Top 1200 Dark Tower Quotes & Sayings - Page 14

Norfolk would not be Norfolk without a church tower on the horizon or round a corner up a lane. We cannot spare a single Norfolk church. When a church has been pulled down the country seems empty or is like a necklace with a jewel missing.

My father built low- and moderate-income housing in Queens and Brooklyn. I learned a lot from him. But I went in a different direction. I built Trump Tower in Manhattan, the most luxurious building in the world. It's not going to be easy for my son, but maybe it shouldn't be easy. Life is, after all, a test.

Our problems may tower over us, but God towers over our problems.

I love hip-hop and R&B. People always say, "You are dark, you make dark dresses. You probably only love The Cure or Diamanda Galás." I love Diamanda Galás, but I also love Madonna, Beyoncé, and Courtney Love. They are all from different worlds, but they all evoke emotions in me. I am someone who needs emotions and needs to transmit them. If that weren't the case, I'd be better off changing professions.

I don't ascribe to the idea of the ivory tower composer who sits alone in a room composing his masterpieces and then comes down from Mount Sinai with the tablets. It doesn't work like that. The job of a composer is putting something down on a piece of paper that will inspire the person who's playing.

I was in Tower Records in San Francisco a few weeks ago, buying some cassettes, and a couple of people recognized me and ran up with albums, and I just wanted to cover my face and have a seizure or something. I want people to just go away.

What I want is an international monument to the world's greatest playwright. It would be an attraction that would be both educational and an automatic sight for tourists, like St Paul's and the Tower of London. It would be built with honesty and integrity not another Disneyland, but as nearly as possible a replica of the original Globe Theatre.

And because there is something they can’t see people think it has to be special, because people always think there is something special about what they can’t see, like the dark side of the moon, or the other side of a black hole, or in the dark when they wake up at night and they’re scared.

The poetry of art is in beholding the single tower; the poetry of nature in seeing the single tree; the poetry of love in following the single woman; the poetry of religion in worshipping the single star.

Tower Records was a place to meet your friends, your co-workers or a place to meet new friends who shared a common love of music, literature and all things cultural.

I think it is important to recall the context of those challenging times immediately following 9/11. For me, I had just returned to Washington from an overseas posting and I reported for duty on the morning of 9/11. I knew in my gut when I saw the video of the first plane hitting the tower in Manhattan that it was bin Laden.

There are other great writers who are not read properly in their own day for the reason, perhaps, that their readers are not yet born. What they have to say to their own generation is said so at cross-purposes and with such apparent irrelevance that it is not understood. They are, as it were, giants who tower above their own age to cast their shadows across the next.

I am a huge fan of using social media to connect with people because I think there was this 'ivory tower' aspect of journalism where people might read a byline for years but have no idea about the person who was behind it and never get to communicate with them or ask them a question.

I grew up looking at the Sunset Strip, literally. The things that I remember are the Rainbow Room, the Roxy, the Bizarries, Tower, I grew up my whole life going there, Filthy McNasty's and I said, I need these things and now fill it in with other iconic buildings.

How will the Tower of Babel be undone? How will we understand each other in Heaven? Will we all speak English or Dutch or Latin? No, we will speak music.

I've always liked monster movies and I've always been fascinated by - again, growing up in a culture where death was looked upon as a dark subject and living so close to Mexico where you see the Day of the Dead with the skeletons and it's all humor and music and dancing and a celebration of life in a way. That always felt more of a positive approach to things. I think I always responded to that more than this dark, unspoken cloud in the environment I grew up in.

Eiffel saw his Tower in the form of a serious object, rational, useful; men return it to him in the form of a great baroque dream which quite naturally touches on the borders of the irrational ... architecture is always dream and function, expression of a utopia and instrument of a convenience.

No one had more impact on my career than Gil Hodges. Playing for him was a learning experience, and he was a tower of strength. Not everbody liked him, but everybody respected him. He went about his job in a very professional manner, and it caused me to do the same with my job.

I wanted to cut past the polemics and experience London's Muslim communities for myself. My first visit was to Tower Hamlets, an East London borough that is about 38% Muslim, among the highest in the U.K. As I walked down Whitechapel Road, the adhan, or call to prayer, echoed through the neighborhood.

The collapse of the Tower of Babel is perhaps the central urban myth. It is certainly the most disquieting. In Babylon, the great city that fascinated and horrified the Biblical writers, people of different races and languages, drawn together in pursuit of wealth, tried for the first time to live together - and failed.

I have been told I've got a darkish personality. A few times." Takahashi swings his trombone case from his right shoulder to his left. Then he says, "It's not as if our lives are divided simply into light and dark. There's shadowy middle ground. Recognizing and understanding the shadows is what a healthy intelligence does. And to acquire a healthy intelligence takes a certain amount of time and effort. I don't think you have a particularly dark character.

