Top 1200 Dark Colors Quotes & Sayings - Page 3

Living in a culture that prefers to shut out the dark, avoid shadows, and anesthetize pain means that many people are isolated. ... Family, friends, and co-workers, fearful of the dark, are reluctant to participate in our shadow experience and may urge us to be done with the dark before it is done with us.

It is a dark, dark world. If you're going to be in a dark world, I can't think of any better one to be in. I still think I'm very lucky to be in it.

Fashion is more than just how many colors and patterns you can put on at once. Being a great dresser is not necessarily about the colors you put on. It's about putting things together in the right way and then trying different things.

For me, 'Dark Souls III' is the end, but that doesn't mean the end for 'Dark Souls.' If someone other than myself, like another staff member, wants to make a 'Dark Souls,' then I don't want to deny others from making future installments.

O dark dark dark. They all go into the dark, The vacant interstellar spaces, the vacant into the vacant

When I write music, these colors pop out of me. It's hard to describe, but basically when I write music, I paint, and I add colors, and I add notes.

We had a sunset of a very fine sort. The vast plain of the sea was marked off in bands of sharply-contrasted colors: great stretches of dark blue, others of purple, others of polished bronze; the billowy mountains showed all sorts of dainty browns and greens, blues and purples and blacks, and the rounded velvety backs of certain of them made one want to stroke them, as one would the sleek back of a cat.

When you want to make the main color pure and bright, don't just keep adding bright colors on it. Just make the colors around the spot darker and dull. It will give the scene dramatical effects.I think the life is the same.

I will watch a movie that is quote unquote dark and not get the qualification of what is dark and what is not.

The Dark Satirist, like the Dark Knight - that could be a good name for a superhero.

Nothing grows among its pinnacles; there is no shade except under great toadstools of sandstone whose bases have been eaten to the shape of wine glasses by the wind. Everything is flaking, cracking, disintegrating, wearing away in the long, inperceptible weather of time. The ash of ancient volcanic outbursts still sterilizes its soil, and its colors in that waste are the colors that flame in the lonely sunsets on dead planets.

The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.

The dark does not weep for itself because there is no light. Rather, it accepts that it is the dark.

You have some dark days and dark moments going through chemo and things like that.

Whenever dark things happen in my life, there is always some dark humour.

You might be afraid of the dark, but the dark is not afraid of you. That’s why the dark is always close by.

I wouldn't go blonde. I'd like to do a darker color - a really dark, dark red.

I'm playing dark history. It's beyond black. I'm dealing with the dark things of the cosmos.

I am a fan of dark movies and dark complex characters, and I love to take on a character like that.

You go from having fun doing something to having it become your life without you realizing it. It can be weird and dark, but every single time I have a dark thought that makes me think dark about that, I tell myself, "Stop, you're stupid. This is great."

I invent by analogy. I thought, 'It's commonplace that you can mix colors, smear them together to get new emerging colors. Likewise, you can mix radio waves to get new frequencies.' So, I wondered, 'Why can't you mix sound to get new sounds?'

I don't personally see my work as being dark. What interests me is a balance between light and dark.

Science has proved that everything is energy, and now they have dark energy, dark matter. They don't call it all-embracing consciousness; they call it dark because they can't measure it. You know, paint it black.

As my Popo used to say, life is a tapestry we weave day by day with threads of different colors, some heavy and dark, others thin and bright, all the threads having their uses. The stupid things I did are already in the tapestry, indelible, but I’m not going to be weighed down by them till I die. What’s done is done; I have to look ahead.

There's always light after the dark. You have to go through that dark place to get to it, but it's there, waiting for you. It's like riding on a train through a dark tunnel. If you get so scared you jump off in the middle of the ride, then you're there, in the tunnel, stuck in the dark. You have to ride the train all the way to the end of the ride.

The existence of dark matter and dark energy are inferred from observations! They are not theoretical constructs. Though invisible, both reveal their presence through the effects that they exert on motions of celestial bodies and in the case of dark matter - the bending of light as well.

Carry a candle in the dark, be a candle in the dark, know that you're a flame in the dark.

I organize the opposition between colors, lines and curves. I set curves against straight lines, patches of color against plastic forms, pure colors against subtly nuanced shades of gray.

Haiti is the kind of place that grabs your heart, and never lets go ... When you arrive in Port-au-Prince, the first thing that strikes you is how vibrant the colors are. Buses, buildings, fences, clothing, everything is brightly painted in primary hues. On closer inspection, you see the reality behind this brightly colored landscape: a dark, grinding poverty, the worst in the Western hemisphere.

Weather forecast for tonight: dark. Continued dark overnight, with widely scattered light by morning.

