Top 1200 Dance Performance Quotes & Sayings - Page 2

I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.

I love doing hair and makeup and making 'Video Star' videos with my friend, Kendall. I also love to draw. But my life is dance, dance and more dance. I wouldn't want it any other way.

To dance, above all, is to enter into the motions of life. It is an action, a movement, a process. The dance of life is not so much a metaphor as a fact; to dance is to know oneself alone and to celebrate it.

My grandmother took me to a lot of theater. I was exposed to performance quite a bit - everything from Broadway to off-Broadway and dance and music as well. I was very lucky that way. It was a very rich childhood.

I really think music and movement - dance, you know - and literature inform my visuals. I think film is also based in dance. The relationship between me, the camera and the actor is always a dance.

I have always added dance to my productions. When I was directing theatre, I added dance sequences where they didn't exist in the play. I think dance is the ultimate form of expression.

It's one of my strongest dance pieces - having just done Play Without Words which was veering away from a lot of dance - I thought it would be nice to go back to something with almost the most dance I'd done.

I believe that dance is the oldest, noblest and most cogent of the arts. I believe that dance is the most perfect symbol of the activity of God and His angels. I believe that dance has the power to heal, mentally and physically. I believe that true education in the art of dance is education of the whole man.

I can tell you there will be a performance centre in India. There will be a performance centre in the Middle East. There will, more than likely, be a performance centre in Latin America. We will be replicating this process around the globe, all over.

I believe in the city as a natural human environment, but we must humanize it. It's art that will re-define public space in the 21st Century. We can make our cities diverse, inspirational places by putting art, dance and performance in all its forms into the matrix of street life.

Why do I dance? Dance is my medicine. It’s the scream which eases for a while the terrible frustration common to all human beings who because of race, creed, or color, are ‘invisible’. Dance is the fist with which I fight the sickening ignorance of prejudice.

Usually climax scenes have emotional or action scenes but Podaa Podi' has a climax with a dance performance.

My most memorable dance has been at the Andheri Sports Complex for the 'Dance India Dance' finale, where I performed in front of my family, teachers and 25,000 people in the stadium. I won the show at the national level and that is my most unforgettable experience in Mumbai.

I am reminded of a story of Lord Krishna when he was a cowherd. Every night he invites the milkmaids to dance with him in the forest. They come and they dance. The night is dark, the fire in their midst roars and crackles, the beat of the music gets ever faster - the girls dance and dance and dance with their sweet lord, who has made himself so abundant as to be in the arms of each and every girl. But the moment the girls become possessive, the moment each one imagines that Krishna is her partner alone, he vanishes. So it is that we should not be jealous of God.

Reading is performance. The reader--the child under the blanket with a flashlight, the woman at the kitchen table, the man at the library desk--performs the work. The performance is silent. The readers hear the sounds of the words and the beat of the sentences only in their inner ear. Silent drummers on noiseless drums. An amazing performance in an amazing theater.

For people who know about dance, 'Cats' is a musical that really celebrates dance, and there are so many different styles of dance in this film, too. I was really looking forward to being part of that.

I would love to compose something for dance before I kick the bucket, and I'm not closed-minded about the dance, or the dance company. I would really just love to collaborate on that.

I didn't start out my directorial career with a dance film, as I knew people thought a choreographer will easily make a dance film. And even with a non-dance film, I had delivered a successful film.

Doing photo booths and signings, and doing all of that for charity, and having dance parties every night, is so much fun. I like to dance, and I know other people that like to dance. It's a great way to celebrate the time that we're all down there together.

Many of my songs were dance orientated from way back. That's because I love dance! When I hear a dance number, just hearing the first eight bars, it immediately makes my bod start moving and dancing.

I've never been in a business where safety performance was excellent and the business performance was not, so they go hand in hand, and for me, safety performance is an indication of discipline, of focus and of how joined up an organisation is.

The most basic problem is that performance appraisals often don't accurately assess performance.

I was a dancer of no repute. But dance taught me a lot. You walk into a dance studio knowing you have to walk out with a dance. You improvise.

I have a company in the U.K., a performance-capture studio. We're looking to push the boundaries of performance-capture technology in film and video games, but also in live theater, using real-time performance capture with actors onstage, and combining that with holographic imagery.

I think it's one thing to be able to dance, and it's another thing to learn all the wonderful moments of dance because in my day... it was the moving of dance.

Invitation to Dance- It’s a Dance. And sometimes they turn the lights off in this ballroom. But we’ll dance anyway, you and I. Even in the Dark. Especially in the Dark. May I have the pleasure?

I've never been in a business where safety performance was excellent and the business performance was not, so they go hand in hand, and for me, safety performance is an indication of discipline, of focus and of how joined up an organization is.

There are very few dance companies in the world and you have to be phenomenal. You have to not be injured. You have to have a really strong mind to deal with the dance world. People who can do it are amazing to me. You cannot have a life outside of dance.

Lady Dance's music wasn't a magic charm. I'd misunderstood. We had all failed to understand. The song and dance didn't stop us dying. It just stopped the fear of death swallowing us up while we were still alive. 'Rejoice,' came the soft voice of Lady Dance in my mind. 'Watch the moon and stars...' Death had ruled my life till I met Lady Dance. Her dance had set me free.

