Top 1200 Dance Class Quotes & Sayings - Page 16

I was trying to do my own version of 'Cha-Cha Slide.' I was hoping someone, just someone, please dance to this song. It started to happen at my shows; the front row fans started doing the dance.

I was asked to act when I couldn't act. I was asked to sing "Funny Face" when I couldn't sing and dance with Fred Astaire when I couldn't dance and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.

In one sense, Obama's point couldn't be clearer: race is a distraction from class-based inequities. And if we dismiss working-class resentment as camouflaged racism, we will continue to be distracted by the spectre of race.

I believe, if we take habitual drunkards as a class, their heads and their hearts will bear an advantageous comparison with those of any other class. There seems ever to have been a proneness in the brilliant and warm-blooded to fall into this vice.

I'm definitely a fan of dance music. I guess we really call it 'dance' music because music seems to have become very functional. For years, people were trying to be everything. Now, musicians are becoming very specific.

That is what they call being reconciled to die. They call it reconciled when pain has strummed a symphony of suffering back and forth across you, up and down, round and round you until each little fibre is worn tissue-thin with aching. And when you are lying beaten, and buffeted, battered and broken - pain goes out, joins hands with Death and comes back to dance, dance, dance, stamp, stamp, stamp down on you until you give up.

I feel like I've always been in love with dance. When I was little kid I would always be the one who would be like, okay let's make up some dance routines.

The place where you got to get revenues has to come from the middle class. That's where the huge number of people that are there. So the system does need to be revamped [to tax the rich less and the middle class more.]

Leaving college early to play pro football was the best thing that happened to me. I got to drop the most boring poetry class. Dumbest thing I did was being in that class.

'Working Class Man' is my second memoir and is a continuation of my story from where 'Working Class Boy' left off. The book is really an attempt at explaining the impact of my childhood on myself and the ones I loved as an adult.

But isn't this a dance? Isn't all of this a dance? Isn't that what we do with words? Isn't that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it's choreographed. Some of the steps have been done for ages. And the rest -- the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.

I went to a middle-class school, but my background is working class. I got the best of both worlds, I saw both classes, so I have a pretty fair idea of how people live and why they do it.

Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.

The experiments made on the mutual electrical relations of bodies have taught us that they can be divided into two classes: electropositive and electronegative. The simple bodies which belong to the first class, as well as their oxides, always take up positive electricity when they meet simple bodies or oxides belonging to the second class; and the oxides of the first class always behave with the oxides of the other like salifiable bases with acids.

I like to travel business or first class. I wouldn't go out of my way to pay through the nose if the particular airline had a perfectly adequate economy class - but I do like to be comfortable when traveling.

I think dance is amazing because what people don't realize is like when you dance your spirit and your soul get ignited. You're not only releasing endorphins, but also your spirit is awakening. It makes you feel good and happy.

When you dance with a partner you are close and the dance is very suggestive, but it is not personal … “Close is what the music inspire you to become. The embrace looks personal, but what we are actually embracing is the music.

The first time I took a Kundalini yoga class, I cried my eyes out afterwards. I was so moved by the meditation and singing "Long Time Sun" at the end of class. I felt like I was home.

Dancing is really a way of working out and it can actually be fun. In dancing there might be a certain dance move that requires you to do a squat. Certain dance moves will require you to move your core. That's what people don't understand.

There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.

Britannia High' is not set in a high school where people burst into song and dance for no reason. It's a performing arts school, so there is a legitimate reason for them to sing and dance.

I'm working class. Not because my family have always been skint or because I'm from the grim north, but because I am from a class of people who believe in work. In paying their way.

The way Alvin Ailey has transformed modern dance and dance in general is the fact of variety. It's a cornucopia of ways to move. There are choreographers in the company as - as diverse, as different from each other as Donald McKayle and Bill T. Jones, or Jawole Zollar and John Butler, Lar Lubovitch, you know, and Judith Jamison.

I like watching American TV shows like 'The Sopranos,' 'Game of Thrones,' etc. I also like to watch dance reality shows since I love to dance, even though I haven't been trained in dancing.

In my childhood there was every year at my old home, Roxborough, or, as it is called in Irish, Cregroostha, a great sheep-shearing that lasted many days. On the last evening there was always a dance for the shearers and their helpers, and two pipers used to sit on chairs placed on a corn-bin to make music for the dance.

One of the basic tenets of the working class is you want to get out of the working class.

At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not all it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance.

Sing your song. Dance your dance. Tell your tale.

Don't be daunted. Just do your job. Continue to show up for your piece of it, whatever that might be. If your job is to dance, do your dance. If the divine, cockeyed genius assigned to your case decides to let some sort of wonderment be glimpsed, for just one moment through your efforts, then 'Ole!' And if not, do your dance anyhow. And 'Ole!' to you, nonetheless. I believe this and I feel that we must teach it. 'Ole!' to you, nonetheless, just for having the sheer human love and stubbornness to keep showing up.

My dance move has seemingly turned into push-ups. Sometimes, especially if I've indulged a little bit in an evening, it's not out of the ordinary to find me, for some reason, doing push-ups. That seems to be my go-to dance move.

When I say dance music, it's anything that makes me want to dance. It could be Timbaland and Missy Elliott, but it could also be disco music and samba music: It's not relying on melody in the same way; it's more about rhythm.

