Top 1200 Deep Romantic Quotes & Sayings - Page 3

What I see as being romantic is probably different from what other people see as being romantic.

I don't want to be typecast as a heroine who does a certain kind of cinema, which is why I experiment with the types of films that I do. But yes, I won't deny that romantic love stories or romantic comedies are what I enjoy doing the most, because as an audience those are the kind of films that I like watching.

I'm not really a fan of Valentine's Day. I think it can be romantic doing nothing on Valentine's Day. It's more romantic than being given a big bunch of flowers that everyone else is doing.

Even actresses that you really admire, like Reese Witherspoon, you think, 'Another romantic comedy?' You see her in something like 'Walk the Line' and think, 'God, you're so great!' And then you think, 'Why is she doing these stupid romantic comedies?' But of course, it's for money and status.

Ah, art! Ah, life! The pendulum swinging back and forth, from complex to simple, again to complex. From romantic to realistic, back to romantic.

Ooh, it's too ­embarrassing to share my innermost romantic secrets - although I have written Danielle the odd poem. If anything they are more comedic than romantic. They used to be well ­received but that was before she started studying Shakespeare at drama college. Now I feel so ­inept.

I spent the '80s in the Soviet Union and when I came to America it was '89 and I was in an immigrant bubble and we didn't have MTV or cable, so I kind of discovered the '80s when I was already older, maybe in college. And I continued to have this romantic obsession with all those films and there's this sound I hear in my head and it's kind of this bittersweet romantic, dark sound.

I am not doting and am not romantic. I can have spurts of romance but am not consistently romantic.

The deep hurt is the mirror image of the deep joy that still awaits you.

We should develop a deep appreciation for all the we have, and not waste it, otherwise we'll die with deep regrets.

I love the idea of carrying on some kind of tradition using some of the artifacts from people that touched my life. They're a continuum, too. I still use my father's tools and some of my grandfather's tools. There's a very romantic streak in me. I confess, I'm a romantic, but I like the idea.

I'm trying to get to a deep future, but in order to get to a deep future, I had to think about the deep past.

My 22-minute film, which I called 'The Sword and the Flute', turned out to be a romantic film about India made by someone who had never been to India, but who already had very romantic feelings about everything Indian.

Most of my characters are romantic rather than sexual. I think that's an essential difference in my pictures. I think they are more accurate in portraying young people as romantic - as wanting a relationship, an understanding with a member of the opposite sex more than just physical sex.

The true feeling of sex is that of a deep intimacy, but above all of a deep complicity.

Suddenly, this romantic agony was enriched by a less romantic one: I had to go to the bathroom. Needless to say, I couldn't let her know about this urge, for great lovers never did such things. The answer to "Romeo Romeo, wherefore art thou, Romeo?" was not "In the men's room, Julie.

I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.

I was born and raised in the Bay Area. It's the place I got a deep, deep affection for.

I'm an ocean, because I'm really deep. If you search deep enough you can find rare exotic treasures.

You don't want romantic advice from me, you want romantic advice from Edward Cullen. I completely understand but he is completely unavailable right now and I'll tell you why. He doesn't exist.

Cant you understand that romanticism is no more an enemy of science than mysticism is? In fact, romanticism and science are good for each other. The scientist keeps the romantic honest and the romantic keeps the scientist human.

I believe that for the audience the best way to give the commentating is to avoid going into the deep, deep details.

I don't think I am a traditional romantic who thinks about candlelight dinners and wonders if my husband is going to bring me flowers, though I'm delighted if he does. I'm more practical-minded. I find it incredibly romantic that my husband does the dishes.

In terms of the romantic kind of lead, I just never enjoy those movies very much. Maybe they'll come to interest me more as I get older. I doubt it, but maybe. Romantic comedies tend to be, for me, an oxymoron.

The lyrics just come out, and I don't know where from. I'm an incredible failure in relationships. I think there's a romantic ideal that I'm aspiring for. I don't know. The lyrics are always about unsuccessful relationships. They're not all about the love between a man and a woman. It's about friendship and family. Deep down there's a lot of talk about general existence.

Romantic love reaches out in little ways, showing attention and admiration. Romantic love remembers what pleases a woman, what excites her, and what surprises her. Its actions whisper; you are the most special person in my life.

I'm always trying to reach a transcendent point, a romantic point, but reach it in a really unconventional way, a really profane way. To get to that romantic, touching, heartbreaking place, but through a lot of acts of profanity.

I love romantic comedies. I love romantic movies. I'm kind of a sucker for them, and, sort of end up crying at the end of them all, like a child.

My husband is the romantic one in our relationship. He's always doing sweet things for me. Each year, we recreate our first date - it was a blind date, and we met at the zoo, followed by a trip to the museum. I'd have to say that's my favorite romantic date.

Where your deep gladness meets with the deep hunger of the world, there you will find a further calling.

