I wanted to do pop music, and I wanted to dance. I wanted all this because that was me. This is my inner performer, that is what it wants, this is what my heart wants.
It is an honour to be spreading Moroccan music and dance in India while integrating some of my favourite things about India, including the beautiful, talented, carefree children, who just light up the screen the minute they start dancing.
I'm bugged because I can't believe I can't speak every language there is. But I feel I can when I sit and am with somebody, and I can dance for them. Because dance is dialogue without language.
To be frank, I am confused. If an actress does a cameo dance sequence, it is often referred to as an item number, if an actor does the same, it is just a dance number!
Rock ’n roll is really swing with a modern name. It began on the levees and plantations, took in folk songs, and features blues and rhythm. It's the rhythm that gets to the kids – they're starved of music they can dance to, after all those years of crooners.
I don't want to participate in traditional Indian religious ceremonies - dance in a sun dance or pray in a sweat lodge or go on a vision quest with the help of a medicine man. The power of these ceremonies has an appeal, but I'm content with what little religion I already have.
It takes skill to sing bad and dance bad, because there's a certain amount of unawareness that people have when they can't sing and they can't dance, so I have to say that it is a challenge!
I have a strong dance background. I danced from age five until 18, and that helps a lot. Doing a fight routine is like doing a dance routine.
The future of dance will always be tied up with the public's acceptance of the star. If they accept the star, then they'll accept the dance.
People should be able to dance with whoever they want. If two guys or two girls want to dance together, that's great.
When I'd be out-and-about at a club and the music would come on, I was never the guy that was gonna dance. But after Magic Mike - I have like two or three go-to moves. That's what Magic Mike gave me.
With 'Dance Moms' in L.A., we film on Wednesday, Thursday, Friday, and Saturday. When we film in Pittsburgh, we film the same days, but we still dance in our studio when we're not filming, so I'm dancing every day except Sunday.
There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
Being is so significant that it is irreplaceable. You are just yourself. Do something that comes out of you - not to assert, but to express! Sing your song, dance your dance, rejoice in being whatever nature has chosen you to be.
I love doing concert choreography because everything is about your vision, come heck or high water. Of course, you also take the blame for everything, but it's wonderful to be able to make up dance for dance's sake.
The way a musical can make us feel is unlike anything else, in song and particularly in dance. I think people fly through plate-glass windows when they get shot because movies don't have dance scenes any more. This is what we do instead.
First, I think of myself as a brand, a businesswoman. Musician is something I just do because it's my passion - I love it and it's something I do for fun. I love music and I love to make people dance.
Well, I took ballet for many, many years, so my whole childhood really revolved around dance class. I grew up around dance; my mother was a dancer.
Dance has become an exclusionary enterprise. To participate, one must be thinner than thin, of pleasing form, flexible, athletic and young. If you are not all these things, you will be allowed to dance in the privacy of your own living room. You just wouldn't dare to put yourself onstage.
Western dance begins with its feet firmly planted on the ground whereas Butoh begins with a dance wherein the dancer tries in vain to find his feet
Everything changes when I dance... I am a taskmaster there. I am the creator. I am high on dance - my expression, body language... I am like a fire.
People have said it's hypocritical for me to call myself a feminist and make the kind of music we are making, because we signed to a major in the U.K., and that system objectifies women. Or people have complained that I don't dance. But I like the idea that I can stomp around the stage if I want.
He [Michael Jackson] would choose specific moments. They were art history books that I prefer. They were paintings that he prefers. It's this dance back and forth. We were halfway through the dance. He died.
You just have to work with your discomfort. ... It’s challenging, but you have to dance the dance that the band’s playing. You can’t say: “I came here to Cha Cha and they’re playing a Waltz, godammit!”
I dance not to entertain but to help people better understand each other. Because through dance I have experienced the wordless joy of freedom, I seek it more fully now for my people and for all people everywhere.
Making these photographs has often seemed to me like a kind of dance. Often I have danced badly and the world has fallen apart at my feet. But sometimes the dance has gone well and my subject and I have moved together as if with shared purpose.
My job as art critic is to watch artists dance naked in public, and then I will, in turn, dance naked critically in public.
I love hearing strong, confident beats in music because I love to dance. At the same time, melody is really important to me because I love singing.
I feel Britannia High is aimed at an older audience than High School Musical. Britannia High is more of a serious drama, with the music and dance on top.
I've been performing live a long time, even before doing dance music clubs downtown. I used to watch clips of Beyoncé to learn how to perform in front of people. I got my jitters out in front of my friends.
When I was first starting out as a kid, I tried to pad my resume with everything I had ever done - ice-skate, carry a tune. I can't dance for my life, but I can learn, so I'll tell people I can dance. I play the piano - I'm a really good pianist, actually.
