stars or the sun or the heavens. But as it is, the vision of day and night and of months and circling years has created the art of number and has given us not only the notion of Time but also means of research into the nature of the Universe. From these we have procured Philosophy in all its range, than which no greater boon ever has come or will come, by divine bestowal, unto the race of mortals.

Most people think leadership is about being in charge. Most people think leadership is about having all the answers and being the most intelligent person or the most qualified person in the room. The irony is that it is the complete opposite. Leadership is about empowering others to achieve things they did not think possible. Leadership is about pointing in the direction, articulating a vision of the world that does not yet exist. Then asking help from others to insure that vision happens.

Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.

Trump's vision for America parallels greatly with the vision that Ronald Reagan used and he implemented to revive the country during a very similar time where we had a president who told us that we were in a time of malaise in the American economy and that things are just gonna be that way for a while. Reagan steps up in that great first inaugural address and says, "And why shouldn't we dream great dreams? After all, we're Americans." And the American people came roaring back, the American economy came back.

We have all kinds of limitations as human beings. I mean we can't see the whole electromagnetic spectrum, we can't see the very small, we can't see the very far. So we compensate for these short comings with technological scaffoldings. The microscope allows us to extend our vision into the microsphere. The telescope allows us to extend our vision into the macrosphere, the Hubble Space Telescope extends our optic nerve into space, and it allows us to mainline space and time through our optic nerve.

The genuinely significant creation, whether an idea, or a work of art, or a scientific discovery, is most likely to be seen at first as erroneous, bad, or foolish. Later it may be seen as obvious, something self-evident to all. Only still later does it receive its final evaluation as a creative contribution. It seems clear no contemporary mortal can satisfactorily evaluate a creative product at the time it is formed, and this statement is increasingly true the greater the novelty of the creation.

Where those two energies [male and female energies] intersect, all creativity is possible. We already have divine creative energy within us. And what is the most powerful of these energies? The energy that patriarchy and misogyny constantly try to repress. The divine female sexual energy. The creative energy of the female. That is why I worship divine sexual female energy.