Performance for another in no way signals the inferiority of the performer to the one for whom the performance is intended.

Pina Bausch's motto was "Dance, otherwise we are lost." She really meant it, that dance was her answer to life and to the troubles and to the problems that can arise. That was her way to deal with everything, to dance.

The reason why I returned to dance is simply because I love dance. I had also promised myself that I wanted to make more sense of dance, study and understand it far more in detail.

The peoples influenced by the animal dance have a variety of movements and dance with enthusiasm; those who do not know the animal dance have few movements and show little zest for dancing.

A lot of festivals can be a jumble of electronic music and rock and roll, and everything's all mixed up - some things are more performance art or light shows or dance parties, and then you'll have a singer-songwriter stuck in the middle to make the changeovers easier.

I remember watching Soulja Boy on YouTube over and over again to prepare for it. For the first one, I was up all night in my kitchen, practicing the dance, because I knew I had to dance with Timberlake and that guy can dance.

Truth cannot be defined, although it can certainly be experienced. But experience is not a definition. A definition is made by the mind, experience comes through participating. If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it. God is the ultimate dance.

Dance is active meditation. When we dance, we go beyond thought, beyond mind and beyond our individuality to become one in the divine ecstasy of the union with the cosmic spirit. This is the essence of the trance dance experience.

It doesn't matter if I'm off the beat. It doesn't matter if I'm snapping to the rhythm. It doesn't matter if I look like a complete goon when I dance. It is my dance. It is my moment. It is mine. And dance I will. Try and stop me. You'll probably get kicked in the face.

Dance me to your beauty with a burning violin Dance me through the panic 'til I'm gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love

I fell in love with art and music and dance and acting and how all those things can cultivate something really special and unique - depending on the performance and the show. That really kind of helped me develop my love of theater.

When I was in eighth standard, I have been dancing since then. I love to dance. Dance has been my life all this while. Then I became a dance instructor. I have learnt jazz, hip-hop, ballet and many other forms.

Whistling together. Some kind of performance. I mean, not just a conversation, but a performance.

At 14 I discovered girls. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship. Only later did I discover that you dance joy. You dance love. You dance dreams.

I was always too afraid to slow dance. But I do remember watching people slow dance. I was the guy on the sidelines. At the school dance, I was usually in the band, playing.

The Heavenly Spheres make music for us, The Holy Twelve dance with us, All things join in the dance! Ye who dance not, know not what we are knowing.

I have had a variety of ideas, and I have thought about opening a dance studio. I am very passionate about dance. There are not many dance studios where I live.

Being called a dance photographer makes me bristle. You might say that dance is my landscape. The root of my interest is movement or, rather, how movement can be interpreted photographically, and dance provides a perfect opportunity for this.

When I get on the dance floor, my purpose in being on the dance floor is not to end up at another spot when the music stops. The purpose of the dance is to enjoy every step along the way.

For the Indian,dance is a personal form of prayer. When the Eagle Dancer puts on his costume,when he begins to dance to the music,he doesn't simply perform it; he actually becomes the eagle itself. The dancer is virtually inseparable from the dance.

If you do not join the dancing you will feel foolish. So why not dance? And i will tell you a secret: If you do not join the dance, we will know you are a fool. But if you dance, we will think well of you for trying. if you dance badly to begin and we laugh, what is the sin in that? We will begin there.

People like to hear songs that they can dance to. Even if they're sitting, they like being made to want to dance and move. By me being a dancer, I know how I'd dance at certain tempos. I was always good at it.

I found that dance was key to keeping depression out of my life. When you dance, things just go away, things don't seem so bad. There's no better way to take care of health than through something as joyous and beautiful as dance.

When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.

I'll always have a totally open mind to endless possibilities. I want to do a dance album. Not Techno, but a record that's exclusively designed for people to dance to. That whole dance genre is kinda into its own world. I'd just like to get in there and mess around with that.

One day the wind blew through the town, and oh, how merry it was! It whistled down the chimneys, and scampered round the corners, and sang in the tree tops. "Come and dance, come and dance, come and dance with me," that is what it seemed to say.

There was a dance that everyone was doing that was heavily skewed with the power in one direction, but the dance was basically working, and then the dance got really disrupted with the first wave of feminism, and nobody found their footing yet - not the guys, not the women.

Dance as if this is the last dance. Dance with abandon, holding nothing back. That will bring transformation to your being, and a possibility of transformation for other people too.

Men are enforced into a kind of silence about their gender; they're supposed to not think of it as a performance. That's the definition of manliness - that it's not a performance; it's being yourself, authentic. Whereas women have understood gender as performance. Men have not yet made that quantum leap, or rather they're making it in many ways, they're not thinking about it.

You dance love, and you dance joy, and you dance dreams.

While I was coaching, I believe the motivation talk I gave my players that achieved the best results was in reference to their present game-day effort. I stressed the fact that today's performance could be the most important of their life. Yesterday's performance was already history. Tomorrow really never comes, so today's performance is what really counts.