Top 1200 Dark Colors Quotes & Sayings

Explore popular Dark Colors quotes.
Last updated on April 14, 2025.
In black and white there are more colors than color photography, because you are not blocked by any colors so you can use your experiences, your knowledge, and your fantasy, to put colors into black and white.
There are so many colors in the rainbow So many colors in the morning sun So many colors in the flower and I see every one.
It's an enormous amount of work: there are 28 separate buildings, and I work on the choice of the colors for everything. Outside colors, balcony colors, etc.. And all of this has to work together, in harmony.
When I'm dressing down, it's simple: I want a good cut, no logos, and usually quite dark colors. My wardrobe is pretty much black, gray, and navy, with a little bit of white.
One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins. — © Jay Maisel
One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
Being a brown girl, I like to wear colors that are similar to my skin tone, so I wear a lot of dark colors - never anything that's too bright.
The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with base notes, or dark lake with the treble.
Black, white and nude are my essential colors. Each time I start a collection, I start with these colors; they are the elemental colors we refer to from the beginning.
We've been in a war and a recession. That's why acccent colors with yellow and purple are popular. They're optimistic and flirty and happy colors.
We've achieved this feeling, for instance, with the colors. The colors in the park are harmonious with each other, not like in big cities where they don't.
A lot of comedies in the 1980s and 1990s had all these colors and were so brightly lit. But John Landis had this dark style, like a Scorsese film.
Victor Faust did much more than help me escape a life of abuse and servitude. He changed me. He changed the landscape of my dreams, the dreams I had every day about living ordinarily and free and on my own. He changed the colors on the palette from primary to rainbow—as dark as the colors of that rainbow may be.
The West is color. Its colors are animal rather than vegetable, the colors of earth and sunlight and ripeness.
I like black a lot because I can't really see colors - so I wear a lot of dark-colored clothes. You've got to be aware of what you're wearing because you might become that.
My family is a kaleidoscope... My family is like that. We're all different colors, like a prism. When we have light shine and stuff, we're beautiful. When it's dark, nothing shines, and it's a rock.
The Caprese salad perfectly represents the colors of the Italian flag. While I am not so sure that the colors of the flag stem from the cuisine, there is no denying that those colors do evoke a typical Italian plate.
I don't fancy colors of the face, I'm always attracted to colors of the brain. — © Michael Bassey
I don't fancy colors of the face, I'm always attracted to colors of the brain.
The six colors, including the white background, represent the colors of all the world's flags ... this is a true international emblem.
In the 1980s, I was quite well known for my knitwear, and a lot of inspiration came from carpets, where I found ways to use structures and colors and depth of colors.
And I'll see your true colors shining through I see your true colors and that's why I love you so don't be afraid to let them show your true colors, true colors are beautiful like a RAINBOW.
Both light and dark are eternity. Human beings assign relative values to colors, but beyond the relative, there just is - what in Zen we call "suchness".
I just love matching sets. Tops and bottoms that are the same color are awesome to me, because you can get them in so many different colors - neon colors.
'Color' is quite different from 'colors.' In an image with many colors, we find that all the colors compete with each other rather than interacting with each other. The results" colors.
Rays were blazing through the atmosphere of the earth, the horizon became bright orange, gradually passing into all the colors of the rainbow: from light blue to dark blue, to violet and then to black. What an indescribable gamut of colors! Just like the paintings of the artist Nicholas Roerich.
Personal evolution has nothing to do with art, it's never. Art is a sine curve: dark and light change permanently, in cumulative radicalism. Art decides what to do. The choice of colors is made by the colors themselves. The evolution of art is the evolution of the future itself.
I'm very into dark colors. I try to rock the dark against the ghost white skin as much as humanly possible.
The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with bass notes or dark lake with treble.
Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
I am an optimist. I believe the future is bright. I think people who see life painted in dark colors are the ones who do not take ownership.
The distinct blue, red, and yellow colors... though they have not the kind of harmony which is produced by a variety of broken and transparent colors, have the effect of grandeur.
We may say that feelings have two kinds of intensity. One is the intensity of the feeling itself, by which loud sounds are distinguished from faint ones, luminous colors from dark ones, highly chromatic colors from almost neutral tints, etc. The other is the intensity of consciousness that lays hold of the feeling, which makes the ticking of a watch actually heard infinitely more vivid than a cannon shot remembered to have been heard a few minutes ago.
Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light.
You make different colors by combining those colors that already exist.
When I do sultry, bronzey eyeshadow, my eyes look greener, and when I wear dark or black colors, my eyes get a lot browner.
The eye doesn't see any shapes, it sees only what is differentiated through light and dark or through colors.
Colors close together on the color wheel are analogous and will make a calm room. Colors that are farther apart are complementary and add drama.
Human knowledge is dark and uncertain; philosophy is dark, astrology is dark, and geometry is dark.
Art is a creation of a higher order than a copy of nature which is governed by chance.... By the elimination of all muddy colors, by the exclusive use of optical mixture of pure colors, by a methodical divisionism and a strict observation of the scientific theory of colors, the neo-impressionists insures a maximum of luminosity, of color intensity, and of harmony- a result that has never yet been obtained.
Before, I would just only stick to a few certain colors that were considered good for my skin tone and good for my hair. But ever since 'Stranger Things,' the wardrobe people there, they would always stick me in these super bright colors. I discovered all these new colors that I just like wearing.
Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
You select the colors of your thoughts; drab or bright, weak or strong, good or bad. You select the colors of your emotions; discordant or harmonious, harsh or quiet, weak or strong. You select the colors of your acts; cold or warm, fearful or daring, small or big.
Repeated similar experiments with adjacent colors will show that any ground subtracts its own hue from colors which it carries and therefore influences. — © Josef Albers
Repeated similar experiments with adjacent colors will show that any ground subtracts its own hue from colors which it carries and therefore influences.
It was dark in the alcove, so dark that Jace was only an outline of shadows and gold. His body pinned Clary's to the wall. His hands slid down along her body and reached the end of her dress, drawing it up along her legs. "What are you doing?" She whispered. "Jace?" He looked at her. The peculiar light in the club turned his eyes an array of fractured colors. His smile was wicked. "You can tell me to stop whenever you want," he said. "But you won't.
We created this journey [in the Begin], sonically, that people can really wrap their heads around and live with and get to know us a little bit more. The dark colors, the light colors, our up-tempos, and our down-dreamy stuff.
When you a darker brunette and have pale skin like I do, it can wash you out a bit, so learning to contour is really helpful. I think you can be a bit more bold with eye makeup to define your eyes, and the same with lip colors - you can go for dark wine colors, which I love.
The rainbow is a part of nature, and you have to be in the right place to see it. It's beautiful, all of the colors, even the colors you can't see. That really fit us as a people because we are all of the colors. Our sexuality is all of the colors. We are all the genders, races, and ages.
I like to use really basic or classic colors, things that people have seen over and over and over again. Primary colors, at least in photography, have been around a lot longer than neon colors and really vibrant purples, hot pinks. Red, blue, yellow, orange - because of Kodachrome and the way that things were produced I think that those colors stood out more than any others.
The painter's only solid ground is the palette and colors, but as soon as the colors achieve an illusion, they are no longer judged.
My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.
Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.
I do not plan any painting, but begin with layers of textures and colors. As I layer the colors, something is suggested to me from within, and that is how it evolves.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
Words in the mind are like colors on the palette of the artist. The more colors we have access to, the easier it is to create a captivating picture on the canvas, and the more practice we give to using those many colors appropriately and uniquely, the more likely we will be to create a masterpiece of self expression.
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day! — © John Milton
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!
We are a part of this unique, complex, and complicated fabric of what it means to be an American. Americans come in all colors, creeds, and colors of the rainbow, and we can celebrate this together.
Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter.
I use colors that have already been experienced through the light of day and through the state of mind of the total man. In other words, my colors are not colors that are laboratory tools which are isolated from all accidentals or impurities so that they have a specified identity or purity.
Turquoise, yellow, pink, a lot of the pastel colors are some of the more popular suit colors this year. But it varies from old to young.
In 1978, the first flag was organic everything. It did have eight colors: the six colors of the rainbow we see today plus hot pink and turquoise. But pretty quickly on I realized that I would never be able to satisfy the demand for them by hand-dying fabric and these colors.
It is not enough to place colors, however beautiful, one beside the other; colors must also react on one another. Otherwise, you have cacophony.
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