Top 531 Davis Quotes & Sayings - Page 6

I would absolutely love to do something with Viola Davis or Meryl Streep. I just think both of those women fall so deep into their characters that you are no longer looking at the actresses, you are looking at the characters they embraced.

I'd love to play a femme fatale in a film noir. I'm thinking of one of those roles that Lauren Bacall or Bette Davis might have played. What I wouldn't like is to suddenly find myself being cast, as many senior actresses seem to be, as the abbess in a convent.

At key crossroads in his life, Vernon Davis has continued to make a conscious choice to grow as a person and player. His determination through adversity since his childhood days is commendable.

I personally knew and worked with Sammy Davis, Jr. Sammy hired me to open for him at Caesars Palace in Las Vegas when I was a 19-year-old standup comedian, and that's where my fascination with his incredible story began.

My dad is Jean-Paul Bourelly, a really prestige guitar player in Europe, and he toured with Miles Davis. I was always surrounded by the most prestige kind of musicians from Senegal, Trinidad, Poland, Nigeria, and all around the world.

My musical selections are a reflection of how I grew up. Because, back then, you could see Miles Davis and Ravi Shankar on the same stage. And nobody thought anything of it, other than the fact that it was great music.

I think mystery is kind of great. I don't know anything about Bette Davis or Katharine Hepburn or Ava Gardner - not really - and I like that. I love watching their movies because they're my personal movie stars. I don't know what they eat and who their trainer is.

I don't want to be famous. I want to be secure. I don't want the world. I just want a piece of it. I want people to remember Eric Davis.

One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.

It is like a Davis Cup or a Federation Cup match in that way but instead of cheering for your country you are rooting for your local team.It really makes it fun for the crowds and gives fans a different look at tennis.

It’s funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film Death Sentence [2007], and I got back with him again in Inside Llewyn Davis.

I was lucky enough to win the Davis Cup in my first year in 1999. I won my first slam at the U.S. Open in 2001 and became world No. 1 later that year. By the age of 20, I'd done it all.

I think that that Davis Cup final made me much stronger mentally. And this preseason, I was working really hard. So today, I was really believing in myself that I can win the match anyway, that I'm going to five sets. That's so important, no, believe in yourself.

When I lived in Las Vegas, I was meeting everybody: Sammy Davis Jr., Frank Sinatra, Elvis Presley, Engelbert Humperdinck, Tom Jones - we won't go there - but all these people that were working in Vegas a million years ago, way before I was Elvira.

I love nineties stuff like Alice in Chains and Nine Inch Nails. It'd be my dream to have a Radiohead-themed episode of 'Glee.' I also love jazz greats like Coltrane, Miles Davis, and Herbie Hancock.

I'm not head-strong, and I'm not egotistical. I understand certain things better now. I won't be trying to be play everyday. There's only one Cal Ripken, one Lou Gehrig and one Joe DiMaggio. What is good for them isn't necessarily good for Eric Davis.

Having brought diversity to the air in the way that we have with Kerry Washington and Viola Davis toplining their shows, and then shows like 'Fresh Off the Boat' and 'Black-ish,' have been very important. I look forward to continuing in that vein.

What we did [shooting "Fences"] was we got young students from Carnegie Mellon, the acting and theater students, and we had them as our understudies. I told them, "You have to be off book and be ready. If Viola [Davis] has to leave you have to jump in."

I can speak of actors that I love. I love Cate Blanchett, Viola Davis, her tenacity. I love Charlize Theron. She's so surprising and so exhilarating, the kinds of projects she takes on. Marion Cotillard as well.

I've grown up with jazz - the Joe Hendersons, Oliver Nelsons, Miles Davis and stuff - but I was also listening to, like, Slipknot, Korn, and Rage Against the Machine. There was all of that weaved - interweaved - in there, and being from L.A., you tend to know your musical history.

There was also talk of bringing Al Gore to California to help out, but there was concern that Gray Davis and Al Gore in the same state would cause some kind of rolling personality blackout.

I keep saying that, if Samuel L. Jackson and Bette Davis could have a baby, it would be Taraji P. Henson. To me, she's one of the greatest character actors of our generation, let alone leading ladies. She's just phenomenal in everything she does.

I started off in drama, and there are so many women that I admire. Women in this industry are gladiators. Cicely Tyson, Viola Davis, Taraji Henson, Regina Hall, Regina King.

It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.

Because of my register, Miles Davis' trumpet playing has always been a big influence on my singing. I've always been intrigued by the way he can start anywhere and make it right.

Viola Davis is incredible - she's kind of the biggest career-wise inspiration for me. Brilliant actor, so intelligent, so strong. The path that she's made is incredible.

The platform we had in Dallas, the 1984 Republican platform, all the ideas we supported there - from tax policy, to foreign policy; from individual rights, to neighborhood security - are things that Jefferson Davis and his people believed in.

If I want to hear a voice, Lana Del Rey is very soothing, and I could just listen to her on repeat, but my real go-to that's been very consistent for at least the past ten years is Miles Davis.

The strongest feelings I experienced were in Davis Cup. It was the most powerful thing: the victories and the losses. It hits you in a distinct way. It's another level of satisfaction - another level of sadness.

I was a fan of Andy's since I was a small kid. I recall seeing an ad of famous people on an airplane together. It was caricature drawing. There was Muhammad Ali, there was Miles Davis, and there was Andy Warhol. I had a fascination with him since I was little.

I first heard Miles Davis as a student, when I was struck by his extraordinary musicianship, and his work did affect some of the sounds of Simply Red. He was one of the reasons I chose to have a muted trumpet on 'Holding Back the Years.'

