Top 1200 Death Note Quotes & Sayings - Page 2

Mom put a note in my lunch again, I see... Dear son, I hope you will study hard in summer school... Do not look upon it as a punishment, but rather as a privilege... We are very proud of you, and want you to have a good education. This note will self-destruct in five seconds.

Lecturing is that mysterious process by means of which the contents of the note-book of the professor are transferred through the instrument of the fountain pen to the note-book of the student without passing through the mind of either.

It can't be any new note. When you look at the keyboard, all the notes are there already. But if you mean a note enough, it will sound different. You got to pick the notes you really mean!

A guitar is so tactile, and when you're playing bends - and bending notes is a big part of my style - there are so many notes within the note you're bending from and the note you're bending up to.

I always took note of them, because I think if you're in the black or brown body, you're negotiating them all the time. It's like women taking note of sexism. It's a kind of incoherency that you are constantly negotiating.

I've heard stories of pickup bands that can't follow, but here's the thing: If you want to play with Chuck Berry, you listen to his greatest hits and learn the format of the songs, but don't try to play it note-for-note.

It was cold. Space, the air we breathed, the yellow rocks, were deadly cold. There was something ultimate, passionless, and eternal in this cold. It came to us as a single constant note from the depths of space. We stood on the very boundary of life and death.

I've always said that the artist dies twice. And the first death is the hardest which is the career death, the creative death. The physical death is an inevitability.

I dont make notes for myself because I either lose them or they make no sense to me at all. I once found a piece of paper with the note: everything. Apparently I made a note to myself not to forget everything!

The program I use is called MED Soundstudio. It's basically a column of numbers that relate to pitch, duration, the type of sound. If I want to play a chord, I have to press keys on a keyboard - like a computer keyboard, on my Amiga - that relate to sharps and flats, note by note.

Not very good with death? Father was a military man, and military men lived with death; lived for death; lived on death. To a professional soldier, oddly enough, death was life.

Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha - misery. This life is death.

A party who bequeaths a note bequeaths the claim and not merely the material on which the writing appears. This is proved by a sale, for when a note is sold, the debt by which it is evidenced is also considered to be sold.

I think that there's etiquette for every means of communication. People are very judgmental and have strict rules. I don't think you should end a relationship with a Post-it note. I know some people who get offended when an e-mail is sent as a "thank you" note instead of a hand-written card.

Often times I'll quickly dash off an email or text message when I leave a party. A particularly enjoyable evening, however, that warrants a thank-you note or a phone call. I always say a handwritten note is the ultimate hallmark of a classy woman. But an email is better than nothing.

Now death is death! and yet is not one death Another death? Stabbing is not the same As shooting! Would you say a strangled man Was drown'd? The end is one, the means are many, And there the difference lies!

For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.

When you get older, then you feel death not at the end of the road, but death all around you, in everything. Life is saturated with death. I feel death everywhere.

There's very little to be said for learning a piece note by note, reading the rhythmic markings, practising the fingerings and following your instructor's suggestions, if you haven't any idea how the music will eventually sound and feel. If you learn a piece mechanically, you may have to 'unlearn' it before you can play it with expression and feeling.

I taught myself to play the guitar by listening to Paul Simon records, working it out note by note. He is an incredibly intelligent musician. He's not someone who has a natural outpouring of melody like McCartney or Dylan, who are just terribly prolific with musical ideas.

Part of why making Pinwheel is so fun, is so exploding with possibility, is that a note, like a photo, can be a container for all kinds of things. It is the perfect social object. Stories, advice, jokes, diatribes, information, memories, facts, advertisements, love letters, grocery lists, and manifestoes can all be put into a note.

And, in a funny way, each death is different and you mourn each death differently and each death brings back the death you mourned earlier and you get into a bit of a pile-up.

There is another side to death. Whether death happens through an act of violence to a large number of people or to an individual, whether death comes prematurely through illness or accident, or whether death comes through old age, death is always an opening. So a great opportunity comes whenever we face death.

And they were quiet but their blood and nerves and butterflies were not—they were rampantly alive, rushing and thrumming in a wild and perfect melody, matched note for note.

There is a moonlight note in the Moonlight Sonata; there is a thunder note in an angry sky.

There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.

The mistake...was attributed in part to the fact that employees called the 3-year note 'Losh' and the 5-year note 'Bosh'. The comic mixing of 'Loshes' and 'Boshes' sounded more like a Dr. Seuss children's book than a cutting-edge risk-management operation.

Ethics are more important than laws. Which means that the exact note is less important than the feeling of the note.

Death? Why this fuss about death? Use your imagination, try to visualize a world without death! Death is the essential condition of life, not an evil.

On a very personal note, my dear friend, the late Steve 'Dr. Death' Williams was a four-time amateur wrestling All-American who also lettered and started four years on the football team at Oklahoma. I've met no man walking the face of the earth tougher than Doc. R.I.P., my friend.

I think that anybody can go home, put the record on, and listen to it note for note, but there's very little entertainment value in that, I believe. When you give people something visually entertaining to watch along with presenting the music, I feel it makes it a lot more interesting.

Death when to death a death by death hath given Then shall be op't the long shut gates of heaven. [Mors, mortis morti mortem nisi morte dedisset (dedisses).]

