Top 1079 Crew Quotes & Sayings - Page 14

What would Kathy say if she knew I let the whole crew eat those Oreos when they never did eat their carrot sticks (which I had so firmly required as prerequisite)? All three of my kids were probably heading for disease (not enough veggies) and jail (not enough discipline).

I play Sun-Hi, a Korean-American girl who is a social media expert and dreams of becoming a worldwide star. Being on Make It Pop is so much fun because we get to sing dance and act all in one production which is a dream come true! Working with the cast and crew is also a blast!

Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.

You do actor's job for intense scenes like this - you dream about them - and you get scared until the day it finally happens. But when you feel safe with your partners, the crew, and your director who all did a wonderful job, you get into the zone quickly.

I grew up on a wide range of stuff. OutKast, they been around for over 20 years, and some of the L.A. cats like Defari, Dilated Peoples and Likwit Crew. I was always going to these shows and catching the KRS-One tennis ball, as he would throw those out, EPMD. I could go on and on.

In The Deep End, you have a woman who looks like a J. Crew mother who can manage it all. Then we begin to realize what's going on inside. Every time I see one of those women stuck at a stoplight with the children in the back of her car, I sort of think, "What have you just done? What's going on in your life?".

I love to tell stories, but the making is less comfortable. I like to be private, and being in the middle of a film crew with the least amount of privacy is the discomfort of shooting a movie. For me, the editing is the great moment when I can bring back ideas and realize the movie for the last time before I hand it to the audience.

I love it, to have the same crew. I'm not married. I don't have children. My 17-year-old dog died. I'm kind of on my own. So I really like having the same camera guy for four years. I love looking around and seeing the hair and makeup people who have been there from the beginning.

The director is responsible for interpreting the playwright's work through the cast with the help of the staff. It is the director's artistic concept of the play that the cast, staff, and crew work to obtain.

I went to high school in Texas for one year, my senior year. My parents wanted me to get out of Stockholm because I was running with the wrong crew. They wanted me to get back to my roots.

The editor needs to put his own life on hold for the better of the magazine, the crew, and the readers. And to have a bigger vision of the magazine's style and an understanding that every [issue] should be well-balanced and hopefully surprising. To have a pink wall with a door of perception where he can bang his head on.

People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.

'Better Call Saul' happens in the same universe as 'Breaking Bad,' and we have the same writers and mostly the same crew. Like 'Breaking Bad,' it is a transformation story, and Bob Odenkirk brings his own distinctive flavour.

The young generation just wanna move. And you know what? I love it. I love that hip-hop can still provide jobs for niggas to get money and to put their crew on. I would never say that hip-hop is going down. It's cool, but it needs an adjustment.

I keep working with fairly inexperienced directors. You know, if you have a good crew, a good cameraman, you know, I know what I'm doing. If the actors know what they're doing, we can all pull together, and it works.

I was a flight engineer on my second flight, which is the most senior position a non-American can have aboard the shuttle. We're the cockpit crew. We fly the vehicle up to space, dock the vehicle to the space station, undock it at the end of the mission, and return it to the ground.

I cycled on a crew assignment as the backup commander on Apollo 16 and would have flown Apollo 19 on a return mission to the moon. However, the last few missions of the Apollo Program were canceled for budgetary reasons. So I lost my second opportunity to land on the moon.

When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.

And when you're with a great crew like we had, it becomes a thrilling, again, collaboration, which is to me one of the great aspects of the process that you go through. I find myself at this point in my career, getting potentially, incredibly bored if I stand around a lot, so that's why I really like the pace of television.

Lucy took care of me on the set, and made sure that none of the crew cussed around me. She also had birthday parties for me and made sure that they were well attended.

I read the Phantom comics when I was in Australia shooting 'Dead Calm'' and when one of the crew told me that there were plans for a movie, I went for it. That was in 1987 and I told (producer) Graham Burke I was going to be the Phantom. We had a laugh about that recently because you usually get what you deserve, not what you desire, and that is especially true in Hollywood!

