Top 1079 Crew Quotes & Sayings - Page 18

The trumpet player, Ronnie Hughes, has still got his chops today but for some strange reason the culture doesn't call him because he's 83-years-old. And these people are in their 70s and 80s and 90s and came with such verve every day and would still be shooting these 10 and 12 hour days. So, that in itself made this an extraordinarily special occasion for all of us. It wasn't a job for the crew after a few days, it took on another tone.

The View' was so much fun. So much fun because the audience was 85-percent fans that wanted to be there celebrating 'One Life to Live' and the other 15 percent were crew members from 'One Life to Live'. It was just really, really wonderful and the clips were wonderful.

When we were making it [Star Wars], none of the effects were in. So the first time, I thought it was, you know, that - I mean, we were surrounded by English crew members that could hardly keep themselves together. They were, "Here comes the guy in the dog suit." They made fun of us, which was OK. But the first time I was sitting in a theater, and I saw all the effects in, and the big ship flew over the audience, and the sound rumbled, I pretty much thought we were close to home.

It's so easy to disappear into your character because there isn't all this fuss around you, and we keep a closed set, and closed off to all crew members, even, unless we're cut. A lot of times, you're doing a scene in a movie and there are literally 35 people standing behind the camera all waiting to do their job, but here they have to be off the stage. On The Office, it is very much just the actors, a cameraman and a boom operator, like a real documentary, like we really are being documented.

It's a lot harder to keep your cool than it is to lose it. That's on any work ethic. Even if you're a big producer on a movie set, or whatever, it's a lot harder to be a pro than be a baby on your crew. That's one work ethic to keep in mind, as one bad apple could give five people a bad day, when that one person could've stepped up their own efforts a little more and not bring anyone else down.

Ewan McGregor is a very genial and entertaining man, and Pierce Brosnan is possibly the nicest man in the world. Actually, it was quite a genial set The Ghost Writer, but the weather and the colors and the actual surroundings were oppressive. But it was a created atmosphere. What was so striking is that Roman Polanski had his crew from The Pianist, and we were shooting in Berlin, so there were German and Polish and French people, and I was just sort of enjoying being in this mix of people, all kind of rubbing along together. That felt good.

It takes a number of different skill sets, I think, to try and be a good producer. You have to be very creative, but you also have to be incredibly financially minded. I jokingly say the job is kind of part cheerleader and part dictator. It is both of those things, because you have to make sure that people are doing what they need to be doing, but creatively you really need to be helping each person in every job across the crew. Cheering them on, keeping them inspired into doing their best work, and you have the director's vision in the forefront.

Anything from making a mistake on an experiment that would ruin some scientist on earth's experiment - career, potentially - to doing something wrong with the satellite that a country was depending on for its communications, to making some mistake that could actually cost you and the crew either a mission or your lives. So there is a lot of pressure that's put on every astronaut to just make sure that he or she understands exactly what to do, exactly when to do it, and is trained and prepared to carry it out.

That's the one thing I say about the great British shows. You know, I see it on the series on HBO where the season is shortened to like 12 or 6 or whatever it is. You know there's a reason why there's a quality behind that. Because I think the writers as well as the crew and the cast do get burnt out after doing continuous episodes after and over and it feels like a factory rather than something of a creative process. And we get tapped out. That's just my opinion.

Most of the crew were staying in Monaco. But my family and I were actually staying in Nice because I had my whole family there and we wanted a little more space and to stay in a hotel. The truth is we were asleep [when the attack Bastille Day terror happened] and woke up the next morning to it and it was obviously horrific. And then the idea of going out and filming, it just felt so stupid to be working the next day and pretending that everything's cool when you're making some frivolous thing.

After her came jolly June, arrayed All in green leaves, as he a player were; Yet in his time he wrought as well as played, That by his plough-irons mote right well appear. Upon a crab he rode, that did him bear, With crooked crawling steps, an uncouth pace, And backward rode, as bargemen wont to fare, Bending their force contrary to their face; Like that ungracious crew which feigns demurest grace.

