Top 1200 Daytime Tv Quotes & Sayings - Page 12

Kids and violent TV, violent TV and violence, violence and kids. The only people missing from this discussion are the parents. Where are we? Gone. Abdicated.

I've kind of gone from TV series to TV series or project to project, and I've wanted to get back in a rehearsal room. I feel like there's that exploration process, in a way, that you get in phases on jobs but I do wish I had that time [at school].

You know, we were worried that in the UK, there's no anarchy on kids TV. When we grew up kids TV was very anarchic and it was about stuff that your parents would probably object to, if they got to object. And it's gotten very safe.

More American young people can tell you where an island that the 'Survivor' TV series came from is located than can identify Afghanistan or Iraq. Ironically a TV show seems more real or at least more meaningful interesting or relevant than reality.

TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'

TV and film for me are not as exciting as the live stand-up show and getting the immediate reaction of the crowd. TV is a lot of hurry up and wait for your shot and less immediate reaction from people.

Commercials led to TV, and TV led to movies here and there.

I watch a lot of bad TV. I spend my entire day reading and writing, and after dinner my idea of fun is just to watch a lot of bad TV. That's how I relax and stay in touch with modern culture.

I was a big TV kid.When I was a kid, I would go home at 3:00 and watch TV straight through to the end of Letterman at 1:30 in the morning.I was obsessed with comics.And I would watch Jerry Seinfeld and Jay Leno and study them as if it was Tolstoy.

One time, my mom told us, 'No TV.' It was 3 P.M., and I was sneaking it in. She put her hand on the back of the TV to see if it was warm, and it was. So she pulled the cord out of the wall, opened the second-floor window, and just threw it out the window.

It's funny because when I first met with Carmen, she said, "Have you ever thought about doing TV?" And I was like, "No, not really, but I'd audition for TV." And she said, "That's where the roles are for women now. That's where you can go and get a really great part."

I think it's very dangerous, the idea of celebrity - you have to be constantly controversial to maintain the status of celebrity. Reality TV is the death of entertainment - it's just mindless TV but popular because of its voyeuristic nature, and people are very voyeuristic.

There are so many stage actors on TV but you wouldn't know they were stage actors. And film and TV actors are going to the stage as well, so the crossover is great now.

I don't know. I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.

I love TV. I know all the theme songs from the shows I watch. I'm not one of those who'd rather be a movie star. I prefer TV because of the rushed way of working-on a movie set, you sit around and wait and wait to do a scene because they're adjusting the lights.

I've seen my family watch TV every day, and they develop a liking for various characters more and more with time. So, I think TV does bring a celeb closer to his fans. I feel I have come closer to people without losing my raw appeal.

The song 'Conceited' on 'There's Something About Remy' was inspired by people always telling me that I'm so much prettier in person or that I've lost so much weight since they saw me on TV. I don't even know if that's a compliment. Were you watching me on TV thinking I was ugly?

I had worked in TV prior to working on 'Game of Thrones' - 'Game of Thrones' is far more cinematic than any other television show that I had done before, and so I feel that the worlds of TV and film are most definitely merging as one.

I've never really broken this down before, but, in movies, you almost have no connection to fans. And if you do TV, you're kind of connected, but they know you as the TV name not your real name. If you do radio, there's more of a bond there. And then if you do a podcast it's like you're literally inside of your fans.

I think its very dangerous, the idea of celebrity - you have to be constantly controversial to maintain the status of celebrity. Reality TV is the death of entertainment - its just mindless TV but popular because of its voyeuristic nature, and people are very voyeuristic.

I have known female whores who spoke very bitterly of their calling. "If they don't like my face, they can put a cushion over it. I know it's not that they're interested in." But to the boys this profession never seemed shameful. It was their daytime occupations for which they felt the need to apologize. In some instances, these were lower class or humdrum or, worst of all, unfeminine. At least whoring was never that.

I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.

I have seen women walk right past a TV set with a football game on and - this always amazes me - not stop to watch, even if the TV is showing replays of what we call a "good hit," which is a tackle that causes at least one major internal organ to actually fly out of a player's body.

It's funny; it's a real balancing act. In TV, everybody's talking about authenticity. In order to make 'Dirty Jobs' authentic, I really can't be overly informed. The minute I am, I become a host... It's a very tricky business paying a tribute to work, because TV is very bad at it.

Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.

TV is the place that writers want to be. When you don't have a very strong indie market going on, talented writers want to have their voice heard, so they'll go somewhere else, and everyone goes to TV because their voices are heard.

I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.

All the big actors are now on TV, and all the big actors have come from TV. It's a great platform.

Classic cable TV may have hit its peak, but it's still a huge force, and the streaming apps of many cable networks still require you to authenticate that you're a paying cable customer every time you want to use a new such TV app.

Obviously sex and nudity sells, but that's what people go to cable for but that's not going to happen on network daytime television... so I think it really is always going to come down to story. How do you make a story interesting enough so people will tune in? That's always going to be it.

There's been a great development with scale on TV, but my approach is always the same across projects, whether it's a video game, a movie, or a TV show: I always try to set up my sounds and my themes. I really try to stay with the characters and do the storytelling through the music.

I wanted to do 'Fargo' rather than do a TV production. I've been offered TV things over the years, but usually, that's about that I don't want to be away from home for that long because it's a long time to be away your home country and my family.

Running a TV show is always running a TV show; it's never not running a TV show.