In Point Break, I was the only woman in there, so it was pretty easy to feel like a sex symbol. You've got all the naked, wet, Hot Chili Peppers, right? You've got Patrick Swayze and Keanu Reeves and then the whole crew. It was me and 50 dudes the whole time. It was awesome!

When an international news organization covers a story in Somalia, Yemen, Sudan or wherever, they will fly a crew to go there, spend a few days, interact with some officials and analysts, most of the time English-speaking elite, and file the story and go home.

Acting is a way to escape who you are for a short period of time. It doesn't happen all the time , but every now and then, the sensation of being 'other' is very profound. You get this moment where you are no longer yourself. You lose consciousness of the crew or the audience... it's a thrilling moment. And even quite spiritual.

No, you sort of have to put that out of your mind. There's always a possibility that you can have a catastrophic failure, of course. This can happen on any flight. It can happen on the last one as well as the first one. You just plan as best you can to take care of all these eventualities, and you get a well-trained crew, and you go fly.

I would like to, in some capacity, observe how Tom Cruise goes about his business when it comes to making a movie and how he behaves on set and how he interacts with the crew because from everything that I've heard, it is the template for professionalism and just the way to conduct yourself as an actor.

As we reflect back upon the tragic loss of Challenger and her brave crew of heroes who were aboard that fateful day, I am reminded that they truly represented the best of us, as they climbed aloft on a plume of propellant gasses, reaching for the stars, to inspire us who were Earthbound.

Gap was essentially the American wardrobe that was well-priced, and it was attractive, and it was happy, and it had great color, and it has jeans, and I think we did the same with Old Navy. And I think we do the same with J.Crew at a much higher level, Madewell at another level.

My father was the captain of a cargo ship. When I was about two years old, we used to sail with him. The crew of his ship would dress me up in fancy dress and make me dance for them. I was a performing monkey!

My dad had this rock hard body and would work 12- to 13-hour days. The guys he worked with were scrap-iron guys. Nobody on that road crew had read a book in 10 years, but there was something about the way they lived I really admired.

When I was a kid in the mid-'60s, I was what's known as a moddie boy, a prototype skinhead. You all had your hair like a crew cut, cropped, with suits or Levis with red suspenders, sometimes Doc Martens. It was a thriving soul music, Motown and ska scene; we used to dance to Prince Buster and the Skatalites.

Someday hopefully it won’t be necessary to allocate a special evening to celebrate where we are and how far we’ve come…someday women writers, producers and crew members will be so commonplace, and roles and salaries for actresses will outstrip those for men, and pigs will fly.

I am keenly aware of how many people the Six of Crows stories' brought into the Grishaverse, and to me, the story of the Crows, of Kaz and his crew, provides a very different kind of story and point of view, than Shadow and Bone' and Alina's story.

The bigger shift in space exploration won't be commercial crew - that will be a validation of something we already knew was going to be the case. It will be when you have a fully private company launching everyday citizens. When people know people in their communities who have been to space on a daily basis.

I am deeply grieved by the loss of the crew of Columbia. I express my sincere condolences to the families and friends of the astronauts. I believe that their names will remain as the bright sparkling stars in the universe and will light the way for those who will follow them on the difficult roads of space exploration.

It's funny what you really see when you're the subject of the completely bizarre gossip magazine industry. It's just like, 'WHAT?!?' All this stuff with Emilie [de Ravin, his costar in Remember Me] as well. The tabloids say stuff like 'They went on a date to an Indian restaurant.' We were doing a scene! There's a film crew there!

I will always find my light. No question. And if I don't, I'll know, because my dad will be the first person to call me and say, like, 'You need to have him bring another 2K in,' and 'Why aren't you using this sort of lighting gel?' The crew guys know that it's where I grew up.

I find that if I interact more, the crowd gets way more into the music. We also have a full live show happening, and I have lighting crew that travels around with me. We've got this Infinity Prism thing, which is lots of fun. It's an optical illusion device that we carry around.

