Top 123 Crossover Quotes & Sayings

Poetry can be the bridge, the crossover point in the mind between the physical and the spiritual. A place where the two can meet.

It didn't come to pass or anything, but it would be interesting to do a 'Sex Ed' - Marvel crossover.

To give, and not demand that others receive . . . that is the crossover point to maturity. . .

I've been criticized for doing so - crossover music. But I never claimed to be a pure dancehall artist.

Often times, if you're a bit of a crossover artist, audiences see you as only one thing.

The beautiful thing about it is that 'Despacito' is not really an English crossover. It was just another song that the world made a crossover. I didn't really push it; it just kinda went there.

It's usually human drama that carries with it issues of race or class that attracts me. That was certainly the case with 'No Crossover.'

That, to me, is the real crossover: a mainstream artist singing in Spanish.

Being a Muslim in America, I've noticed that there's a ton of crossover between the Muslim community and geekdom.

There are places that are very draining. There are places where there is another dimensional crossover but to a dimension that is not powerful at all.

I think 'Rake' was a very clever crossover, actually, because it does lend itself to the city of L.A.

At no time was I trying to write a crossover record.

It is not possible to erase racism just because African-Americans have reached a level of financial success and crossover appeal.

Tim Hardaway was a guy who had his crossover and then he could shoot a jump shot and he could get to the bucket.

That crossover of whether it's entertainment or news is the biggest crock of b.s. in television today, because it's all entertainment.

I wouldn't mind being the female MJ. I want to have major crossover appeal.

One of my big influences as a young player was Allen Iverson. All I wanted to do was the left-to-right crossover, because that's the one he was doing most.

My killer crossover project would be to combine Bjork and Grace Jones with the West Coast rappers and create this massive music. That's, like, one of my dreams.

There are plenty of genre-crossover books, films, and games out there, but to do the job well, you have to do more than just smoosh a couple of 'in' concepts together, and hey presto, instant millions.

I like that outlaw crossover rock 'n' roll-country sound.

Son-In-Law was kind of my crossover. It was the movie that brought me out of the MTV audience into the mainstream.

I had spent over 10 years in sports, and there's such a natural crossover between entertainment and sports. It's more common to have both of those in your arsenal.

I'm very picky and I'm in a situation where it's a big crossover.

I think you have a crossover when you are known to a wider audience and a different market. I've been able to sell out stadiums all over the world by doing my music. I'm lucky to be in that list without having done an official crossover. Now, will you hear me doing a little bit of R&B? Sure.

I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.

I love performing in a good straight play as well and I'm a crossover actor, I crossover from plays to musicals, musicals to plays. This is very difficult for performers.

'Sorry' just fit the bill for the crossover that both Lost Stories and I were attempting to do musically.

Rob Mullins is a diverse keyboardist capable of both crossover and bop.

My favorite type of music to sing is a crossover between country and pop.

That was the crossover line for us, to be able to play that many shows, sell them out real quick and have that tribe queue up outside and still be a mystery to everybody else.

I really want to do a True Blood-Six Feet Under comic book crossover.

I loathe most crossover music. Yet I like to think when it comes to Code it's something different.

I try to do the fancy things out there by going with both hands, making crossover moves, and having a certain creativity and flair to my game.

There is that great thing of D.C. being Hollywood for ugly people. There's very distinct crossover behaviors.

I really want to do a 'True Blood-Six Feet Under' comic book crossover.

I'm not a big crossover person, I'll be honest. I try to keep 'Hellcat' separate from the larger Marvel world because I want it to be a book anyone can read, not just a hardcore comics fan.

Sometimes I get more of a mainstream crowd that just is not moving to what I'm playing. I have to have crossover secret weapons.

I'd like to see more crossover between white and black music. That's something I've been advocating for years.

At these crossover points, there are a lot of beings, nonphysical beings that cross over back and forth constantly.

Death Cab is a militantly analog band. We'll continue moving forward with our sound, but there will be no crossover.

There's Jay-Z, who morphs a certain street hustler's cool and indifference into CEO extravagance. But for all his prominence, Jay-Z hasn't written a lot of crossover hits.

There's a saying that goes around that says "I you crossover make sure you bring the cross over." That's definitely my heart and my aim. I want to remain distinct and authentically Christian in whatever realm I'm in.

Think of 'Alice's Adventures in Wonderland.' It is equally intoxicating for children and adults. All this 'crossover' talk is something publishers are using as a selling device - a kind of post hoc rationalisation of what was happening already.

I've got my girl records that are real feel-good and could be a radio crossover. But it's not me going in that direction, and being like, "We need this huge pop crossover record where we need this girl on the hook."

To me, a big crossover was what happened to me years ago, like bringing my music in Spanish to Europe, or Asia. To me, that's a crossover because Spanish is not a language that everybody talks.

The crossover wasn't happening. TV actors were TV actors, and film and stage actors were a whole different thing. And now there's just a lot of crossover.

I don't like the idea of 'classical crossover,' even if sometimes I see this category given to what I'm doing.

I have no desire to become a crossover artiste, singing with microphones. I believe in opera; that it is something that young people would love if they had a chance to hear it.

Once a film is selected at Cannes, the crossover becomes very easy, thanks to the prestige and dignity it gains at Cannes.

We should be proud in Britain that there's a massive crossover between theatre and TV.

Since most of our films cater to crossover audiences, I think it's time we make films for multilingual viewers.

I feel like I don't fit in. There's not a lot of outlets for urban music, for black artists who don't have that crossover thing going early on.

'Slow Heat in Heaven' was my 'breakout' or 'crossover' book, and I loved the freedom I felt writing it.

I think they want to keep it separate, but I've never been a crossover artist for some reason.

I was the person who had a 10 lb baby on my arm called my purse, and now that I have a crossover bag it's stupid. I realize I need my wallet, my phone and my lip gloss - that's it.

What I write, if you have to label it, is crossover, and I think that much of the stuff that is called children's or YA is in fact crossover and is equally valid for anyone who likes to read fantasy.

I think I'm a crossover athlete to get the sport into the mainstream media.

I think once the artistic world of the type designer merged with the scientific world of the computer programmer, you began to see this crossover.

The greatest thing about sports, to me, is just the crossover into everyday life.

There have been a lot of crossover with celebrities and politics but to me, I don't think I would go into politics.