Top 1200 Dance Class Quotes & Sayings - Page 17

Explore popular Dance Class quotes.
Last updated on November 7, 2024.
I didn't want to move or act like a rich man. I wanted to dance in a pair of jeans. I wanted to dance like the man in the streets.
That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.
I remember playing hockey as a kid - I was goalie in gym class and I was pretty good at it. But basketball was my passion. As a kid I went to class, came back from school, did my homework and went straight across the street to practice.
Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front.' She wanted to learn everything - she was doing the dance moves. She's a good dancer.
I was born in Japan, and I grew up in England, and I wanted to be an actor when I was a child because I had an uncle who was an actor. I wanted to do everything he did, and he told me to learn how to dance first. So then I learned how to dance.
I was the runt of my class. So I got away with the whole 'Oh, he's so cute' thing. I was in upper division math courses, so I would have junior and senior girls in my class, and they'd just sit behind me and play with my hair. I didn't mind that so much.
I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.
My father was a black, working-class man who arrived here with no money in his pocket from Nigeria; my mum came from more of a middle-class background, whose father had prosecuted the Nazis at Nuremberg.
Nonwhite and working-class women, if they are ever to identify with the organized women's movement, must see their own diverse experiences reflected in the practice and policy statements of these predominantly white middle-class groups.
The entering class I joined in 1956 included just nine women, up from five in the then second-year class, and only one African American. All professors, in those now-ancient days, were of the same race and sex.
I had been acting from a very young age and also performing with a dance troupe, the Kalakshetra Dance Troupe, from city to city. I needed a break. After marriage I took time off. That break lasted 24 years!
You know, master classes are essentially extended Q&As. That's how I always approach them. I don't mean to downplay it. It's just that I never fancy myself as someone who is taking a class. 'Master class' insinuates a teacher, and I'm not one.
I remember seeing a photograph of myself en pointe with my hand over my head and the other hand turned in under my breast curtseying. I took dance lessons at Miss Debbie's Dance Studio, and she put this picture of me in the storefront window. I was so unbelievably humiliated by the sight of myself.
I myself am consummately middle class. We grew up in upper-middle-class suburbs in Oklahoma City, and thats very much the same ethos as what Richard Yates and John Cheever wrote about.
Democrats believe, plausibly, that middle-class entitlements are instantly addictive and, because there is no known detoxification, that class, when facing future choices between trimming entitlements or increasing taxes, will choose the latter.
Class Day is a terrible name for a day when you don't have to go to any class.
I miss the romance. I keep saying this over and over again, but dance follows music. And if the accent today is percussion and rhythm and loudness, then that is the way the dance numbers will be. But it is pretty hard on romance with seven guitars, three drums, and no melody instruments in the band.
I had this health teacher who kept me after class one time, saying, ‘You’re missing a lot of class.’ I was like, ‘Yeah, but I’m doing this play.’ He said, ‘Community theatre is not going to take you anywhere. Maybe you should stay in school’
I have the best of both worlds. I have all the accolades that come with something like that video, but I don't have people stopping me on the street and being like, "Oh, my God, dance for me." I have probably only been recognized three or four times flat out - someone saying, "Are you the Evolution of Dance guy?"
If you really want to act, I say get in class. Every kind of class. Put as many tools in that tool belt, because once you get out there, the real world doesn't sugarcoat much!
The smile is the dance of the face - the dance is the smile of the limbs. — © Ninette de Valois
The smile is the dance of the face - the dance is the smile of the limbs.
In the States everyone aspires to be middle class. It's so engrained into the American psyche: As long as you work hard you're going to be rich some day. The history of Britain is that if you're born working class, you're going to stay there, although that is changing.
If we want to have a two-class society and an unemployed, welfare-crippled lower class that has no access to equality and educational opportunity and no access to jobs and is resentful and furiously angry, we can have it - that's what we've been willing to pay for so far.
"Dance," said the Sheep Man. "Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, okay? Justdon'tletyourfeetstop."
Liberty is a great celestial Goddess, strong, beneficent, and austere, and she can never descend upon a nation by the shouting of crowds, nor by arguments of unbridled passion, nor by the hatred of class against class.
That's the choice they allow you - now the outlet is being a pop star, which is really what I'm saying on the album in 'Working class hero'. As I told Rolling Stone, it's the same people who have the power, the class system didn't change one little bit.
I do Dance Dance Revolution. I'm not as good as the little kids that come in the arcade. Their little feet go crazy fast. I'm not that fast, but I'm good on it!
I've gradually risen from lower-class background to lower-class foreground.
These were all middle-class kids from literary backgrounds, joining this sort of train going by, this pop train, jumping on. Whereas the rest of the rock scene, you'll find that there's mostly working-class people.
My first memories of music are of my mother playing Dominican music in the house because my parents love to dance. They love to throw parties and dance, so there was a lot Latin music in the house.
United have some world-class players with a world-class manager.
I went mainstream in a major way with the song "Let's Dance." And what I found I had done was put a box around myself. It was very hard for people to see me as anything other than the person in the suit who did "Let's Dance," and it was driving me mad - because it took all my passion for experimenting away.
