Top 1146 Curse Quotes & Sayings - Page 19

The rum fiend would like to go and hang up a skeleton in your beautiful house so that, when you opened the front door to go in, you would see it in the hall; and, when you sat at your table you would see it hanging from the wall; and, when you opened your bedroom you would find it stretched upon your pillow; and, waking at night, you would feel its cold hand passing over your face and pinching at your heart. There is no home so beautiful but it may be devastated by the awful curse.

I am a Stormdancer! Mere metal is nothing compared with the power of a storm." Kade made his voice boom and spread his arms wide. His eyes sparked with humor. "I. Am. Invincible." "Until a happy wind blows," I said. "Curse those sunny days." "The bane of your existence." "The scourge of society." "The downfall of decency." "And boring, too. Nothing like a good gale to put a spring in your step." Kade grinned.

I have been judged vehemently suspect of heresy, that is, of having held and believed that the sun in the centre of the universe and immoveable, and that the earth is not at the center of same, and that it does move. Wishing however, to remove from the minds of your Eminences and all faithful Christians this vehement suspicion reasonably conceived against me, I abjure with a sincere heart and unfeigned faith, I curse and detest the said errors and heresies, and generally all and every error, heresy, and sect contrary to the Holy Catholic Church. (Quoted in Shea and Artigas 194)

What can be said in New Year rhymes, That's not been said a thousand times? The new years come, the old years go, We know we dream, we dream we know. We rise up laughing with the light, We lie down weeping with the night. We hug the world until it stings, We curse it then and sigh for wings. We live, we love, we woo, we wed, We wreathe our prides, we sheet our dead. We laugh, we weep, we hope, we fear, And that's the burden of a year.

Haply for I am black, And have not those soft parts of conversation That chamberers have; or for I am declined Into the vale of years—yet that’s not much— She’s gone. I am abused, and my relief Must be to loathe her. O curse of marriage, That we can call these delicate creatures ours And not their appetites! I had rather be a toad And live upon the vapor of a dungeon Than keep a corner in the thing I love For others’ uses. Yet ’tis the plague of great ones; Prerogatived are they less than the base. ’Tis destiny unshunnable, like death.

First of all, when building a brand you have to know who you are, what you are, and what you stand for. That's clichéd marketing-bullshit jargon, but it does matter. It helps. You have to know who you're targeting. I think too many people fight the market. There are certain people who are never going to want your stuff no matter what you do. There are certain people are never going to love me because I curse and I have bravado and I'm a Jersey boy and I'm brash and they won't take the time to see the humility and the patience and the truth. They shouldn't.

Poets have tried to describe Ankh-Morpork. They have failed. Perhaps it's the sheer zestful vitality of the place, or maybe it's just that a city with a million inhabitants and no sewers is rather robust for poets, who prefer daffodils and no wonder. So let's just say that Ankh-Morpork is as full of life as an old cheese on a hot day, as loud as a curse in a cathedral, as bright as an oil slick, as colourful as a bruise and as full of activity, industry, bustle and sheer exuberant busyness as a dead dog on a termite mound.

I knew that I could never again raise my voice against the violence of the oppressed in the ghettos without having first spoken clearly to the greatest purveyor of violence in the world today - my own government.... There is something strangely inconsistent about a nation and a press that would praise you when you say, 'Be nonviolent toward Jim Clark,' but will curse and damn you when you say, 'Be nonviolent toward little brown Vietnamese children!' There is something wrong with that press.

No longer was she merely the dancing-girl who extorts a cry of lust and concupiscence from an old man by the lascivious contortions of her body; who breaks the will, masters the mind of a King by the spectacle of her quivering bosoms, heaving belly and tossing thighs; she was now revealed in a sense as the symbolic incarnation of world-old Vice, the goddess of immortal Hysteria, the Curse of Beauty supreme above all other beauties by the cataleptic spasm that stirs her flesh and steels her muscles, - a monstrous Beast of the Apocalypse, indifferent, irresponsible, insensible, poisoning.

Children grow rapidly, forget the centuries-long embrace from their parents, which to them lasted but seconds. Children become adults, live far from their parents, live their own houses, learn ways of their own, suffer pain, grow old. Children curse their parents for their wrinkled skin and hoarse voices. Those now old children also want to stop time, but at another time. They want to freeze their own children at the center of time.