To its committed members (the Democratic Party) was still the party of heart, humanity, and justice, but to those removed a few paces it looked like Captain Hook’s crew–ambulance-chasing lawyers, rapacious public policy grants persons, civil rights gamesmen, ditzy-brained movie stars, fat-assed civil servant desk squatters, recovering alcoholics, recovering wife-beaters, recovering child-buggers, and so forth and so on, a grotesque line-up of ill-mannered self-pitying, caterwauling freeloaders banging their tin cups on the pavement demanding handouts.

We were in production on a movie called All the Real Girls, which filmed in the Fall of 2001, and we really discovered who Danny McBride was, as an actor. When I say we, I mean me and a crew and a small audience that would hit the art house. He'd never acted before, and it was a really refreshing, eye-opening experience to watch him unleash, in front of the camera, all this comedic potential that we knew he had, as a human being and as the guy doing keg-stands at the party.

End production today. Wrap party as usual a little sad. Slow danced with Scarlett. Broke her toe. Not my fault. When she dipped me back, I stepped on it. Penélope [Cruz] and Javier [Bardem] anxious to work with me again. Said if I ever come up with another screenplay to try and find them. Goodbye drink with Rebecca [Hall]. Sentimental moment. Everyone in cast and crew chipped in and bought me a ballpoint pen.

The way I lived, I grew up in a time where people would take your shoes, they'll take your jacket, they'll take your cheese without a gun. So people would jump on you - this was like fourteen, fifteen years old. So it always taught me that you gotta have your crew, in some ways you gotta move, don't put your self in harm's way, and definitely if you're a street dude and want any kind off credibility, don't put yourself under the mercy of anybody else, or you'll be at their mercy; they can do what they want to do to you.

We have the talent, just not the money and not the audience. People in France don't really like fantasy. You need to go to Spain, England and Germany for that. Many of the people from my crew come either from Spain or England. But I hope to be able to work with them again and I wish to create European cinema on that scale. It could happen and attitudes may be changing. Animated fantasy movie Despicable Me was made entirely in France, so there is the talent here and now maybe the desire too.

'The View' was so much fun. So much fun because the audience was 85-percent fans that wanted to be there celebrating 'One Life to Live' and the other 15 percent were crew members from 'One Life to Live'. It was just really, really wonderful and the clips were wonderful.

It was such an amazing experience to be able to spend nine days on a boat with these Greenpeace people. Some of them were scientists and some were crew members working on the ship. Just to hear their stories, like what drew them to Greenpeace in the first place and what they've been through. Every single second of the day they work to save the planet, which makes me as an actor feel quite insignificant.

I'm willing to fail, my producers are willing to fail, my crew is willing to fail.

Back in the Bruce Lee era, and in my era, Kung-Fu stirred up a kind of frenzy, and many people were learning martial arts from us. But about a decade ago, Hollywood began bringing in a number of our action choreographers, including two from my own stunt crew, where they became martial arts directors. Now, a decade later, Hollywood has learned it all, so when you look at the action films they're making now, they all use our action, our martial arts, and then add to that their own technology which is ten times better than ours, and it has to leave us dumbfounded: how did they film that?

The most important thing about an astronaut is you have to take for a given a person's done pretty well in school, has the intelligence and all of that to learn new systems and new things. But after that, the most important thing I think is being able to get along with others. Flexibility and teamwork, those issues because as we fly longer and longer in space, those are really important factors, even on short shuttle missions, those are important factors, to put a crew together that can work together effectively as a team, that can get along.

I grew up bilingual, I grew up speaking Chinese in the home, Mandarin Chinese with my parents, and I learned English because I was born and raised in the U.S. That really gave me an edge. I understand that, from the experts, if you grew up bilingual, your brain kind of gets wired to accept a new language. It was a very serious deal because not only did I have to learn Russian to a high degree in order to function as a necessary member of the crew, but also I knew that the Russians that came over that made an effort and had some success in learning English, those were the folks we trusted.

