Top 1200 Dance Teacher Quotes & Sayings - Page 19

Until House came along I don't think the English made very good dance records, you know, there were very few really good English Rap records, whereas once House came along all of a sudden we started and now I think we probably lead the world, and have overtaken America in dance music.

Your teacher cannot bridge the gap between what you know and what you want to know. For his words to ‘educate' you, you must welcome them, think about them, find somewhere for your mind to organize them, and remember them. Your learning is your job, not your teacher's job. And all you need to start with is desire. You don't need a schoolteacher to get knowledge - you can get it from looking at the world, from watching films, from conversations, from reading, from asking questions, from experience.

I miss him, my lady.” “Well, he is now living adjacent. You can hardly miss him all that much.” “True. But we are no longer compatible—I am a werewolf; he is a vampire.” “So?” “So we cannot dance the same dance we used to.” Biffy was so sweet when he tried to be circumspect. Alexia shook her head at him. “Biffy, and I mean this in the kindest way possible: then you should change the music.” “Very good, my lady.

There would be no chance at all of getting to know death if it happened only once. But fortunately, life is nothing but a continuing dance of birth and death, a dance of change. Every time I hear the rush of a mountain stream, or the waves crashing on the shore, or my own heartbeat, I hear the sound of impermanence. These changes, these small deaths, are our living links with death. They are death's pulses, death's heartbeat, prompting us to let go of all the things we cling to.

Tshikona is lwa-ha-masia-khali-i-tshi-vhila, "the time when people rush to the scene of the dance and leave their pots to boil over." Tshikona "makes sick people feel better and old men throw away their sticks and dance." Tshikona "brings peace to the countryside...." It is an example of the production of the maximum of available human energy in a situation that generates the highest degree of individuality in the largest possible community of individuals.

I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing then, it is the eternal dance or creation. The creator and creation merge into one wholeness of joy. I keep on dancing and dancing...and dancing. Until there is only...the dance.

The only time I feel pressured is when some woman's husband comes over and says, "Will you go ask my wife to dance? She's a great dancer and would just love to dance with you."Suddenly there's a crowd of people standing around us and they expect that they're about to see Fred and Ginger. Here the woman and I have just met, and these people think that it's showtime. That is the only time I think it is really embarrassing.

My daughter just graduated college and she's a dance major. She's done a couple of dance videos already and won Miss Massachusetts a couple of weeks ago. She's going out for Miss United States the second week of July, out in Las Vegas. She will probably wind up going to New York and trying the Broadway thing.

If you don't have a teacher you can't have a disciple.

I wanted to be a teacher.

I'm a teacher.

In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.

Always remember, wherever you are, whether near or far, you had a mother who really, really loved you. The original mother. Once you've found your true inner guru you can never again be divided. Perfect union with the divine, through the grace of your real teacher, transcends time, space, death and all worldly limitations. Your real teacher is the original mother - regardless in which manifest or non-manifest form, or gender, she appears. The one who nurtures you and the one who also, out of wisdom and compassion, corrects you if you are misguided.

To sweat is to pray, to make an offering of your innermost self. Sweat is holy water, prayer beads, pearls of liquid that release your past. Sweat is an ancient and universal form of self healing, whether done in the gym, the sauna, or the sweat lodge. I do it on the dance floor. The more you dance, the more you sweat. The more you sweat, the more you pray. The more you pray, the closer you come to ecstasy.

If you're a coach, you're a teacher.

People who dance well, dress well, are well groomed and know how to behave seem to know others who dance, dress and behave well.

Basic dance--and I should qualify the word basic--is primarily concerned with motion. So immediately you will say but the basketball player is concerned with motion. That is so--but he is not concerned with it primarily. His action is a means towards an end beyond motion. In basic dance the motion is its own end--that is, it is concerned with nothing beyond itself.

My mother was a teacher.

You have a teacher talking about his gayness. (The elementary school student) goes home then and says "Mom! What's gayness? We had a teacher talking about this today." The mother says "Well, that's when a man likes other men, and they don't like girls." The boy's eight. He's thinking, "Hmm. I don't like girls. I like boys. Maybe I'm gay." And you think, "Oh, that's, that's way out there. The kid isn't gonna think that." Are you kidding? That happens all the time. You don't think that this is intentional, the message that's being given to these kids? That's child abuse.

Do you dance, Mr. Darcy?" Darcy: "Not if I can help it!" Sir William: "What a charming amusement for young people this is, Mr. Darcy! There is nothing like dancing, after all. I consider it as one of the first refinements of polished societies." Mr. Darcy: "Certainly, sir; and it has the advantage also of being in vogue amongst the less polished societies of the world; every savage can dance.