We are all pirates at heart. There is not one of us who hasn't had a little larceny in his soul. And which one of us wouldn't soar if God had thought there was merit in the idea? So, when we see one of those great widespread pirates soaring across the grain of sea winds we thrill, and we long, and, if we are honest, we curse that we must be men every day. Why not one day a bird! There's an idea, now, one day out of seven a pirate in the sky. What puny power a man can attain by comparison. Compare a 747 with a bird and blush!

The curse which lies upon marriage is that too often the individuals are joined in their weakness rather than in their strength -each asking from the other instead of finding pleasure in giving. It is even more deceptive to dream of gaining through the child a plenitude, a warmth, a value, which one is unable to create for oneself; the child brings joy only to the woman who is capable of disinterestedly desiring the happiness of another, to one who without being wrapped up in self seeks to transcend her own existence.

I want to be the apostle of self destruction. I want my book to affect man's reason, his emotions, his nerves, his whole animal nature. I should like my book to make people turn pale with horror as they read it, to affect them like a drug, like a terrifying dream, to drive them mad, to make them curse and hate me but still to read me.

The ironic factor that is between the Houthis and al-Qaida, that is, they both have strong anti-American sentiment. For example, the slogan of the Houthis is death to America and death to Israel and God curse the Jews and victory to Islam. And besides that, there is very little in common between al-Qaida and the Houthis as far as ideology goes, but they see themselves as having a common enemy, which is America. And America is in a situation, where the Houthis are fighting al-Qaida quite viciously on the ground, yet now the Americans are allied with Saudi Arabia in strikes against the Houthis.

Actively we have woven ourselves with the very warp and woof of this nation, - we have fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this worth the striving? Would America have been America without her Negro People?

The divide of race has been America's constant curse. Each new wave of immigrants gives new targets to old prejudices. Prejudice and contempt, cloaked in the pretense of religious or political conviction, are no different. They have nearly destroyed us in the past. They plague us still. They fuel the fanaticism of terror. They torment the lives of millions in fractured nations around the world. These obsessions cripple both those who are hated and, of course, those who hate, robbing both of what they might become.

If a man is crossing the river and an empty boat collides with his skiff, even though he is a bad tempered man he will not become very angry. But if he sees a man in the other boat he will scream and shout and curse at the man to steer clear. If you can empty your own boat crossing the river of the world, no one will oppose you, no one will seek to harm you. Thus is the perfect man - his boat is empty.

To become fully human means learning to turn my gratitude for being alive into some concrete common good. It means growing gentler toward human weakness. It means practicing forgiveness of my and everyone else's hourly failures to live up to divine standards. It means learning to forget myself on a regular basis in order to attend to the other selves in my vicinity. It means living so that "I'm only human" does not become an excuse for anything. It means receiving the human condition as blessing and not curse, in all its achingly frail and redemptive reality.

A pair of werewolves occupied another booth. They were eating raw shanks of lamb and arguing about who would win in a fight: Dumbledore from Harry Potter books or Magnus Bane. "Dumbledore would totally win," said the first one. "He has the badass Killing Curse." The second lycanthrope made a trenchant point. "But Dumbledore isn't real." "I don't think Magnus Bane is real either," scoffed the first. "Have you ever met him?" "This is so weird," said Clary, slinking down in her seat. "Are you listening to them?" "No. It's rude to eavesdrop," said Jace.

Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.

And Harry, with the unerring skill of the Seeker, caught the wand in his free hand as Voldemort fell backward, arms splayed, the slit pupils of the scarlet eyes rolling upward. Tom Riddle hit the floor with a mundane finality, his body feeble and shrunken, the white hands empty, the snakelike face vacant and unknowing. Voldemort was dead, killed by his own rebounding curse, and Harry stood with two wands in his hands, staring down at his enemy's shell.

It's just that, right now, I want to hear you promise me that if we do run out of time and I go mad, like Miranda, it ends with me. The curse ends here, because our baby will be safe. You will make that happen. Isn't that so?" It took him a minute. "Yes," he said finnally. "It's so. Although, if we're just going to talk about the baby, I can think of an easier way to save her." Oh? What?" I'd just lock her up from her sixteenth birthday on." Lucy didn't laugh. "Don't think I haven't thought of that too, love. but here's the thing. That parents try that in all the fairy tales. It never works.

As a child, I saw this beautiful film, Dracula's Daughter, and it was with Gloria Holden and was a sequel to the original Dracula. It was all about this beautiful daughter of Dracula who was an artist in London, and she felt drinking blood was a curse. It had beautiful, sensitive scenes in it, and that film mesmerized me. It established to me what vampires were?these elegant, tragic, sensitive people. I was really just going with that feeling when writing Interview With the Vampire. I didn't do a lot of research.