I had to perform in Dallas at the W Hotel. I was with my best friend, and I had walked on in to the area where I was meeting the crew. Then my best friend came in, and he's like, "This girl at the front desk asked, 'Is his name Quindon? I know him, he's that guy from Romeo + Juliet, I'm one of his big fans.'" I was just like, how does she recognize me from then to now? I was wowed by that because here I am 34, it was 20 years ago, and how does she recognize me?

Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.

We ran well there in the November 2012, my first race with (Tony) Gibson (as crew chief). Unfortunately, we haven't left there without a torn up race car. We got caught up in accidents in November of 2012 and then again in November 2013. We cut a tire and crashed last spring, so it'd be nice to have a good clean run with the GoDaddy car. I like Phoenix and Gibson has won there a few times. Hopefully our luck will turn around and we can have a good smooth run and get back on track.

Really Edward Teach, Blackbeard, was actually tall, so he was literally larger than life and so he knew that and actually the more you read about him, you realize that he actually respected and knew about the theatricality and he'd rather take a ship by threatening and having the power of his personality and the threat of the oncoming danger to sway the ship to just acquiesce and just give up their cargo and so none of his crew got hurt and they would just take their bounty and he wouldn't have to kill anybody, but of course he earned that reputation, so he was no saint.

The cast, staff, and crew of a live theater work together toward a common goal: a good performance. Thus, theater is necessarily a group effort. However, it is never a group effort of vague fellow committee members, but of associated autocrats-a playwright, a producer, a director, a stage manager, designers, and, above all, actors. Each accommodates the others, and may overlap others in function when necessary. But each autocrat assumes distinct responsibilities and accepts them completely.

It's far from clear in general that Donald Trump is a guy who really thinks about the details of policy and is going to do the kind of heavy lifting you have to do as president to get those policies through in Congress. I think the hope is that Paul Ryan and his crew will push policies through Congress and Trump will just sign them. That's not really how policy works.

There's definitely a sense of responsibility and it's something I take very seriously. It's an honor. There's pressure, but that's a good thing and something I feel very fortunate to have. I take great responsibility for it. Not every number gives you pressure. This number, the No. 3, means so much. It pushes me to be better, to go to the gym, to talk to my crew chief Gil Martin, and to be with the guys on the team every day. The number pushes me and that's a good thing.

Instead of the 1997 film directed, written, by James Cameron with Leonardo DiCaprio, Kate Winslet, Billy Zane creating a love story and a large diamond with a beautiful song “My Heart Will Go On” sung by Celine Dion. What about the real love story that took place that night between the passengers themselves, and many crew members knowing they would also give their lives. Adding another meaning for “SOS” Service, Obedience, and Sacrifice.

The honor you have given us goes not to us as a crew, but to ... all Americans, who believed, who persevered with us. What Apollo has begun we hope will spread out in many directions, not just in space, but underneath the seas, and in the cities to tell us unforgettably what we will and must do. There are footprints on the moon. Those footprints belong to each and every one of you, to all mankind. They are there because of the blood, sweat, and tears of millions of people. Those footprints are the symbol of true human spirit.

During the air war of 1944, a four-man combat crew on a B-17 bomber took a vow to never abandon one another no matter how desperate the situation. The aircraft was hit by flak during a mission and went into a terminal dive, and the pilot ordered everyone to bail out. The top turret gunner obeyed the order, but the ball turret gunner discovered that a piece of flak had jammed his turret and he could not get out. The other three men in his pact could have bailed out with the parachutes, but they stayed with him until the plan hit the ground and exploded. They all died.

Coming at the acting business as a technician, I really enjoy the process of working. I really enjoy being in a rehearsal room, starting a theatre piece for the first time. I really enjoy shooting in front of the crew, and I really love going on location. I think all that is just so exciting. So I've never really been drawn into the fame of being an actor, which in L.A., is part and parcel of the deal. I think for a lot of people, especially kids, it's hard to not get wrapped up in the world of the perks that the job brings.

