Top 503 Debut Quotes & Sayings - Page 9

The strange, wonderful stories of Doctor Olaf van Schuler's Brain introduce us to the tremendously gifted Kirsten Menger-Anderson, a writer whose subject is nothing less than the diagnosis and cure of the human malady. We follow twelve generations of New York City's Steenwycks family through their forays into phrenology, mesmerism, radium therapy and similar misadventures, a historically rich narrative that Menger-Anderson delivers in striking, elegant prose and with a sure eye for detail. This is a remarkable debut by a writer to watch.

Never far from a dining table, the characters in Heather A. Slomski's limpid and elegant debut collection are not given to melodramatics. Civility reigns, voices are not raised, much goes unsaid. But just beneath the sophisticated composure are longing, loss, heartbreak. And how intensely familiar is the table itself, which made this reader suddenly understand how much of our real life takes place there. Heather A. Slomski is truly a fresh voice on the scene, and The Lovers Set Down Their Spoons is that rare thing, a new book as innovative in its design as it is compulsively readable.

In How to Be an American Housewife Margaret Dilloway creates an irresistible heroine. Shoko is stubborn, contrary, proud, a wonderful housewife and full of deeply conflicted feelings. I wanted to shake her, even as I was cheering her on, and this cunningly structured novel allowed me to do both. It also took me on two intricate journeys, from post-war Japan and the shadow of Nagasaki to contemporary California, and from motherhood to daughterhood and back again. A profound and suspenseful debut.

With lines that show an unyielding dedication to craft, these poems are not afraid of meaning or the meaningful. More and more every day, the thinking American asks how she is to believe in love when there is war all about her, and in each of her deeply felt lyrics, Elyse Fenton confronts this question with the kind of tenderness one lover reserves for another. If every poem is indeed a love poem,Clamor is indeed a debut worth reading and about which we must make noise.

With ferocity and extraordinary craft, Lizzie Harris has made a book of poems that resonates far beyond the personal stories it tells. Stop Wanting reveals, in every lyric, its author's profound metaphorical gifts. In its ironies and intensities, it brings to mind a writer like the young Sylvia Plath, though what is startling about Harris' s work is the way it combines those gifts with a muted, deft self-awareness. Most of all, these are wonderfully shaped, powerful, and surprising poems-a startling debut.

Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day.

I have long admired the visceral storytelling and moral complexity of John Vaillant’s brilliant non-fiction about humankind’s tragically ambivalent relationship with the natural world. Now he brings his abundant literary gifts to a debut novel set in a very real borderland in which human beings are themselves treated like animals. The Jaguar’s Children is a beautifully rendered lament for an imperiled culture and the brave lives that would preserve it. You should read it.

Nine Years Under is a sparkling debut--- brimming with love and bursting with life. Booker's Baltimore is equal parts The Wire and The Cosby show. She doesn't shrink from the realities of life in an inner city funeral home, but she is also a loving witness, documenting the big hearted community that takes care of its own. Told with compassion, wit, and good old fashioned story telling, Sheri Booker gives us unforgettable characters who will make you laugh right up until they break your heart.

There's just nothing funnier or crazier than that - doing your Broadway debut as Spider-Man in 'Spider-Man' the musical. It was, like, the last thing I could have ever possibly imagined happening. I mean, I would tell people I was playing Spider-Man, and people would just break out laughing because it was so ridiculous!

Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. With the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. In the final analysis, The Curse of Michael Myers is a horrific motion picture just not in the way the film makers intended.

Magical, yes, but THE SNOW CHILD is also satisfyingly realistic in its depiction of 1920s homestead-era Alaska and the people who settled there, including an older couple bound together by resilient love. Eowyn Ivey's poignant debut novel grabbed me from the very first pages and made me wish we had more genre-defying Alaska novels like this one. Inspired by a fairy tale, it nonetheless contains more depth and truth than so many books set in this land of extremes.