My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.
Mostly, I'm drawn to great characters and great worlds that use weird things for their language - whether it's dance, whether it's pop music with Justin Bieber, or whether it's magic.
Dance has helped me overcome a lot of personal challenges. If I feel sad or depressed, I just go to the set and dance. It makes me feel alive.
I feel like in Atlanta, if you were a female dancer, the more you can dance like the boys, the more respect you get. I was thrust into that kind of dance culture, and it was in my body.
A crippled child Said, "How shall I dance?" Let your heart dance We said. Then the invalid said: "How shall I sing?" Let your heart sing We said Then spoke the poor dead thistle, "But I, how shall I dance?" Let your heart fly to the wind We said. Then God spoke from above "How shall I descend from the blue?" Come dance for us here in the light We said. All the valley is dancing Together under the sun, And the heart of him who joins us not Is turned to dust, to dust.
Music means communication to me. I say 'listen you people out there, listen to my music, let's be one.' Music is a friend to me when I am lonely, when I am blue. You can't define music 'cause music is cosmos and it knows no barrier or definition. You have to feel music to dig it.
The first thing I remember hearing was just the dance music that was in the charts when I was growing up. I don't remember many of the names of specific tracks - they were just kind of early acid house things.
Hildegard von Bingen conveys spiritual ecstasy, if we're talking of Western music. What bothers me about Western music is that it doesn't have an esoteric dimension in the way the music of the East has, whether it be Byzantine chant, the music of the Sufis, or Hindu music.
It's odd to spend your vacation with someone else's music especially when you're alone. You're free to let loose, unobserved, but someone else has chosen the words you belt out in private, the rythms you can dance to like a fool.
Dance brings out the best in me and makes me feel infinite. It helps me relax and express myself, and it clears my head. Plus, dance keeps me fit!
Daylight, full of small dancing particles and the one great turning, our souls are dancing with you, without feet, they dance. Can you see them when I whisper in your ear? All day and night, music, a quiet, bright reedsong. If it fades, we fade.
I am trying to walk a tightrope; trying to keep the DJ community happy while trying to spread the message about dance music to more people. That is the mission that I am on.
I see myself helping the next generation of dancers who come along, helping them to keep the dance focused, so we don't get into a position where they're saying in 2050, or whatever, that around 2001 or 2002 or something the dance died.
I go to studios and dance all the time. And that's something that will always be instilled in me. That was always my first passion from the time I was 3 years old - dance.
If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.
I'm always working out; I did ice hockey in high school, but I'm not a dance person. I mean, this was horrible, but I had a dance double in my high-school musical.
My background is in dance. No, I'm kidding. I was actually really uncoordinated as a child, when it came to dance, but I did play a lot of sports, and I do some break-dancing from time-to-time. No, I really don't.
I had art as a major, along with English, French and History. I had dance, modern dance. In English I was allowed to write my own poetry, which I eventually got published.
Would you dance, if I asked you to dance? Would you run, and never look back? Would you cry, if you saw me crying? And would you save my soul tonight?
Do you know what it is sir? Do you know what the Dance Dance Revolution is? It's not an actual revolution, so you don't have to worry about that. It's not like a bunch of Asians are going to knock on your door 'Hey! Start dancing!'
My grandmother took me to a lot of theater. I was exposed to performance quite a bit - everything from Broadway to off-Broadway and dance and music as well. I was very lucky that way. It was a very rich childhood.
Look, spaghetti arms. This is my dance space. This is your dance space. I don't go into yours, you don't go into mine. You gotta hold the frame.
Girls love guys who dance, and I'm definitely going to be the first one on the dance floor. Usually, you just see guys sitting around, but I definitely don't hold back when it comes to dancing.
The painting is always conceived as the linear record of a rhythmic gesture: it is a graph of a dance executed by the hand. Not only the artist's eye and hand perform this dance, so does the eye of the beholder.
The Gods have meant
That I should dance
And in some mystic hour
I shall move to unheard rhythms
Of the cosmic orchestra of heaven
And you will know the language
Of my wordless poems
And will come to me
For that is why I dance.
My body is very different from most of the dancers I dance with. My hair is different than most I dance with. But I didn't let that stop me. Black girls rock and can be ballerinas.
We cannot make another person change his or her steps to an old dance, but if we change our own steps, the dance no longer can continue in the same predictable pattern.
Opera is the most complete art form. It includes drama, acting, technology (lighting), art (the sets), dance, and the epitome of the human voices. But mostly, go for the glorious music. The arts are crucial to the life of every community.
To understand what I am saying, you have to believe that dance is something other than technique. We forget where the movements come from. They are born from life. When you create a new work, the point of departure must be contemporary life -- not existing forms of dance.
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