I had gradually come, by this time [1839-01], to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow as a sign, etc., etc. and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian.

With 'Tower Prep,' Cartoon Network wanted to go into a new area where no other kids' programming was going. There were a lot of kids' sitcoms on the air, but they wanted to really go with more of like an adventure/drama feel.

What matters at this stage is the construction of local forms of community within which civility and the intellectual and moral life can be sustained through the new dark ages which are already upon us. And if the tradition of the virtues was able to survive the horrors of the last dark ages, we are not entirely without ground for hope. This time however the barbarians are not waiting beyond the frontiers; they have already been governing us for quite some time.

The reason why so many of my photographs in the book were taken in stairwells and corridors was that that was the only bit of spare space available and, in some cases, the only place where there was enough light to see anything. Even then, it was often so dark that I couldn't tell which gender my subject was (not that I particularly cared) and too dark, before the era of autofocus, to focus. I had to find a light (or carry a torch) and pre-focus.

One of my unsung heroes is Erich Mendelsohn. I met him when I was a student and he was a cranky old man and very unpleasant. But if you go to his Einstein Tower in Potsdam, Germany you see an enormous intellect at work with a language that was personal and new. It has a sense of urban design and of theater and procession I hadn't seen before.

The truth does not change according to our ability to stomach it emotionally. A higher paradox confounds emotion as well as reason and there are long periods in the lives of all of us, and of the saints, when the truth as revealed by faith is hideous, emotionally disturbing, downright repulsive. Witness the dark night of the soul in individual saints. Right now the whole world seems to be going through a dark night of the soul.

Louis B. Mayer is one of those with a claim to posessing the equation... he began to buy up nickelodeon arcades in the years before the First World War in and around Boston. He had noticed that people liked going into the dark to see the light... the appeal of the movies is beyond the sensible, rational or the hard-working. Going into the dark, afte centuries of progress in which mankind has staggered toward artificial light, smacks of delicious perversity.

It used to be that readers were relegated because they considered themselves far above society, and so the metaphor of the ivory tower developed. Now there's still this idea that the reader doesn't take part in the social game and in politics, the res publica, but for other reasons: he doesn't do it because he's not making any money.

Official motto of the White House economic team: Those who can, do. Those who can't, fantasize in the classroom, fail in Washington and then return to the Ivy Tower to train the next generation of egghead economic saboteurs. Life is good for left-wing academics. Everyone else pays dearly.

If you took every tear cried by everyone on earth on one single day and put them in a container, how big would that container need to be? Could you fill a water tower? Three water towers? It's one of those unknowable things. There has to be an answer, but we'll never know what it is.

The magnificent lobby of the Chrysler Building - faced with rare marbles, aglitter with decorative metalwork, and surmounted by a ceiling painted with a totemic image of the tower itself - leads to elevator cabs inlaid with exotic woods in fanciful patterns. The entire route from street to office is invested with ceremony, dignity, and delight.

The dark has to be contained in the light or the light will be contained in the dark.

It is in the dark that God is passing by. The bridge and our lives shake not because God has abandoned, but the exact opposite: God is passing by. God is in the tremors. Dark is the holiest ground, the glory passing by. In the blackest, God is closest, at work, forging His perfect and right will. Though it is black and we can't see and our world seems to be free-falling and we feel utterly alone, Christ is most present to us.

Is it snowing where you are? All the world that I see from my tower is draped in white and the flakes are coming down as big as pop-corns. It's late afternoon - the sun is just setting (a cold yellow colour) behind some colder violet hills, and I am up in my window seat using the last light to write to you.

Kids not only understand [a dark story] but appreciate it … Because in the real world there's fear, and dark things happen no matter how young you are. People lose parents, people lose friends … There's darkness in the world. So I think when kids are talked to in that way, they appreciate it. They're not being given some candy-coated, 'Oh, this is a world where there are no stakes.' I think that actually insults their intelligence.

He stood beneath the white tower, and looked up at it with that mournful expression which his face always carried in repose: for one moment he thought of climbing up its cracked and broken stone, and then from its summit screaming down at the silent city as a child might scream at a chained animal.

Everything wrong with America led to the point where the country built that tower of Babel, which consequently had to be destroyed. And then came the next shock. We had to realize that the people that did this were brilliant. It showed that the ego we could hold up until September 10 was inadequate.

It is certainly not then-not in dreams- but when one is wide awake, at moments of robust joy and achievement, on the highest terrace of consciousness, that mortality has a chance to peer beyond its own limits, from the mast, from the past and its castle tower. And although nothing much can be seen through the mist, there is somehow the blissful feeling that one is looking in the right direction.