Well, life is dark. We live in a very dark world. When they call them "dark films" it annoys me, because they're very real stories. They're stories I have seen or experienced or witnessed, and coming from that place, that is the hope of humanity.

In the first two years of my career, there were a lot of restraints on what I could do. I couldn't wear certain colors of lipstick, like bright pink, dark pink or red; [my lips] had to be natural. Eventually, I stopped communicating with certain people at the label, and did exactly what I wanted to do. And that was to cut my hair, dye it black, change my clothes, change my sound. Really to just express myself.

The days are short, The sun a spark Hung thin between The dark and dark.

We're living in a Dark Age of macroeconomics. Remember, what defined the Dark Ages wasn’t the fact that they were primitive — the Bronze Age was primitive, too. What made the Dark Ages dark was the fact that so much knowledge had been lost, that so much known to the Greeks and Romans had been forgotten by the barbarian kingdoms that followed.

Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information. Typography should not vary widely in an interface.

The Dark Dark is a far slower project, clearly, and that's a relief. I look for slowness anywhere I can find it.

Each band or level, being a particular manifestation of the spectrum, is what it is only by virtue of the other bands. The color blue is no less beautiful because it exists along side the other colors of a rainbow, and "blueness" itself depends upon the existence of the other colors, for if there were no color but blue, we would never be able to see it.

The most astonishing subset of the Deep Web is a collection of dark alleys called the Dark Web. The Dark Web is generally thought of as a collection of criminal elements intent on subverting the law, stealing our money, and possibly kidnapping our daughters.

The missing link in cosmology is the nature of dark matter and dark energy.

I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures.

Every town has its dark side, but I spend time in New York for my dark inspiration.

But death is stronger than that and when you cover your eyes you are the one who can't see the dark. The dark still sees you.

Adultery is the vice of equivocation. It is not marriage but a mockery of it, a merging that mixes love and dread together like jackstraws. There is no understanding of contentment in adultery.... You belong to each other in what together you've made of a third identity that almost immediately cancels your own. There is a law in art that proves it. Two colors are proven complimentary only when forming that most desolate of all colors--neutral gray.

Too many bright colors make for congestion. Too many bright colors need, above all, contrast in value, to eliminate vibration.

If I feel really ugly or unhappy, sometimes I'll choose bright colors so they'll make me feel good. Yellows, pinks, light blues and orange. I just want to feel good all the time if I can. And colors and hairstyles and all that kind of helps out.

Perhaps I could best describe my experience of doing mathematics in terms of entering a dark mansion. You go into the first room and it's dark, completely dark. You stumble around, bumping into the furniture. Gradually, you learn where each piece of furniture is. And finally, after six months or so, you find the light switch and turn it on. Suddenly, it's all illuminated and you can see exactly where you were. Then you enter the next dark room.

I use dull colors in my drawings because I started out using a root beer base because it seemed like an interesting idea and when it turned out that it worked quite well as an ink I started using other colors that would compliment it.

Not all of our work is dark, but when we are working on a dark project, we really tend to go there.

Don't go looking in dark places, because dark things live there.

The colors are stunning. In a single view, I see - looking out at the edge of the earth: red at the horizon line, blending to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue and various gradually darker shades of gray, then black and a million stars above. It's breathtaking.

This is a dark age. That's not news. It's a dark time when we have to be particularly aware of danger.

Marilyn Monroe had thick, dark eyebrows even though her hair was platinum and it looked gorgeous. It worked because she had brown eyes - dark eyes can handle a dark brow even if the hair is blond.

People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spot blues. Murky darkness. In my line of work, I make it a point to notice them.

I have a great respect for the moviegoing experience. It's such a unique thing. You're not getting up and walking around the house or flipping channels during the dull parts. You're in a dark space, and the movie fills most of your field of vision. You're surrounded by sound, and the colors are deeply saturated, and faces are fifteen feet high. If it's done well, you're really going to feel some big emotions or have some big belly laughs.

I associate colors with music, or music with colors.

Grandeur of effect is produced by two different ways which seem entirely opposed to each other. One is by reducing the colors to little more than chiaroscuro... and the other, by making the colors very distinct and forcible... but still, the presiding principle of both those manners is simplicity.

Every book should begin with attractive endpapers. Preferably in a dark colour: dark red or dark blue, depending on the binding. When you open the book it's like going to the theatre. First you see the curtain. Then it's pulled aside and the show begins.

And if your head explodes with dark forebodings too I'll see you on the dark side of the moon.

Remember always that there not so very much difference between various people as we seem to imagine. Maps and atlases show us countries in different colors. Undoubtedly people do differ from one another, but they resemble each other also a great deal, and it is well to keep this in mind and not misled by colors on the map or by national boundaries.

My humor is traced with dark - I've got dark patches all over the place.