When I was growing up, music was music and there were no genres. We didn't look at it as country music. Popular music in Tuskegee was country music. So I didn't know it in categories. It was the radio.
Latin guys dance. American guys don't dance. That's a big difference.
Everyone likes to laugh. Everyone likes to dance along to some music.
I don't know why people have to categorize things in music under music. It's music and it's music and it's music. When you start putting genres on things, I think it's completely ridiculous, and I hate that.
Part of the reason I fell in love with dance so early was because of people like Janet Jackson, Michael Jackson, and Britney Spears. When they would dance onstage and in their videos, that was huge for me. I lived for that.
I was used to dancing, but only when someone told you what to do. So in the nightclub I was all over the place, I combined everything. Street dance, modern dance, a bit of jazz and ballet, I was Twyla Tharp, I was Alvin Ailey, I was Michael Jackson. I didn't care, I was free.
On with dance, let joy be unconfined, is my motto; whether there's any dance to dance or any joy to unconfined.
DNCE is “dance without the a.” It’s not a perfect word, and you don’t always have to be a perfect dancer to dance. Life is just sometimes not perfect.
I pole-dance. I do. I do it at an aerobics center. Having done gymnastics for 13 years, I find it's one of the only things where I can still use my core and all my muscles. Plus, it's fun: You're a girl, and you get to dance around a pole!
As a dancer, I know couples that have stayed married but separated to dance on different continents. Dance in general, but ballet in particular, is such a finite career. You can't do it later in life, and it's something that I think a dancer has to have some selfishness to fulfill.
Music is an expression of individuality; it's how you see the world. All art is, for that matter. You take how you experience the world, interpret it, and send it out there - express it - whether it's sculpture, dance or singing.
What do artists do? Artists give people something they didn't know they were missing: a dance, a piece of music, a painting, a piece of sculpture. Catering to that need is the best business strategy.
A lot of people cannot dance because they are inhibited. 'Oh, I can't dance' or 'I have two left feet' or maybe someone has commented on their dancing a while back. When you enjoy something, you might be doing the simplest of moves, but they still look so beautiful.
When I was eight, I would go crazy dancing in marriages. During Ganpati, I would dance on the street all night. I loved music and would be mad about dancing.
It fell into my lap. I grew up doing dance classes. And one day, a film production company contacted my dance school looking for background dancers. I wasn't looking for it. It just happened. And I found myself on set. And that was that.
There's a dance that happens with you and that's why I really like doing it with stunt men, because they know how to dance generally better than actors do. It is choreography and if you aren't used to doing it things can go wrong.
When I go out clubbing I can dance 'til three o'clock in the morning with just a water bottle in my hand. I love dancing to anything with a good beat really. My favorite song to dance to at the moment is probably Drake's 'Best I Ever Had'.
I think that 'Flesh and Bone' represents the dance world very authentically. There's always this aspect of drama put on top of it, and it's showcasing the problems of the dance world, but I've had experiences in reality that were written into the show.
I've been interested in hip-hop since it first appeared: the fact that it was born not in the music industry but on the street, the idea of using a turntable as an instrument, singing vividly about reality instead of typical love songs, and its links to graffiti and dance.
The dance in which the men form one row, the women another, and dance with and opposite each other in a form of love play, is widely diffused and may be confidentally assigned to a Protoneolithic culture level.
The Dance can, with the aid of music, rise to the heights of poetry. On the other hand, through an excess of gymnastics it can also degenerate into buffoonery. So-called "difficult" feats can be executed by countless adepts, but the appearance of ease is achieved only by the chosen few.
We no longer sing and dance. We don't know how to. Instead, we watch other people sing and dance on the television screen. Christmas, which was once a festival of active enjoyment, has turned into a binge of purely passive pleasures.
Then come the lights shining on you from above. You are a performer. You forget all you learned, the process of technique, the fear, the pain, you even forget who you are you become one with the music, the lights, indeed one with the dance.
Music is my life. I love doing it, so I just do it nonstop all day. And with dancing, I wanted to put on a show for people. I don't want to just be sitting there doing nothing, so that's when I started to dance.
I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
My dad moved to New York after he won "Soul Train" and the car and got settled in out there and was able to step right into Dance Theatre of Harlem and felt like he was in a show called "Omnibus" and "American Dance Machine."
We are conjured voiceless out of nothing and must return to an unknowing state. What happens in between is an uncontrolled dance, and what we ask for in love is no more than a momentary chance to get the steps right, to move in harmony until the music stops.
Dance on, dance on, we see, we see
Youth goes, alack, and with it glee,
A boy the old man ne'er can be;
Maternal thirty scarce can find
The sweet sixteen long left behind.
Concert dance is the hardest kind of dance. We tour constantly, around the world, year in and year out. It just doesn't work for everybody. It's the lifestyle, it's the stamina, it's the love, it's the dedication, it's the commitment, it's all those words.