It might sound strange now from where I'm standing as a world boxing champion, but I harboured serious thoughts, at the age of nine, of putting my whole life into snooker. I remember being fascinated by the game, watching the likes of Steve Davis, and thought I would do it.

Bruce Campbell and Ossie Davis are just great in that, and Don's direction is sublime. Love it, and I was glad to be a part of it, if just in spirit and Don's desire for it to be a good film and for me to be happy with it. When I first saw it I was very impressed, and it gets better with repeat viewings.

Stand-up is my heart and now I get a chance to do that and the music altogether. That's going to be great. I'm trying to be the Sammy Davis Jr. of 2005. I'm planning on going out with Cedric the Entertainer because he's got that musical bone, too.

It's funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film 'Death Sentence,' and I got back with him again in 'Inside Llewyn Davis.'

I'm still good friends with everybody from 'Teen Wolf.' I still see them, and I go to Jeff Davis' for 'Teen Wolf' night when I can. It was such a rewarding experience. That's such a fun set.

When we went to Judy Davis and said, 'We want you to play Judy Garland in the mini-series 'Life With Judy Garland,' she was shocked, but we just had an instinct about her.

According to today's Los Angeles Times, Gray Davis now gets negative job ratings from white people, black people, Latinos, Republicans, Independents and even Democrats. Say what you want about the guy but he's a uniter!

I'd accomplished everything I had set out to do - winning the French and Australian Opens, the Olympic gold medal and the Davis Cup. So I said to myself: 'Why don't you try another year and see if you can enjoy your tennis like you did once?' And I've been doing it.

When we finally have this recall election in October, there could be as many as 200 people on the ballot. And you know what's really scary? Most of them don't know the first thing about driving a state into bankruptcy. They're not experts like Governor Gray Davis.

I went to see the Terminator movie the other night. Every time Arnold Schwarzenegger came on the screen this guy in front of me went 'Booo! Booo!' and was throwing stuff. I had to say 'Governor Davis just shut up and sit down!'

There's a new Mozart, a new Miles Davis, a new Misty Copeland, a new Matisse potentially languishing in a math class somewhere. If we fail to introduce them to art, we fail humanity.

Viola Davis is just one of those actors who is never bad in anything. She could be in an awful film but you'd never come away from it saying she was bad.

I changed my hopes to being a singer [when I was a child] and sat around with my hair in my face droning Mac Davis songs. Writing was sort of a last stand. Come to think of it, it was the only "talent" I had that anyone asked for more of.

Khaki trousers soon became the province of hipsters like Jack Kerouac and Miles Davis. They were taken to new heights by Ralph Lauren, who helped popularize them among college professors and preppy men.

So much of what I create has been due to the influence of Miles Davis and Donald Byrd, and so many of those that have passed on. Their music, their legacy lives on with the rest of us because we are so highly influenced by their experience and what they have given us.

Because I'm fat, people believe I'm somehow vulnerable and easy to handle in a negotiation. Ever try to negotiate with a fat guy? We can be mean: Marvin Davis, Harvey Weinstein, Hermann Goering. No one screws around with us for long.

There's a time when it was an event for a black person to be on television. Where black households would gather around, 'Oh, you know, Sammy Davis is going to be on 'All in the Family' tonight! Let's go check it out!' It was a big, big thing.

The starting point of all great jazz has got to be format, a language that you can work within that, in some ways, is much tighter than the blues or even gospel. It's all working towards the same destination - the difference being that Miles Davis flew there, and I'm still taking the subway.

Thomas Davis was a great man where poetry is concerned, and a better than Thomas Moore. All over Ireland his poetry is, and he would have done other things but that he died young.

I used to listen to a lot of music in my studio - all the time. But as far as the music that interplays with my work, what I've done and still do is keep a lyric book and song title. The material typically comes from Eartha Kitt, Betty Davis, Donna Summer, Whitney Houston.

I believe, from reading biographies, that the great musicians have also been great cooks: Miles Davis, Dizzy Gillespie, Thelonious Monk, Max Roach. I think I've worked out why this is - unsociable hours, plus general creativity.

People behind the Iron curtain have such an incredible image of America and jazz. I expected to find a Gerry Mulligan or Miles Davis on every corner...I almost expected a Shorty Rogers to deliver the milk, a Bud Shank to be the mailman.

Coming from where I came from, the Midwest, in the era I was born, the '30s, movies were glorious fun - Bette Davis dying or whatever. But whatever they were, they were not serious.

I first met Miles Davis about 1947 and played a few jobs with him and Sonny Rollins at the Audubon Ballroom in Manhattan. During this period, he was coming into his own, and I could see him extending the boundaries of jazz even further.

Howard Dean was endorsed by Al Gore. Now, if Dean could get Gray Davis to campaign for him, that would put him over the top.

I'm doing what great artists before me did, like Judy Garland, Sammy Davis, Eddie Cantor. I'm doing what they were doing, not at their level yet, but one day I will be. I'm just happy to be in their company.

Some of my best childhood memories are of watching Terrell Davis with my dad. I used to hang out when I was, like, 4 and 5 years old and play Power Rangers in the locker room with him and Shannon Sharpe and Rod Smith. And I loved Terrell. He was awesome.

I've really enjoyed B.R.P.D. since its first days when Guy Davis was an artist on the title, and if anyone is looking for an end of the world Cthulhu apocalypse title, Mignola and Arcudi and the artists who work the title do a fantastic job.

Chris Paul is one of those guys growing up, I guess I looked up to. Deron Williams was one of those guys, Dwyane Wade, Baron Davis.