[Robert Gottlieb] wouldn't have published 'Remembering Denny' . Denny was a Rhodes Scholar. He was on the swimming team. Had this great California crew cut and this great smile. Life magazine covered his graduation, and Alfred Eisenstaedt photographed it. We all expected him to be president some day. But he committed suicide when he was in his 50s. If he were gay in the 1950s, then the rest of what I wrote was commentary because life was so miserable for gay men back then. And that's why he committed suicide.

I hung out a lot with the ring crew guys. I got along better with them then I did the other guys, the other talent. The guys that show up early in the morning and set the ring up and stay there all day and then take the ring down and drive five and six hours that night to get to the next show.

Addressing the Columbia crew after winning the intercollegiate regatta: I congratulate you most heartily upon the splendid victory you have won, and the luster you have shed upon the name of Columbia College. I thank you for the Faculty of the College, for the manifest service you have done to this institution. . . . I am convinced that in one day or in one summer, you have done more to make Columbia College known than all your predecessors have done since the foundation of the college by this, your great triumph.

When I was a kid, I used to live in New York City. There was a guy named Michael Alig. He used to throw parties. And a couple of times, I even worked for him and his crew, and handed out fliers, and had my super-high shoes on, and wearing silver Saran Wrap around my head or something. It's a world I was really comfortable in: a world full of individuals. I think what I like about that world - besides my own personal interests - is the individualism, the investment in the self.

People who are close to me know, they so know that there were days when I was so tired that I would fall asleep anywhere. The onset photographer has pictures of me falling asleep everywhere. Like on chairs, on the floor, in the middle of a set, all curled up. There were times when crew members didn't know where to find me, but they knew I'd be curled up in a ball somewhere.

It's always been a desire of mine to work with my parents, so Wild at Heart was a wish come true. The first day we did a scene together I came down the stairs and my mom pointed that finger at me: "Don't you dare talk to that boy again!" You know, I've seen that finger for 23 years. And I started laughing, she started laughing, then the whole crew broke up - in that moment, they all knew that she and I had been there before.

It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. Curiosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.

While the (America's) Cup is yachting's Holy Grail, it has also come to represent the ultimate test in 'the game of life.' Just as in life, success demands commitment and commitment demands a positive winning attitude. I told all the guys who came into our Cup campaign that if they were going to make the grade they needed three essential ingredients: attitude, attitude and attitude. I wanted commitment to the commitment. When they finally made the crew, some of them joked that they ought to be committed for their commitment to the commitment.

Commercials are also any opportunity to meet new crew and work with new kind of rigs. You can explore working with different people without having to make the full commitment of having to do an entire feature film with them and see whether you like them. Also it's great for testing out new equipment, like on the last spot we just did, I used a lot of drone technology, really cutting edge drone stuff, more than I've ever done before, and it worked out really really well.

Yes, I like girls; Yes, I like boys; I like boys who like boys; I like girls who wear toys and girls who don't; I like girls who don't call themselves girls; Crew cuts or curls or that really bad hair phase in between.

Saying goodbye to Nina is both bittersweet and beautiful. After six-plus years together, the entire cast and crew of The Vampire Diaries has reached a level of closeness that I don't think any of us ever expected. Nina is excited to spread her wings, get some rest, travel the world and also take it by storm, and we support her a thousand-fold. We will miss Nina and the four hundred characters she played, but we look forward to the insane and exciting challenge of continuing to tell stories of our Salvatore Brothers and our much-loved and gifted ensemble.

I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.

The doctors take the bodily evidence as the disease. . . . disease is itself an impudent opinion. He throws off the feelings of the sick and imparts to them his own which are perfect health, and his explanation destroys their feelings or disease. . . . He is like a captain who knows his business and feels confident in a storm, and his confidence sustains the crew and ship when both would be lost if the captain should give way to his fears.