'Grease' was my Broadway debut. That was eye-opening. At the same time, it was very familiar. It was a Broadway show, but it's kind of the same as doing a show in Minnesota. It's the same type of rehearsal process. You are doing 8 shows a week, but I worked at a theatre in Minnesota that did 11 shows a week.

Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.

Don't Look Down” is her official debut as Skylar Grey, the singer, born Holly Brook Hafermann and raised in Mazomanie, Wis., has been making albums since she was a tween. Grey and her mother sang as a folk duo under the name Generations; they released three indie discs. “I learned a lot about professionalism, how the show must go on even though I feel like [expletive] sometimes,” Grey remembers. “I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.

Royal Young has accomplished a rare feat in his fresh and riveting debut: he manages to recount his fascinating youth and unconventional family with a mixture of humor, scathing honesty and tenderness. Much more than simply a book about a kid who dreams of stardom, Fame Shark is a thoughtful, hilarious and moving love letter to his family and the Lower East Side of New York City.

To what or whom does Lizzie Harris direct the imperative title of her startling first book, Stop Wanting? To the reader, the narrator, to desire itself, or to lack? This is a work of complexly, ambiguously layered narratives and identities. The opening poem asserts I want to say what happened / but am suspicious of stories. These lines become an ars poetica for the whole of this painful and exceptional collection in which the unspeakable is stubbornly confronted by a searing eloquence. This is a commanding debut.

My life has been so fortunate. I have had most extraordinary good fortune in my life. I sort of put it into three categories, the three major stepping stones. One being London Hippodrome theater stage debut when I was 12, when it started my career. The second being going to Broadway. And the third going to Hollywood. Each one of those happened under the most extraordinary circumstances.

Political thriller? International thriller? Financial thriller? Whatever you call it, The Ascendant is smart, edgy, fast-paced storytelling at its best. Its unlikely hero, Garrett Reilly, reminded me of a young Jack Reacher as a tech-sa What I said: “Political thriller? International thriller? Financial thriller? Whatever you call it, The Ascendant is smart, edgy, fast-paced storytelling at its best. Its unlikely hero, Garrett Reilly, reminded me of a young Jack Reacher as a tech-savvy bond analyst. Drew Chapman is a debut novelist to watch.

I thought the Rousey match was the best major league debut in the history of wrestling. They did the right thing at the right time at the right pace and took people on a roller coaster ride. That, to me, was a pro wrestling match. I couldn't find fault with it, except I wish that Ronda had come out with her game face on when she did her entrance.

CNN is the only organization with both a 24/7 TV network AND a powerhouse digital product. Rachel Smolkin, executive editor of CNN Digital Politics, has put together a Murderer's Row of talent and the midterms are really their debut. When you combine that effort with the footprint we have in the field and the depth of talent and experience of our anchors, analysts and beat reporters, I don't think there is another organization on the planet that can cover elections the way CNN can.

It's not often you find yourself writing about a game that you haven't seen one kick of. But it's not often that the favourites lose 5-0 in one of their most important matches of the season. But all things considered - the difference between expectations of success and margin of victory, the fact of Strachan's debut, the injury to Chris Sutton, the joy it will bring Rangers fans, and the potential financial loss of going out of Europe completely in the first week in August - it is hard to remember the last defeat this bad for any team.

Alethea Black can drop you into a dream with a single sentence, then convince you it's real. Her characters' best hopes and worst fears usually come to pass, often in fabulous ways, but their adventures feel inevitable and true-not only because Ms. Black richly imagines her people, but because she loves them. I Knew You'd Be Lovely is a lovely debut, with masterful prose and inspired invention on every page.

Look at Andrew Roe's The Miracle Girl from one angle and you'll see an incisive and insightful critique of America at the millennium and today, investigating where we put our faith and why. The greatest of Roe's achievements in this captivating debut is a memorable feat of intense empathy. Roe inhabits characters who are desperate to believe and reveals to us their needs and wounds and hopes, and he does so with kindness, generosity, and wisdom. This is a novel about what it means to be human, to seek connection and hope and maybe even transcendence in the world around us.