A lot of festivals can be a jumble of electronic music and rock and roll, and everything's all mixed up - some things are more performance art or light shows or dance parties, and then you'll have a singer-songwriter stuck in the middle to make the changeovers easier.
My impression is that a sense of rhythm, which has no analog in language, is unique and that its correlation with movement is unique to human beings. Why else would children start to dance when they're two or three? Chimpanzees don't dance.
A dance is the devil's procession, and he that entereth into a dance, entereth into his possession.
Any dance of celebration must weave both the sorrows and the blessings into a joyful step....To heal is to let the Holy Spirit call me to dance, to believe again, even amid my pain, that God will orchestrate and guide my life.
If you don't go to a dance you can never be rejected but you'll never get to dance either.
Except for the point, the still point, There would be no dance, and there is only the dance
Everyone knows how physically demanding 'Newsies' is in terms of the dance, but even the guys in the toughest tracks remark that the singing in this show is often the hardest part. The newsboys are teenagers, and Alan Menken wrote this music in the top of a guy's range.
Rock has to absorb other rhythmic forms, because the underlying rhythm of music changes with fashion, and people like to move differently, and the underlying rhythms have to be the ones that people want to dance to.
Sing your song Dance your dance Tell your story I will Listen and remember
Now you are seeing electronic dance music producers on TV, on talk shows. It's so great to see the festivals growing bigger and bigger, it's like one big family that's all partying with each other. I love being a part of that.
When I go out clubbing I can dance 'til three o'clock in the morning with just a water bottle in my hand. I love dancing to anything with a good beat really. My favorite song to dance to at the moment is probably Drake's 'Best I Ever Had.'
Making of poetry, music, dance and art as culture-making in the service of nation-making. You can find writings that make that purpose for art quite explicit.
You know, radio DJ's must really love to talk to theirselves. Especially when they have the graveyard shift. 'Hey this is Ellen with 89.1. It is currently three in the morning. There are few cars on the road. And it your still listening heres a little music to get you to dance.
If God is Mother, then we need only gather together with people and adore her through rituals intended to satisfy the female soul, ritual involving dance, fire, water, air, earth, songs, music, flowers, and beauty.
Having a dance background, I became used to rejection at an early age. Dance is very competitive, especially for a sensitive person like me. But I realized it’s better not to take it so seriously. If you beat yourself up, it’s hard to keep going.
After filming, I cant wait to shake off all that 50s primness. Ill go out to a gig and dance ridiculously. I love to lose myself in music. Just letting go - its dead important.
Being a New Yorker, I used to dance to Latin music. There was a place called the Palladium on Broadway. And Tito Puente and Tito Rodriguez used to play. So I still have that in my blood.
Music has been so healing in my life, so the fact that my music could be that for someone else is the best gift of my whole career. People have told me that they got married to my music, divorced to my music, and played my music while they were having their baby.
I've always believed that a dance evening energizes an audience, that an audience goes out feeling chemically stronger and more optimistic. This is what I understand about dance. And this is an important thing. We need this. Our culture needs it.
To me music is music. A person of faith, a person that calls themselves a Christian, they are the Christian and they make music. Some music has more to do about God than other music, but in reality what makes the difference between "secular" and "Christian" music is simply a marketing channel.
I have all these opinions about the dancers but they should be kept to myself. No one consults me. I keep asking to be invited to the dance tryouts but no one ever allows me there. I'll just say this: My general philosophy is that you can teach them to dance.
The basic success of the conga came from ...that basic principle of African music and dance: everybody participates. The conga eradicated the distinction between performer and audience, broke down the wall of the proscenium.
Being on 'Dancing with the Stars' is an amazing opportunity. I consider myself lucky to be a part of the show and to be able to share my passion and love of dance with such a huge audience while managing to train a few celebrities in ballroom dance along the way.
You can see it on the Internet: There's an argument going on continually about, 'What is folk music?' And I don't really want to get involved in that. It's an endless argument, a 'How many angels can dance on the head of a pin?' kind of argument.
If you don't go to a dance, you can never be rejected, but you'll never get to dance, either.
Telling people that I wanted to make dance music, or be on the radio, they looked at me like I was crazy because there was nothing like that in Lichtenstein when I was getting started. That's why I went to Germany, because there is industry there.
Having a dance background, I became used to rejection at an early age. Dance is very competitive, especially for a sensitive person like me. But I realized it's better not to take it so seriously. If you beat yourself up, it's hard to keep going.
When we dance, the journey itself is the point, as when we play music the playing itself is the point.
You change the beat up, you might change the way people dance to the music. If you change the way they move, maybe they'll think about it differently.
I'm the guy that stands out in all the crowds, so I don't get out there and dance, but I can dance.
My dad had a steady job with a really major dance band from '54 till '68, and then quit because he wanted to play different music. He wanted to sing about peace. He believed in these things.
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