When I recorded 'Sun,' I wanted to do something with more of a modern sound. I've never done anything like it, and it was fun for me to sing, but I'm not really a dance person per se. However, I would love to hear that song in the club. I think it's a really good dance song.
Where wildness and disorder are visible in the dance, there Satan, death and all kinds of mischief are likewise upon the floor. For this reason I could wish that the dance of death were painted on the walls of all ball-rooms in order to warn the dancers, not by the levity of their deportment, to provoke the God of righteousness to visit them with a sudden judgment.
Dance today is clearly in an unsettled state. Old forms and traditions are being given up. New ones are arising to take their place. A time of change presents a confused picture. That there is change is proof that dance is organically vital--and much more so than it has ever before been in this country.
'ABCD' is an out-and-out dance film. I also dance in the film. I must say you would see better dancers than me in this film. It was very tough for me to match their steps.
By default, we have created a "system" of nursing-home care for the aged in which middle-class people pay exorbitant rates to for-profit nursing-home entrepreneurs - and then when private resources are consumed and the patient qualifies as a pauper, the nursing home begins billing Medicaid. This is precisely the antithesis of social citizenship; instead of the poor being accorded the dignity associated with the middle class, equality of treatment is achieved by making the middle class undergo pauperization.
Here in New Orleans, what a lot of the musical families do - and this is a romantic concept on my part - is they teach their kids to tap dance first. Then after tap dance, you learn piano, and after piano, you get to pick between all the instruments that are out there.
Just as invasion is the true and tried weapon in the hands of capital against the class struggle, so on the other hand the fearless pursuit of the class struggle has always proven the most effective preventative of foreign invasions.
You have different levels of players. There's are Premier League, international and world-class levels. The world-class level is players at the peak of their career and there's only maybe 50 maximum in the whole world. Stevie moved from a Premier League player to an international player and then world class.
I could dance with you till the cows come home. Better still, I'll dance with the cows and you come home." Groucho Marx was never one to pass up an opportunity for a play on words and this occurs in his dialogue of the 1933 film Duck Soup.
I think the success of democracy is not really police security; it's the presence of a broad middle class. The stronger the middle class of a people is, the less you have to worry about one group coming in and exploiting the democratic process for its own ends.
No, my dance moves are always working no matter where I am. Whether at the house or if I'm out, at the facility working out, practicing, you gotta get the dance moves right. They help out with your footwork.
When movement becomes ecstatic, then this is dance. When the movement is so total there is no ego, then it is dance. — © Rajneesh
When movement becomes ecstatic, then this is dance. When the movement is so total there is no ego, then it is dance.
I don't know video games.The last video game I played, apart from Dance Dance Revolution at Jeremy's house, which I was very good at - Scarlett [Johansson] and I will always have "Billie Jean" - was Super Mario Kart on the Super Nintendo. I'm from the Dark Ages.
...existence has become an unreasoning, wild dance around the golden calf, a mad worship of God Mammon. In that dance and in that worship man has sacrificed all his finer qualities of the heart and soul — kindness and justice, honor and manhood, compassion and sympathy with his fellowman.
For dance recitals, my mom would do my makeup all extravagant because obviously I was really little and where else would I be wearing makeup? We would always be in her bathroom before the dance recital, and she'd do our hair and makeup.
Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.
We concentrate too much on ethnic diversity and not enough on class. It's dead important to represent loads of different cultures. But what the BBC doesn't do enough of is thinking about getting people from more working-class backgrounds.
Now, the political class tries to make sense of all of this, but they can't, because never has the political class or the mainstream media that covers them been more out of touch with the American people than they are today.
We all like to think of ourselves as a standard, and I can see that it is genuinely difficult for the English middle class to suppose that the working class is not desperately anxious to become just like itself. I am afraid this must be unlearned.
My sisters used to learn dance, and I used to stand behind them and dance. So my guruji suggested that I also learn, as I seemed interested. I started learning at the age of three and was always on stage for something or the other. My mother is proud of me, and clearly my artistic bent comes from her.
Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front'. She wanted to learn everything - she was doing the dance moves. She's a good dancer.
Consciousness expresses itself through creation. This world we live in is the dance of the creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I am dancing, I have felt touched by something sacred.In those moments, I felt my spirit soar and become one with everything that exists.
When I went to law school, I took a bankruptcy class with then-professor, now-Senator Elizabeth Warren. And I'll never forget that first day of class, hearing her talk about the importance of the bankruptcy system.
I was born into no true class and it was my decision early in life to insinuate myself into the middle class like a spy so that I would have an advantageous position of attack, but I seem now and then to have forgotten my mission, and to have taken my disguises too seriously.
We thought we could reinvent the way people came together for live events. We wanted to ticket everything from a five-person yoga class to a 10-person cookery class to a fashion event.
Women's propaganda must touch upon all those questions which are of great importance to the general proletarian movement. The main task is, indeed, to awaken the women's class consciousness and to incorporate them into the class struggle.
A fitness instructor in Maine has been charged with running a prostitution business out of her Zumba dance studio. Authorities first got suspicious when they saw guys going to work out at a Zumba dance studio.
I took a class in college... I think we were reading some short Chekhov plays, and I knew the first day of the class that I was going to be an actor. It was just the bizarrest thing, but it just felt like home.
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