Vincent Gallo has put a curse on my colon and a hex on my prostate. He called me a 'fat pig' in the New York Post and told the New York Observer I have 'the physique of a slave-trader.' He is angry at me because I said his 'The Brown Bunny' was the worst movie in the history of the Cannes Film Festival... it is true that I am fat, but one day I will be thin, and he will still be the director of 'The Brown Bunny.'

Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be 'some one,' like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the entire empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must need pity the Opera ghost.

What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: 'This life as you now live it and have lived it, you will have to live once more and innumerable times more' ... Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: 'You are a god and never have I heard anything more divine.

The god which the vast majority of professing Christians love is looked upon very much like an indulgent old man, who himself has no relish for folly, but leniently winks at the indiscretions of youth...For one sin God banished our first parents from Eden; for one sin all the posterity of Canaan fell under a curse which remains over them to this day; for one sin Moses was excluded form the promised land; Elisha’s servant smitten with leprosy; Ananias and Sapphira were cut off from the land of the living.

I, for one, can't wait for this election to be over, because the curse of Donald Trump in a satirical comedy way is that, one, he's such a large character; it's hard to satirize at times. Two, he's sucking all the air out of every room he walks into so every attempt leads to covering only him. You can't turn a corner in New York City without people talking about Donald Trump, without talking about the same things about Donald Trump.

It's easy to explain away evil. We have a free choice, and our greatest blessing is also our greatest curse, because I don't always make good choices. Other people make bad choices. I make bad choices. And sometimes we hurt other people. Sometimes intentionally, sometimes unintentionally.

Whoever would like to cherish such adders and puny devils - who are the worst enemies of Christ and us all - to befriend them and to do them honour simply in order to be cheated, plundered, robbed, disgraced, and forced to howl and curse and suffer every kind of evil, to him I would commend the Jews. And if this is not enough, let him tell the Jews to use his mouth as a privy, or else crawl into the Jew's hind parts, and there worship the holy thing, so as afterwards to be able to boast of having been merciful, and of having helped the Devil and his progeny to blaspheme our dear Lord.

I think it's an American curse that most of us think we are special. ... everyone believes themselves to be superior to the majority of the population in some way. Sometimes it's their looks, other times their perceived sex appeal (often in obvious defiance of their looks), and other times it is their real or imagined talent for acting, writing, painting or banging on the drums. And because people are so susceptible to flattery, there exists an entire industry made up of scam artists whose sole goal is to fleece the flatterable.

The web of hypocrisy of today hangs on the frontiers of two domains, between which our time swings back and forth, attaching its fine threads of deception and self-deception. No longer vigorous enough to serve morality without doubt or weakening, not yet reckless enough to live wholly to egoism, it trembles now toward the one and now toward the other in the spider-web of hypocrisy, and, crippled by the curse of halfness, catches only miserable, stupid flies.

[W]hen Ben was kissing me, the whole world retreated. I felt things I'd never felt before, in places I never knew were connected. But I was pretty sure that whatever was buzzing against my thigh was not normal. For one thing, it was ringing. Ben dragged his mouth away from mine and mumbled a curse that was a little shocking and kind of hot. "Ignore it," he said. That was easy for him to say when his cell phone was rounding third base. If anyone got a home run tonight, I didn't want it to be Verizon Wireless.

Every act of irreverence for life, every act which neglects life, which is indifferent to and wastes life, is a step towards the love of death. This choice man must make at every minute. Never were the consequences of the wrong choice as total and as irreversible as they are today. Never was the warning of the Bible so urgent: 'I have put before you life and death, blessing and curse. Choose life, that you and your children may live.'

Perhaps that is our doom, our human curse, to never really know one another. We erect edifices in our minds about the flimsy framework of word and deed, mere totems of the true person, who, like the gods to whom the temples were built, remains hidden. We understand our own construct; we know our own theory; we love our own fabrication. Still . . . does the artifice of our affection make our love any less real?

No other life forms know they are alive, and neither do they know they will die. This is our curse alone. Without this hex upon our heads, we would never have withdrawn as far as we have from the natural—so far and for such a time that it is a relief to say what we have been trying with our all not to say: We have long since been denizens of the natural world. Everywhere around us are natural habitats, but within us is the shiver of startling and dreadful things. Simply put: We are not from here. If we vanished tomorrow, no organism on this planet would miss us. Nothing in nature needs us.

There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.