I can work every day of the year. TV is easy. My call's at 8:30 a.m. I'd like to break out of the comedy thing and take a shot at something serious like theater. The off-season allows me to do movies, but I'm not tired of TV yet. There's nothing like it. I've got the best of both worlds.

Where I grew up, acting wasn't really accessible. I was just playing sports. But, I did watch a lot of TV. I watched a lot of Clint Eastwood movies on TV and had this fantasy of being like him when I grew up.

In the 1970s in black and Asian households up and down the country, there's a familiar story that when we saw a non-white person on TV we would call the rest of the family to the sitting room to have a look. The story that is less well known is what it was like to be that one black person on TV.

At the Emmys, you've got a bunch of people who are used to being on TV on TV. You don't have that at the Oscars. At the Oscars, you have people who are used to having 40 takes.

This is certainly not to excuse the violence that exists on TV and films and on the Internet. But the truth is that wherever you go in Europe, there are American films and TV shows that are just as popular as at home. And you don't have that sense of violence in any other place other than America.

There was a time not long ago when stories about Internet crimes were a tough sell for TV newsmagazines. Executive producers were wary because images of people typing on keyboards and video of computer monitors did not make especially compelling TV, even when combined with emotional interviews with victims.

I've gotten pretty good with a tray between acting jobs. In fact, when I got the TV show 'Gravity' I was still doing my catering work. I told my director I had to miss rehearsal because I had to work a party. He was like, 'You're on TV. You need to get over that.'

At school I got teased because I was so thin and awkward-looking. But the girls on TV looked similar to me. I would say to my mum, 'The girls at school are teasing me, but I look like those girls on TV.'

I'd done kids' TV in the U.K., but not great kids' TV. So yes, 'Submarine' was the first film and the first good thing that I have done.

I started finding humor in everything. I used to watch a lot of TV, and I finally figured I didn't need to watch TV to find funny stuff. I just watch the commercials. I mean, the commercials just blew my mind.

I really want to play a superhero. I want to take the role-model thing up a notch. I've always been a fan of movies and TV, and to be able to play the ultimate TV superhero would be awesome.

It's funny; it's a real balancing act. In TV, everybody's talking about authenticity. In order to make 'Dirty Jobs' authentic, I really can't be overly informed. The minute I am, I become a host It's a very tricky business paying a tribute to work, because TV is very bad at it.

I didn't think, 'I'd really like to work in TV; maybe I could carve out a niche where I talk to people who are somehow involved in marginal or difficult lifestyles... ' It was something I gravitated to very naturally as a subject area, almost instinctively, and somehow turned into a TV career without meaning to.

I write a lot of my best music in the car, like late night. Three, four in the morning. I'm in the passenger seat, I got my driver, my getaway driver. My Bonnie, I'm Clyde. That's when everything is just settled. In the daytime it's chaotic. Everybody just goin' nowhere fast. In a rush to go nowhere.

TV family sitcoms have always been about fathers who know best and mothers who are so enchanted with everything they do. I wanted to be the first mom to be a mom on TV. I wanted to sent out a message about how us women really feel.

Nighttime dressing is not very different from daytime dressing for me. I feel like night clothes don't get a chance to live the way day clothes do, so I prefer to think of night clothes as day clothes.

The kids can't watch 'The Wire,' but there's great educational stuff for them to watch on TV if it is TV time. There are great apps on the iPad that are interactive and educational.

Sometimes I practice to Allan Holdsworth or John McLaughlin, but I don't just practice to jazz and jazz-fusion albums. I'll practice to TV theme music - one of my favorites is 'M*A*S*H.' I'll just play along with anything on the TV.

Americans seem to be living in a state of fear about the world, one that just keeps intensifying. I mean, look at our cars and homes. They've become these massive barricades. Look at what we watch on TV and in the movies - it's all a bunch of violent ideation. And all these TV shows about dead bodies.

There are still some pieces that aren't being used, like the white-space bands between TV channels. With digital broadcasting, those buffers aren't needed anymore. The wireless telcos want to lease them, while the TV industry wants to maintain the status quo. Either decision would be a mistake.

TV, and the culture it anchors, masks and drowns out the subtle and vital information contact with the real world once provided. There are lessons, enormous lessons, lessons that may be crucial to the planet's persistence as a green and diverse place and also to the happiness of it's inhabitants-that nature teaches and TV can't.

I'd love to be on a TV series someday, but I believe you get the jobs that you're meant to get. If the job that I'm meant to get is another musical or another play or film or TV show, I'm just happy to keep working.

YouTube is the new TV. I'm the voice of the young people. I feel like kids these days don't watch TV anymore... No, I will never leave YouTube. Never ever ever... If I do, you can do whatever you want to me.

The biggest change in the government's behavior has been because of TV and its ability to show to the world what has happened in this community... that's the biggest change. But without TV... the separation between the government and the people would be much worse than it is.

All my TV shows are done live in front of audiences, and all the material I take on the road and travel with them test them for hundreds and hundreds of shows before I shoot them for TV.

I am constantly visible in TV shows because anybody who is thinking of a role sees me performing on TV and may say, 'Why not him?' That way I am always in the limelight. It's better than running around for good roles. I can't lobby for roles.

There are so many incredible women on TV right now. Viola Davis, Kerry Washington, Ellen Pompeo. These are really incredible female leads that are on network TV. Hopefully, with what I do, and the generation of actors I'm working with, that'll make the lives of other girls coming in after me even better. I hope to aim for that.