Top 1200 Daft Punk Quotes & Sayings - Page 20

It's hard to imagine the whole punk movement without The Velvet Underground. I toured with them when they did their reunion tour, and no one sounds like that; they are a very unique-sounding band. They have a lot of noise, they have a viola, they have a drummer that's standing up, certainly they have influenced my guitar playing, but hopefully after 12 records you start to sound like yourself.

I read a lot - surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I've loved since I was in high school. They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.

I suppose when I was growing up, it was all about fitting into a box or fitting into a category. You know, looking like I listened to hip-hop, or looking like I listened to grime. You'd see someone and go, 'Oh, look at that person. He's wearing that or that; he listens to punk rock.'

Sometimes, if you want to be happy, you've got to run away to Bath and marry a punk rocker. Sometimes you've got to dye your hair cobalt blue, or wander remote islands in Sicily, or cook your way through Mastering the Art of French Cooking in a year, for no very good reason.

Even though I have a huge love for alternative music and punk music, particularly, I have always had the love for pop music inside of me. Therefore actually it felt kind of natural for me to have different projects with different genres.

I'm really not the biggest metal fan as it is. I'm more of a hard-street-punk kind of kid, but I also loved hip hop and reggae music, so we have always sort of refused a street style that is something that we are used to. Something that makes us comfortable and sounds good to us.

I look at some of my fans at my show, and a lot of them look like they're straight out of a punk rock show. They like what I'm coming across with. I had seen them same thing when I went to this Scarface show, so it lets me know that I'm on the right track.

I think growing up in the States and Australia, we were exposed to a lot of different types of things. I used to go to Gilman to watch punk shows, and it's a complete different environment - you were inspired by so many different things, whereas in Hong Kong, there is nothing for anybody.

Me personally, I side more with punk rock bands. I grew up with The Misfits, The Dead Boys, The Damned, Dropkick Murphys, and early AFI. That was the stuff that really got me into music. Song writing wise, bands like Alkaline Trio were very important to me for beginning to write songs.

I don't know anything about CM Punk. I'd never even heard of him until he was mentioned in UFC. I wouldn't know him if I walked past him in the street, I don't know... he might be a good wrestler but there are people in the UFC who are just good wrestlers.

'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.

In the beginning, I was very punk. I was very revolutionary. When they asked me to do Givenchy, I didn't want to do it. My friends pushed me. But the situation with my family was so bad financially. I really did it because, when they told me how much they would pay me, I saw that my sisters and my mom could have a better life.

I love Bach cello suites, I love punk music, I love old blues, negro spiritual quartets, Muddy Waters' 'You Need Love.' There is a simplicity but also a bite that connects all that music, from the growl in the cello to the timbre in Muddy's voice.

We're getting bombarded by the most polarizing reactions. As much as the punk in me likes it, I'm really surprised by the weird energy that comes at you when people talk to you like that. I mean, I know there are people out there who loathe me and loathe Low, but they stop short of broadcasting it. It's just interesting to see that line getting breached.

You gotta know that you're better than anybody, 'cause to me, if you don't go in like that, you're gonna lose! They're gonna punk you out! On any stage, court, business venture, on the anchor desk - whatever. You've got to go in believing, 'I can do this better than anybody.'

In my twisted brain, I truly believe that nobody ever really dies, as long as the people that he or she touched continue to spread their legacy. I miss Eddie Guerrero. Eddie Guerrero was a great man. So right now, I don't want to hear 'CM Punk', you know the name I wanna hear.

I live in Nashville, and I don't know how many people there would call me country. I really started in punk and anti-folk, but one of the reasons I originally gravitated towards country music is because most of those songs only use three chords. That was the easiest place for me to start, but I'm always trying to expand what I do.

Starting out really punk came from not knowing any better and listening to music like that, not knowing how to play music - well, still not knowing how to play music.

"Masters of War" [of Bob Dylan] wasn't peacenik, anti-war stuff. With its minor key and uncompromising final lines ("And I hope that you die/And your death'll come soon/ I will follow your casket/ In the pale afternoon...") this was a previously unknown hybrid of caustic political commentary and punk rock, which itself wouldn't be invented for another decade or so.

I did enjoy the broadcasting work of King, Punk and Josh Mathews last Monday on Raw. Josh is a hard working young man who does his homework and he did well with his opportunity to sit at the grown up table on Raw.

I came up from growing up with a lot of Catholic guilt, a lot of punk rock, hipster guilt in the later years where I think people have thrown a lot of things on me. Where I always felt like I'm not supposed to tell the horn section what to play or I don't want to come off egotistical.