Evil-doers who denounce the wise resemble a person who spits against the sky; the spittle will never reach the sky, but comes down on himself. Evil-doers again resemble a man who stirs the dust against the wind; the dust is never raised without doing him injury. Thus, the wise will never be hurt, but the curse is sure to destroy the evil-doers themselves.

In the great depression, things could only be set right by causing the idle plant to work again . . . Roosevelt . . . spent billions of public money and created a huge public debt, but by so doing he revived production and brought his country out of the depression. Businessmen, who in spite of such a sharp lesson continued to believe in old-fashioned economics, were infinitely shocked, and although Roosevelt saved them from ruin, they continued to curse him and to speak of him as 'the madman in the White House.' . . . [It's one more] striking example of inability to learn from experience.

The so-called Christian nations are the most enlightened and progressive ... but in spite of their religion, not because of it. The Church has opposed every innovation and discovery from the day of Galileo down to our own time, when the use of anesthetic in childbirth was regarded as a sin because it avoided the biblical curse pronounced against Eve. And every step in astronomy and geology ever taken has been opposed by bigotry and superstition. The Greeks surpassed us in artistic culture and in architecture five hundred years before Christian religion was born.

When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors. For me it's important making that transition seamless, and not a huge shock and jumping into cold water. It doesn't feel like I'm trying to shock you or anything. I'm just saying, "I'm a different actor than you thought I was. Don't put me in a box. I'm not just some kid running around screaming curse words." I have other tastes besides comedy. I love comedy, but I love dramatic movies just as much.

On all the walls, wherever walls exist, I will inscribe this eternal indictment of Christianity--I have letters to make even blindmen see.... I call Christianity the single great curse, the single great innermost depravity, the single great instinct of revenge, for which no means is poisonous, secretive, subterranean, small enough--I call it mankind's single immortal blemish.... And we reckon time from the dies nefastus with which this calamity arose--following Christianity's first day!--Why not following its last day, instead?--Following today?--Transvaluation of all values!

When Jesus was baptized by John, the heavens opened and the Dove descended upon Him. Immediately thereafter, that same Dove drove Him into the wilderness to fast for 40 days and to contend with the territorial strongman over the earth, satan himself. For 40 days, Jesus warred through prayer and fasting to reverse the curse of Adam and Eve and to overcome the devil and release atomic power into the earth. The results recorded in Luke show that history changed forever through the strength and victory the Lord gained by His obedience. Divine power was now His!

There are lone figures armed only with ideas, sometimes with just one idea, who blast away whole epochs in which we are enwrapped like mummies. Some are powerful enough to resurrect the dead. Some steal on us unawares and put a spell over us which it takes centuries to throw off. Some put a curse on us, for our st idity and inertia, and then it seems as if God himself were unable to lift it.

Artificiality is one curse that will drop away the moment we kneel at Jesus' feet and surrender ourselves to His meekness. Then we will not care what people think of us so long as God is pleased. Then what we are will be everything; what we appear will take its place far down the scale of interest for us. Apart from sin we have nothing of which to be ashamed. Only an evil desire to shine makes us want to appear other than we are.

Percy Jackson," Hermes said, "because you have taken on the curse of Achilles, I must spare you. You are in the hands of the Fates now. But you will never speak to me like that again. You have no idea how much I have sacrificed, how much—" His voice broke, and he shrank back to human size. "My son, my greatest pride . . . my poor May . . ." He sounded so devastated I didn't know what to say. One minute he was ready to vaporize us. Now he looked like he needed a hug.

And questions give us no rest. We know not why our curse makes us seek we know not what, ever and ever. But we cannot resist it. It whispers to us that there are great things on this earth of ours, and that we can know them if we try, and that we must know them. We ask, why must we know, but it has no answer to give us. We must know that we may know.

Even his highly emotional Italian mother didn't believe that true love could blossom overnight. Like his brothers and sisters-in-law, she wanted nothing more for him than to marry and start a family, but if he showed up at her doorstep and said that he'd met someone two days ago and knew she was the one for him, his mother would smack him with a broom, curse in Italian, and drag him to church, sure that he had some serious sins that needed confessing.

Not only were the Jews expecting the birth of a Great King, a Wise Man and a Saviour, but Plato and Socrates also spoke of the Logos and of the Universal Wise Man 'yet to come'. Confucius spoke of 'the Saint'; the Sibyls, of a 'Universal King'; the Greek dramatist, of a saviour and redeemer to unloose man from the 'primal eldest curse'. All these were on the Gentile side of the expectation. What separates Christ from all men is that first He was expected; even the Gentiles had a longing for a deliverer, or redeemer. This fact alone distinguishes Him from all other religious leaders.