We were having so much fun that once we were through each day, Tom, Gwen, and I would go, 'OK, let's go out and join all our friends at a dance club now.' And we would do this daily - go out and have a few drinks and dance the night away and at the end of the night go, 'OK, I'll see ya tomorrow at two o'clock, let's do it again.'

Me, a teacher? No way!

You love to listen to the very things that nailed your supposed Master to the tree?! Come off of it, man! Become a hellion, give yourself to demons, run wild; but don't come in here saying you're a believer and playing that game! You want to dance with the devil, then dance all night long! But don't come in here dancing with Christ for a moment, and then go back out there and share your love.

If we are always reading aloud something that is more difficult than children can read themselves then when they come to that book later, or books like that, they will be able to read them - which is why even a fifth grade teacher, even a tenth grade teacher, should still be reading to children aloud. There is always something that is too intractable for kids to read on their own.

Once I got into high school, any time I had to do a talk or a speech, I just loved being up in front of an audience, it was always a character. And then I discovered that an impersonation of the teacher was a really, really good way to get a laugh, and it would also get you good marks, because the teachers were always bored and loved to be the "teacher-parody." So that became my little trick at school, and I became known for doing that.

Could you just call me Pigeon?” he asked the teacher when she read his name. “Does your mother call you Pigeon?” “No.” “Then to me you are Paul.” ... “Nathan Sutter,” the teacher read. “My mother never calls me Nathan.” “Is it Nate?” “She calls me Honeylips.

To me, dance is an extraordinary thing, more extraordinary than most people usually think. Dance preceded writing, speaking and music. When mute people speak their body language, it is true speaking rather than handicap, this is the first word and the first writing. Thus to me, the body is fundamental.

Madonna Kolbenschlag suggest that if an awakened woman forgoes innocence and denial, if she refuses to make compromises with herself and defect to patriarchy, then her only option becomes deviance. I chose deviance. I chose to be a loving dissident. To dance the dance of dissidence. This stance can be assumed from the inside or the outside. Whichever place we choose, the important thing is having the sustained will to be, act, and speak from the ground of our feminine souls.

This will sound like I grew up on another planet, except for those people who are past 55, 60 maybe. When I was growing up, my mother and her generation basically felt that you should only work as a way of passing time until you got married and had at least two children. And the only careers that were open for women at the time was teacher or nurse - which are fantastic careers, I mean fantastic and I actually am a former math teacher.

The real reason why human life can be so utterly exasperating and frustrating is not because there are facts called death, pain, fear, or hunger. The madness of the thing is that when such facts are present, we circle, buzz, writhe, and whirl, trying to get the I out of the experience... Sanity, wholeness and integration lie in the realisation that we are not divided, that man and his present experience are one, and that no separate I or mind can be found .... [Life] is a dance, and when you are dancing, you are not intent on getting somewhere. The meaning and purpose of dancing is the dance.

We clasp the hands of those who go before us, and the hands of those who come after us; we enter the little circle of each other's arms, and the larger circle of lovers whose hands are joined in a dance, and the larger circle of all creatures, passing in and out of life, who move also in a dance, to a music so subtle and vast that no ear hears it except in fragments.

The criminal misuse of time was pointing out the mistakes. Catching them?noticing them?that was essential. If you did not in your own mind distinguish between useful and erroneous information, then you were not learning at all, you were merely replacing ignorance with false belief, which was no improvement. The part of the man's statement that was true, however, was about the uselessness of speaking up. If I know that the teacher is wrong, and say nothing, then I remain the only one who knows, and that gives me an advantage over those who believe the teacher.

If a teacher misses a target, they change the teacher, If a minister misses a target, they change the target

What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.

'Wanna Be That Song' has everything I want to say about love and about what I'm trying to be. I wanna be that part of your life, that song that means so much to you, the one that takes you back to that special place... the song that makes you laugh, the song that makes you cry when you need to cry, that makes you dance when you need to dance.

I'm writing about the things I see all around me. Growing up in Mississippi, I've seen how these backward ideas about class and race and healthcare and education and housing and racism impact everyday lives. For example, my mother wouldn't let me go to my homecoming dance because the yacht club where they were having the dance threw a fundraiser for David Duke, an ex-Klan member, when he was running for governor of Louisiana. So I grew up seeing how personal politics could be.

The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.

The Creator wants us to drum. He wants us to corrupt the world with drum, dance and chants. After all, we have already corrupted the world with power and greed....which hasn't gotten us anywhere - now's the time to corrupt the world with drum, dance and chants.

I was a teacher once.

Dancing is still, for me, one of those things that no matter when I do it and it sounds corny and cliche, but time stands still. I could literally dance for hours and hours on end and not realize that I've been dancing for hours and hours on end. In the right setting, I could literally dance all day and have a blast. It seems like one moment to me. There's nothing else going on, and it's the ultimate release.

I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.