Everybody laughed at me when I said I wanted to make a dance video, but when I said, 'What would it look like if Joe Strummer made a dance video?' everybody shut up.

I enjoyed Ready For This, which was created by the people behind Dance Academy and Redfern Now, and really it's what you'd get if you crossed Redfern Now with Dance Academy

If you and I had a relationship, and I like to dance and you don't, will that affect our relationship? If I push you and push you, maybe you'll learn to dance, but more likely, that will move you away from me.

Every dance is a kind of fever chart, a graph of the heart. The instrument through which the dance speaks is also the instrument through which life is lived ... the human body.

Let me see you do the 'rag time dance'... Turn left and do the 'Cake walk prance'... Turn the other way and do the 'Slow drag'... Now take your lady to the world's fair (...) And do the 'rag time dance.'

Dance music is about having a good time, and a lot of dance music is very serious now. When progressive house and progressive tech came along, it was kind of serious, but it's all context as well.

All things are aggregations of atoms that dance & by their movement produce sound. When the rhythm of the dance changes, the sound it produces also changes... Each atom perpetually sings its song, and the sound at every moment creates dense subtle forms.

With a few notable exceptions, literary fiction in the U.K. is dominated by an upper and upper middle-class clique who usually have a tin ear for the demotic and who portray working-class characters with, at best, a benevolent condescension.

When you have achieved a state of calmness and readiness, then you are ready to know, ready to understand in a deep way the dance between emptiness and appearance. Once you catch a glimpse of that dance, don't hang on to it. Just let it go, like your first glimpse of essence love.

I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.

To me, music's something I can dance to or listen to. To write about it is always more of what the music represents, or what it reflects. Like an ideal song, to me, is a song that you can dance to, that summons up some darker and greater mystery.

I was always behind in class. There was people in my class who was amazing at art, amazing at maths, amazing at English, but I wasn't clever with anything, even though I tried my hardest.

It used to be that the working class, broadly speaking - Americans who worked with their hands, who worked in factories, who were not in management - were an interest group, a political interest group. And their main spokespersons were the Democrats. Their platform was the Democratic Party. And that began to change after the 1960s. Not for black or other working class Americans, but for white working class.

A good dancer is one who listens to the musicWe dance the music not the steps. Anyone who aspires to dance never thinks about what he is going to do. What he cares about is that he follows the music. You see, we are painters. We paint the music with our feet.

Modern physics had shown that the rhythm of creation and destruction is not only manifest in the turn of the seasons and in the birth and death of living creatures, but is also the very essence of inorganic matter. For modern physicists...Shiva's dance is the dance of subatomic matter.

I'm one of the people that's managed to rise above my class, that's the working- class dream, the whole Lennon-esque, John Osborne kind of thing, you know - jump out - if you get the opportunity to better yourself that's fantastic, and I've done it.

Your body is the ground metaphor of your life, the expression of your existence... So many of us are not in our bodies, really at home and vibrantly present there. Nor are we in touch with the basic rhythms that constitute our bodily life. We live outside ourselves - in our heads, our memories, our longings - absentee landlords of our own estate. My way back into life was ecstatic dance. I reentered my body by learning to move my self, to dance my own dance from the inside out, not the outside in.

Socialism has never and nowhere been at first a working-class movement. It is by no means an obvious remedy for the obvious evil which the interests of that class will necessarily demand. It is a construction of theorists.

As a songwriter, I was influenced by David Bowie - a great writer. A class above everybody in so many ways. Lennon and McCartney, of course. Class stuff. David Cousins was my favorite lyricist.

We dance, we dance. You hold the thread of my soul. You spin, you spin. And you unravel the part from the whole. We laugh, we laugh. I'm so far from where I began. I fall, I fall. And I forget that I am.-from Golden Tongue:The Poems of Steven Slaughter

In fact, I wasn't going to dance in Xanadu, but several journalists told me that Olivia Newton-John kept saying how sad she was that she wouldn't get the chance to dance with me. So I finally said, "All right, throw in a number." But I'm through with dancing.

There's always been a nasty strain of class prejudice ingrained in the condemnation of football's 'undeserving rich,' as if the working class is uniquely susceptible to being corrupted by money, and as if they deserve their wealth less than those born to it.

I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.

I'll never forget the dance number that I shot with Anushka. The choreography involved a lot of intricate dance moves. I'm at least 7 inches shorter than Anushka, so I had to wear the highest heels I've ever worn in my life; throughout the song, I even injured my knee a couple of times.

I am a Midwestern Democrat, which I believe means practical, reasonable, willing to work across the aisle and focused on the economy and the middle class, saving the middle class.

I only took a high school acting class because there was no other class I wanted to take. I loved it, but I was always against acting as a profession. I didn't like the monetary fluctuations I saw.

I did dance music for a short period of time but I felt like the fruit for me was in the outer dance world so I stopped doing overt techno and I think, in terms of rhythm, I enjoy things that feel like they're falling off, like they're just barely holding on.

My dance is a sacred poem in which each movement is a word and whose every word is underlined by music. The temple in which I dance can be vague or faithfully reproduced, for I am the temple.

I simply make this point, that the monarchy in so far, as it is identified with what is, in my opinion, an obsolete class structure, is making a mistake, and the task of those who are responsible for the conduct of the monarchical institution is to detach it from that class structure.