In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.

I remember every player-every single one-who wore the Tennessee orange, a shade that our rivals hate, a bold, aggravating color that you can usually find on a roadside crew, "or in a correctional institution," as my friend Wendy Larry jokes. But to us the color is a flag of pride, because it identifies us as Lady Vols and therefore as women of an unmistakable type. Fighters. I remember how many of them fought for a better life for themselves. I just met them halfway.

People who think achieving success is a linear A-to-Z process, a straight shot to the top, simply aren't in touch with reality. There are very few bona fide overnight success stories. It just doesn't work that way. Success appears to happen overnight because we all see stories in newspapers and on TV about previously unknown people who have suddenly become famous. But consider a sequoia tree that has been growing for several hundred years. Just because a television crew one day decides to do a story about that tree doesn't mean it didn't exist before.

The white youth of today have begun to react to the fact that the American Way of Life is a fossil of history. What do they care if their old baldheaded and crew-cut elders don't dig their caveman mops? They couldn't care less about the old, stiff-assed honkies who don't like their new dances: Frog, Monkey, Jerk, Swim, Watusi. All they know is that it feels good to swing to way-out body-rhythms instead of dragging across the dance floor like zombies to the dead beat of mind-smothered Mickey Mouse music.

It was dirty and hot, and you're on a horse, all day. It was physical work, but there wasn't one of us - cast or crew - who didn't have a smile on our face. Even when it got real hard and tempers would rise because things would get difficult and the day would get late, we all loved the job and loved doing it. When you finished that day of work, everyone was looking around and going, "Yeah, that was a good day, man."

It was like the first time I'd ever seen Hollywood just really not do the right thing. We filmed Free Willy in Mexico. I'd come in a really nice car from my hotel, and we'd have to drive around all the crew that was sleeping in the parking lot. People making their breakfast on the ground. It was because there was a whale there that was in a little tank. It just felt gross. It felt really bad. They didn't free that whale for, damn... at least 10 years later. The poor whale had horrible psoriasis all over him, and his fin didn't work.

he first make-up crew had three test runs, so by the time we were shooting, they got it down to three hours. They switched make-up crews for Eclipse and they never had any test runs, and they had to figure out what the other team had done, so the first day, I was in the chair for eight hours. But, they adjusted the scar from New Moon to Eclipse. The first time, there was more pullage on my face, so I had a hard time eating. It didn't hurt, but it was uncomfortable.

It's nice to have some perspective, when you are just touring, touring, touring, it becomes kind of a crazy experience. But, when I have time off and live my life at home, and then I get back to the airport and I am back with my whole family again. My brother, my band, my tour manager and sound guy get to re-unite, it's kind of an uplifting feeling to be rolling with such a crew and so much gear from country to country. It feels good.

American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.

At two-tenths the speed of light, dust and atoms might not do significant damage even in a voyage of 40 years, but the faster you go, the worse it is--space begins to become abrasive. When you begin to approach the speed of light, hydrogen atoms become cosmic-ray particles, and they will fry the crew. ...So 60,000 kilometers per second may be the practical speed limit for space travel.

Ann Taylor - great name, great real estate, shitty business. Gap -great name, great real estate, declining business. J.Crew - Hellooo? Great name, better fashion image than the Gap.

Yes, of course. But ... how?" Kat felt her crew around her: Hamish's arm hung around Simon's shoulders; Gabrielle's delicate hands draped through the arms of Angus and Nick. Kat's own hand found Hale's, then, fingers interlacing, palms pressing together so tightly that Kat knew nothing could come between them. Nothing. She looked at him. No one. "It's easy," Kat said, "when you don't have to do it alone.

Some things just have a short, beautiful life, and some things have a longer one. One hopes that the things that go a long time are things that you love. It's like a relationship. The longer things go, you have to really work on that relationship with your character, with your castmates, the crew your working for, the producers, and the writers.