I heard opera all day long. From the time I was 9 years old, I was imitating the singers; later I studied opera. But we also got Western television and radio, from the Americans in West Berlin. When I was 11 years old, I turned into a hippie and gave flowers to policemen. And when I was 21 and left Berlin for London, I became a punk.

Not to be rude to my sisters, but I don't listen to drag music. I listen to everything from punk to Italo disco to Appalachian country music, but I don't know what their records sound like. I hardly listen to my own records. I'm like Cher!

You just have to know your story from the beginning. You have to know what you're going for and be honest with people about that. Don't sit there and say you're gonna be a DIY punk band for your whole life and then move on to arenas; you can't do that because then people don't trust you anymore.

I think I began getting really influenced by that whole punk scene around the age of 13 or 14-I went through that whole thing like the shaved head. I was always interested in what people called "the darker side," whatever that was, and the kind of look that you would see in the old horror films. So I let that become more of my persona.

My dad took me to all the best rock and punk shows when I was growing up and music has always been a part of my life. So I'm very interested in the music scene and I suppose that's why I've ended up going out with musicians. Dave Pirner is still one of my best friends.

I feel like I'm a rock artist. I don't feel like I'm a pop artist. And I'm alt rock. I'm indie rock. I'm punk rock. Because it comes from the pots and pans. It's a lot of me, but I've got multiple personalities.

Olympia was a town crawling with music. I was new to the whole punk scene. The culture shock continued; Olympia had bagels! We didn't have bagels in Arkansas. You could order vegetarian food all over town! It was so crazy to me - a place with so many vegetarians, the restaurants made special dishes for them?

The thing I loved about my old punk band, it wasn't really about being vulnerable, it was about shouting and being fun and being aggressively political, which I thought was really cool and really fit that energy.

Everybody gets a tag. If you listen to a Velvet Underground record, you don't think, 'Godfathers of Punk.' You just think, 'This sounds great.' The tags are there in order to help try to sell something by giving it a name that's going to stick in somebody's memory. But it doesn't describe it. So 'depressing' isn't a word I would use to describe my music. But there is some sadness in it -- there has to be, so that the happiness in it will matter.

The punk rockers said, 'Learn three chords and form a band.' And we thought, 'Why learn any chords?' We wanted to make music like Ford made cars on the industrial belt. Industrial music for industrial people.

When I first played '1234' it was on stage in San Francisco at some kind of, like, sticky-floored club. And it felt like a punk song. I mean it's ridiculous to say that now, but it had that kind of, like, piercing straight melody. And then this fist-pumping ending, you know that pa-dap-pada.

I went through a real punk stage-I had braids, red hair, pink hair, green hair, I cut it into a Mohawk, the lot. Then about five years ago, I dyed it dark and stayed out of the sun to get pale, because I hated looking like everyone else, all blonde hair and tanned skin.

What's really cool about 'This is Me' is that our friends loved the song. Older punk rock fans don't know 'The Greatest Showman,' haven't seen the movie. And they hear that song and they're like, 'This just sounds like an awesome New Found Glory song. This is a really good song.'

I lived at the Gramercy Park Hotel for about 10 years. It was terrific. It was a pleasantly run-down hotel of the '70s and '80s with a mix of older, rent-controlled apartment dwellers, Europeans and new wave and punk bands. The room service was great, the hamburger was terrific, and they had a doctor who made house calls.

In high school I was in a band called Goodfight, but it was more me running around on stage. It was very punk inspired. Then I started to get into indie-rock and older music and decided I wanted to write my own stuff. I quit the band. Around 16 or 17, I started recording myself at home on keyboard and piano.

Champagne Jerry records are definitely, in one way, on the very far end of the weird spectrum of rap music, then, in another way, very far on the weird punk spectrum.

Whether or not punk is the flavor of the month is not important for us. Bad Religion has been popular through many different climates. When heavy metal was popular, when new wave was popular, Bad Religion was still there underneath the mainstream selling more and more records.

Caitlin Cary and I were always talking about X when we talked about whiskeytown, before it became an actual band. We like the concept of there being no real front person in X, yet this kind of switch up of vocals and really their sheer power, and their ability to sort of bastardise punk rock and midwetsren rock and even country into their own sound.

Books are up against TV and movies and video games and a multimedia society that is so busy that people don't have contemplative time any more. I worry deeply about this. In fact, I worry about everything all the time. I used to be a punk. All I wanted to do was tear everything down, and that was so much easier.

