Top 449 Cuban Cigars Quotes & Sayings - Page 8

In the era of slavery, you could be a so-called Afro-Cuban one day and a so-called Black American the next day, or vice versa. I mean there was all this back and forth, and there was a lot of opposition in Black America to slavery in Cuba in particular, because slavery in Cuba lasted until the 1880s.

If a Cuban refugee is escaping, we're saying they're a political refugee, but why isn't a Haitian refugee a political refugee? They're escaping the capitalism and degradation of economic imperialism. We don't call them political refugees; we call them unfortunate people.

When the nuclear weapons were sent to the racist South African government, where a few million white people subjugated more than 13 million black people, it was so they could use them against the Cuban forces that were defending Angola. These things have not been written down but they need to be told as part of the reality of history which should not be distorted the way the historians connected to the power elite tend to do.

I'm the enemy. Because I like to think, I like to read. I'm into freedom of speech, the freedom of choice. I'm the kind of guy who likes to sit in a greasy spoon and wonder - "Gee, should I have the T-bone steak or the jumbo rack of BBQ ribs with the side order of gravy fries?" I want high cholesterol. I wanna eat bacon and butter and buskets of cheese, okay? I wanna smoke a Cuban cigar the size of Cincinnati in the non-smoking section. I wanna run through the streets naked with green Jell-O all over my body reading Playboy magazine. Why? Because I suddenly might feel the need to, okay, pal?

They [Barnes Theatre Club] were a very good group, and for some reason when I finished the backstage thing, I just decided to that I should try to act. So I auditioned for Guys and Dolls and got a little tiny part as some Cuban dancer or something and then in the next play I got the lead part, and then I got my agent. So I owe everything to that little club.

In building up a democratic model I think that Cuba's contribution, little by little, has contributed to getting closer to the ideals of those philosophers, of those Greeks who thought about how a society could be fairer, how a society could really represent the interests of the people. We have tried to get closer to that from a Latin-American perspective and from the Cuban perspective.

I knew a gentleman that I had worked with over the years, who is no longer with us, and was a great influence in my life named Cachao - a Cuban musician, composer, arranger, and creator of the Mambo. The integrity of the journey is what's important - how you conduct yourself in the process. That's what Cachao was always about. He had great integrity, great dignity, was very humble, and dedicated to his art.

Whether you hear me come out with another album or whether you hear any one of the Clan members, we're always going to involve everybody. When I look at 'Only Built 4 Cuban Linx, Part II,' I look at that as a Wu album. You feel me? Even though it was my brand and my thing that I done, I had my dudes on it.

When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.

Of course, Sam [Fuller] was like, "No problem," because he treated it like a newspaper deadline. We worked long hours, often very late into the night, in his garage, which had been converted into an office. It was freezing cold outside and there was no heat in the garage, so he had a little space heater over by his side and I had a blanket that he graciously gave me to drape around my shoulders like a Navajo Indian. And he gave me cigars, too, of course.

I went to Havana, and I was like, "Wow, there's culture everywhere!" That was one thing that I did notice when I went to Cuba was that artists are paid to be artists, and poets are paid to be poets, and musicians are paid to be musicians by the government. The government - and I'm not saying that the Cuban government's perfect - but the government does place a value on culture.

The truth is, no one wants to face the fact that there was a huge double standard in baseball, and white athletes like Mark McGwire, Cal Ripken Jr., and Brady Anderson were protected and coddled in a way that an outspoken Latino like me never would be. The light-eyed and white-skinned were declared household names. Canseco the Cuban was left out in the cold, where racism and double standards rule.

Cuba is actually one where I am more optimistic because of the unique nature of Cuba - 90 miles off our shore with a massive ex-patriot population, now Cuban-American population that still have deep links to the island. There I am more confident that over time that the winds of commerce and telecommunication and travel start shifting the nature of that regime. But that's a small country which has almost a unique relationship to us.

I was born in Honduras, that's where I was born. I live in California, where no matter what you say, you're Mexican. You understand that? It doesn't matter what you say. See - you don't understand that, white people, because wherever you go, you're white. You're here, you're white. You go to L. A., you're white. You go to Denver, you're white. You go to Miami, you're still white. In L. A. I'm a Mexican, In Florida, I'm a Cuban. In New York, I'm a Puerto Rican. And when I come to Canada and I find out I'm an Eskimo.