There in seclusion and remote from men The wizard hand lies cold, Which at its topmost speed let fall the pen, And left the tale half told. Ah! who shall lift that wand of magic power, And the lost clew regain? The unfinished window in Aladdin's tower Unfinished must remain!

We will fight back against attacks on Latinos, on African-Americans, on women, on Muslims, on immigrants, on disabled Americans, on everyone. Whether Donald Trump sits in a glass tower or sits in the White House, we will not give an inch on this. Not now, not ever.

I met this wonderful guy who owned an old pub near the Eiffel Tower called Malone's (he's French but it's an Irish name). He had a cellar with a piano and told me I could use it whenever I wanted to. I played lots of gigs down there. When I came back I played a show at the Knitting Factory.

It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark little clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.

I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henry's old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.

I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henrys old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.

The artist's life is to be where life is, active life, found in neither ivory tower nor concrete shelter; he must be out listening to everything, looking at everything, and thinking it all out afterward.

They hammered on the outer gate and called, but there was at first no answer; and then to their surprise someone blew a horn, and the lights in the windows went out. A voice shouted in the dark: 'Who's that? Be off! You can't come in. Can't you read the notice: No admittance between sundown and sunrise?' 'Of course we can't read the notice in the dark,' Sam shouted back. 'And if hobbits of the Shire are to be kept out in the wet on a night like this, I'll tear down your notice when I find it.

Despair was so familiar to me; it could be banished by the sight of a beautiful mannikin in the window. It could be dispelled by the spectacle of lights surrounding a tower. It could be lifted by the great ghostly shape of St. Patrick's coming into view. And then despair would come again.

Scholarship aimed at truly understanding what the biblical writers meant often does not filter down into the church and through the pulpit to folks who show up on Sunday. I think that's just wrong, but scholars rarely make any effort to decipher their own scholarly work for people outside the ivory tower.

You show up in Paris, and on the drive from the airport to the hotel you're like, 'This is so cool! I want to see something! I want to go to the Eiffel Tower!' And then you leave the next morning. You think, Oh, I didn't get to do anything. I tell people: I've been just about everywhere, but I've seen nothing.

The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.

I've started researching online journals for the project. Thanks for decoding Dr. Heller's notes before sending them to me. If you'd have forwarded them to me without a translation, I'd be searching for a tall building/overpass/water tower from which to yell "goodbye cruel world.

I guess he'll have to figure out someday that he is supposed to have this dark side, that it is part of what it means to be human, to have the darkness just as much as the light- that in fact the dark parts make the light visible; without them, the light would disappear. But I guess he has to figure other stuff out first, like how to keep his neck from flopping all over the place and how to sit up.

What difference, being a pawn for the Light or a pawn for the Dark?" "There is a great difference. One difference is that for the Dark, certainly, you are a pawn. For the Light, you are a free human being, free to make mistakes, to do wrong, even. You are free to choose, whether or not you believe it.

Character is both formed and revealed by how one deals with everyday situations as well as extraordinary pressures and temptations. Like a well-made tower, character is built stone by stone, decision by decision.

In Prodigal Son, Christine Sutton has penned a tight, brutally honest portrait of a psychopath reminiscent of Theodore Sturgeon's 'Some of Your Blood'. This dark descent into the broken mind of Timothy Robert Shively will send chills down your back. Every word rings true, and every page is dark with menace. Do yourself a favor and pick this one up right now. You can thank me later.

Wisdom can see the red, the rose, the stained and sculptured curve of grey, the charcoal scars of fire, and see around that living tower of tree the hermit tatters of old bark split down and strip to end the season; and can be quiet and not look for reasons past the edge of reason.

The [peppered-moth] experiments show the effects of predation on the survival of the dark and of the normal forms of the Peppered Moth in a clean environment and in one polluted by smoke. The experiments beautifully demonstrate natural selection--or survival of the fittest--in action, but they do not show evolution in progress, for however the population may alter in their content of light, intermediate or dark forms, all the moths remain from beginning to end Biston Betularia.

I'm not a believer in putting designers off in an ivory tower. They need to have a voice at the table so they can identify where and why design can make a difference. We also need to understand the business issues. If we don't make our numbers this quarter, we don't earn the right to do something cool the next time.

I look to the right as I cross the bridge and smile to see the tip of the Eiffel Tower soaring over rooftops in the distance on the other side of the river. I've seen it in photographs a thousand times, but seeing it in person for the first time that reminds me that I'm really, truly here, thousands of miles away, across an ocean from home.