Three-quarters of directors waste four hours on a shot that requires five minutes of actual directing. I prefer to have five minutes' work for the crew - and keep the three hours to myself for thought.

People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?

The first day I start shooting, I start having a recurring nightmare that every single night that I am lying in bed, and there is a film crew surrounding the bed, waiting for me to tell them what to do, and I don't quite know what movie I am supposed to be making.

I found the people to be very kind and generous. It was unique because the crew was mainly Ugandan [filming The Last King of Scotland]. They had never done a film before. So, they were learning the process of making films, but at the same time they were also helping with the authenticity of the film.

I love to play my music. That's what my heart wants me to do is to play music, and I love doing that when I got my band and my crew and all those folks with me, and that whole thing cranks up; it's really something to enjoy.

Wreckin' Cru was a DJ crew. They used to call it that because it was the guys that came in after the party was over and broke down the equipment. We eventually made a record, and we had the costumes on and what have you. Back then, everybody had their little getups, you know, like SoulSonic Force, UTFO.

I'm the young city bandit, hold myself down singlehanded For murder raps, I kick my thoughts alone, get remanded Born alone, die alone, no crew to keep my crown or throne I'm deep by sound alone, caved inside in a thousand miles from home

I have been doing stuff for a long time now and you would be in people's consciousness. But when you get something like a gift to play Ted Hastings, and some fabulous writing to get behind and a great crew, it suddenly allows people to go - 'I always knew he was good.'

I was never really that worried about being a member of the Sopranos crew. I think it looks kind of fun to not have to work, to not have to take crap from anybody. And then there's the reality check in there, which is that you do have to work, you do have to take crap from people, and you can fail, and all these other things.

On 'Old School,' I was not an actor, I was Snoop Dogg, so I came to the set with a whole different vibe, and a different crew of people. And on 'Starsky and Hutch,' I was more of an actor. I wasn't Snoop Dogg, the rapper.

When you first start out, people think this is super easy and you find your crew super quick. But you've really got to go through songwriter boot camp to find your people.

The Royal Ballet is the best paid company, but the dancers get nothing. The stage crew get paid three times more than the dancers, and they have a job for life - dancers only have 10 years.

I watch reality TV, but unless you have been part of that crew, unless you've sort of been immersed in that culture in what's happening, unless you have been in that concentrated moment, you wont believe it unless you're there. And with 'Ton of Cash' we just hope that we captured all of the best moments.

Sometimes you see films, not just science fiction films, where you get the sense that if the camera were to pan just to the left or the right, all of a sudden you'd be seeing light stands and crew standing around. But with 'Blade Runner,' the beauty of it is that it felt like a real, breathing city.

The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved good-bye and 'slipped the surly bonds of earth' to 'touch the face of God.

I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.

I loved working with him [Justin Chadwick]. He was very smart in how he assembled the people around him and had a crew that he knew very well. He was very comfortable on the set and I never felt that I was working with a first-time filmmaker.

We were shooting in a French island called La Reunion. One of my crew members gifted me free-diving equipment and took me to the waters on my day off. I spotted sharks and species of fish which can't be found elsewhere. It was a very refreshing experience for me.

I've got some crazy, stupid big goals. I really wanna headline arenas. I wanna have such a big crew that we've got to have 20 or 30 buses on the road because that's how big the show we're putting on is.

I watch reality TV , but unless you have been part of that crew, unless you've sort of been immersed in that culture in what's happening, unless you have been in that concentrated moment, you wont believe it unless you're there. And with 'Ton of Cash' we just hope that we captured all of the best moments.

I have always been inspired by the dream of America-families in the country, weathered trucks and farmhouses; sailing off the coast of Maine; following dirt roads in an old wood-paneled station wagon; a convertible filled with young college kids sporting crew cuts and sweatshirts and frayed sneakers.

I've had pretty much the same crew for all the films that I've made, and I've managed to have really nice, calm, funny people. That is a big part of it, a family feeling of warmth and finding something interesting and making a platform for them to perform. It's a very difficult job, acting, in that it's totally counterintuitive to how we are brought up.