Joy is as infectious as any disease. When you see a few people dancing, suddenly you feel your feet are ready. You may try to control them, because control has been taught to you, but your body wants to join the dance. Whenever you have an opportunity to laugh, join; whenever you have an opportunity to dance, join; whenever you have an opportunity to sing, sing - and one day you will find you have created your paradise.

The beauty is forever there before us, forever piping to us, and we are forever failing to dance. We could not help but dance if we could see things as they really are. Then we should kiss both hands to Fate and fling our bodies, hearts, minds, and souls into life with a glorious abandonment, an extravagant, delighted loyalty, knowing that our wildest enthusiasm cannot more than brush the hem of the real beauty and joy and wonder that are always there.

My whole world changed when Michael Jackson brought out the Bad album when I was about eight or nine. He took over my whole life and from then on I wanted to be Michael Jackson. I watched his videos for hours and learned how to dance like him. I would push back the chairs in the room and learn his dance moves. I even taught myself to moonwalk.

Every human being needs to know to be a great parent, for a teacher to be a great teacher, and for a business partner to be a great business partner. We can't fall back on, "Oh, I only said it once and it didn't matter." That kind of phrase. That's a not-good thing for a leader to hold inside. If what that leader did is do that separation and this person now knew that they were not going to be on the popular team, doing it once and then not doing it again isn't enough to erase what just happened.

Find a model of great education in history and you will find a great teacher who inspired students to make the hard choice to study. Wherever you find such a teacher, you will also find self-motivated students who study hard. When students study hard, learning occurs.

As of right this second my main focus is my new album, it'll be out probably towards the summertime, predominately R&B this time. I had a little stint with the dance music and all of that, which I had a good time with- and I love the audience, I love them for accepting me doing it -but I had to go home on this one. Had to take it back to my roots, and not to say that there won't be one, maybe two songs on there that the dance crowd can get into, but the majority, the girth of the album, will be R&B.

I'm not a teacher, but an awakener.

I have to be a teacher to my daughters.

Just as a person is commanded to honor and revere his father, so he is under an obligation to honor and revere his teacher, even to a greater extent than his father; for his father gave him life in this world, while his teacher instructs him in wisdom, secures for him life in the world to come.

An enemy, Ender Wiggin," whispered the old man. "I am your enemy, the first one you've ever had who was smarter than you. There is no teacher but the enemy. No one but the enemy will tell you what the enemy is going to do. No one but the enemy will ever teach you how to destroy and conquer. Only the enemy shows you where you are weak. Only the enemy tells you where he is strong. And the rules of the game are what you can do to him and what you can stop him from doing to you. I am your enemy from now on. From now on I am your teacher.

There are people who take tap class, do a tap dance. And then there are people who know the dance, who know why they take tap classes. Who know why they do 20 shuffles, or 50 shuffles, before they go on.

The most valuable thing a teacher can impart to children is not knowledge and understanding per se but a longing for knowledge and understanding, and an appreciation for intellectual values, whether they be artistic, scientific, or moral. It is the supreme art of the teacher to awaken joy in creative expression and knowledge. Most teachers waste their time by asking questions that are intended to discover what a pupil does not know, whereas the true art of questioning is to discover what the pupil does know or is capable of knowing.

It is difficult for a student to pick a good teacher, but it is more difficult for a teacher to pick a good student.

I believe this: If an actor wants a role or wants to work with somebody, then you do everything within reason to try to get that role. If they want you to audition, you audition. If they want you to screen-test, you screen-test. If they want you to come and tap-dance in their hallway, you tap-dance in their hallway.

At every sound check, I try to practice on the stage that we're gonna play on that night, 'cause every stage is different. Whether it's concrete or whether it's plywood or whether it's Plexiglas, it all requires different things. You can't dance on concrete as well as you can dance on Plexiglas.

The medieval doctors of divinity who did not pretend to settle how many angels could dance on the point of a needle cut a very poor figure as far as romantic credulity is concerned beside the modern physicists who have settled to the billionth of a millimetre every movement and position in the dance of the electrons. Not for worlds would I question the precise accuracy of these calculations or the existence of electrons (whatever they may be). The fate of Joan is a warning to me against such heresy.

We spend a lot of time and effort trying to figure out who's going to be a good NFL quarterback, and we do a very bad job of it. We don't really know. And we also spend a lot of time trying to figure out who will be a good teacher, and we're really bad at that too. We don't know if someone is going to be a good teacher when they start teaching. So what should we do in those situations in which predictions are useless?

So if you are seeking something else in the name of creativity, then drop the idea of being creative. At least consciously, deliberately, do whatsoever you want to do. Never hide behind masks. If you really want to be creative, then there is no question of money, success, prestige, respectability. Then you enjoy your activity; then each act has an intrinsic value. You dance because you like dancing; you dance because you delight in it.

I'm glad I was a teacher.