I lived in the Caribbean when I was a teenager, so I learned about Salsa and Cha-Cha and all these Latin Afro-Cuban music like Gillespie and Duke Ellington, also bridged with Jazz. But my mother is Greek, and so I've also listened a lot to Greek music. And through the years to Balcanic music to Arabic music because my father loved music from Egypt.

They're willing to accept changes on the part of the U.S. that contribute to more money entering Cuba so they can benefit. But in terms of political changes on the island, an opening, etc., that won't happen, that won't change, and I've always said that, from the beginning. I've even said that it doesn't matter how many tourists who to Cuba, how many times the President visits Cuba; there won't be any changes in the Cuban government's posture. And that is the same as always.

I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.

I can play a Jewish guy, another Jewish guy, and then another Jewish guy, and then maybe a Cuban guy. Or at least a Middle Eastern guy. But for me, they're all Jews.

You [President Kennedy] have made some pretty strong statements about their being defensive and that we would take action against offensive weapons. I think that a blockade and political talk would be considered by a lot of our friends and neutrals as being a pretty weak response to this [the Cuban missile crisis]. And I'm sure a lot of our own citizens would feel that way too. In other words, you're in a pretty bad fix at the present time.

I loved playing (Aaron Echols on 'Veronica Mars.') I was really sad when I got my head blown off, but...that seems to happen to me. I seem to be murdered on all of these shows. But, okay, as long as the checks don't bounce, I'm all right with that. Besides, when Aaron Echols was killed, as I recall, he'd just had sex with a beautiful young girl, he was smoking a Cuban cigar and drinking a rare, 18-year-old brandy, and watching himself on television. If you gotta go, I think that's probably the way to go.

It used to be when a good record was about to drop you heard it out of every car and every kid with a boom box was playing it 3-4 weeks before it came out. Now it's not like that you just see ipods left and right and there's no anticipation factor. I have yet to see something drop with the anticipation that Illmatic had or that Ready 2 Die and Cuban Linx had. Those records had real anticipation factors.

A revolution is bloody, but America is in a unique position. She's the only country in history in a position actually to become involved in a bloodless revolution. The Russian revolution was bloody, Chinese revolution was bloody, French revolution was bloody, Cuban revolution was bloody, and there was nothing more bloody then the American Revolution. But today this country can become involved in a revolution that won't take bloodshed. All she's got to do is give the black man in this country everything that's due him, everything.

There is a reason why Nelson Mandela went to Cuba to praise Castro and thank the Cuban people almost as soon as he got out of jail. That's a third world reaction and they understand it. Cuba played an enormous role in the liberation of Africa and the overthrow of Apartheid, sending doctors and teachers to the poorest places in the world, to Haiti, to Pakistan after the earthquake, almost everywhere. The internationalism is just astonishing. I don't think there has been anything like it in history.

Inspiration can show up almost any time, though I have yet to see anyone scratching out melodic ideas on a restaurant napkin as legend would have us believe. I think inspiration comes from concentration, and early on I learned about Mark Twain's habit of leaving for his study after breakfast and not reappearing until the end of the day, ready to read to his family what he had just written. That set a good example for me, although I didn't copy his habit of taking twelve cigars along.

There were so many Cuban-Americans upset that we were going to Cuba and I was curious to see why they were so angry, and anti-Castro. I found out as soon as we got there. The people were treated terrible. The conditions were terrible. I can see why people risk their lives and limbs to get out. (Fidel Castro) lives like a king and won't help anybody, and has everybody scared to death. Nobody lives a normal life. It was still a good experience, but I thought we should just play that one game.

Growing up in Miami, I had all these great, strong influences. Being Cuban and the Latin influence, but also the strong hip-hop influence. I know that people everywhere listen to hip-hop, but especially being from the South, you really get that influence. You go out, you party, and it's just always there.

Why do you think there's so many thousands of Cuban doctors in Florida? Because they all had to leave Cuba. Because doctors were rich, and so the [Fidel] Castro government began confiscating all their property. Not much different from this plan to tax you at a higher rate if you and your family, you and your spouse make over $250,000. You're rich! So they must confiscate more your money.

The white man knows what a revolution is. He knows that the Black Revolution is worldwide in scope and in nature. The Black Revolution is sweeping Asia, is sweeping Africa, is rearing its head in Latin America. The Cuban Revolution - that's a revolution. They overturned the system. Revolution is in Asia, revolution is in Africa, and the white man is screaming because he sees revolution in Latin America. How do you think he'll react to you when you learn what a real revolution is?

I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.