Will there never come a season Which shall rid us from the curse? Of a prose which knows no reason And an unmelodious verse: When the world shall cease to wonder At the genius of an Ass, And a boy's eccentric blunder Shall not bring success to pass: When mankind shall be delivered From the clash of magazines, And the inkstand shall be shivered Into countless smithereens: When there stands a muzzled stripling, Mute, beside a muzzled bore: When the Rudyards cease from Kipling And the Haggards Ride no more.

Poetry is perhaps the oldest art form. We can go back to an age-old idea of naming things, the Adamic impulse - to give something a name has always been an immensely powerful thing. To name something is to own it, to capture it. A poem is still a kind of spell, an incantation. Historically, a poem also invoked: it was a blessing, or a curse, or a charm. It had a motile power, was able to summon something into being. A poem is a special kind of speech-act. In a good poem there's the trance-like effect of language in its most concentrated, naked form.

Our time on this earth is sacred, and we should celebrate every moment. The importance of this has been completely forgotten: even religious holidays have been transformed into opportunities to go to the beach or the park or skiing. There are no more rituals. Ordinary actions can no longer be transformed into manifestations of the sacred. We cook and complain that it's a waste of time, when we should be pouring our love into making that food. We work and believe it's a divine curse, when we should be using our skills to bring pleasure and to spread the energy of the Mother.

V rolled the Aquafina bottle between his palms. "How long have you wanted to ask me the question? About the gay thing." "For a while." "Afraid of what I'd say?" "Nope, because it doesn't matter to me one way or the other. I'm tight with you whether you like males or females or both." V looked into his best friend's eyes and realized… yeah, Butch wasn't going to judge him. They were cool no matter what. With a curse, V rubbed the center of his chest and blinked. He never cried but he felt as if he could at this moment.

But I think the American people expect more from us than cries of indignation and attack. The times are too grave, the challenge too urgent, and the stakes too high to permit the customary passions of political debate. We are not here to curse the darkness, but to light the candle that can guide us through that darkness to a safe and sane future. As Winston Churchill said on taking office some twenty years ago: if we open a quarrel between the present and the past, we shall be in danger of losing the future.

The old men of the village of Mahotière say that the Mistress of the Water is a mulatto woman. At midnight she comes out of the spring and sings while combing her dripping long hair, which makes a sound sweeter than a violin. It is a song of perdition for whomever hears it. There is no sign of the Cross, no "Our Father" to save him. Her curse takes him like a fish in a net and the Mistress of the Water awaits him on the edge of the spring and smiles upon him and tells him to follow her to the depths, from which he will never return.

God's love is so extravagant and so inexplicable that he loved us before we were us. He loved us before we existed. He knew many of us would reject him, hate him, curse him, rebel against him. Yet he chose to love us. God loves us because he is love.

It is a curious and painful fact that almost all the completely futile treatments that have been believed in during the long history of medical folly have been such as caused acute suffering to the patient. When anesthetics were discovered, pious people considered them an attempt to evade the will of God. It was pointed out, however, that when God extracted Adam's rib He put him into a deep sleep. This proved that anesthetics are all right for men; women, however, ought to suffer, because of the curse of Eve.

I submit my tongue as an instrument of righteousness when I make it bless them that curse me and pray for them who persecute me, even though it "automatically" tends to strike and wound those who have wounded me. I submit my legs to God as instruments of righteousness when I engage them in physical labor as service, perhaps carrying a burden the "second mile" for someone whom I would rather let my legs kick. I submit my body to righteousness when I do my good deeds without letting them be known, though my whole frame cries out to strut and crow.

Bless them that persecute you.' If our enemy cannot put up with us any longer and takes to cursing us, our immediate reaction must be to lift up our hands and bless him. Our enemies are the blessed of the Lord. Their curse can do us no harm. May their poverty be enriched with all the riches of God, with the blessing of Him whom they seek to oppose in vain. We are ready to endure their curses so long as they redound to their blessing.

We are all the time, from our childhood, trying to lay the blame upon something outside ourselves. We are always standing up to set right other people, and not ourselves. If we are miserable, we say, "Oh, the world is a devil's world." We curse others and say, "What infatuated fools!" But why should we be in such a world, if we really are so good? If this is a devil's world, we must be devils also; why else should we be here? "Oh, the people of the world are so selfish!" True enough; but why should we be found in that company, if we be better? Just think of that.