I sometimes feel a bit embarrassed to play guitar. There's something - I don't want to sound ungrateful - but there's something very old-fashioned and traditional about it. You meet kids today whose grandparents were in punk bands, really. It's very old and traditional, But then, you know, so is an orchestra and so is the string section.

The Rolling Stones are truly the greatest rock and roll band in the world and always will be. The last too. Everything that came after them, metal, rap, punk, new wave, pop-rock, you name it... you can trace it all back to the Rolling Stones. They were the first and the last and no one's ever done it better.

I listen to all kinds of bands. I like rock music, like, male rock bands. I'm more into that instead of female singers. I like Nirvana, Green Day, System Of A Down. I also like punk rock, and I love bands like Coldplay.

I’ve been making electronic music for twenty some odd years but, because I grew up playing in punk rock bands, when I started touring, I thought in order to be a viable touring musician I had to do it with a band. I would DJ or tour with a full rock band.

I look fondly back on renegade days of my youth. Not the partying or anything, but it's still the spirit that I have always adhered to. When I do work that I like, it feels like a great punk song, like a burst of adrenaline. I've always kept this spirit in me, or some sort of connection to it.

I was in a really crummy pop-punk band. I think we did a whole bunch of Blink-182 covers, and we were on the fringe of losers and jocks. So we invited all the cool kids to come watch us play in our bass player's brother's bedroom. And it was terrible, but everyone thought we were so cool.

I tell people too young to know that we came up during two of the most dogmatic times in recent history - the so-called hippie era and the punk era, both of which had a set of codes and rules that you had to look and dress and think a certain way, and for sure, to be of a certain age.

I know what you're thinking. Did he fire six shots or only five? Well, to tell you the truth, in all this excitement, I've kinda lost track myself. But being as this is a .44 magnum, the most powerful handgun in the world, and would blow your head clean off, you've got to ask yourself one question: "Do I feel lucky?" Well, do ya, punk?

I got out of that immediately was that now, all of a sudden, rock music had become a spectator sport, that corporate labels and their bands were the new establishment, and punk was there to fight them the way the activist hippies must have fought what the establishment must have been ten years before. And it was interesting to see the reactions in different parts of the country.

I hated old people as a young kid who thought he knew anything about punk rock. I just thought old people sucked and I thought their opinions sucked.

We went through rock 'n' roll, which then became just rock, then punk rock, then the worst disease of all - rap music. It's an oxymoron, because rap is not music.

I sometimes feel a bit embarrassed to play guitar. There's something - I don't want to sound ungrateful - but there's something very old-fashioned and traditional about it. You meet kids today whose grandparents were in punk bands. It's very old and traditional, but then, so is an orchestra and so is a string section.

I think after Iceland's independence in 1944, we were not very sure of ourselves and our confidence was really low. It took one generation to sort of get over that. I'm second generation. My parents were born in 1945-46. Our movement at the punk times was like, we can sing in Icelandic, we are strong.

I feel connected to every other creative element because I have a creative soul. My isolation is not through the work it's through not being able to connect with mediocrity. When I was younger I was a punk and then when I got married and had children I became a mother. They are the only two memberships to any clan-like cultures that I have ever embraced.

I just try not to subscribe to the ways of celebrity. I'm not a celebrity, I'm a working actor. A lot of the events -- the parties and the premieres that people go to to get noticed -- I'm just not into. I'll hang out with my friends, go see punk shows, read at home. At the same time, I have a production company, which is a lot of work.

Our show is all about energy and all about the skill, so we never have to alter it for different audiences, although maybe we might get crazier at a punk-rock show. With kids moshing and crowd-surfing, we might have to get crazy as well.

I've always stayed on the periphery of things. When I used to go to the punk clubs and things like that, I was never up front. I always wanted to be in the back, or on the side, because I wanted to get the whole view, rather than be staring up at someone's nostrils.

I just try not to subscribe to the ways of celebrity. I'm not a celebrity, I'm a working actor. A lot of the events - the parties and the premieres that people go to to get noticed - I'm just not into. I'll hang out with my friends, go see punk shows, read at home. At the same time, I have a production company, which is a lot of work.

I'd always wanted to make a record with Jim Dickinson, and I'd known about his boys for years, ... He reminded me that when they were 13 or 14 years old they had a punk rock band and I'd called him and wanted to make a record with them then.

He doesn’t pretend,” the punk pixie said. He nodded toward Doyle. “Nice rings. You got anything else pierced?” “Yes,” Doyle said. The boy smiled, making the rings in the edge of his nose and his bottom lip curl cheerfully with it. “Me too,” he said.