In Poland, the whole saying is, 'You've got one eye to Morocco and the other to the Caucasus.' That's the heart of the culture. In England, they say it less romantic: 'You've got a wandering eye.' The saying means my main stream in life must be Deep Purple. That's my main job. Then every now, and I can wander off and have one eye to Morocco.

I love to have real people of history interact with my fictional characters. History gives me the plot. I research the period meticulously, and then I blend in a romantic and sensual love story to give it balance. The heavier the history, the more romantic the couple must be.

Deep, deep trouble. Can't rival the dead for love. Lose every time.

There's nothing more deep than recognizing Israel's right to exist. That's the most deep thought of all. ... I can't think of anything more deep than that right.

There seems to be this tendency toward denigrating romantic comedies as of late because it becomes something sort of cheesy or whatever. Whereas this embraced what it was. As a fan of When Harry Met Sally or Annie Hall, as a demonstration of what romantic comedy could be and should be, I immediately phoned Nira back and said, "Yeah, I'd like to do this. It'll be fun."

My feelings for you run very deep." - Loor Not deep enought, I guess." - Bobby (The Rivers of Zadaa)

If I'm teaching deep things, then I view it as important to make people feel like they're learning deep things, because otherwise, they will still have a hole in their mind for "deep truths" that needs filling, and they will go off and fill their heads with complete nonsense that has been written in a more satisfying style.

The art of writing is mysterious; the opinions we hold are ephemeral , and I prefer the Platonic idea of the Muse to that of Poe, who reasoned, or feigned to reason, that the writing of a poem is an act of the intelligence. It never fails to amaze me that the classics hold a romantic theory of poetry, and a romantic poet a classical theory.

The purpose of romantic relationships is to encourage you to grow spiritually. Romantic relationships can do this because they are interactions in which you come to see those parts of yourself that are constructive, healthy and creative. You see them because you project them onto someone else.

I prefer a kind of sweet, deep, rich prayer in which a person goes in and says, Take me down deep into the reason you gave me life. Take me down deep. It silences the chaos in me.

Get this, kids - how a man proposes isn't what makes him romantic. It's how a man purposes to lay down his life that makes him romantic.

Wedlock is the deep, deep peace of the double bed after the hurly-burly of the chaise lounge.

Meditate. A few minutes of deep meditation will connect you with the ocean of intuition deep within you.

Ooh, it's too embarrassing to share my innermost romantic secrets - although I have written Danielle the odd poem. If anything they are more comedic than romantic. They used to be well-received but that was before she started studying Shakespeare at drama college. Now I feel so inept.

Unlike typical romantic comedies, Definitely Maybe is not formulaic or predictable and it spans a decade while being set against a political background. Also, the audience doesn't know who ends up with who until the very end, which makes it a sort of "romantic mystery comedy".

All the atoms we are made of are forged from hydrogen in stars that died and exploded before our solar system formed. So if you are romantic, you can say we are literally stardust. If you are less romantic, you can say we're the nuclear waste from fuel that makes stars shine.

I get some of my ideas from watching my three daughters, but most of them come from my own memories of growing up. I can remember how romantic I was, not just about love, but romance in the classic sense - the romantic ideals: of honor and truth, of loyalty, sacrifice and fairness. Those were the elements that made a story satisfying to me.

The funny thing is that I feel close to all my characters. Deep, deep inside them all.

Deep thinking is attainable only by a man of deep feeling, and all truth is a species of revelation

Many people who say they're looking for love are merely looking for superficial comfort. They're not looking yet for the true romantic adventure. For that entails a readiness to die to who we were, in order to be born again prepared for love, truly worthy of the romantic heights.

Perhaps I am meant to swim in deep waters.... better deep than shallow!

Here in the deep powder snow you don't hear yourself ski. You don't hear your long turns or your short turns. You just float. The faster you go, the better. The less you struggle, the better. You move through the deep light snow, through the deep snow with some crust on it, through the deep snow with some wind in it.

I've done a road trip across Italy with a girlfriend, and that was very romantic. I think that road trips are probably one of the romantic things you can do. To take your girlfriend and just stay wherever; don't have a destination and just drive and see where the road takes you is pretty cool.

Be forewarned,' the vamp said, 'if I learn that there's anything romantic happening here, I'm sending him packing...less a few body parts.' Kylie's mouth dropped open. 'Romantic? Oh, please, he's old. He's as old as you.' Burnett's brow creased. 'Which is my point.' His frown deepened. 'Not that I'm *that* old.

Whenever we feel shame, it's a mark of some deep investment or deep internal struggle.

My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters.

I don't think of Home Depot as romantic, but I do think the Christmas wonderland they put up during the holidays is magical. That is what Home Depot is to me, and that is the only romantic thing about it.

I don't know how to answer the problem of deep pain without a deep hope in eternity.

Whoever knows he is deep tries to be clear, but whoever wants to seem deep to the crowd tries to be obscure. For the crowd supposes that anything it cannot see to the bottom must be deep: it is so timid and goes so unwillingly into the water.

What I write comes from a place of deep love, and a deep understanding of all kinds of otherness.