I drink a lot, probably too much. My scene while writing lyrics is always a bottle of scotch and stacks of note cards, pencil and pencil sharpener. I throw around note cards and drink.

You may be sitting in a room reading this book. Imagine one note struck upon the piano. Immediately that one note is enough to change the atmosphere of the room - proving that the sound element in music is a powerful and mysterious agent, which it would be foolish to deride or belittle.

Beethoven said that it's better to hit the wrong note confidently, than hit the right note unconfidently. Never be afraid to be wrong or to embarrass yourself; we are all students in this life, and there is always something more to learn.

Laughter. Yes, laughter is the Zen attitude towards death and towards life too, because life and death are not separate. Whatsoever is your attitude towards life will be your attitude towards death, because death comes as the ultimate flowering of life. Life exists for death. Life exists through death. Without death there will be no life at all. Death is not the end but the culmination, the crescendo. Death is not the enemy it is the friend. It makes life possible.

For watching death, and above all, after death; not death in battle, but death after battle, brings one to certain indifferences that are also a form of death.

Secular music, do you say, belongs to the devil? Does it? Well, if it did I would plunder him for it, for he has no right to a single note of the whole seven. Every note, and every strain, and every harmony is divine, and belongs to us.

He sought his former accustomed fear of death and did not find it. "Where is it? What death?" There was no fear because there was no death. In place of death there was light.

Lots of kids when they get their first instrument hammer away at it but they don't realise there are so many levels of dynamics with a guitar. You can play one note on a guitar and it really gets to people if it is the right note in the right place played by the right person.

We've spoken to a lot of friends who are stars who could be great, and they say to us, 'Look, if you were doing a movie musical, and we could pre-record and lip-synch, sure. But live? So if we hit a bad note it's there for posterity? We're not going to go out there without a safety net.' People are scared to death of that.

Here's a little song I wrote You might want to sing it note for note Don't worry, be happy In every life we have some trouble But when you worry you make it double Don't worry, be happy Don't worry, be happy now

As deaths have accumulated I have begun to think of life and death as a set of balance scales. When one is young, the scale is heavily tipped toward the living. With the first death, the first consciousness of death, the counter scale begins to fall. Death by death, the scales shift weight until what was unthinkable becomes merely a matter of gravity and the fall into death becomes an easy step.

The note of hope is the only note that can help us or save us from falling to the bottom of the heap of evolution, because, largely, about all a human being is, anyway, is just a hoping machine.

The greatest mystery in life is not life itself, but death. Death is the culmination of life, the ultimate blossoming of life. In death the whole life is summed up, in death you arrive. Life is a pilgrimage towards death. From the very beginning, death is coming. From the moment of birth, death has started coming towards you, you have started moving towards death.

There were no vampires of note in Western literature until about the 18th century. But they tell us where we park our anxieties, whether its over-powerful women, death or damnation. We make our own monsters.

Some immemorial imbecilities have been added deliberately, on the ground that it is just as interesting to note how foolish men have been as to note how wise they have been.

I don't make notes for myself because I either lose them or they make no sense to me at all. I once found a piece of paper with the note: 'everything.' Apparently I made a note to myself not to forget everything!

[There are, in us] possibilities that take our breath away, and show a world wider than either physics or philistine ethics can imagine. Here is a world in which all is well, in spite of certain forms of death, death of hope, death of strength, death of responsibility, of fear and wrong, death of everything that paganism, naturalism and legalism pin their trust on.

So it's nice to know that Rita had that impact, and it was nice to end a character on a high note like that. But, again, in the moment... I always say, nobody was more devastated than me [from Rita's death in Dexter]!

In jazz improv, there is no such thing as wrong notes, only notes that are better chosen and it's not about the note you play, it's about the note you play next.

I’ve lost someone, too. And there were no rules for how to deal with the death of someone you loved. You had to accept that the loss would always stay with you, like a reminder note pinned to the inside of your jacket. But there were still opportunities for happiness. Even joy.

Death is not as terrible as you think. It comes to you as a healer. Sleep is nothing but a counterfeit death. What happens in death we can picture in sleep. All our sufferings vanish in sleep. When death comes, all our mortal tortures cease; they cannot go beyond the portals of death.

I can start playing ukulele and then I'll go to a note that I think will be there, but because of the tuning, it's a completely different note. That excites me. That's why I had the ukulele around in the first place, years ago. It was to just break out of habits.

Find one note on the instrument that pleases you, and then find another note that also pleases you.

I was just obsessed with soul singers who had these big powerful voices. I used to listen to Aretha, Whitney, Mariah and try and imitate them, note for note and riff for riff.

Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.

Singing harmony is not the same as singing a part in a choral group, where you know you're going to have to hit this note and then that note. There are nuances that change every day. Maybe today you have a slight cold or voice fatigue, or you've done something and there's a slight difference in your breathing.

I played trumpet in the school bands. I learned things I liked to play on my trumpet, but I didn't learn why this note goes with this note and why it produces that sound. Or how to create tension in the composition.

Writing is like listening to a melody line in my head. Note by note, it knows where it wants to go. I follow it and lay it down. I can pare it, shape it, and polish it later...My job is to take down the dribs and drabs - to free-associate, if you will, knowing that the associations have their own plans for where we're going with all this.